| Artist | Publication Name | Publisher | Year | Pub. City |
|---|---|---|---|---|
| Felix Gonzales-Torres | "Untitled" (Passport #II) | 1993 | ||
| Ştefan Sava | (Alphabet) | 2013 | Bükreş / Bucharest |
|
| Eva Weinmayr | (pause) 21 scenes concerning the silence of Art in Ruins | Occasional Papers | 2010 | Londra / London |
| Sarah Tripp, Zeynep Arman (Ed.) | (Sīm-pō'ze-em) | Spectator Newspapers | 2010 | |
| Dexter Sinister | (We Would Like to Share) Some Thoughts on a Possible School Badge | Dexter Sinister | 2006 | New York |
| Cecilie Hjelvik Andersen | #1 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
| Cecilie Hjelvik Andersen | #2 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
| Cecilie Hjelvik Andersen | #3 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
| Cecilie Hjelvik Andersen | #4 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
| David Senior | ∞ Hospitality | Dexter Sinister | 2008 | |
Kutlu Çanlıoğlu, Ozan Erdoğan, Esen Karol, Ayça Köseoğulları, Bürkan Özkan, Bülent Tanju, Ersin Temurcan | 0 0 1 | 124/3 | 1998 | İstanbul |
| Tristan Perich | 0.01s The First 1/100th Second of 1 Bit Symhony | Physical Editions | 2014 | |
| Laurianne Bixhain | 01.01.2011 - TroisVierges | Editions Janine Berens | 2012 | Berlin |
| Laurianne Bixhain | 01.01.2012 - Rodenbourg | Editions Janine Berens | 2012 | Berlin |
| Sarkis | 048 | Norgunk | 2021 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06. 2023 -35- dergi | Arşiv Dergi | 2023 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2020 -14- dergi | Arşiv Dergi | 2020 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2021 -27- dergi | Arşiv Dergi | 2021 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2022 -13- dergi | Arşiv Dergi | 2022 | İstanbul |
| Hans Eijkelboom | 10-Euro Outfits | Photonotes | 2010 | Amsterdam |
| Temporary Services | 100 Actions for Chicago Torture Justice | Temporary Services | 2012 | Şikago / Chicago |
| Marina Abramovic | 100 Pisama / 100 Letters | onestar press | 2008 | Berlin |
| Rob Giampietro | 100. General Stumm Invades the State Library and Learns About the World of Books, The Librarians Guarding It, And Intellectual Order (A Close Reading of Robert Musil) | Dexter Sinister | 2008 | New York |
| Temporary Services | 11 People / 16 Spaces | Temporary Services | 2006 | Şikago / Chicago |
| Temporary Services | 12 Contributions, 5 Publications, 5 Years | Temporary Services | 2016 | Şikago / Chicago |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12. 2022 -26- dergi | Arşiv Dergi | 2022 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2020 -8- dergi | Arşiv Dergi | 2020 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2020 dergi - 8 | Arşiv Dergi | 2020 | İstanbul |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2021 -15- dergi | Arşiv Dergi | 2021 | İstanbul |
| Silvan Hillmann | 14 Solutions | Amsel Verlag | 2017 | Zürih / Zürich |
| Banu Cennetoğlu | 15 Korkutan Asyalı Adam | Banu Cennetoğlu | 2006 | İstanbul |
| Hassan Khan | 17 and in AUC-the transcriptions | Galerie Chantal Crousel and MER. Paper Kunsthalle | 2004 | Paris |
| Aslı Özdoyuran | 1974–1979 (I) | Aslı Özdoyuran | 2023 | İstanbul |
| Aslı Özdoyuran | 1974–1979 (II) | Aslı Özdoyuran | 2023 | İstanbul |
| 213 Magazin | Burg Giebichenstein University of Art and Design | 2010 | Halle | |
| Jacob Fabricius | 24 Advertisements | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
| Lény Bernay | 24 Figures | Lény Bernay | 2011 | İstanbul |
| David Shrigley | 25 Postcards for Writing on | Polite Cards | 2007 | Manchester |
| Michalis Pichler | 26 Gasoline Stations | "greatest hits”, Printed Matter, Inc. | 2009 | Berlin, New York |
| Gamze Özer | 26/6 | Bakkal Press | 2010 | İstanbul |
| Céline Duval | 3 temps en 4 mouvements | doc-cd éditions | 2009 | Houlgate |
| Erick Beltrán | 30 Mai 2003 Iasi Chiosc / May 30th, 2003 Iasi Kiosk | Erick Beltrán | 2003 | Amsterdam |
| Deniz Erbil | 5 dakkada beşiktaş fanzinleri I | Deniz Erbil | 2006 | İstanbul |
| Michael Aschauer | 7 C-Days | Fotohof Edition | 2010 | Salzburg |
| Slavs and Tatars | 79.89.09 | Book Works | 2011 | Londra / London |
| Claude Closky | A 1000 Things To Do | Galerie du Jour Agnès B. | 1996 | Paris |
| Akram Zaatari | A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi | 2012 | Paris, Berlin | |
| Vaast Colson, Dennis Tyfus | a ella le gusta la casalina (dame mas casalina!) como le encanta la casalina | Clean Press #1 ultra eczama #74 | 2009 | Anvers / Antwerp |
| Mariana Castillo Deball, Irene Kopelman (Ed.) | A for Alibi | Sternberg Press | 2007 | Berlin |
| Michael Rakowitz | A House with a Date Palm Will Never Starve | Art/Books | 2019 | Londra / London |
| Nicoline van Harskamp | A Little guide to Istanbul Guards | Nicoline van Harskamp | 2003 | İstanbul |
| Bureau for Open Culture | A Manual For The Immaterial Worker | Printed Matter | 2011 | New York |
| Morten Torgersrud | A Neutral, Flexible Structure | Ctrl+Z Publishing | 2012 | Norveç / Norway |
| Soner Ön | A Pigeon to the Phoenix | Soner Ön | 2011 | New York |
| Nancy Atakan, Nazlı Paker | A Sea of Possibilities | Nancy Atakan | 2007 | İstanbul |
| Banu Cennetoğlu, Yasemin Özcan | A Self-Sufficient yet Supportive Long- Distance Companion | Project Biennial, D-0 ARK Underground, Wiener Festwochen, SAHA | 2013 | İstanbul, Konjic, Viyana / Vienna |
| Dexter Sinister | A Short Account of the Library | Dexter Sinister | 2006 | New York |
| Andreas Angelidakis | A Short Visit | Rodeo | 2008 | Atina / Athens |
| Aslı Çavuşoğlu | A Slight Hesitation of Petra Nacht | Platform Garanti | 2007 | İstanbul |
| Simryn Gill | A Small Town at the Turn of the Century | CCA Kitakyushu | 2000 | Kitakyushu |
Beata Jurkiewicz, Piotr Lisowski, Agnieszka Pindera, Katarzyna Radomska, Joanna Zielinski (Ed.) | A Subjective Guide to Collections / Subiektywny przewodnik po kolekcjach | Centre of Contemporary Art ZNAKI CZASU | 2008 | Polonya / Poland |
| Johanna Siglinde Calle Gregg | abecé | S/W Ediciones | 2011 | New York |
| Alpagut Gültekin (Ed.) | Aç Yazı 01 | Norgunk | 2014 | İstanbul |
| Ali Taptık, Okay Karadayılar | Açık Ev, Istanbul | Ali Taptık, Okay Karadayılar | 2009 | İstanbul |
| Baltazar Castor | Actually | Basso, Yusuf Etiam | 2008 | Berlin |
| Anonim / Anonymous | açüklamalar: ben ki devrik cümleyim kalkmışım şiir olmuşum | İstanbul | ||
| David Senior (Ed.) | Adventures | Printed Matter Inc. | 2011 | New York |
| Tito Hidalgo | Afiches Anómicos | Sociedad Anómica | 2019 | Guayaquil, Ekvador, Ecuador |
| Agnès Geoffray | Agnes | Agnes Geoffray | 2003 | Amsterdam |
| Tefra90 | Airlines on Paper | Kudla Press & Floodplain | 2019 | Prag / Prague |
| Hamishi Farah | Airport Love Theme | Book Works | 2020 | Londra / London |
| Cem Bak | Aksak Sekans | cem bak. yapım: 15 | 2002 | İstanbul |
| Luis Jacob | Album IV, 20014 | Art Metropole | 2005 | Toronto |
| Ali Bosworth | Ali Bosworth | Ali Bosworth | 2008 | |
| Sera Marshall | All that is left / Kalan bu kadar | Sera Marshall | 2009 | |
| Delphine Bedel | All that is solid melts into air | Episode Publishers | 2008 | Rotterdam |
Brett Bloom, Brandon Labelle, Indrek Sirkel, Laura Toots, Anu Vahtra (Ed.) | Almost a Centimeter | KUNO | 2014 | Tallinn |
| Maia Gianakos (Ed.) | Alphabet Prime | CCP | 2009 | Stockholm |
Rami Farouk Daher, Philipp Misselwitz, Can Altay (Ed.) | Amman: Neoliberal Urban Management | Diwan | 2009 | Amsterdam |
| Daniel Spoerri | An Anecdoted Topography of Chance | Something Else Press | 1966 | New York |
| Mike Nelson | An invocation: Five Hundred and Thirty Books From Southend Central Library | Focal Point Gallery | 2013 | Essex |
| Magda Radu (Ed.) | André Cadere | National Museum of Contemporary Art Bükreş, Bucharest | 2011 | Bükreş / Bucharest |
| Bureau d'études | Anministration of Terror | Bureau d'études | 2009 | İstanbul |
| Jennifer İpekel | ANNE, İSYAN | Dirimart | 2021 | İstanbul |
| Anne Szefer Karlsen (Ed.) | Annette Kierulf & Caroline Kierulf | Hordaland Art Center | 2013 | Bergen |
| Chimurenga | Another Section | Chronic Books | 2008 | Cape Town |
| Il Coccodrillo | Antonio | Amsel Verlag | 2016 | Zürih / Zürich |
| Ryan Gander, Stuart Bailey | Appendix Appendix / A proposal for a TV series by Ryan Gander and Stuart Bailey | JPR Ringier | 2007 | Geneva |
| Şener Özmen | Apriori Gezi Rehberleri – Apriori Tour Guides : Istanbul Guide | İstanbul Bienali, İstanbul Kültür Sanat Vakfı | 2005 | İstanbul |
Ahmet Doğu İpek, Begüm Yamanlar, Coşkun Aşar, Tolga Güleç, Buşra Tunç, Furkan Temir, Ege Kanar | Aralık 2 | Aralık | 2016 | İstanbul |
| David Atwood | Arash und die Brüder | Amsel Verlag | 2021 | Zürih / Zürich |
Ilaria Conti, Chrysanthi Koumianaki, Kosmos Nikolaou, Paky Vlassopoulou (Ed.) | Around Labor, Art, and the Auratic Condition (This is not a Love Song) | 3 137 | 2020 | Athena / Athens |
Iris Ferrer, Emily Shin-Jie Lee, reinaart vanhoe, Julia Wilhelm (Ed.) | Art for (and within) a Citizen Scene | Onomatopee, Framer Framed and Willem de Kooning Academy | 2022 | Amsterdam |
| Sophie Nys | ART PROBLEMS? Seek Professional Advice | |||
| The New Museum, Art Asia Pacific | Art Spaces Directory | The New Museum - Art Asia Pacific | 2012 | Hong Kong |
| İz Öztat, Merve Ünsal (Ed.) | Arter Araştırma Programı 2019 | Arter | 2021 | İstanbul |
| Daniel Knorr | Artist Book | Kayne Griffin Corcoran | 2013 | Los Angeles |
| Mladen Stilinović | Artist's Books | Platform Garanti, Van Abbemuseum | 2007 | İstanbul |
| Cornelia Lauf, Clive Phillpot | Artist/Author: Contemporary Artists' Books | Distributed Art Publishers (D.A.P.) | 1998 | New York |
| M+P Matthé | As for Waltzing Notes | Z Forlag | 2014 | Anvers / Antwerp |
| Michela Palermo | As I was following you | Michela Palermo | 2012 | |
| Axel Wieder, Wim Waelput | Ashes and Broken Brickwork of a Logical Theory | Roma Publications | 2010 | Amsterdam |
| Geta Brătescu | Ateliere Artistului - The Artist's Studios | Salonul de Proiecte | 2012 | Bükreş / Bucharest |
| Olaf Nicolai | Athens Diary : 24 February – 2 March 2010 | O. Nicolai and Kunsthalle Athena | 2010 | Atina / Athens |
| Learning Site | Audible Dwelling | Half-Letter Press | 2011 | Şikago / Chicago |
| Clifton Meador | Avalanche | Center for editions, Purchase College | 2007 | New York |
| Pedro Reyes | Baby Marx | CCA Kitakyushu | 2009 | Kitakyushu |
| Emre Yıldız | Back to Memphis | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir |
| FRAME Finland | Bag Lady | FRAME Finland | 2007 | Helsinki |
| Dr. Faruk Bayülkem | Bakırköy Ruh ve Sinir Hastalıkları Hastanesi Resim ve El İşleri Sergisi | Ş.D.L. Matbaası | 1966 | İstanbul |
| Nejat Satı | Ballyhoo | |||
| Iona Nemeş | Balthazar | International Biennial for Contemporary Art | 2006 | Yaş / Iaşi |
| Isabel Carvalho | Bar introspectivo ocupado (cultura em potência) | Braço de Ferro – arte & design | 2009 | Porto |
| Sevgi Ortaç | Baş Aşağı Anıt | Dutch Art Institute | 2010 | Arnhem |
| Yusuf Etiman (Ed.) | basso - No. 2: Traveling without moving (2006) | basso magazin | 2006 | Berlin |
| Yusuf Etiman (Ed.) | basso - No. 3: After disaster (2006) | basso magazin | 2006 | Berlin |
| Yusuf Etiman (Ed.) | basso - No. 4: Perfectly you (2007) | basso magazin | 2007 | Berlin |
| Yusuf Etiman (Ed.) | basso - No. 5: Out of place (2007) | basso magazin | 2007 | Berlin |
| Yusuf Etiman (Ed.) | basso - No. 6: Believe it or not (2008) | basso magazin | 2008 | Berlin |
| Yusuf Etiman (Ed.) | basso - No. 7: All tomorrow's parties (2009) | basso magazin | 2009 | Berlin |
| Bazar - No. 37: Californiaweb (September 2006) | 2006 | |||
| Bazar - No.13: La Revue - El Journal (March 2002) | 2002 | |||
| Zoenie Deng | Be Water, My Friend: | Onomatopee, Eidhoven | 2022 | Amsterdam |
| Ali Taptık | Beaten Floor | Onagöre | 2010 | Viyana / Vienna |
| Dexter Sinister | Because Therefore | Dexter Sinister | 2007 | |
| Borga Kantürk | Becoming a Survivor | 2005 | Helsinki | |
| Farah Hallaba | Being Borrowed: On Egyptian Migration to the Gulf | Farah Hallaba | 2022 | Kahire / Cairo |
Ahmad Gharbieh, Mona Fawaz, Philipp Misselwitz, Can Altay (Ed.) | Beirut: Mapping Security | Diwan | 2009 | Amsterdam |
| Erik Van der Weijde | Berlin | Erik Van der Weijde | 2007 | |
| Deniz Gül | Beş Kişilik Bufet | Deniz Gül | 2009-2011 | İstanbul |
| Silvia Kolbowski, Walid Raad | Between Artists | A.R.T. Press | 2006 | New York City |
| Liam Gillick, Lawrence Weiner | Between Artists | A.R.T. Press | 2006 | New York City |
| John Baldessari, Barbara Bloom | Between Artists | A.R.T. Press | 2011 | New York City |
| Göksu Baysal | Beyaz Toros | Göksu Baysal | 2020 | Berlin |
| Judith Raum | Beyond the Substantial | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York |
| Mochu | Bezoar Delinqxenz | Sternberg Press | 2023 | Londra / London |
| Isabel Carvalho | BF10 Crónicas escritas por autoras anónimas | Braço de Ferro – arte & design | 2009 | Porto |
| Vitoria Lebasi | BF12-I.C | Braço de Ferro | 2009 | Porto |
| André Guedes | BF14 , The Airotiv Papers | The Physics Room; Braco de Ferro | 2009 | Vitorya, İspanya / Vitoria, Spain |
| Isabel Carvalho | BF16 Emissores Reunidos 1 | 2009 | ||
| Bidoun Projects | Bidoun Library | Bidoun Projects | 2009-2010 | New York |
| Hans Peter Feldmann | Bilder – Pictures | 3 Möven Verlag, Verlag der Buchhandlung Walther König | 2002 | Düsseldorf, Köln |
| Severin Hofer | Bildung Punkten Durch | Amsel Verlag | 2018 | Zürih / Zürich |
| Temporary Services | Binder Archives Exhibition Guide | Temporary Services | 2002 | Şikago / Chicago |
| Temporary Services | Binder Archives: A Portable Exhibition | Temporary Services | 2002 | Şikago / Chicago |
| Ferah Doğan | Bir hissi parlatmak için | 2015 | ||
| Arzu Çılgın | Bir Kütle Dil Bir Kütle Kitap | Ekav Sanat Galerisi | 2006 | İstanbul |
| Joanna Rajkowska | Bir Mütercimin Vazifesi, Walter Benjamin | British Council, Anadolu Kültür, Platform Garanti | 2010 | İstanbul |
| Dilşad Aladağ, Eda Aslan | Bir Yerin İzinde Pek Çok Yer | Manifold | 2021 | İstanbul |
| Hans Peter Feldmann | Birgit | Contemporary Art Gallery | 2006 | Vancouver |
| Koray Kantarcıoğlu | Bitmap Landscapes | Wounded Wolf Press | 2015 | Ankara |
| Thomas Demand | Black Label | CCA Kitakyushu | 2009 | Kitakyushu |
| Bless Laura | ||||
| Bless Laura | ||||
| Gosia Machon | Blumen | Bakkal Press | ||
| Antonia Rodrian, Leonie Rodrian | Bobzine 1: SASKE | Leonie Rodrian & Antonia Rodrian | 2022 | Berlin / Düsseldorf |
| Cem Bak | Bok – Popüler Kültür Ansiklopedisi 10. Fasikül | cem bak. yapım: 14 | 2001 | İstanbul |
| Fatoş Üstek | Book Of Confusion | Rossi & Rossi | 2012 | Londra / London |
| Céline Duval, Gilgian Gelzer | Booklet #02 | doc-cd éditions | 2010 | Houlgate |
| Melek Gençer, Huo Rf (Ed.) | border_less Paper | border_less | 2020 | İstanbul |
| Ant Hampton | Borderline Visible | Time Based Editions | 2023 | |
| Laurianne Bixhain | Bosphorus tour – pliage 013 | Laurianne Bixhain | 2010 | İstanbul |
| Temporary Services | Boutique | Temporary Services | 2000 | Şikago / Chicago |
| Darin Klein (Ed.) | Box of Books Vol. II | Darin Klein and Friends | 2009 | Los Angeles |
| Taroof & Glabel | Brefs- Bouquet Final | 2002 | ||
| Taroop & Glabel | Brefs(2) Bouquet Final | 2003 | ||
| Carlos Motta | Brief History of Leftist Guerrillas in latin America | Copyleft | 2009 | |
| Bik Van der Pol | Bring on the Devil | Casco | 2005 | Utrecht |
| Aslı Çavuşoğlu | Bruce Chatwin'in Ardından Patagonya'da/ In Patagonia After Bruce Chatwin | Aslı Çavuşoğlu | 2009 | |
| BTFA | 2008 | |||
| Buba Čvorić, Marina Tomić | Buba | Dutch Art Institute | 2009 | Arnhem |
| Hans Peter Feldmann | Buch Book #9 | Verlag der Buchhandlung Walther König | 2007 | Köln |
| Marcelo Brodsky | Buena memoria | la marca editora | 2006 | Buenos Aires |
| David Reinfurt, Stuart Bailey, Angie Keefer (Ed.) | Bulletins of The Serving Library #1 - Time | Sternberg Press | 2011 | Berlin, New York |
| David Reinfurt, Stuart Bailey, Angie Keefer (Ed.) | Bulletins of The Serving Library #2 - Registrars Office | Sternberg Press, The Serving Library | 2011 | Berlin, New York |
| Ferhat Özgür | Bulmaca – Puzzle Paper | 10. İstanbul Bienali | 2007 | İstanbul |
| Mark Dion | Bureau of the Centre for the Study of Surrealism and its Legacy | Book Works | 2005 | Verona |
| Arnauld Desjardins | Business as Usual | Publication Studio | 2011 | Vancouver |
| Temporary Services | Business Replies | Temporary Services | 2000 | Şikago / Chicago |
| Valentina Montero | By Reason or By Force | Errant Bodies Press | 2013 | Berlin |
| Anonim / Anonymous | C7H16 G la rage et je la garde | Het Fort van Sjakoo | 2006 | Amsterdam |
| Koray Kantarcıoğlu | Café Maki Yato | Koray Kantarcıoğlu | 2008 | |
| Céline Duval, Hans Peter Feldmann | Cahier D’images no 1 hazard | Feldmann Verlag | 2001 | Düsseldorf |
| Céline Duval, Hans Peter Feldmann | Cahier D’images no 4 album de famille | Hans-Peter Feldmann, Céline Duval | 2001 | |
| Céline Duval, Hans Peter Feldmann | Cahier D’images no 5 flying | Hans-Peter Feldmann, Céline Duval | 2002 | |
| Céline Duval, Hans Peter Feldmann | Cahier D`images no 12- Rouge | Feldmann Verlag | 2001 | Düsseldorf |
| Céline Duval, Hans Peter Feldmann | Cahier D`images no 7 – Charlotte | Hans-Peter Feldmann, Céline Duval | 2002 | |
| Mery Cuesta | Caida Y Auçe de Antxón Amorlortu | Iguapop Gallery | 2008 | Barselona / Barcelona |
| Aslı Çavuşoğlu | Caiet de Geografie | Vector | 2006 | |
Dina Shehayeb, Shahira Issa, Philipp Misselwitz, Can Altay (Ed.) | Cairo: Resilience - The City as Personal Practice | Diwan | 2009 | Amsterdam |
| Mayyo Alvear | campo constucción constucción campo | Recodo | 2018 | Kito / Quito |
| Yuliana Ortiz Ruano | Canciones desde el fin del mundo | kikuyo | 2020 | Kito / Quito |
| Can Alkor | Canto CXVIII | Norgunk | 2014 | İstanbul |
| Carl Andre | Carl Andre - Black Wholes | Schwabe AG, Kunsthalle Basel | 2005 | Basel |
| Raf Rennie | Catalogue Library | Catalogue Library | 2013 | Leeds |
| Alexandre Singh | Causeries | Kunstinstituut Melly | 2016 | Rotterdam |
| Dilek Winchester | Çay, çekirdek, çoluk, çocuk | Dilek Winchester | 2005 | İstanbul |
| Akiko Miyake (Ed.) | CCA Project 05.1997-03.2007 | CCA Kitakyushu | 2007 | Kitakyushu |
| Manu Boisteau | Chers Tous | Éditions Cornélius | 2009 | Paris |
| Sibylle Omlin | Chess a Play | Literarische Gesellschaft Zug | 1999 | Zürih / Zurich |
| Laurianne Bixhain | Chez bullent – pliage 010 | Laurianne Bixhain | 2009 | İstanbul |
| Chimurenga | Chimurenga Chronicle Review of Books (18-24 May 2008) | Chronic Books | 2008 | Cape Town |
| Ben Kinmont | Christopher D’Arcangelo: Project Series | Antinomian Press | 2005 | |
Igor Chubarov, Kirsten Forkert, Max Klebb, Institute for Primary Energy Research, Redas Diržys, Marina Gržinic, Chto Delat & Vpered | Chto delat?/ What is to be done? 2003-2008 | NGBK | 2008 | Berlin |
| Christine Tohme | Cilalı Mekânlar | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul |
| Cem Bak | Cine Aksak No.1 (2. basım) | cem bak. yapım | 2000 | İstanbul |
| Cem Bak | Cine Aksak No.2 (2. basım) | cem bak. yapım | 2000 | İstanbul |
| Mai Abu ElDahab, Binna Choi, Emily Pethick (Ed.) | Circular Facts | Sternberg Press | 2011 | Berlin |
| Özgür Atlagan | cılk | Özgür Atlagan | 2016 | |
| Vaast Colson | Clean Press #07: To Retitle An Object Daily During The Course Of A Show | Clean Press | 2006 | Anvers / Antwerp |
| Vaast Colson | Clean Press #08: To Retitle An Object Daily During The Course Of A Show | Clean Press | 2007 | Anvers / Antwerp |
| Vaast Colson | Clean Press #24: Triomfkaarten | Clean Press | Anvers / Antwerp | |
| Christoph Keller | Cloudbuster Project | Schipper & Krome | 2003 | Berlin |
| Christoph Keller | Cloudbuster Project Maroc | Christoph Keller | 2010 | Berlin |
| Christoph Keller | Cloudbuster Project Maroc | Christoph Keller | 2010 | Berlin |
| Sylvie Boulanger (Ed.) | cneai = neuf ans | Cneai = Hyx | 2006 | Paris |
| Pol Matthé | Coal Age Man 1981 | Z Forlag | 2013 | Oslo |
| Devrim Bayar (Ed.) | code issue 07 free: fall 08 | CODE Magazine | 2008 | Brüksel / Brussels |
| Devrim Bayar (Ed.) | code issue 4 free: spring 07 | CODE Magazine | 2007 | Brüksel / Brussels |
| Devrim Bayar (Ed.) | code issue 6 free: spring 08 | CODE Magazine | 2008 | Brüksel / Brussels |
| Devrim Bayar (Ed.) | code issue 9 free: spring 09 | CODE Magazine | 2009 | Brüksel / Brussels |
| Devrim Bayar (Ed.) | code numéro 1 gratuit: hiver 05-06 | CODE Magazine | 2005-2006 | Brüksel / Brussels |
| Devrim Bayar (Ed.) | code numéro 2 gratuit: Printemps 06 | CODE Magazine | 2006 | Brüksel / Brussels |
| Devrim Bayar (Ed.) | code numéro 3 | CODE Magazine | 2006 | Brüksel / Brussels |
| Sezgin Boynik (Ed.) | Coiled Verbal Spring: Devices of Lenin's Language | Rab-Rab Press | 2018 | Helsinki |
| Frances Stark | Collected Works | Van Abbemuseum | 2007 | Eindhoven |
| Frances Stark | Collected Writing: 1993-2003 | Book Works | 2003 | Londra / London |
| Laurianne Bixhain | Collection de feuilles d’emballage pour Simit (*) | Laurianne Bixhain | 2009-10 | İstanbul |
Enar de Dios Rodriguez, Nathalie Koger, Mona Schwitzer (Ed.) | Collective Infrastructures in Moving Images | Schlebrügge.Editor | 2022 | Viyana / Vienna |
| Claude Closky | Colorie comme tu veux, dessine et écris ce que tu veux | Éditions de Seuil | 2001 | Çin / China |
| Daniel G. Andújar | Coloring Book | Bergen Assembly | 2016 | Bergen |
| Şener Özmen, Ahmet Ögüt | Colouring Book | Şener Özmen, Ahmet Ögüt | 2013 | İstanbul |
| Luis Jacob (Ed.) | Commerce by Artists | Art Metropole | 2011 | Toronto |
| François Curlet | Commercial Break – Volume 1 / Marie Legros | Cneai Chatou | 2001 | Chatou |
| François Curlet | Commercial Break – Volume 2 / Dieter | Cneai Chatou | 2001 | Chatou |
| François Curlet | Commercial Break – Volume 3 / Pierre Huygue | Cneai Chatou | 2001 | Chatou |
| François Curlet | Commercial Break – Volume 4 / Marco Brambilla | Cneai Chatou | 2001 | Chatou |
| Céline Duval | Complet pour Fréhel | semiose éditions | 2009 | Paris |
| David Robbins | Concrete Comedy: An Alternative History of Twentieth-Century Comedy | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
| Chris Barton, Jessica Brent (Ed.) | Condiment: Adventures in Food and Form Issue 02:Questionable Taste | Food & Form | ||
| Vaast Colson | Containers and Acoustics | Nicolai | 2014 | Berlin |
| Minna Henrikson, Sezgin Boynik (Ed.) | Contemporary Art and Nationalism: Critical Reader | Prishtine Institute for Contemporary Art "EXIT" | 2007 | Kosova / Kosovo |
| Joseph Grigely | Conversations with the Hearing | Shimmer | 2019 | Rotterdam |
| Garp Sessions | Cook Book | Garp Sessions | 2022 | İstanbul |
| Alistair Frost | Cool Runnings | Art Quarters Press | 2010 | Londra / London |
| Daniel Fogarty | COPY (papers, fictions, scripts and circles) | COPY | 2012 | Yorkshire |
| Joanna Loveday, Charlotte A Morgan | COPY Charts | COPY | 2012 | Sheffield |
| Critical Writing Collective | COPY Unfold | Critical Writing Collective | 2011 | |
| COPY | COPY: Paradiso | COPY | 2013 | Yorkshire |
| Werner von Delmont | Corporate Rokoko and the End of the Civic Project | Pork Salad Press | 2002 | Kopenhag / Copenhagen |
| Anita Di Bianco | Corrections and Clarifications (Apologies, errors and omissions, justifications, corrections and clarifications, retractions and refusals, denials and distinctions), March 2011 – May 2011 | QUAD Publishing | 2011 | Londra / London |
| Anita Di Bianco | Corrections and Clarifications (Berichtigungen Und Gegendarstellungen), May 2011 – August 2011 | KW Institute for Contemporary Art | 2011 | Berlin |
| Anita Di Bianco | Corrections and Clarifications (Düzeltmeler ve Açıklamalar), Ocak 2012 – Ağustos 2014 | BAS | 2014 | İstanbul |
| Anita Di Bianco | Corrections and Clarifications (Ispravke I Razjašnjenja), January 2008 – September 2008 | Anita Di Bianco | 2008 | Banja Luka |
| Anita Di Bianco | Corrections and Clarifications, April 2009 – August 2010 | Kunsthalle Nürnberg | 2010 | Nürnberg |
| Anita Di Bianco | Corrections and Clarifications, April 2012 – September 2012 | Anita Di Bianco | 2012 | Berlin |
| Anita di Bianco | Corrections and Clarifications, August 2004 – January 2005 | 2005 | Berlin | |
| Anita Di Bianco | Corrections and Clarifications, June 2005 – August 2005 | ExtraCity | 2005 | Anvers / Antwerp |
| Anita Di Bianco | Corrections and Clarifications, May 2008 – July 2009 | Alkatraz Gallery and the International Centre of Graphic Arts | 2009 | Lübliyana / Ljubljana |
| Anita Di Bianco | Corrections and Clarifications, May 2009 – January 2010 | STUK Art Centre | 2010 | Leuven |
| Anita di Bianco | Corrections and Clarifications, September 2001 – July 2002 | Kunsthaus Zürih, Zürich | 2002 | Zürih / Zurich |
| Anita Di Bianco | Corrections and Clarifications, September 2006 – August 2007 | Anita Di Bianco | 2007 | Berlin |
| Jonathan Monk | Cover Version | Book Works | 1998 | Londra / London |
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 1 | Criticism | 2009 | |
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 2 | Criticism | 2009 | |
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 3 | Criticism | 2010 | |
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 4 | Criticism | 2010 | |
| Daniel Knorr | Cudesch d'Artist (Artist Book) | Kunsthalle Basel | 2009 | Basel |
| Faruk Ulay | Cultivation of Enigma | Ravenna Press | 2011 | Vaşington / Washington |
| Tomoo Gokita | Cum to Me | Dynasty Zine | 2010 | Atina / Athens |
| D Magazine No. 1: Art Ain't About You, It's About Me | Revolver, Veenman Publishers/Gijs Stork | 2005-2006 | Frankfurt, Rotterdam |
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Kaya Behkalam, Paula Bugni, Beatrice Catanzaro, Roberto Cavallini, Azin Feizabadi, Carla Esperenza Tommasini, Sarah Rifky, Ashkan Sepehvand | Damascus: Tourists, Artists, Secret Agents | The Greenbox | 2008 | Berlin |
| Pol Matthé | Dans le Verger Barré | Z Forlag | 2013 | |
| Jean- Baptiste Ganne | Das Illustrierte Kapital / Karl Marx | Fotohof Edition | 2003 | Salzburg |
| Carlo Spiller | Das Scheitern der Schmetterlinge | Amsel Verlag | 2015 | Zürih / Zürich |
| Serkan Özkaya | Davetiye | |||
| Nicoline van Harskamp | De Balie Conversations | Nicoline van Harskamp | 2008 | Amsterdam |
| Donghwan Kam | De Commelin; Brood & Banketbakkerij | Tenant Books | Amsterdam | |
| David Sherry | Dead Dog on a Fire | The Nordic Institute for Contemporary Art | 2002 | Helsinki |
| Gülşah Mursaloğlu, A. Laurie Palmer | Dear Gülşah, Dear Laurie | Umur Publishing | 2021 | İstanbul |
| Nobuyoshi Takagi | Deep #1 | Bakkal Press | İstanbul | |
| Refik Akyüz, Serdar Darendeliler | Değiş tokuş | GAPO | 2021 | İstanbul |
| Sophie Nys | Der Pestpatron | Galerie Greta Meert | 2012 | Brüksel / Brussels |
| Mario Moura | Design em Tempos de Crise | Braço de Ferro | 2009 | Porto |
| Ceren Oykut | devran-i felek | 2013 | İstanbul | |
| Yavuz Parlar | DIA | Yavuz Parlar | 2010 | İstanbul |
| Olaf Nicolai | Diario Rovereto, 16-21 Luglio 2008 | O. Nicolai and Manifesta 7 | 2008 | South Tyrol |
| Brandon LaBelle | Diary of an Imaginary Egyptian | Errant Bodies Press | 2012 | Berlin |
| M.L., J.A.S.L. | Dibujos libreta no. 1 | 2007-2009 | ||
| Oriol Vilanova | Diccionario-museo del exito | La Capella | 2009 | Barselona / Barcelona |
Kristina Ask, Christian Hilleso, Mads Rasmussen, Mia Rosasco | Dictionary: A World of Words and Their Meanings at Your Fingertips | 2007 | İstanbul | |
| Dieter Roth | Die Radie Sonate | Boekie Woekie | 2006 | Amsterdam |
| Hans Peter Feldmann | Die Toten 1967-1993 | Feldmann Verlag | 1998 | Düsseldorf |
| Taroop & Glabel | Dieu n`aime pas les religions | Semiose | 2012 | Paris |
| Merve Ertufan | Dikkatli adımlarla yuvarlanmak | Onagöre | 2020 | İstanbul |
| Lonnie van Brummelen, Siebren De Haan | Disclosure | Van Brummelen & De Haan | 2010 | Amsterdam |
| Lonnie van Brummelen, Siebren De Haan | Disclosures I – Autonomy as Strategy | Van Brummelen & De Haan | 2004 | Amsterdam |
| Lonnie van Brummelen, Siebren De Haan | Disclosures II – Besitzarbeit XI / Florian Slotava | Van Brummelen & De Haan | 2004 | Amsterdam |
| Lonnie van Brummelen, Siebren De Haan | Disclosures II – Raus aus seinen Kleidern / Corinna Schnitt | Van Brummelen & De Haan | 2004 | Amsterdam |
| Lonnie van Brummelen, Siebren De Haan | Disclosures III– Op Til / Pia Wergius | Van Brummelen & De Haan | 2004 | Amsterdam |
| Lonnie van Brummelen, Siebren De Haan | Disclosures IV– Ueno Park / Wineke Gartz | Van Brummelen & De Haan | 2005 | Amsterdam |
| Lonnie van Brummelen, Siebren De Haan | Disclosures V– El Comedor / Matthijs de Bruijne | Van Brummelen & De Haan | 2005 | Amsterdam |
| Judith Raum | Disestablish | Verlag der Universitat der Künste Berlin | 2012 | Berlin |
| Seth Price | Dispersion | Seth Price | 2006 | |
| Saša Miljević | Distance | Dutch Art Institute | 2009 | Amsterdam |
| Judith Raum | Distanz des Subjekts zum Objekt | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York |
| Shumon Basar | Do you often confuse love with success and with fame? | Traffic | 2012 | Dubai |
| Temporary Services | Do-It-Yourself Interview | Temporary Services | 2007 | Şikago / Chicago |
| Céline Duval | Documentation Céline Duval / (U)L.S NUMERO 0, Les Trophées, 02 | doc-cd éditions | 2008 | Houlgate |
| Céline Duval, Matthieu Renard | Documentation Céline Duval & Mathieu Renard, Quatre Mains | doc-cd éditions, Mathieu Renard | 2006 | Houlgate |
| Céline Duval, Simone Dronet | Documentation Céline Duval Revue en 4 images Index 001>030 | doc-cd éditions | 2006 | Houlgate |
| Documentation Céline Duval Revue en 4 images Index 031>060 | doc-cd éditions | 2009 | Houlgate | |
| Céline Duval | Documentation Céline Duval, Tilt 22 – Rien no 43, | doc-cd éditions, Zédélé éditions | 2004 | Houlgate, Brest |
| Irene Kopelman | Documenting Three Interventions in a Space | Rijksacademie | 2002 | Amsterdam |
| Nada Prija | Documents Enclosed | Museum of Contemporary Art Skopje | 2008 | Üsküp / Skopje |
| Faruk Ulay | Dolls Found, Words Lost | Faruk Ulay | 2013 | |
| Stuart Bailey, Mai Abu ElDahab, David Reinfurt (Ed.) | dot dot dot - 13 | dot dot dot | 2006 | Lahey / The Hauge |
| Stuart Bailey, David Reinfurt (Ed.) | dot dot dot - 15 | dot dot dot | 2007 | Cenevre / Geneva |
Stuart Bailey, David Reinfurt, Raimundas Malašauskas (Ed.) | dot dot dot - 16 | dot dot dot | 2008 | New York |
| Stuart Bailey, Peter Bil'ak (Ed.) | dot dot dot ∞ | dot dot dot | 2004 | Lahey / The Hauge |
| Cemre Yeşil Gönenli | Double Portrait | FİLBooks | 2021 | İstanbul |
| Marcus Gustavsson | Down here together | FAİL Books | 2021 | İstanbul |
| Dan S. Wang | Downtime at the Experimental Station: A conversation with Dan Peterman | Temporary Services | 2004 | Şikago / Chicago |
| Patrizia Bach | Drawings on Walter Benjamin - Zeichnungen zu Walter Benjamin | Patrizia Bach, Revolver | 2017 | Berlin |
| Temporary Services | Drawn Out | Temporary Services | 2000 | Şikago / Chicago |
| Lonnie van Brummelen, Siebren De Haan | Drifting Studio Practice | Hatje Cantz Verlag GmbH | 2021 | Berlin |
| Gülçin Aksoy | Duble Hikaye | Birtakımşeyler Stüdyosu | 2014 | İstanbul |
| Antonis Vathis | Dynasty Zine | Dynasty Zine | 2010 | Atina / Athens |
| Haris Epaminonda | Dynasty Zine: Images | Dynasty Zine | 2010 | Atina / Athens |
| Justin Samson | Dynasty Zine: Many Dimensions Of A Soul People | Dynasty Zine | 2010 | Atina / Athens |
| Bill Kouligas, Kathryn Politis | Dynasty Zine: Wanderlust | Dynasty Zine | 2010 | Atina / Athens |
| Stuart Bailey, David Reinfurt (Ed.) | E.1027 Maison en Bord de Mer Roquebbrunne-Cap-Martin | Kasper Akhøj and Wiels Contemporary Art Center | 2009 | Belçika / Belgium |
| Christiane Peschek | Eden | Sanatorium | 2020 | İstanbul |
| Banu Cennetoğlu, Yasemin Özcan | Ein selbstversorgender dennoch unterstützender Langstreckenbegleiter | Project Biennial, D-0 ARK Underground, Wiener Festwochen, SAHA | 2013 | İstanbul |
| Ani Setyan | Eksik Liste | DEPO | 2015 | İstanbul |
| Ulises Carrión (Ed.) | El robo del año | antítesis/ ALIAS | 2013 | Meksiko / Mexico City |
| Emre Hüner | Elektroizolasyon | Arter Yayınları | 2021 | İstanbul |
| Emre Hüner | Emre Hüner (Bent 003) | BAS | 2007 | İstanbul |
| Eleni Kamma | Enlever Et Entretenir | Jan Van Eyck Academie Editions | 2010 | Maastricht |
| Hannahlisa Kunyik | Erfahrungs-versus Produktionsästhetik. Ein Day Off in der Arena ästhetischer Grundsatzfragen. | SCHLAFZIMMERPRODCTION | 2017 | Viyana / Wien |
| Özlem Altın | Erstarrte Unruhe | Orient Press | 2009 | Berlin |
| Judith Raum | Eser | Archive Books | 2015 | Berlin |
| Vijay Sharma | Essay on Hinduism and Aesthetics | Amsel Verlag | 2012 | Zürih / Zürich |
| Serkan Karaca | Eti Benim Kemiği Senin | Bakkal Press | 2010 | İstanbul |
| Daniel Knorr | European Influenza | Plitt Printmanagement | 2005 | Venedik / Venice |
Autonook Centrum, Jansen & Jansen, The Prisoner Support Group, Complaints Book Police Conduct (Ed.) | EUROTOP Amsterdam Complaints Book Police Conduct | Autonoom Centrum, Jansen & Janssen, The Prisoner Support Group | 2001 | Amsterdam |
| Andrzej Steinbach | Even and then Some | Institut für Buchkunst Leipzig | 2010 | Leipzig |
| Pilvi Takala | Event on Garnethill | Art-Print Oy | 2005 | Helsinki |
| Eloisa Cartonera | Evita Lives (Néstor Perlongher) | Eloisa Cartonera | 2007 | Buenos Aires |
| Sara MacKillop | Ex-Library Book | Pork Salad Press | 2012 | Kopenhag / Copenhagen |
| Daniel Small | Excavation II | Hammer Museum | 2016 | Los Angeles |
| Steven Parrino | Exit Dark Matter | Steven Parrino | 2002 | |
| Pilar Perez (Ed.) | Extra Art: A Survey of Artists' Ephemera, 1960-1999 | RAM Publications | 2001 | San Francisco |
| Umut Altıntaş (Ed.) | f: fotokopi yayın projesi | Hayy Açık Alan | 2020 | İzmir |
| Jill Magid | Failed States | 2012 | ||
| Minna Henriksson, Ahmed Al-Nawas | Fake Star | Rab-Rab Press | 2021 | Helsinki |
| Ruth Stacks | False Friends | Kunstverein Publishing | 2010 | Amsterdam |
| Cem Bak | Femme Fatale – Popüler Kültür Ansiklopedisi 11. Fasikül | cem bak. yapım: 16 | 2002 | İstanbul |
| Hanna Stiegeler | Fendere Fendo Fendei | Fendi Mag | 2014 | Leipzig |
| Chrysa Chouliara | Fenneco's Journey | Amsel Verlag | ||
| Temporary Services | FFA Exhibition Guide | Temporary Services | 2000 | Şikago / Chicago |
| Temporary Services | FFA Portable Exhibition Guide | Temporary Services | 2000 | Şikago / Chicago |
| Temporary Services | FFA Re-Exhibition Strategies | Temporary Services | 2000 | Şikago / Chicago |
| Eko Nugroho | Fight me! | Resist Books | Yogyakarta | |
| Sera Marshall | Fill your own damn faces in, punk. | Sera Marshall | 2009 | |
| Sera Marshall | Fingering Books | Sera Marshall | 2008 | |
| Didier Fiuza Faustino | Flesh / Bones | CCA Kitakyushu | 2011 | Kitakyushu |
| Ravikumar Kashi | Flexing Muscles | Reliable Copy | 2019 | Bangalore |
| Bik Van der Pol | Fly Me to the Moon | Sternberg Press | 1998 | Berlin |
| Christina Eriksson Christofer Frediriksson | Foghorn - Harangue - And So On | Feson Forlag | 1998 | Umea |
| Merve Kaptan, Charlie Coffey (Ed.) | Folio Issue #0 (Winter 2010) | 2010 | İstanbul | |
| Lonnie van Brummelen, Siebren De Haan | Follow the Hybrid | Courtesy Motive Gallery | 2013 | Brüksel / Brussels |
| Old Tree | Foot Paths | CCA Kitakyushu | 2008 | Kitakyushu |
| Will Holder | For the blind man in the dark room for the black cat that isn't there | Anthony Huberman | 2010 | New York |
| Michalis Pichler | Forever & Today Inc. | greatest hits | 2009 | Berlin |
| Erik Van der Weijde | Foto.zine nr.1 #1-#8 | 4478ZINE | 2005 | |
| Erik Van der Weijde | Foto.zine nr.2 – Third Reich, Patinoire, Caravans, Church Houses, Niemeyer | 4478ZINE | 2007 | |
| Tülay Atak, David Berge, Elke Krasny | Fragile City | MER Paper Kunsthalle | ||
| Temporary Services | Framing the Artists | Temporary Services | 2005 | Şikago / Chicago |
| Stefanie Pretnar | Frankfurt Classic | Stefanie Pretnar | 2009-2014 | |
| Toni Sant | Franklin Furnace and The Spirit of the Avant-Garde | intellect | 2010 | Bristol, Şikago / Chicago |
| Özlem Altın | Freunde und Futter | Orient Press | 2008 | Berlin |
Pol Matthé, Jochem Vanden Ecker, Martin Maloney, Kris Krimpe | From Brown to Blue | Z Forlag | 2013 | Oslo |
| John Russell | Frozen Tears III | ARTIcle Press | 2007 | Birmingham |
| frèdèric dumond | fsyeofgnaar ng | frèdèric dumond, agnès geoffray | 2003 | Amsterdam |
| Fukt Magazine | Fukt #5: Animation Issue | Fukt Magazine | 2006 | Stockholm |
| Fukt Magazine | Fukt #6: Fukt & D – Drunk on dreams | Fukt Magazine | 2007 | Berlin, Amsterdam |
| Fukt Magazine | Fukt #7,5 : Magazine for Drawing | Revolver | 2009 | Berlin |
| Fukt Magazine | Fukt 2002 | Fukt Magazine | 2002 | Berlin |
| Fukt Magazine | Fukt 2003 | Fukt Magazine | 2003 | Stockholm |
| Giles Weaver | Further Notes From The Underground | Dexter Sinister | 2008 | |
| Cem Bak | Futbol – Popüler Kültür Ansiklopedisi (2. basım) | cem bak. yapım | 2000 | İstanbul |
| Mari Lagerquist | Galgar – en familjehistoria | A Shoal of Mackerel | 2011 | Glasgow |
Gül Ilgaz Kent, Gülçin Aksoy, Raziye Kubat, Memed Erdener, Neriman Polat, Nancy Atakan, İrfan Önürmen, Maria Sezer, Antonio Cosentino | Garip Bir Pandik no:1 | Garip Bir Pandik | 2000 | İstanbul |
Gül Ilgaz Kent, Gülçin Aksoy, Raziye Kubat, Memed Erdener, Neriman Polat, Nancy Atakan, İrfan Önürmen, Maria Sezer, Antonio Cosentino | Garip Bir Pandik no:2 | Garip Bir Pandik | 2012 | İstanbul |
| Deniz Kırkali, Ayşe İdil İdil | Garp Sessions: Belgeleme ve Yeni Üretim / Documentation and Commissioned Works | Nocturne-Platform für experimentelle Wissensproduktion e. V. | 2023 | Berlin, Siegen |
| Gazete Karaşın | Karaşın Aylık Fotokopi Gazete | 1998 | İstanbul | |
| general idea editions 1967-1995 | Blackwood Gallery | 2003 | Missisauga, Ontario |
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| Sophie Nys | Geografische Identiteiten – Identites Geographiques – Geographische Identitaten | Sophie Nys | 2004 | |
| Nick Mauss | Geschenkpapiere | Koenig Books | 2010 | Londra / London |
Mariana Castillo Deball, Jay Chung, Q Takeki Maeda, Dani Gal | Geschichte History | Hatje Cantz | 2009 | Ostfildern |
| Fatma Belkıs | Gidenler | Onagöre | 2021 | İstanbul |
| Fatma Belkıs | Gidenler / those who left | Onagöre | 2011 | İstanbul |
| Isabel Carvalho | Girls are dreaming about enormous machines | Galeria Nova Ogiva | 2008 | Bombarral |
| Luis Jacob | Golden Streams | Blackwood Gallery | 2002 | Toronto |
| Sevil Tunaboylu | Görmenin Kenarında / On the Edge of Seeing | Sevil Tunaboylu | 2022 | İstanbul |
| Sevim Sancaktar | Göz Kapakları, İki dost iki düşman | FAİL Books | 2019 | İstanbul |
| Eşref Yıldırım | Gözden Geçirilmiş İkinci Baskı | Galeri Zilberman | 2012 | İstanbul |
| Sezgi Abalı, İpek Çankaya | Gözlem | Halka Art Project | 2012 | Istabul |
| Thomas Hirschhorn | Gramsci Monument (pamphlet) | Dia Art Foundation | 2013 | New York |
| Dan Geesin | Green | Dan Geesin | 2005 | Amsterdam |
| Olivia Plender | Green Lines | Pork Salad Press and Point | 2013 | Kopenhag / Copenhagen |
| Temporary Services | Group Work | Temporary Services | 2002 | Şikago / Chicago |
| Temporary Services | Groupings | Temporary Services | 2002 | Şikago / Chicago |
| Allora & Calzadilla | Guantanamo Bay Song Book | Center for Contemorary Art, CCA Kitakyushu | 2009 | Kitakyushu |
| Maria Auxiliadora Balladares | Guayaquil | Premio Pichincha | 2017 | Guayaquil |
| Lara Almarcegui | Guide to the Wastelands of the Lea Valley – 12 Empty Spaces Await the Londra, London Olympics | Barbican Art Gallery | 2009 | Londra / London |
| Sarah Tripp | Guitar! | Book Works | 2020 | Londra / London |
| Umut Yıldırım (Ed.) | Gulyabani Günlüğü | 2016 | ||
| Banu Cennetoğlu, Yasemin Özcan | Güncellenmiş Destekçi | Rodeo | 2014 | İstanbul |
| Banu Cennetoğlu | Güncelleştirilmiş ve Genişletilmiş Korkutan Asyalı Adamlar – Updated and Expanded Scary Asian Men | Center of Contemporary Art "Znaki Czasu, Toruń | 2010 | Toruń |
| Ege Berensel | Ha'lar | Ege Berensel | 2020 | İstanbul |
| Ariane Müller | Handbuch für die Reise durch Afrika | Starship | 2013 | Berlin |
| Louis Kaplan | Hanging up Moholy | Dexter Sinister | 2006 | |
| Hans Haacke | Hans Haacke: Unfinished Business | M.I.T. Press | 1986 | New York |
| Hans Peter Feldmann | Hans Peter Feldmann | VG Bild-Kunst, Bönn für H.-P. Feldmann und der Verlag der Buchhandlung Walther König | 2004 | Köln |
| Mekhitar Garabedian | Happy When It Rains | Imschoot, Uitgevers | 2006 | Gent |
| Eva Weinmayr | Havva Bağcı | Rodeo | 2009 | İstanbul |
| Cemre Yeşil Gönenli | Hayal&Hakikat | Gost | ||
| Laurie Cluitmans, Arnisa Zeqo (Ed.) | He Disappeared into Complete Silence - Rereading a Single Artwork by Louise Bourgeois | De Hallen Haarlem - Onomatopee | 2011 | Haarlem Eindhoven |
| Sera Marshall | He said | Sera Marshall | 2008 | |
| Clifton Meador | Heart | Center for Editions, Purchase College | 2008 | New York |
| Michalis Pichler | Hearts | Revolver, Agra Publications, Thessolonika Museum of Photography | 2008 | Frankfurt, Atina / Athens |
Deniz Beşer, La Garçonne, Muzaffer Hasaltay Du von Jetzt | heyt be! Nase zine #5 | Nase Zine | 2017 | |
| Meliha Erem | Hipernotlar | Arter | 2021 | İstanbul |
| Stella Vine | Holy water cannot help you now | Mörel Books | 2008 | UK |
| Susan Hiller | Hommage a Yves Klein, Homage to Marcel Duchamp, Levitations | Institute of Contemporary Arts, Book Works | 2008 | Londra / London |
| Pol Matthé | Horsten? | Z Forlag | 2013 | Oslo |
| Mona Mahall, Aslı Serbest | How Architecture Learned to Speculate | Igmade | 2009 | Stuttgart |
| Mirene Arsanios | How to make (nice) things happen - No. 0 (Summer 2010) | ArteEast | 2010 | New York |
| Vaast Colson | Hüzün | Clean Press, Maes & Matthys Gallery | 2010 | Anvers / Antwerp |
| Meliha Erem | Hypernauts | Arter | 2021 | İstanbul |
| Ben Vautier | I am for a pluri-ethnical art world | Emily Harvey Publication | 1991 | New York |
| Sara Masüger | I Have A Rabbit For You | Rijksacademie | 2003 | Amsterdam |
| Karl Holmqvist | I on a Lion in Zion | Revolver | 2005 | Vilnius |
| Marko Tadic | I Speak True Things | 2008 | Zagreb | |
| Sherif Xenoph Ibn El | I Want to be a Suicide Bomber | Pistols Drawn | 2013 | İstanbul |
| Ian White | Ibiza Black Flags Democracy | Berliner Künstlerrprogramm/DAAD | 2010 | Berlin |
| Erik Van der Weijde | ice-skating lanes | Erik Van der Weijde | 2007 | |
Burhan Şohoğlu, Emre Yıldız, İlker Genliol, Müge Durmaz, Oğuzcan Kağanoğuzbeyoğlu, Umut Altıntaş, Yaman Baladuroğlu, Ziyacan Bayar | İçerik Dergi No: 000002 | 2010 | ||
| Manuel Boden | Ich könnte fortgehen – Roman | Manuel Boden | 2021 | Düsseldorf |
| Aglaia Konrad | Iconocity | Verlag der Buchhandlung Walther König | 2005 | Köln |
| Dexter Sinister | Identity | Artists Space | 2011 | New York |
| Nancy Atakan, Nazlı Paker | İkili konuşma / İletişim olarak sanat – Art As Dialogue | 1998 | İstanbul | |
| Mari Lagerquist | Illume | BILAGA Limited Editions | 2013 | |
| William G. Buchina | Illustrated English Grammar in Use | 2009 | ||
| Erick Beltrán | Imagen Habitada – The Inhabited Image | Ediciones del Castor | 1999 | Meksiko / Mexico City |
| Céline Duval | Images de France, EVRY | doc-cd éditions, Cneai, école régionale des beaux-arts | Houlgate, Caen | |
| Erik Kessels | In Almost Every Picture | KesselsKramer | 2001 | Amsterdam |
| Aslı Çavuşoğlu | In Patagonien nach Bruce Chatwin | Aslı Çavuşoğlu | 2009 | |
| Bas Jan Ader | In Search of the Miraculous: Discovery File 143/76 | Veenman Publishers/Gijs Stork, Marion van Wijk & Dalstar | 2006 | Rotterdam |
| Eva Michalaki | InhaleExhale | 2007 | ||
| Sanja Medic | Interior Monologue / a soliloquy | Rijksacademie | 2006 | Amsterdam |
| Mariana Castillo Deball | Interlude: The Reader’s Traces | Revolver | 2005 | Berlin |
| Hans-Peter Feldmann, Hans Ulrich Obrist | Interview | Verlag der Buchhandlung Walther König | 2009 | Köln |
| Temporary Services | Into the Gravy | Temporary Services | 2002 | Şikago / Chicago |
| Mahinur Bulut | Işık Kayıtları | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir |
mecrasız'a karışanlar Deniz, Ece, Esra, Fevzi, Örsan, Özlem, Sevim, Tayfun | Israrlı Klişeler | 2016 | İstanbul | |
| Flack Attack | Issue#1: Flack Attack on Autonomy | Flack Attack | 2006 | |
| İstanbul Kent Araştırmaları ve Düşünce Dergisi | İBB Kültür A.Ş. | 2021 | İstanbul | |
| İstanbul Kent Araştırmaları ve Düşünce Dergisi | İBB Kültür A.Ş. | 2021 | İstanbul | |
| Ali Taptık, Uğur Tanyeli | İstanbul'u Resmetmek: Türkiye'nin Görsel Tarihine Giriş: | Akın Nalça Kitapları | 2009 | İstanbul |
| Anne Salah | İstanbulmap | Tarih Vakfı | 2007 | İstanbul |
| Bik Van der Pol | It isn’t what it used to be and will never be again | Centre for Contemporary Arts, Glasgow | 2009 | Glasgow |
| Céline Duval | JBA/ Philippe Bissieres, Ce qui se trame | doc-cd éditions | 2001 | Houlgate |
| Jimmy Robert | Jimmy Robert | 2005 | Amsterdam | |
| Cem Bak | Judas – Popüler Kültür Ansiklopedisi 9. Fasikül | cem bak. yapım: 13 | 1999 | İstanbul |
| Aslı Serbest, Mona Mahall, Gerd de Bruyn (Ed.) | Junk Jet | Igmade | 2010 | Stuttgart |
| Daniel Gustav Cramer | Kahu, Mount Aspiring | Daniel Gustav Kramer | 2010 | Berlin |
| Fatma Belkıs | Kalanlar / those who stayed | Fatma Belkıs | 2011 | İstanbul |
| Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 1 | BAS | 2006 | İstanbul |
| Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 2 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 2 | BAS | 2006 | İstanbul |
| Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 3 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 3 | BAS | 2006 | İstanbul |
| Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 4 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 4 | BAS | 2006 | İstanbul |
| Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 5 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 5 | BAS | 2006 | İstanbul |
| Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 6 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 6 | BAS | 2006 | İstanbul |
| Nadin Reschke | Kalıntı | Nadin Reschke | 2006-2007 | İstanbul |
| Nadin Reschke | Kalıntı | Nadin Reschke | 2006-2007 | İstanbul |
| Şener Özmen, Ahmet Ögüt | Kan Baldan Tatlıdır – Blood Sweeter Than Honey | Galerist | 2004 | İstanbul |
Rahmi G. Öğdül, Süreyya Evren, Füsun Kayra, Sabri Gürses, Rage Against the Machine, Robert Elliot Fox | Karaşın | Karaşın Aylık Fotokopi Gazete | 1996 | İstanbul |
| Karl Holmqvist | Karl Holmqvist Reads Old News | Pork Salad Press | 2010 | Kopenhag / Copenhagen |
| Karton | Karton | Karton-zine | 2020 | |
| Banu Cennetoğlu | Katalog 2009 – Catalog 2009 | Venice Biennale | 2009 | |
| Kerem Ozan Bayraktar | Kayalar ve Rüzgarlar, Mikroplar ve Kelimeler | Sanatorium | 2019 | İstanbul |
| Dilek Winchester | Kayısı Kent A4, No:1 | Dilek Winchester | 2010 | İstanbul |
| Evrim Kavcar | Kayısı Kent A4, No:2 gel şehir git şehir | Dilek Winchester | 2010 | İstanbul |
| Burak Bedenlier | Kayısı Kent A4, No:3 | Dilek Winchester | 2010 | İstanbul |
Nalan Yırtmaç ve Bakırköy, Levent ve Sulukule'de yaşayan çocuklar | Kayısı Kent A4, No:4 | Dilek Winchester | 2010 | İstanbul |
| Stephan Kurr | Kayısı Kent A4, No:5 copyright now | Dilek Winchester | 2010 | İstanbul |
| Delphine Rigaud | Kayısı Kent A4, No:6 | Dilek Winchester | 2010 | İstanbul |
| Yasemin Özcan | Kayısı Kent A4, No:7 Yaprak | Dilek Winchester | 2010 | İstanbul |
| Serhat Arıkan | Kelimeler Arasındaki Saklı Hayatlar | |||
| Jef Geys | Kempens Informatieblad, Speciale Editie Biennale Venetië: Quadra Medicinale | Wiels | 2009 | Balen |
| Jef Geys | Kempens Informatieblad, Speciale Editie São Paulo: Pele | Jef Geys | 1991 | Balen |
| Slavs and Tatars | Kidnapping Mountains | Book Works | 2009 | Londra / London |
| Morgan Wong | Kigoja Standard Time | KIGOJA | 2016 | Seul / Seoul |
| Sergen Şehitoğlu | Kill Memories | Sanatorium | 2016 | İstanbul |
| İpek Duben | KimKimdir | Edition Taube, FAİL Books | 2009 | |
| Gözde İlkin | Kira Sözleşmesi | Proje1likte | 2009 | Istanbul |
| Ramazan Üren | Kitabın Adı: Zımbalı Kitap | 1996 | ||
| David Horvitz | Kitap nasıl çalınır | Edition Taube, FAİL Books | 2020 | İstanbul |
| Atıl Kunst | Kılavuz (Bent 005) | BAS | 2009 | İstanbul |
| Koray Kantarcıoğlu | Kıratwerk | 2007 | ||
| Leyla Gediz | Kırksekiz Haftada Çiftini Bulmaca | 2004 | Istanbul | |
| Kling Klong Di Analfabedten Kommen | Amsel Verlag | |||
| Akansha Rastogi, Roobina Karode | KNMA Exhibitions 2010-2020 / Ten Years of Kiran Nadar Museum of Art | Kiran Nadar Museum of Art | 2020 | Yeni Delhi / New Delhi |
| Lydia Schulgina | Kommt auf einen Tee vorbei! | Amsel Verlag | 2019 | Zürih / Zürich |
| Free University | Kopenhag, Copenhagen Free University | Kopenhag, Copenhagen Free University | 2002 | Kopenhag / Copenhagen |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (10) - Kapak | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (11) - KORİDOR Metin | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (12) - KORİDOR, “Altan Gürman Tasarımlar 1965 – 66” | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (13) - Oruç Aruoba, “Tümceler’den” | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (14) - Yılmaz Aysan, “Armonika” | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (15) - Alparslan Baloğlu, “Bir Zaman Kipine İki Gönderme” | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (16) - Ergül Özkutan, “Inutile II” | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (17) - Sanat Tanımı Topluluğu Yayımı 3: Marcel Duchamp | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (18) - Jean Baudrillard: Please Follow Me, çev. Semay Taneri / Ecrit Sur L’image, 1983 | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (19) - Joseph Kosuth: Nekrofili Sevgilim, çev. Deniz İrengün / Art Forum, 1982 | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (20) - Beatrice Parent: Land Art, çev. Ergül Özkutan / Opus No: 23 | KORİDOR | 1989 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (21) - Kapak | KORİDOR | 1990 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (22) - İçindekiler | KORİDOR | 1990 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (25) - Hanna Frenzel, “Be in the Soup” | KORİDOR | 1990 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (26) - Ahmet Öktem, “Çağdaş Sanat için Üç Öneri” | KORİDOR | 1990 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (27) - Jean Pierre Bordaz: Jenny Holzer ve iletişim gösterisi, çev. Yılmaz Aysan / Parkett No: 13, 1987 | KORİDOR | 1990 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (28) - Joseph Kosuth: Paul Taylor ile söyleşi, çev. Nurettin Çakan / Flash Art No: 157 | KORİDOR | 1990 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (29) - Kapak | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (30) - İçindekiler | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (31) - Alparslan Baloğlu, “Duyulabilir İkiyüzotuzaltı Saniye / Duyulamaz İkiyüzotuzaltı Saniye” | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (32) - Marcel Duchamp, “Erratum Musical” | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (33) - Ergül Özkutan, “Vital Capacity” | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (34) - “Müzik Yapılabilir Fluxus Nesnesi” | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (35) - Christine Brodbeck: Düşünceler, çev. Bikem Kerametli, Eylül 1990 | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (36) - Ken Friedman: Fluxus ve beraberindekiler, çev. Yılmaz Aysan / Ubi Fluxus İbi Motus 1990 – 1962, Achille Bonito Oliva Italy, 1990 | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (37) - Sheena Wagstaff: Bu benim zevkim - Bu benim amacım, çev. Ali Yıldızalp / Parkett No: 24, 1990 | KORİDOR | 1991 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (38) - Kapak | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (39) - İçindekiler | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (40) - Oruç Aruoba, “Dört Açık Kıyı Düşü” | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (41) - Osman Dinç, “Adsız” | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (42) - Ahmet Öktem, “Karbon” | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (43) - Jenny Holzer, “Venedik Projesi 1” | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (44) - Jenny Holzer, “Venedik Projesi 2” | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (45) - Jenny Holzer “Venedik Enstalasyonu” | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (46) - Claude Gintz: “Kavramsal sanat bir perspektif “- Bir sergi projesi üzerine notlar, çev. Nilgün Özayten – Nur Nakiboğlu | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (47) - Fulvio Carmagnola & Marco Senaldi: Sanat kuruluşları ve karmaşıklık, çev. Murat Seçkin | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (48) - Neil Pritz: Kendi sözleriye Warhol, çev. Sebla Kiraz | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (49) - Ludwig Wittgenstein: Dilin tuzakları, çev. Oruç Aruoba | KORİDOR | 1992 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (50) - Kapak | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (51) - İçindekiler | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (53) - Oruç Aruoba, “Yedi Martı Çeşitlemesi" | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (54) - Canan Beykal, “Sözcüklerle Assemblage” | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (55) - İnci Eviner, “Gövde” | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (56) - Canan Beykal: Idea Assemblage | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (57) - Joseph Ruzika (Ed): Assemblage Sanatı - Bir Sempozyum, çev. Murat Seçkin - 19.10.1961, Museum of Modern Art, New York | KORİDOR | 1993 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (4) - Oruç Aruoba, “Akşamüstü Tümceleri” | KORİDOR | 1988 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (5) - Yılmaz Aysan, “Dansözlerin Gizli Tarihi” | KORİDOR | 1988 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (6) - Alparslan Baloğlu, “22. Yüzyıl İnsan Merdivenleri Kutusu” | KORİDOR | 1988 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (7) - Serhat Kiraz | KORİDOR | 1988 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (8) - Ergül Özkutan, “Yaşantının Metrekare Cinsinden Tanımı” | KORİDOR | 1988 | İstanbul |
Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (9) - Claude Gints: Mel Bochner’le söyleşi, çev. Ergül Özkutan – A. Toksöz / ARTISTES No: 5, 1980 | KORİDOR | 1988 | İstanbul |
| Umut Altıntaş, N. Toros Mutlu | Kumpanya | KartonKitap | 2018 | İstanbul |
| Jesper Fabricius | Kunsthaefte 16 | Jesper Fabricius | 2008 | |
| Jesper Fabricius | Kunsthaefte 18 Space Poetry | Jesper Fabricius | 2008 | |
| Jesper Fabricius | Kunsthaefte nr.1 Space Poetry | Jesper Fabricius | 1998 | |
| Jesper Fabricius | Kunsthaefte nr.10 Space Poetry | Jesper Fabricius | 2004 | |
| Jesper Fabricius | Kunsthaefte nr.12 Space Poetry | Jesper Fabricius | 2007 | |
| Jesper Fabricius | Kunsthaefte nr.9 Space Poetry | Jesper Fabricius | 2004 | |
| Jasmin Glaab | Kunsthallekleinbasel | Amsel Verlag | 2015 | Zürih / Zürich |
| Meliha Erem | Küratomaton | Emre Hüner | 2022 | İstanbul |
| Meliha Erem | Küratomaton | Emre Hüner | 2022 | İstanbul |
| Koray Kantarcıoğlu | KÜRATÖR | 2007 | ||
| Didem Özbek | Kurun | SALT | 2012 | İstanbul |
| Carsten Höller | Kuşku Günleri | Uluslararası Istanbul Bienali, Institut Für Auslandsbeziehungen | 1999 | İstanbul, Stuttgart |
| Pilvi Takala | Kuvasto 04 | Kuva | Helsinki | |
| KYPSELI no 1 (March 2013) | Dora Economou | 2013 | Atina / Athens | |
| KYPSELI no 2 (May 2013) | Dora Economou | 2013 | Atina / Athens | |
| KYPSELI no 3 (July 2013) | Dora Economou | 2013 | Atina / Athens | |
| KYPSELI no 4 (September 2013) | Dora Economou | 2013 | Atina / Athens | |
| KYPSELI no 5 (November 2013) | Dora Economou | 2013 | Atina / Athens | |
| Laurianne Bixhain | L'abbonement | Editions Janine Berens | 2013 | Berlin |
| Voluspa Jarpa | La biblioteca de la No-Historia | Santiago de Chile | 2010-2011 | İstanbul |
| Voluspa Jarpa | La biblioteca de la No-Historia | Santiago de Chile | 2010-2011 | İstanbul |
| Mira Sanders, Cédric Noël | La Chambre de Tania | posture editions | 2013 | Anvers / Antwerp, Gent / Ghent |
| Serap Gecü | la dérive | Flâneur Collective | 2023 | İstanbul |
| AA Bronson | Lana | Media Guru Editions | 2009 | New York, NY |
| Bless Laura | Laura | M_HKA | 2011 | Anvers / Antwerp |
| Céline Duval | Le Cahier de Tom, 7 ans | doc-cd éditions, Serge Elleinstein | 2005 | Houlgate |
| Céline Duval | Le Cahier Dimanche | doc-cd éditions | 2006 | Houlgate |
| Céline Duval | le cercle, extrait d'une collection | doc-cd éditions | 2004 | Houlgate |
| Armin Linke | Le Isole Deserte del Mediterranéo/ Deserted Islands of the Mediterranean | a+mbookstore edizioni | 2009 | Milan |
| Paky Vlassopoulou | Le journal Pain | Locus Athens | 2019 | Atina / Athens |
| Céline Duval | Le Marabout Douchynois | 2008 | Houlgate, Douchy-Les-Mines |
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| Taroop & Glabel | Le Retour de Don Camillo | |||
| Devrim Bayar (Ed.) | Le Salon | Triangle Books | 2019 | Brüksel / Brussels |
| Céline Duval | Le Temps d’un ete | doc-cd éditions, Zédélé éditions | 2005 | Houlgate, Brest |
| Daniel Knorr | Leabhar Ealaíoncóir (Artist Book) | Daniel Knorr | 2009 | Limerick |
| Taroop & Glabel | Lecture de Plage (Écrit Sur Le Sable) | |||
| Eva Weinmayr | Lery, A Story Of Facts And Faxes | Eva Weinmayr | 1998 | Santa Monica |
| Céline Duval, Loic Beillet le Beherec | Les Images de Guy: Reculer pour mieux aimer | doc-cd éditions, Cneai, école régionale des beaux-arts | 2004 | Caen, Houlgate |
| Özgür Atlagan | Letter to N | Özgür Atlagan | 2021 | |
| Yona Friedman | Libelle 1: Hypothêses | ROSASCAPE | 2009 | Paris |
| Vittorio Santoro | Libelle 10: ACROSS THE RIVER AND INTO THE TREES/ AU-DELÁ DU FLEUVE ET SOUS LES ARBRES | ROSASCAPE | 2011 | Paris |
| Camille Henrot | Libelle 11: Connexions partielles/ Partial Connections | ROSASCAPE | 2011 | Paris |
| Katinka Bock, Christian Jendreiko | Libelle 12: Recto: Danke (rot) Verso: The Old Game | ROSASCAPE | 2011 | Paris |
| Rodney Graham | Libelle 2: Recto: Portrait de l'artiste Verso: Four Push Pins | ROSASCAPE | 2009 | Paris |
| Renaud Auguste-Dormeuil | Libelle 3: Recto: The Day Before...New York...September 10,2001_23:59 Verso: I Was There, Power Blackout, January 30, 2009, Paris, 48° 53' 02.94"N_02°14'55.25"E | ROSASCAPE | 2009 | Paris |
| Berger & Berger | Libelle 4: Ghost Towns | ROSASCAPE | 2009 | Paris |
| Tatiana Trouvé | Libelle 5: Recto: Myriam Verso: Clémence | ROSASCAPE | 2009 | Paris |
| Fabien Giraud, Raphaël Siboni | Libelle 6: Sans Titre (la vallêe Von Uexkull), 4K RAW HD | ROSASCAPE | 2010 | Paris |
| Dora Garcia | Libelle 7: Real Artists Don't Have Teeth | ROSASCAPE | 2010 | Paris |
| Benoit Maire | Libelle 8: Histoire de la géometrie n° 9 | ROSASCAPE | 2010 | Paris |
| Simon Starling | Libelle 9: recto: Project for Masquerade (Hiroshima) / The Innkeeper-Colonel Sanders verso: Project for Masquerade (Hiroshima) / The Innkeeper- Randy Bass | ROSASCAPE | 2010 | Paris |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Libertine | ztscrpt | 2010 | Viyana / Vienna |
| Hans Peter Feldmann | Liebe – Love | Verlag der Buchhandlung Walther König | 2006 | Köln |
| Chimurenga | LIFE: Magazine Supplement to the Chimurenga Chronicle 12/13 (18-24 May 2008) | Chronic Books | 2008 | Cape Town |
| Aurélien Froment | Like the cow jumped over the moon | Gasworks | 2009 | Londra / London |
| Dilek Winchester | Likör ve Çikolata | Dilek Winchester | 2006 | İstanbul |
| Yasemin Özcan | Limonata gibi hava | İKSV | 2017 | İstanbul |
| Jill Magid | Lincoln Ocean Victor Eddy | Jill Magid | 2007 | New York |
| Liam Gillick | Literally No Place | Book Works | 2002 | Londra / London |
| Emre Senan | Lobotomi Hakkımız Söke Söke Alırız! | Ege Basım | 2010 | İstanbul |
| Sam Hecht, Kim Colin | Locale | Herman Miller, Inc | 2014 | Zeeland Michigan |
| Meriç Algün Ringborg | Location: Date: Time | Meriç Algün Ringborg | 2012 | Stockholm |
| Clifton Meador | Long Slow March | Center for Editions, Purchase College | 1996 | New York |
| Kate Dent | Looking For Headless | Goldin+Senneby | 2007 | Stockholm |
| Lucy Raven | Lucy Raven | Dia Art Foundation | 2021 | New York |
| Donghwan Kam | Lunchroom "Hero Stratos" | Donghwan Kam | 2020 | Rotterdam |
| Oda Projesi | Mahalle, oda, komşu, misafir? | Oda Projesi, İKSV | 2005 | İstanbul |
| Ülkü Çağlayan | Making Sense | Paper Street Co. | 2021 | İstanbul |
| Klasse Pernice (Universität der Künste Berlin) | Malbo | 2023 | Berlin | |
| Klasse Pernice (Universität der Künste Berlin) | Malbo | 2023 | Berlin | |
| Dan Starling | Malcolm X an Introduction by J.D. Salinger | Richmond Art Gallery, Galerie Werner Whitman | 2008 | Richmond, BC |
| Laurianne Bixhain | Mammoromany | Laurianne Bixhain | 2011 | |
| Ece Eldek | mânâ | NOD | 2023 | İstanbul |
| Şener Özmen | Manifesta Cinayetleri | Şener Özmen | 2001 | Diyarbakır |
| İpek Duben | Manuscript | İpek Duben | 1994 | İstanbul |
| Peter Downsbrough | Many | Frac Bourgogne | 2000 | Dijon |
| Rogerio Duarte | Marginalia 1 | BOM DIA BOA TARDE BOA NOITE | 2013 | Berlin |
| Marina Tomić, Buba Čvorić | Marina | Dutch Art Institute | 2009 | Enschede |
| Pavel Büchler | MarxAngels | Book Works | 1997 | Londra / London |
| Mary Shelley | Mary Shelley Facsimile Library | Werkplaats Typographie, ArtEZ | 2011 | Arnhem |
| Temporary Services, Rob Kelly, Zena Sakowski | Masks and Public Inflatable Projects in Puerto Rico and Chicago | Temporary Services | 2002 | Şikago / Chicago |
| Thomas Hirschhorn | Material: Public Works – The Bridge 2000 | Book Works, Whitechapel Gallery | 2000 | Londra / London |
| Gürsoy Doğtaş | Matt Magazine - No. 1: Content: Rudolf Belling | Matt Magazine | 2007 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 2: Mobility and Surveillance | Matt Magazine | 2007 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 3: Prominence given, Authority taken | Matt Magazine | 2008 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 4: Protest and Sensation | Matt Magazine | 2008 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 5: Inflammable | Matt Magazine | 2008 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 6: Withdrawal | Matt Magazine | 2008 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 7: Rudolf Belling | Matt Magazine | 2008 | Zürih / Zurich |
| Gürsoy Doğtaş | Matt Magazine - No. 9: Anthology of Art Manifestos | Matt Magazine | Zürih / Zurich | |
| Peur sur la vie | Matthieu Renard & Bip | Lendroit Éditions | 2010 | Rennes |
| Dan Murphy, Anthony Smyrsky (Ed.) | Megawords | Megawords | Kanada / Canada | |
| Yağız Özgen | Metadata | Sanatorium | 2019 | İstanbul |
| Eirini Sourgiadaki | Metaphorai | Amsel Verlag | 2017 | Zürih / Zurich |
| Heidi Specker | MG Road | Spector Books | 2012 | Leipzig |
| Kevin Immanuel | Michel Foucault Letters | Dutch Art Institute | 2009 | Arnhem |
| The Publication Project, Kevin Immanuel | Michel Foucault Letters (NYC Artbook Edition) | Dutch Art Institute | 2009 | Arnhem |
| Céline Duval | Migrateurs | ARC Musée d'Art Moderne de la Ville de Paris | 2002 | Paris |
| Owen Hatherly | Militan Modernizm | Habitus Kitap | 2013 | İstanbul |
| Van Leo | Mind the Gap édition – Kartpostal / Postcards – # 009, Sherihane. Le Caire-Égypte, 1976. | Arab Image Foundation | Beirut | |
| Anonymous | Mind the Gap édition – Kartpostal / Postcards – # 021 Mr. Skaff in four different positions. Bethlehem, Palestine 1922. | Arab Image Foundation | Beirut | |
| Muhamad Youssef | Mind the Gap édition – Kartpostal / Postcards – # 029 The “konafa” maker. Cairo, Egypt 1960. | Arab Image Foundation | Beirut | |
| Armand | Mind the Gap édition – Kartpostal / Postcards – # 030 Cairo, Egypt 1940s | Arab Image Foundation | Beirut | |
| Hashem el Madani | Mind the Gap édition – Kartpostal / Postcards – # 044 Portraits from Studio Shehrazade. Beach series. Playing with perspective. Saida, Lebanon 1954. | Arab Image Foundation | Beirut | |
| Anonymous | Mind the Gap édition – Kartpostal / Postcards – # 061 Mustafa Mahmoud Rashed. Alexandria, Egypt 1927. | Arab Image Foundation | Beirut | |
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 086 Anonymous. Studio Shehrazade, Saida, Lebanon 1972. | Arab Image Foundation | Beirut | |
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 088 Najm. Studio Shehrazade, Saida, Lebanon 1956. | Arab Image Foundation | Beirut | |
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 089 Anonymous. Madani’s parents’ home (the studio), Saida, Lebanon 1948-53. | Arab Image Foundation | Beirut | |
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 092 Anonymous. Studio Shehrazade, Saida, Lebanon 1950s. | Arab Image Foundation | Beirut | |
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 093 A woman and her son, Lebanese immigrants from Africa. Studio Shehrazade, Saida, Lebanon 1970s. | Arab Image Foundation | Beirut | |
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 095 Bashasha (left) and a friend. Studio Shehrazade, Saida, Lebanon, late 1950s. | Arab Image Foundation | Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 121 Place des Canons. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 123 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 124 Damascus Street. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 125 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 128 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 130 Place de l'Étoile. Beirut, 1991. Beirut CIty Centre | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 136 No present. Beirut, 1997. Traces of war | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 138 Football match. Beirut, 1980. Civil war | Fouad Elkoury | 2003 | Beirut |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 143 Place de canons. Beirut, 1982. Civil war | Fouad Elkoury | 2004 | Beirut |
| Laurianne Bixhain | Minibus – pliage 011 | Laurianne Bixhain | 2009 | Edirne |
| Sena Başöz | Missing Element | Sena Başöz | 2011 | İstanbul |
| Temporary Services | Mobile Sign Systems | Temporary Services | 1999 | Şikago / Chicago |
| Katja Eydel | Model ve Sembol: Die Erfindung Der Türkei / the Invention of Turkey | Sternberg Press | 2006 | New York, Berlin |
| Melani Bonajo, Kinga Kiełczyñska | Modern Life of the Soul | Fons Welters Gallery | 2007 | Amsterdam |
| Slavs and Tatars | Molla Nasreddin | JRP|Ringier | 2011 | Zürih / Zurich |
| David Adjaye | Mono. Kultur - No. 14: David Adjaye: The Failure of Formality (October/November 2007) | Mono. Kultur | 2007 | Berlin |
| Taryn Simon | Mono. Kultur - No. 15: Taryn Simon: Kaleidoscope of Entropy (December 2007/January 2008) | Mono. Kultur | 2008 | Berlin |
| Miranda July | Mono. Kultur - No. 16: Miranda July: Best at Belonging to Yourself (Spring 2008) | Mono. Kultur | 2008 | Berlin |
| Pawel Althamer | Mono. Kultur - No. 17: Pawel Althamer: Play-Grounded (Summer 2008) | Mono. Kultur | 2008 | Berlin |
| Bless | Mono. Kultur - No. 28: Bless: In Disguise | Mono. Kultur | 2011 | Berlin |
| Francois Ozon | Mono. Kultur - No. 6: Francois Ozon: Through the Looking Glass (April/May 2006) | Mono. Kultur | 2006 | Berlin |
| David Shrigley | Mono. Kultur - No. 9: David Shrigley: Crooked Penmanship (December 2006 /January 2007) | Mono. Kultur | 2006 | Berlin |
| Javier Tapia | Monte Carlo Club | Martin Asbæk Projects | 2008 | Kopenhag / Copenhagen |
| Kristina Kramer | mopeds | Bakkal Press | 2010 | İstanbul |
| Eleni Kamma | More than One and Less Than Many | Neuer Aachener Kunstverein | 2012 | Brüksel / Brussels |
| Sophia Tabadadze | Much More “Part One” | Sophia Tabadadze | 2006 | |
| Morten Torgersrud | Murmanskrovaniemikirkenes | Gunnarshaug As | 2004 | Norveç / Norway |
| Temporary Serivices | Music Mountain | Temporary Services | 2012 | Şikago / Chicago |
| Mustafa Kunt | Mustafa Kunt | 2004 | ||
| Ian Page | My Onion Lover | 2021 | ||
| Paul Herbst | My Shit is Gold Vol 1 | Mörel Books | 2009 | Londra / London |
| Mladen Stilinović | My Sweet Little Lamb! | Swedish Contemporary Art Foundation | 2009 | Stockholm |
| David Shillinglaw | Myth-No-Logical | David Shillinglaw | ||
| Rita McBride, David Gray (Ed.) | Myways – Gina Ashcraft | Arsenal Pulp Press, Whitney Museum of American Art, Printed Matter | 2006 | Vancouver, NYC |
| Rita McBride | Nackt kamder Fremde – Gina Ashcraft | Kunstmuseum Liechtenstein | 2002 | Liechtenstein |
| Anthony Huberman | Naive Set Theory | Dexter Sinister | 2007 | New York |
| Rita McBride | Naked Came The **** – Gina Ashcraft | Kunstmuseum Liechtenstein | 2002 | Liechtenstein |
| Tatia Skhirtladze | Nature Morte | Dutch Art Institute | 2009 | Amsterdam |
| Oda Projesi | Neigbourhood, room, neighbour, guest? | Oda Projesi, İKSV, Revolver | 2005 | Frankfurt |
| Mochu | Nervous Fossils: Syndromes of the Synhetic Nether | Kiran Nadar Museum of Art, Reliable Copy | 2022 | Yeni Delhi / New Delhi |
| Erich Weiss | Neutra: A Film by Erich Weiss | Alva Grafica | 2009 | Berlin |
| Mariana Castillo Deball | Never Odd or Even vol. I | Marres, Revolver | 2005 | Berlin |
| Mariana Castillo Deball | Never Odd or Even vol. II | BOM DIA BOA TARDE BOA NOITE | 2011 | Berlin |
| M. Trtt | News From Cécilia | 2013 | Bannans | |
| Timothée Huguet | Next Time | Bakkal Press | 2010 | İstanbul |
| Hassan Khan | Nine lessons learned from Sherif El-Azma | Contemporary Image Collective | 2009 | Kahire / Cairo |
Eduardo Barrera, Erick Beltrán, Ana Bbertha Madrid, Alejandro Magallanes, Héctor Montes de Oca, Claudia Prado, Sebastián Rodríguez Romo, Leonel Sagahón, Mauricio Volpi | No Anunciar | Fuera de Registro | 2000 | Meksika / Mexico City |
| Sezgin Boynik, Minna Henriksson | Noise After Babel: Language Unrestrained | Spector Books | 2015 | Leipzig |
| Misaki Kawabe | Nostalgic Hentai | Revolver | 2010 | Berlin |
| Endre Tot | Nothing Left for Art to Say | Stamp Art Gallery | 1995 | San Francisco |
| Paulina Olowska, Lucy McKenzie | Nova Popularno | Decemberism | 2004 | Brüksel / Brussels |
| Babi Badalov | Nuage | Steirischer Herbst Festival | 2012 | Graz |
| Meriç Algün Ringborg | Ö (The Mutual Letter) | Meriç Algün Ringborg | 2011 | |
| Yuki Hori | object: the focus of cognition or feelings – The Eyes of the Wind Vol. 2 | FREYAAlt | 2023 | İstanbul |
| Mladen Stilinović | Oduzimanje Nula | Zavod P.A.R.A.S.I.T.E. | 2006 | Lübliyana / Ljublana |
| Sezgin Boynik (Ed.) | OEI #90-91 Sickle of Syntax & Hammer of Tautology | OEI | 2021 | Stockholm |
| J.M. Arsath Ro'is | Ohio # 10 – Ed: Uschi Huber & Jörg Paul Janka | Ohio | 2002 | Köln |
| Burkhard Brunn | Ohio # 11 – Burkhard Brunn | Ohio | 2002 | Köln |
| Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 12 – “e.V.” | Ohio | 2004 | Köln |
| Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 13 – b:a = 2 x p x r : 360° | Ohio | 2004 | Köln |
| Lewan | Ohio # 6 – ‘Songs for Ohio’ | Ohio | 1997 | Düsseldorf |
| Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 7 – Im Betrachten liegt der Unterschied | Ohio | 1999 | Köln |
| Heinrich Dubel | Ohio # 8 – Erratische Helikopterphotographie by Heinrich Dubels | Ohio | 2000 | Köln |
| Onur Kemal Kösedağ | Olay Yeri | Onagöre | 2010-2011 | İstanbul |
| Jacob Fabricius (Ed.) | Old News México | Pork Salad Press | 2008 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 1 | Pork Salad Press | 2004 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 11A | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 11B | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 13 | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 14 | Pork Salad Press | 2012 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 2 | Pork Salad Press | 2005 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 6 | Pork Salad Press | 2009 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 7 | Pork Salad Press | 2010 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No: 8 | Pork Salad Press | 2010 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No:3 | Pork Salad Press | 2006 | Kopenhag / Copenhagen |
| Jacob Fabricius (Ed.) | Old News No:4 | Pork Salad Press | 2008 | Kopenhag / Copenhagen |
| Angelika Stepken (Ed.) | On One Side of the Same Water: Artistic Practice between Tirana and Tangier | Hatje Cantz | 2012 | Bonn |
| Antoni Muntadas | On Translation: City-Guide | Neues Museum Weserburg | 2005 | Bremen |
| Antoni Muntadas | On Translation: Stand By | La Fabrica Editorial | 2006 | Madrid |
| J. Christopher Jones | Once It's Typed It's Published The Story of My Writings From 1950 to 1979 And Attempts at Publishing In Microfiche and Xerox With A Catalog of Texts And Details of Where & How To Get Them | Dexter Sinister | 2008 | |
| Eleni Kamma | Once past the years of green emotion | Futura Publications | 2007 | Atina / Athens |
| Jill Magid | One Cycle of Memory in the City of L | FACT Liverpool | 2004 | Liverpool |
| Mari Lagerquist | One Hot Lasagne | A Shoal of Mackerel | 2004 | Glasgow |
| Batu Bozoğlu | Önemsiz bir adamın güncesi | Batu Bozoğlu | 2007 | |
| Susanne Bürner | Only you | Argobooks | 2008 | Berlin |
| Seda Yıldız (Ed.) | Onomatopee 224: Building Human Relations Through Art | Onomatopee | 2022 | |
| Seda Gecü, Serap Gecü | Önümde Duruyor | Flâneur Collective | 2022 | İstanbul |
| Lonnie van Brummelen, Siebren De Haan | Open Letter: Call of the Wild | Museum de Paviljoens | 2006 | Almere |
| Galia Basail Mulcahy, Layla Fassa (Ed.) | Open Recipe Vol.1 | Cooperativa Cráter Invertido | 2020 | Meksiko / Mexico City |
| İnci Eviner | Ortak Eylem Aygıtı: Bir Etüt | İKSV | 2013 | İstanbul |
| Okay Karadayılar | Örtbas (Boş Defter) | Okay Karadayılar | 2011 | İstanbul |
| Okay Karadayılar | Örtbas, Sayı 1 | Okay Karadayılar | 2011 | İstanbul |
| Okay Karadayılar | Örtbas, Sayı 2 - Pofuduk | Okay Karadayılar | 2011 | İstanbul |
| Okay Karadayılar | Örtbas, Sayı 4 | Okay Karadayılar | 2011 | İstanbul |
| Ashkan Sepahvand | Other than someone, there was no one | Ashkal Alwan | 2010 | Beirut |
| Our Time for a Future Caring - India Pavilion | Kiran Nadar Museum of Art | 2019 | Yeni Delhi / New Delhi |
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| Süreyyya Evren | Özgürlüğün Şantajı: Güvencesiz Hayat ve Depresif Sanat | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul |
| École du Magasin | Pacemaker | École du Magasin | 2007 | |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 1: Public & Private (February 2004) | Kunstinstituut Melly (eski / formerly known as Witte de With) | 2004 | Rotterdam |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 2: Play & Locations (May 2004) | Episode Publishers | 2004 | Rotterdam |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 3: Desire & Change (September 2004) | Episode Publishers | 2004 | Rotterdam |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 4: Voice (July 2005) | Episode Publishers | 2005 | Rotterdam |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages Stage So Near So Far | Pages | 2023 | Rotterdam |
| Sven Augustijnen | Panoroma (Supplement to 'De Tijd' Newspaper) | Auguste Orts | 2005 | Anvers / Antwerp |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Paper | ztscrpt | 2009 | Viyana / Vienna |
| Paper - No. 1 | Space Poetry | 2005 | Kopenhag / Copenhagen |
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| Raimundas Malasauskas | Paper Exhibition - Selected Writings by Raimundas Malasauskas | Sternberg Press | 2012 | Berlin |
| Batia Suter | Parallel Encylopedia | Roma Publications | 2007 | Amsterdam |
| Aline Seigne (et al.) | Paranoiaque | Editions Dasein | 2005 | Paris |
| Deniz Gül | Pardon siz kimsiniz? | Deniz Gül | 2006 | |
| Hans Peter Feldmann | Paris | Salon Verlag | 2005 | Köln |
| Deborah Stratman | PARK | Temporary Services | 2000 | Şikago / Chicago |
| Leah Horowitz, Jasmine Sarp | Part-Time Virgins II | Leah Horowitz, Jasmine Sarp | 2012 | New York |
| Roman Ondak | Passage | CCA Kitakyushu | 2006 | Kitakyushu |
| Rirkrit Tiravanija | Passage Cosmo to Fishy Travels | CCA Kitakyushu | 2002 | Kitakyushu |
| Jooyeon Park | Passer-by / Yoldan geçen biri | Insa Arts Space, Arts Council Korea | 2008 | Seoul |
| Nancy Atakan | Passing On | Kehrer Verlag Heidelberg | 2016 | Berlin |
| Gözde ‘Mimiko’ Türkkan | Pay Here | Too Many Books | 2010 | İstanbul |
| Seval Şener | Pazar 6 Kasım 2016 | Torun | 2019 | İstanbul |
Adrianna Lara, Fernando Mesta, Augistina Ferreyra, Diego Berruecos (Ed.) | Pazmaker - No. 2/3 | Perros Negros | 2006 | Meksika / México |
| Adrianna Lara, Diego Berruecos, Eva Svennung (Ed.) | Pazmaker - No. 5 | Perros Negros | 2008 | Meksika / México |
| Eva Svennung (Ed.) | Pazmaker - No. 6 | Perros Negros | 2008 | Meksika / México |
| Pazmaker 1 | Perros Negros | Meksika / México |
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| Public Collectors | PC001 Records: Collection Inventory of Marc Fischer | Public Collectors | 2007 | Şikago / Chicago |
| Public Collectors | PC007 Paper Blog | Public Collectors | 2010 | Şikago / Chicago |
| Anne Szefer Karlsen (Ed.) | Pedro Gómez-Egana | Hordaland Art Centre | 2014 | Bergen |
| Mariana Castillo Deball | Penser/Classer | Mariana Castillo Deball | 2002 | Maastricht |
| Esther Ferrer | Performance Saga Interview 01 | Performance Saga | 2007 | Zürih / Zürich |
| Valie Export | Performance Saga Interview 02 | Performance Saga | 2007 | Zürih / Zürich |
| Monika Günther | Performance Saga Interview 03 | Performance Saga | 2007 | Zürih / Zürich |
| Temporary Services | Personal Plastic | Temporary Services | 2008 | Şikago / Chicago |
Laurianne Bixhain, Sandra Bjwer, Susanne Kocks, Peter Strickmann | Picknick | Les Annexes | 2014 | Lüksemburg / Luxembourg |
| Erik Göngrich | Picnic City | Proje4L İstanbul Güncel Sanat Müzesi | 2001 | İstanbul |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 12 | Picpus Press | 2013 | Londra / London |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 4 | Picpus Press | 2010 | Londra / London |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 9 | Picpus Press | 2012 | Londra / London |
| Martin Kippenberger, Ariane Müller | Picture a Moon, Shining in the Sky: Conversation with Martin Kippenberger | Starship | 2007 | Berlin |
| Céline Duval | Pierre, Anne, Céline, Aurelien, BADABOUM! | doc-cd éditions, Alice Travel Publications | 2002 | Houlgate |
| Jimmy Robert | Pierre, Paul, Jacques, Harry and Dick, Tom | Autograph, Platform | 2002 | Londra / London |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Pigiarniq | ztscrpt | 2009 | Viyana / Vienna |
Heather Phillipson & Anne Lydiat, Kit Poulson & David Barret, William Cobbing & Stella Santacatterina | Pilgrimage Confluens One | Confluens, Fine Art Research at Middlesex University | Brugge | |
Jesper Fabricius, Åse Eg Jørgensen, Jesper Rasmussen (Ed.) | Pist Protta - No. 61: Space poetry | Space Poetry | 2007 | Kopenhag / Copenhagen |
Jesper Fabricius, Åse Eg Jørgensen, Jesper Rasmussen, Aslı Çavuşoğlu (Ed.) | Pist Protta - No. 63.1: Pazmaker | Space Poetry | 2009 | Kopenhag / Copenhagen |
| Hussein Chalayan | Place to Passage | Tribe Art, artwise | 2004 | Londra / London |
| Aarti Sunder | Platforms: Around, In Between, and Through | Natasha, Singapore Biennale | 2022 | Singapur / Singapore |
| Berkay Tuncay | Poems from Instant Messaging | Sanatorium | 2020 | İstanbul |
| Katrien De Blauwer | Poetic Noise | Anvers / Antwerp | ||
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No: 40: Damien Hirst | Point d'ironie | 2006 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 12: Harmonie Korine | Point d'ironie | 1999 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 17: John Giorno and Ugo Rondinone | Point d'ironie | 2000 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 18: Rosemarie Trockel | Point d'ironie | 2000 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 20: Ken Lum - hommage a Chen Zen | Point d'ironie | 2001 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 23: Thomas Hirschorn | Point d'ironie | 2001 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 3: Douglas Gordon | Point d'ironie | 1997 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 44: Hugues Reip and Melanie Counsell | Point d'ironie | 2008 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 45: Robert Crumb | Point d'ironie | 2008 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 51: Dayanita Singh | Point d'ironie | 2010 | Paris |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 8: Itsuko Hasegawa & Dan Graham - Fluctuation | Point d'ironie | 1998 | Paris |
| Yasemin Özcan Kaya | Political World Map / scale: 1/2007 / Dünya Siyasi Haritası / ölçek: 1/2007 – Kartpostal / Postcard | BAS, CCS Bard | 2010 | İstanbul, New York |
| Hans D. Christ, Iris Dressler (Ed.) | Politik der Form / Politics of Form | Spector Books, Bergen Assembly | 2015 | Bergen |
| Teresa Diaz Nerio | Polyphony # 1 | Dutch Art Institute | 2009 | Amsterdam |
| Karin Iturralde | Portraits of Ruccola | Karrin Itturalde, Tilde | 2020 | Amsterdam |
| David Reinfurt | Post-Master | Dexter Sinister | 2006 | |
| Martin Jacobson | Postcards | Martin Jacobson | 2009 | |
| Céline Duval | Posters | doc-cd éditions | 2007 | Houlgate |
| Eda Yiğit | Prekaryanın Görünmeyen Özneleri: Pandemi Döneminde Sanatçılar | Eda Yiğit | 2021 | İstanbul |
| Céline Duval | Premiers Plans | doc-cd éditions, école régionale des beaux-arts | 2004 | Houlgate, Caen |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Princess Lulu | ztscrpt | 2008 | Viyana / Vienna |
| Vaast Colson | Principum 1 | Clean Press #17 | 2012 | |
| Vaast Colson | Principum 2 | Clean Press #17 | 2012 | |
| Rosa Barba | Printed Cinema # 1: Broadcasting from Home | Argos Editions | 2004 | Brüksel / Brussels |
| Rosa Barba | Printed Cinema # 19: Send Me Sky, Henrietta | Remai Modern | 2018 | Saskatoon |
| Rosa Barba | Printed Cinema # 2: Parachutable Obstacles | Argos Editions | 2004 | Brüksel / Brussels |
| Rosa Barba | Printed Cinema # 3: Accidental Suspension | Argos Editions, artimo | 2005 | Brüksel / Brussels, Amsterdam |
| Rosa Barba | Printed Cinema # 4: Who can tell if I am inventing? | Argos Editions, artimo | 2005 | Brüksel / Brussels, Amsterdam |
| Rosa Barba | Printed Cinema # 6: Wrong Edit | Argos Editions | 2006 | Brüksel / Brussels |
| Rosa Barba | Printed Cinema # 8: The Waiting Grounds | Argos Editions | 2007 | Brüksel / Brussels |
| Rosa Barba | Printed Cinema #13 Desert Performed | Contemporary Art Museum St. Louis | 2012 | St. Louis |
| Temporary Services | Prisoners' Inventions: Three Dialogues | Temporary Services | 2004 | Şikago / Chicago |
| Nazım Hikmet Richard Dikbaş | Private Lessons / Özel Dersler | Galeri NON | 2012 | İstanbul |
Alexandr Burlaka, Anastasia Ryabova, Vladislav Shapovalov, Maxim, Spivakov, Tzuchien Tho, Dmitry Vorobbyev | Problem Book (English) | Supostat, Text and Pictures | 2009 | Paris |
| Temporary Services | Product Placements: Ongoing Public Research | Temporary Services | 2005 | Şikago / Chicago |
| Sophie Nys | Profilo Continuo | Grotto Publications | 2008 | Grimbergen |
| Ted Purves (Ed.) | Project Documents #2: Contributions to Knowledge | Ted Purves | 1997 | Oakland |
| Rhonda Khalifeh | Project Z | Open Project Press | 2018 | New York |
| Antoni Muntadas | Projekte (1974 – 2004) on Translation: Erinnerungsraeume Die Bremer Stadtmusikanten | 2004 | Bremen | |
| Köken Ergun | Promised Land | Argobooks | 2009 | Berlin |
| Ben Kinmont | Prospectus Amsterdam: Forty-two works by Ben Kinmont | Antinomian Press | 2011 | |
| Temporary Services | Public Inventions and Interventions | Temporary Services | 2000 | Şikago / Chicago |
| Temporary Services | Public Phenomena | Temporary Services | 2013 | Şikago / Chicago |
| Temporary Services | Public Phenomena: Informal Modications of Shared Spaces | Temporary Services | 2005 | Şikago / Chicago |
| Temporary Services | Public Projects | Temporary Services | 2002 | Şikago / Chicago |
| Temporary Services | Publishing in the Realm of Plant Fibers and Electrons | Temporary Services | 2014 | Şikago / Chicago |
| James Langdon | Pugin's Contrasts Rotated | Bedford Press | 2011 | Londra / London |
| Sezgin Boynik (Ed.) | Punk Research Series Vol. 1: Punk Suprematism | Rab-Rab Press | 2021 | Helsinki |
| André Komatsu | Quarta Margem | S/W Ediciones | 2010 | Long Island City, New York |
| Andrea Geyer | Queen of The Artists’ Studios | Art in General | 2007 | New York |
| Antoni Muntadas | Quejas | Ephemera Ediciones, La Caja Negra Ediciones | 2007 | Meksiko / Mexico City |
| Arno Auer (Ed.) | Quick Magazine | Quick Magazine | 2011 | Berlin |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #3 | Rab-Rab Press | 2016 | Helsinki |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #4.1 | Rab-Rab Press | 2017 | Helsinki |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #4.2 | Rab-Rab Press | 2017 | Helsinki |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #5 | Rab-Rab Press | 2019 | Helsinki |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #6 | Rab-Rab Press | 2021 | Helsinki |
| Yunus Ak, Umut Altıntaş | re: re: letters between Yunus Ak & Umut Altıntaş | Yunus Ak, Umut Altıntaş | 2021 | İstanbul |
| Seda Manavoğlu, Tina Bastajian | Rear Curtain | Dutch Art Institute | 2009 | Arnhem |
| Irene Kopelman | Reconstructing Time | Roma Publications | 2005 | Amsterdam |
| Temporary Services | Records as Portable Exhibitions and Interactive, Participatory Objects | Temporary Services | 2013 | Şikago / Chicago |
| Richard Kostelanetz | Recyclings, 1959-1981 | Future Press | 1981 | New York |
| Robin Vanbesien | Regarder l'auteur | Robin Vanbesien | 2010 | Saint Gilles |
| Regina Moller | Regina in Norway | Revolver | 2005 | Frankfurt |
| Jimmy Robert | Reprise | CCA Kitakyushu | 2010 | Kitakyushu |
| Metehan Özcan | Resimli Bilgi - Ek | KartonKitap | 2019 | İstanbul |
| Issa Ma. Benítez Dueñas (Ed.) | Resistance | SITAC III | 2004 | Meksiko / Mexico City |
| Erick Beltrán | Resistencia | Fuera de Registro | 2004 | Meksiko / Mexico City |
Milena Kalinovska (Curator/Küratör), Dennis Adams, Art & Language, Lothar Baumgarten, Braco Dimitrijevic, Rose Finn-Kelcey, Ian Hamilton Finlay, Félix González-Torres, Tomislav Gotovac, Thomas Huber, Ilya Kabakov, On Kawara, Jiří Kolář, Jaroslaw Kozłowski, Cildo Meireles, Tatsuo Miyajima, Antonio Muntadas, Barbara Steinman, Lawrence Weiner, Krzysztof Wodiczko (Sanatçılar/Artists) | Rhetorical Image Resouce Room | The New Museum | 1991 | New York |
| Soner Ön | Richie Rich | Soner Ön | 2011 | New York |
| Raymond Taudin Chabot | Roma Publication 104 CAST (PART 4) | Roma Publications | 2007 | Rotterdam |
| Rosa Barba | Rosa Barba In Conversation woth Kirsty Bell, Segio Edelsztein, Hilke Wagner, Gil Leung | Mousse Publishing | 2011 | Milan |
| Jim Drobnick | Rudolf Baranik's Dictionary from The 24th Century | Bee Sting Press | 1990 | New York |
| Erick Beltrán | Running Man | MERMA/RABK | 2003 | Amsterdam |
| Burak Kabadayı | Sabit Değişiklikler Dinamik Aralıklar | AVTO | 2022 | İstanbul |
| Agnès Geoffray | Sainte Agnes | fsyeofgaar ng | 2003 | Amsterdam |
| Lasse Krog Møller | Samlingen Afd.: fcgt | Forlaget Press | 2008 | Oslo |
| Lasse Krog Møller | Samlingen Afd.: hrlst | Forlaget Press | 2008 | Oslo |
| Daniel Knorr | Sanatçı Kitabı (Artist Book) | BAS | 2013 | İstanbul |
| Pelin Başaran, Ulaş Karan | Sanatsal İfade Özgürlüğü Kılavuzu | Siyah Bant | 2016 | İstanbul |
| Pelin Başaran, Ulaş Karan | Sanatsal İfade Özgürlüğü Kılavuzu | Siyah Bant | 2016 | İstanbul |
| Ozan Aktuna | Say Maşallah | COMMENTARIVM | 2021 | İzmir |
| Jan Estep | Searching for Ludwig Wittgenstein | Jan Estep | 2007 | Skjolden |
| Cameron Stallones | Second System Vision, Fieldwork: First-Term | Paralaxe Editions | 2015 | Barselona / Barcelona |
| Natascha Sadr Haghighian, Ashkan Sepahvand | Seeing Studies | Hatje Cantz | 2011 | Kassel |
| Seval Gürses | Şehir ve şehir | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir |
| Eco Nugroho | Sekotak Surga | 2005 | Jogja | |
| Cedar Lewisohn | Selected Drawings 2003-2013 | Cedar Lewisohn | 2013 | Londra / London |
| Temporary Services | Self-Reliance Library | Temporary Services | 2013 | Şikago / Chicago |
| Çağla Özbek | Semada | Onagöre | 2021 | İstanbul |
| Abdellah Karroum, Ala Younis | Sentences on the banks and other activities | Darat al Funun | 2010 | Amman |
| Eco Nugroho (Ed.) | Serpihan Macan Komik I | The Adenughraho Publisher | 2006 | Jogja |
| Eco Nugroho (Ed.) | Serpihan Macan Komik II | The Adenughraho Publisher | 2006 | Jogja |
| Sophie Nys | Service Après Vente | Jan van Eyck Akademie | 2001 | Maastricht |
| Martha Rosler | Service: A Trilogy On Colonization | Printed Matter | 1978 | New York |
| Çağla Özbek | Ses, Zift, Vitrin; Arşivden Hatırata, Edebiyattan Görsel Sanatlara Güvenilmez Anlatıcılar | Dante ve Istakoz | 2023 | İstanbul |
| Gülşah Mursaloğlu, A. Laurie Palmer | Sevgili Gülşah, Sevgili Laurie | Umur Publishing | 2021 | İstanbul |
| Semra Özer | Sevgili Mücevherler | Bakkal Press | 2010 | İstanbul |
| Sexymachinery (Ed.) | Sexymachinery SM 04 Lord Lucan | Sexymachinery | 2001 | |
| Sera Marshall | She said | Sera Marshall | 2008 | |
| Yara El-Sherbini | Sheikh 'n' Vac | Book Works | 2005 | Londra / London |
| Antonia Breme | Shop Window Shopping | New Toni Press | 2022 | Berlin |
| S. A. Marshall | Short Truths | Sera Marshall | 2012 | |
| Sarah van Sonsbeeck | Silence Map of IJburg | 2008 | Amsterdam | |
| Esat C. Başak | Şimdi, Aşağısı, Yukarısı neresidir bilir misin? | Galeri NON | 2010 | Istanbul |
| Shota Tsukiyama | Similar Room (Matchbox on Notepad) – The Eyes of the Wind Vol. 2 | FREYAAlt | 2023 | İstanbul |
| Asena Günal (Ed.) | Siyah Bant | Mas Matbaacılık | 2012 | İstanbul |
| Mert Öztekin | Sıkıntı Motoru | FAİL Books | 2018 | İstanbul |
| Franco Bifo Berardi | Skizo-Mails | Errant Bodies Press | 2012 | Berlin |
| Michaela Kurzwelly | Slubfort City? | Kulturboro Frankfurt, Kulturstiftung des Bundes | 2000 | Slubfort |
| Andela Rončević | Smokve za Oliveru | Amsel Verlag | 2021 | |
| Edoaurd Boyer | Snowi Is Not Willem | les presses du réel | 2004 | Paris |
| Christiane Peschek | Softcore | Sanatorium | 2021 | İstanbul |
| Çiçek Taharoğlu | Sokaktayız Hesap Soruyoruz | Bakkal Press | 2010 | İstanbul |
| Edwyn Collins | Some British Birds | Mörel Books | 2009 | Londra / London |
| Michael C. Vazquez (Ed.) | Some Medium Stories | Global Art Forum 6 | 2012 | Dubai |
| Soner Ön | Soner Ön | The Holster | 2009 | Brooklyn |
| Kristen Palz | Song Book/ Book of Verse | Spor Klübü | 2016 | Berlin |
| Anna Bromley | Speak to Me | Edition Error | 2022 | Berlin |
| Moyra Davey | Speaker Receiver | Sternberg Press | 2010 | Hollanda / Netherlands |
| Eloisa Cartonera | Speaking in Tongues – Scavel-An-Gow | Eloisa Cartonera | 2007 | |
| Point d’ironie | Special Edition: Stephane Hesset and Pascal Lemaitre (April 2010) | Point d'ironie | 2010 | Paris |
| Nedko Solakov | Split Personality | CCA Kitakyushu | 2003 | Kitakyushu |
| Céline Duval | Sport de Vie | doc-cd éditions | Houlgate | |
| Cevdet Erek | SSS – Sahil Sahnesi Sesi / Shore Scene Soundtrack (Bent 004) | BAS | 2007 | |
| Sandra Schäfer | stagings. Kabul, Film & Production of Representation | metroZones, media 2, b_books | 2009 | Berlin |
| Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 10: Heft 10 | Starship | 2007 | Berlin |
| Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 6: Verdunklung Darkening | Starship | 2004 | Frankfurt |
| Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 8: Das Jahr in dem wir nirgendwo waren / The year we have been nowhere | Starship | 2005 | Berlin |
| Selda Asal, Zeyno Pekünlü (Ed.) | Stay With Me | Apartman Projesi | 2015 | Amsterdam, Berlin, Bremen, İstanbul |
| Alexander Estis, Oleg Estis | Stellungnahmen zum Kulturbetrieb | Amsel Verlag | 2019 | Zürih / Zürich |
| Mario Santanilla | Still Life | Reliable Copy | 2020 | Bangalore |
| Yota Ioannidou | Stratagem | Dutch Art Institute | 2009 | Amsterdam |
| Céline Condorelli, Henrik Schrat | Strati, Hoepfl, Monthaux, and the Seventeenth Plan | Eastside Projects | 2008 | Birmingham, Berlin |
| Judith Raum | Stresemanns Motive für Nationalismus und Imperialismus | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York |
| Lia Perjovschi | Subjective Art History | Center for Art Analysis | 1990 | Bükreş / Bucharest |
| Akiko Miyake (ed.) | Substantials #04 | CCA Kitakyushu | 2011 | Kitakyushu |
| Eva Weinmayr | Suitcase Body is Missing Woman | Book Works | 2005 | Londra / London |
| Özgür Atlagan | Sulfur Noon | Özgür Atlagan | ||
| Temporary Services, Tamms Year Ten, Sarah Ross | Supermax Subsciptions | Temporary Services | 2012 | Şikago / Chicago |
| Céline Condorelli, Henrik Schrat | Support Structures | Sternberg Press | 2009 | Berlin |
| Céline Duval | Sur un Pied | doc-cd éditions | 2010 | Houlgate |
| Özlem Altın | Survival of an idea | Orient Press | 2008 | Berlin |
| Damian Ortega | Survival of the Idea | Hatje Cantz | 2007 | Berlin |
| Yenyitzu | Suspended Moment | Dutch Art Institute | 2009 | Amsterdam |
| Mari & Marcus Lagerquist | Tactical Magic | A Shoal of Mackerel | 2006 | Glasgow |
| Olaf Nicolai | Tagebuch Hamburg-Harburg, 26.-29. August 2009 | Sautter+Lackmann | 2009 | Hamburg |
| Olaf Nicolai | Tagebuch München: 06-11 Juni 2005 | Olaf Nicolai | 2005 | Viyana / Vienna |
| Olaf Nicolai | Tagebuch Olten, 26.2.-2.3.2009 | Kunstmuseum Olten | 2009 | Olten |
| Sophie Nys | Take me to the Matador | Sophie Nys | 2003 | Meksiko / Mexico City |
| Aslı Çavuşoğlu | Takip | Poursuite | BAS | 2006 | İstanbul |
| Dilşad Aladağ | Taklak | Dilşad Aladağ | 2023 | İstanbul |
| ha za vu zu | tank tank think | ha za vu zu | 2007 | İstanbul |
| Ulla West | Tankegångar | Kunsthall Trondheim | 2014 | Trondheim |
| Ahmet Öğüt | Tarihte Bugün – Today in History | Book Works, Platform Garanti | 2007 | Londra / London, İstanbul |
| Dilek Winchester | Tea, sunflowerseeds, kids, et. al. | Dilek Winchester | 2005 | İstanbul |
| Altı Aylık | Temiz Eller – Islak Mendil / Clean Hands – Wet Towel | Altı Aylık | 2006 | İstanbul |
| Raymond Huizinga | Temporarily Re-arrangement #07 | Dutch Art Institute, Institute of the Arts | 2009 | Arnhem |
| Temporary Services | Temporary Conversations: Aaron Hughes, interview by Nicholas Lampert | Temporary Services | 2010 | Şikago / Chicago |
| Temporary Services | Temporary Conversations: Kawabata Makoto | Temporary Services | 2008 | Şikago / Chicago |
| Temporary Services | Temporary Conversations: The Dicks | Temporary Services | 2008 | Şikago / Chicago |
| Nadin Reschke | Temporary Library | Nadin Reschke | 2014 | Mooste |
| İsmet Doğan | Temsil | Mas Matbaacılık | 1996 | İstanbul |
| Bureau d'études | Terörün Yönetimi | Bureau d'études | 2009 | İstanbul |
| Céline Condorelli, Uriel Orlow | Terrain Vague, Persistent Images | Screen Technology | 2011 | Dokki |
| Anselm Franke (Ed.) | Territories: Islands, Camps and Other States of Utopia | Walther König | 2003 | Köln |
| Textfield | Textfield IV - Spring and Summer 2006 | Textfield | 2006 | |
| Hassan Khan | The Agreement: Five stories by Hassan Khan | Sternberg Press | 2011 | Berlin |
| Scott King | The Alcoholics Colouring Book | Scott King | 2008 | Londra / London |
| Sezgin Boynik (Ed.) | The Author as Producer of Nothing, Peter Gidal | Rab-Rab Press | 2021 | Helsinki |
| Kateryna Mishchenko (Ed.) | The Book of Kyiv | huss | 2015 | Kyiv |
| Philippe Parreno | The Boy From Mars | CCA Kitakyushu | 2004 | Kitakyushu |
| Can Altay | The Church Street Partner's Gazette | The Showroom | 2010 | Londra / London |
| Elmgreen & Dragset | The Collectors / Bag-alogue concept | La Bienale di Venezia | 2009 | Venedik / Venice |
| Sezgin Boynik (Ed.) | The Conclusive Scene: Mao Zedong's Last Meeting with the Red Guards | Rab-Rab Press | 2020 | Helsinki |
| Philippine Hoegen | The Crack in The Wall | Artimo | 2001 | Amsterdam |
| Larissa Harris, Dexter Sinister (Ed.) | The Curse of Bigness | Dexter Sinister | 2010 | New York |
| Lonnie van Brummelen, Siebren De Haan | The Embed and the Shadow of the Horse | Boijmans Van Beuningen | 2010 | Amsterdam |
| Mathilde ter Heijne | The Empire of Women: Not a Fairy Tale | Mathilde ter Heijne | 2008 | Berlin |
| Koen Brams (Ed.) | The Encyclopedia of Fictional Artists | JRP|Ringier | Zürih / Zurich | |
| Anita Di Bianco | The Error is Regretted - Wir Entschuldigen Uns Für Diesen Fehler | The Green Box | 2021 | Berlin |
| Tony Chakar | The eyeless map | Ashkal Alwan | 2003 | Beirut |
| Özlem Altın | The Fall Occurs Inside | Orient Press | 2008 | Berlin |
| Temporary Services | The First 71 Booklets | Temporary Services | 2006 | Şikago / Chicago |
| Lonnie van Brummelen, Siebren De Haan | The Formal Trajectory | Vriza | 2005 | Amsterdam |
| Williman-Arai | The gift exercise/invitation 2.2: Zurich | Amsel Verlag | 2019 | Zürih / Zurich |
| Stefan Constantinescu | The Golden Age for Children | The Romanian Cultural Institute of Stockholm, Labyrint Press, pionier press | 2008 | |
| Sophia Al Maria | The Gulf Colloquy Compendium | Art Dubai, Mathaf: Arab Museum of Modern Art | 2012 | Dubai |
| Manami Yoshimoto | The Hazy | Dutch Art Institute | 2009 | Amsterdam |
| Randi & Katrine | The House in your Head | Space Poetry, Randi & Katrine | 2009 | Kore /Korea |
| Kristina Ask | the in-complete pic-ture | Kunstradet | 2008 | Kopenhag / Copenhagen |
| Ulla West | The Inexorable | AXL Books | 2010 | Stockholm |
| Susan Hiller | The J. Street Project | Compton Verney, Berlin DAAD | 2005 | Berlin |
| Sam Gould (Ed.) | The Journal of Radical Shimming Issue 11 | Red76 | 2007-2014 | Minneapolis |
| Karl Holmqvist | The K. | Akiyoshidai International Art Village | 2003 | Osaka |
| Soner Ön | The Light In The Dark with The Neon Arms | Soner Ön | 2011 | New York |
| Ben Cain | The Making of the Means | Wiels | 2009 | Brüksel / Brussels |
| Borga Kantürk | The Man Who is Expected to Save the World | Borga Kantürk | 2006 | |
| Timothée Huguet | The Match | Bakkal Press | 2011 | İstanbul |
| Lonnie van Brummelen, Siebren De Haan | The Monument of Sugar | Van Brummelen & De Haan | 2007 | Amsterdam |
| Sevgi Ortaç | The Monument Upside Down | Dutch Art Institute | 2010 | Arnhem |
| Laurenz Brunner, Tan Wälchli (Ed.) | The Most Beautiful Swiss Books - The Issue Present | Federal Office Of Culture Bern | 2008 | Mainz |
| Maxime Hourani | The Mountains of Maraash or A Book of Songs and Places?? | Ashkal Alwan | 2013 | Beirut |
| Diango Hernández | The Museum of Capitalism | Revolver | 2005 | Frankfurt |
| Mirjam Linschooten | The Museum of Found Objects Istanbul | Istanbul ECC Agency | 2010 | İstanbul |
| Fadi Toufiq | The New Killer | Dar el Kotob | 2010 | Lübnan / Lebanon |
| The New Paper - No. 3 | T\EXT\A\RT, greatest hits | 2007 | Londra / London, Berlin |
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| Eleanor Brown (Ed.) | The Newpaper - No. 1: Dirty Diet Disease | Art After Parties | 2007 | Londra / London, Berlin |
| Steven Parrino | The No Texts | Abaton Book Company | 2003 | Jersey City |
| Nurdan Gürbilek | The Orpheus Double Bind | Asia Art Archive | 2021 | Hong Kong |
| Pablo Helguera | The Pablo Helguera Manual of Contemporary Art Style | Jorge Pinto Books | 2007 | New York |
| Coralie Vogelaar (Ed.) | The Photoshop | Veenman Publishers/Gijs Stork | 2005 | Rotterdam |
| Eva Weinmayr | The Piracy Collection | Central Saint Martins School of Art and Design | 2011 | Londra / London |
| Pascale Eiberle | The power of gaze | Amsel Verlag | 2021 | Zürih / Zurich |
| Marianne Mueller | The Proper Ornaments | Edition Patrick Frey | 2008 | Zürih / Zurich |
| Edgar Allen Poe | The Purloined Letter | Dexter Sinister | 2006 | New York |
| Edward P. Thompson (Ed.) | The Railway: An Adventure in Construction | Rab-Rab Press | 2020 | Helsinki |
| Şener Özmen | The Story of Tracey Emin | Şener Özmen | 2000 | Diyarbakır |
| Alejandro Cesarco | The Streets Were Dark With Something More Than Night or The Closer I Get to the End the More I Rewrite the Beginning | Art Statements | 2011 | New York |
| Cecilia Costa, Maxine Kopsa, Scott Ponik (Ed.) | The Summer Reader, Again, or a Diamond in the Rough | Werkplaats Typografie ArtEZ | 2008 | Arnhem |
| AA Bronson | The Temptation of AA Bronson | Kunstinstituut Melly (eski / formerly known as Witte de With) | 2013 | Rotterdam |
| Emmanuel Goldstein | The Theory and Practice of Oligarchical Collectivism | |||
| Eko Nugroho | The Tram | Amsterdam Grafisch Atelier | 2004 | Amsterdam |
| Aslı Çavuşoğlu | The Unsubscribed Life of Peter Böse | Aslı Çavuşoğlu | 2007 | İstanbul |
| Jeremy Deller | The Uses of Literacy | Book Works | 1999 | Londra / London |
| Ben Cain, Tina Gverovic | The Visit | Galerija Miroslav Kraljević | 2007 | Zagreb |
| Umut Altıntaş | The Volume | Umut Altıntaş | 2018 | İzmir |
| Elena Volpato (Ed.) | The Witness | Archive Books | 2010 | Genova |
| Ted Purves (Ed.) | There is no two without three | Social Practice Area of Concentration CCA | 2008 | San Francisco |
| Daniel Gustav Cramer | Thirty-six | The Green Box | 2010 | Berlin |
| Iman Issa | Thirty-Three Stories About Reasonable Characters In Familiar Places | GM Printing | 2011 | New York |
| Lise Harlev | This Is Not Really Me | The Green Box | 2008 | Berlin |
| Erich Weiss (Ed.) | This is the way we see it: A tribute to E.L.T. Mesens | Erich Weiss | 2009 | Brüksel / Brussels |
| Andrea Geyer | This Site of Memory – Audrey Munson | Art in General | 2006 | New York |
| David Reinfurt | This Stands as a Sketch for the Future | Dexter Sinister | 2007 | |
| Fatma Belkıs | Those who left | Onagöre | 2021 | İstanbul |
| Rosa Barba | Time as perspective Chapter 1--ın conversation with Mirjam Varadinis and Solveig Øvstebø | Kunsthaus Zürih | 2012 | Zürih / Zurich |
| Ala Younis | Tin Soldiers | Gwangju Biennale | 2012 | Jordan |
| Doris Frohnapfel | TL-P Norway and Wittgenstein | Kunsthochschule | 2000 | Bergen |
| Oda Projesi, Nadin Reschke | Tongue E | Nadin Reschke, Oda Projesi, Revolver | 2012 | Berlin |
| Anne Szefer Karlsen (Ed.) | Toril Johannessen | Hordaland Art Center | 2014 | Bergen |
| Céline Duval | Tous ne deviendront pas artiste | doc-cd éditions | 2002 | Houlgate |
| Céline Duval | Tous ne deviendront pas pilote automobile | Esac | Caen | |
| Gast Bouschet, Nadine Hilbert | Transcendental Geology | Gast Bouschet, Nadine Hilbert | 2014 | |
| Ludovic Bernhardt | Transcription | Studio National des Arts Contemporains les Fresnoy | 2000 | Fresnoy |
| Sevim Sancaktar | Transformer | Reccollective | 1997 | İstanbul |
| Ali Taptık | Transit | Quarantine, FKuk | 2008 | Liverpool |
| Rob van Hoesel | Transitland Transitoland Pays-Transit | Veenman Publishers/Gijs Stork | 2006 | Rotterdam |
| Bernhard Cella | Travel Journal Two | Hotel Ostblick | 2009 | Viyana / Vienna |
| Goldin+Senneby | Travel Journal, Nassau Bahamas March 26th | Goldin+Senneby | 2008 | Stockholm |
| Mikelle Standbridge | Travelling Hindu Temple Series | Temporary Services | 1999 | Şikago / Chicago |
| Merve Ertufan | Tumbling down with careful steps | Onagöre | 2020 | İstanbul |
| Gözde İlkin | Türkiye Cumhuriyeti Hususi Pasaport / Republic of Turkey Special Passport | Gözde İlkin | 2010 | İstanbul |
| Sezgin Boynik & Tolga Güldallı | Türkiye’de Punk ve Yer altı Kaynaklarının Kesintili Tarihi 1978-1999 – An Interrupted History of Punk and Underground Resources in Turkey 1978-1999 , 2007 | BAS | 2007 | İstanbul |
| Süreyyya Evren | Üç kişilik öyküler | 1993 | İstanbul | |
| Dennis Tyfus | UE190 Verleden Tijdsbestedig | ultra eczama | 2014 | |
| Özlem Altın | Umbra | Orient Press | 2008 | Berlin |
| Jean- Baptiste Ganne | Un Art Moyen / Pierre Bourdieu | Rijksacademie, Maison Descartes | 2003 | Amsterdam |
| Apartment Project | Underconstruction-Berlin: Müsvedde Defteri Draftbook | Apartment Project | 2012 | Berlin |
| Lonnie van Brummelen, Siebren De Haan | Unfair Competition: Request for Support | Museum of Modern Art Arnhem | 2006 | Arnhem |
| Klaus Weber | Unfold! You Cul De Sac | Revolver | 2004 | Frankfurt |
| Alexandra Leykauf | Untitled | Rijksakademie van Beeldende Kunsten | 2004 | Amsterdam |
| Alexandra Leykauf | Untitled | Rijksakademie van Beeldende Kunsten | 2004 | Amsterdam |
| Daniel Gustav Cramer | Untitled (Farmer) | Daniel Gustav Cramer | 2010 | Berlin |
| Derya Bengi (Ed.) | Uzayda Bir Elektrik Hasıl Oldu: 1960'larda Müzikli Türkiye | Anadolu Kültür/Depo | 2012 | İstanbul |
| Cem Bak | Vampir | cembak.yapım | 2000 | İstanbul |
| Susanne Bürner | Vanishing Point: How to disappear in America without a trace | Revolver, ToastinK Press | 2006 | Berlin |
| Ivan Grubanov | Visitor | Ivan Grubanov | 2002 | Tiraz |
| Çağla Özbek | Voice, Vitrine, Tar; Unreliable Narrators from Archive to Memoir, Fiction to the Visual Arts | Dante ve Istakoz | 2023 | İstanbul |
| Umut Altıntaş | Void Book | Umut Altıntaş | 2021 | İstanbul |
| Hans-Peter Feldmann | Voyeur 5 | Verlag der Buchhandlung Walther König | 2011 | Köln |
| Rosa Barba | Vu de la porte du fond | éditions du Jeu de Paume | 2012 | Paris |
| Michalis Pichler | War Diary | Revolver | 2005 | Frankfurt |
| Anca Benera | Warsaw Wild Life : NOTES | Centrum Sztuki Współczesnej Zamek Ujazdowski | 2008 | Warsaw |
| Christian Hilleso | We are the bastards not fit for our office | |||
| Emily Roysdon | West Street | Emily Roysdon | 2010 | New York |
| Rita McBride | West Ways–Matthew Licht | Christoph Keller Editions, Emily Carr University Press, Potter Press | 2010 | Zurich, Vancouver, Beverly Hills |
Anna Orlikowska, Gülşah Mursaloğlu, Marjet Zwaans, Naz Kocadere | What Are The Words You Do Not Have Yet? | AFK amderstams fonds voor de kunst | 2023 | Amsterdam |
| Bik Van der Pol | What if the moon were just a jump away? | Bik Van der Pol and Labin Imprint, Van Eyck Academie | 2014 | Maastricht |
| İpek Duben | What is a Turk? | İpek Duben | ||
| Christian Ulrik Andersen, Geoff Cox | What is Datafied Research? | Digital Aesthetics Research Center | 2015 | Hong Kong |
| Isabel Zürcher (Ed.) | When Attitudes Escape Form Kunsthalle Basel 1960-1970 | Kunsthalle Basel | 2004 | Basel |
| Aron Morel | When Lost is Found | Spilt Ink | 2008 | Londra / London |
| Sung Hwan Kim, dogr | When Things are Done Again | tranzit.cz | 2010 | Prag / Prague |
| CA Conrad | While Standing in Line for Death | Wave Books | 2017 | Seattle |
| Keren Cytter | White Diaries | CCA Kitakyushu | 2010 | Japonya / Japan |
| Rosario López | White Fence | Galeria Casas Riegner | 2008 | Bogota |
| Didem Özbek | White Sugar Cube Book | Pist | 2008 | İstanbul |
| Temporary Services | Why the Exhibition Was Canceled | Temporary Services | 2001 | Şikago / Chicago |
| Olaf Nicolai | Why women like to buy textiles that feel nice | Argobooks | 2010 | Berlin |
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| Ian Page | YSL | 2021 | Amsterdam | |
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| Ali Beşikçi (Ed.) | z-one | ZONE | 2020 | İstanbul |
| Gizem Karakaş | Zamane Kartları | Onagöre | 2020 | İstanbul |
| Patrizia Bach | Zu Walter Benjamins Passagen-Werk | Patrizia Bach & Revolver | 2017 | Berlin |
| Milenko Lazić | ZurichSyndrom | Amsel Verlag | 2013 | Zürih / Zurich |
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