| Sanatçı / Artist | Yayın adı / Publication Name | Yayıncı / Publisher | Yıl / Year | Yer / Location | |
|---|---|---|---|---|---|
| Jill Magid | One Cycle of Memory in the City of L | FACT Liverpool | 2004 | Liverpool | |
| Jill Magid | Lincoln Ocean Victor Eddy | Jill Magid | 2007 | New York | |
| Jill Magid | Failed States | Publication Studio Portland/ Jank Editions | 2012 | Portland | |
| Philippine Hoegen | The Crack in The Wall | Artimo | 2001 | Amsterdam | |
| Rita McBride | Naked Came The **** – Gina Ashcraft | Kunstmuseum Liechtenstein | 2002 | Lihtenştayn / Liechtenstein | |
| Rita McBride, David Gray (Ed.) | Myways – Gina Ashcraft | Arsenal Pulp Press, Whitney Museum of American Art, Printed Matter | 2006 | Vancouver, New York | |
| Rita McBride | Nackt kamder Fremde – Gina Ashcraft | Kunstmuseum Liechtenstein | 2002 | Lihtenştayn / Liechtenstein | |
| Rita McBride | West Ways – Matthew Licht | Christoph Keller Editions, Emily Carr University Press, Potter Press | 2011 | Zürih / Zurich, Vancouver, Beverly Hills | |
| Hassan Khan | Nine lessons learned from Sherif El-Azma | Contemporary Image Collective | 2009 | Kahire / Cairo | |
| Hassan Khan | 17 and in AUC-the transcriptions | Galerie Chantal Crousel and MER. Paper Kunsthalle | 2004 | Paris | |
| Hassan Khan | The Agreement: Five stories by Hassan Khan | Sternberg Press | 2011 | Berlin | |
| Marcelo Brodsky | Buena memoria | la marca editora | 2006 | Buenos Aires | |
| Pedro G. Romero | Primero/ Archivo F.X. | Pedro G. Romero | 2007 | Sevilla | |
| Morten Torgersrud | A Neutral, Flexible Structure | Ctrl+Z Publishing | 2012 | Norveç / Norway | |
| Morten Torgersrud | Murmanskrovaniemikirkenes | Gunnarshaug As | 2004 | Norveç / Norway | |
| Aurélien Froment | Like the cow jumped over the moon | Dent-De-Leone | 2009 | Londra / London | |
| Aurélien Froment (Ed.) | Theatre de Poche: Volume 1 Architecture Publishing Puzzle Making | Project Press | 2007 | Dublin | |
| Mark Borthwick | Whats Bummer | Mark Borthwick | 2001 | New York | |
| Dilek Winchester | Tea, sunflowerseeds, kids, et. al. | Dilek Winchester | 2005 | İstanbul | |
| Dilek Winchester | Çay, çekirdek, çoluk, çocuk | Dilek Winchester | 2005 | İstanbul | |
| Dilek Winchester | Likör ve Çikolata | Dilek Winchester | 2006 | İstanbul | |
| Laurianne Bixhain | Minibus – pliage 011 | Laurianne Bixhain | 2009 | Edirne | |
| Laurianne Bixhain | Yan et Gaëlle – pliage 012 | Laurianne Bixhain | 2010 | İstanbul | |
| Laurianne Bixhain | Bosphorus tour – pliage 013 | Laurianne Bixhain | 2010 | İstanbul | |
| Laurianne Bixhain | Mammoromany | Laurianne Bixhain | 2011 | İstanbul | |
| Laurianne Bixhain | Collection de feuilles d’emballage pour Simit (*) | Laurianne Bixhain | 2009-10 | İstanbul | |
| Laurianne Bixhain | Chez Bülent – pliage 010 | Laurianne Bixhain | 2009 | İstanbul | |
| Laurianne Bixhain | L'abbonement | Editions Janine Berens | 2013 | Berlin | |
| Laurianne Bixhain | 01.01.2012 - Rodenbourg | Editions Janine Berens | 2012 | Berlin | |
| Laurianne Bixhain | 01.01.2011 - TroisVierges | Editions Janine Berens | 2012 | Berlin | |
| Karl Holmqvist | The K. | Akiyoshidai International Art Village | 2003 | Osaka | |
| Karl Holmqvist | I on a Lion in Zion | Revolver | 2005 | Vilnius | |
| Karl Holmqvist | Karl Holmqvist Reads Old News | Pork Salad Press | 2010 | Kopenhag / Copenhagen | |
| Erick Beltrán | Running Man | MERMA/RABK | 2003 | Amsterdam | |
| Erick Beltrán | Imagen Habitada – The Inhabited Image | Ediciones del Castor | 1999 | Meksiko / Mexico City | |
| Erick Beltrán | 30 Mai 2003 Iasi Chiosc / May 30th, 2003 Iasi Kiosk | Erick Beltrán | 2003 | Amsterdam | |
Issa Ma. Benítez Dueñas (Ed.) Erick Beltrán visual project | Resistance | SITAC III | 2004 | Meksiko / Mexico City | |
| Eduardo Barrera, Erick Beltrán, Ana Bertha Madrid, Alejandro Magallanes, Héctor Montes de Oca, Claudia Prado, Sebastián Rodríguez Romo, Leonel Sagahón, Mauricio Volpi | No Anunciar | Fuera de Registro | 2000 | Meksiko / Mexico City | |
| Sophie Nys | Der Pestpatron | Galerie Greta Meert | 2012 | Brüksel / Brussels | |
| Sophie Nys | Take Me To The Matador | Sophie Nys | 2003 | Meksiko / Mexico City | |
| Sophie Nys | Art Problems | Jan van Eyck Akademie | 2000 | Maastricht | |
| Sophie Nys | Profilo Continuo | Grotto Publications | 2008 | Grimbergen | |
| Sophie Nys | Service Après Vente | Jan van Eyck Akademie | 2001 | Maastricht | |
| Sophie Nys | Geografische Identiteiten – Identités Géographiques – Geographische Identitäten | Sophie Nys | 2004 | Brüksel / Brussels | |
| Hans-Peter Feldmann | Die Toten 1967-1993 | Feldmann Verlag | 1998 | Düsseldorf | |
| Hans-Peter Feldmann | Bilder – Pictures | 3 Möven Verlag, Verlag der Buchhandlung Walther König | 2002 | Düsseldorf, Köln | |
| Hans-Peter Feldmann | Das kleine Mövenbuch / The little seagull book | VG Bild-Kunst, Bönn für H.-P. Feldmann und der Verlag der Buchhandlung Walther König | 2004 | Köln | |
| Hans-Peter Feldmann | Liebe – Love | Verlag der Buchhandlung Walther König | 2006 | Köln | |
| Hans-Peter Feldmann | Birgit | Contemporary Art Gallery | 2006 | Vancouver | |
| Hans-Peter Feldmann | Paris | Salon Verlag | 2005 | Köln | |
| Hans-Peter Feldmann | Voyeur 5 | Verlag der Buchhandlung Walther König | 2011 | Köln | |
| Hans Peter Feldmann | Buch Book #9 | Verlag der Buchhandlung Walther König | 2007 | Köln | |
| Hans-Peter Feldmann, Hans Ulrich Obrist | Interview | Verlag der Buchhandlung Walther König | 2009 | Köln | |
| Céline Duval | Tous ne deviendront pas pilote automobile | Editions Sensibles de l'Art contemporain (ESAC) | 2004 | Caen | |
| Céline Duval | le cercle, extrait d'une collection | doc-cd éditions | 2004 | Houlgate | |
| Céline Duval, Simone Dronet | Documentation Céline Duval Revue en 4 images Index 001>030 | doc-cd éditions | 2006 | Houlgate | |
| Celine Duval | Documentation Céline Duval Revue en 4 images Index 031>060 | doc-cd éditions | 2009 | Houlgate | |
| Céline Duval | Pierre, Anne, Céline, Aurelien, BADABOUM! | doc-cd éditions, Alice Travel Publications | 2002 | Houlgate | |
| Céline Duval | Complet pour Fréhel | semiose éditions | 2009 | Paris | |
| Céline Duval | Premiers Plans | doc-cd éditions, école régionale des beaux-arts | 2004 | Houlgate, Caen | |
| Céline Duval | Le Temps d’un ete | doc-cd éditions, Zédélé éditions | 2005 | Houlgate, Brest | |
| Céline Duval | Le Cahier de Tom, 7 ans | doc-cd éditions, Serge Elleinstein | 2005 | Houlgate | |
| Céline Duval | Le Cahier Dimanche | doc-cd éditions | 2006 | Houlgate | |
| Céline Duval | JBA/ Philippe Bissieres, Ce qui se trame | doc-cd éditions | 2001 | Houlgate | |
| Céline Duval, Hans-Peter Feldmann | Cahier d’Images no 12- Rouge | Feldmann Verlag | 2001 | Düsseldorf | |
| Céline Duval, Hans-Peter Feldmann | Cahier d’Images no 1 hazard | Feldmann Verlag | 2001 | Düsseldorf | |
| Céline Duval, Hans-Peter Feldmann | Cahier d’Images no 4 album de famille | Hans-Peter Feldmann, Céline Duval | 2001 | ||
| Céline Duval, Hans-Peter Feldmann | Cahier d’Images no 5 flying | Hans-Peter Feldmann, Céline Duval | 2002 | ||
| Céline Duval, Loic Beillet le Beherec | Les Images de Guy: Reculer pour mieux aimer | doc-cd éditions, Cneai, école régionale des beaux-arts | 2004 | Caen, Houlgate | |
| Céline Duval | Sport de Vie | doc-cd éditions | 2008 | Houlgate | |
| Céline Duval | Migrateurs | ARC Musée d'Art Moderne de la Ville de Paris | 2002 | Paris | |
| Céline Duval | Le Marabout Douchynois | doc-cd éditions, Centre Régional de la Photographie Hauts-de-France, La Ville Douchy-les-Mines | 2008 | Houlgate, Douchy-Les-Mines | |
| Céline Duval | Sur un Pied | doc-cd éditions | 2010 | Houlgate | |
| Céline Duval | Documentation Céline Duval, Tilt 22 – Rien no 43, | doc-cd éditions, Zédélé éditions | 2004 | Houlgate, Brest | |
| Céline Duval | Documentation Céline Duval / (U)L.S NUMERO 0, Les Trophées, 02 | doc-cd éditions | 2008 | Houlgate | |
| Céline Duval, Mathieu Renard | Documentation Céline Duval & Mathieu Renard, Quatre Mains | doc-cd éditions, Mathieu Renard | 2006 | Houlgate | |
| Céline Duval | Images de France, EVRY | doc-cd éditions, Cneai, école régionale des beaux-arts | 2004 | Houlgate, Caen | |
| Céline Duval | Tous ne deviendront pas artiste | doc-cd éditions | 2002 | Houlgate | |
| Céline Duval | Posters | doc-cd éditions | 2007 | Houlgate | |
| Céline Duval | 3 temps en 4 mouvements | doc-cd éditions | 2009 | Houlgate | |
| Céline Duval, Gilgian Gelzer | Booklet #02 | doc-cd éditions | 2010 | Houlgate | |
| Özlem Altın | Survival of an idea | Orient Press | 2008 | Berlin | |
| Özlem Altın | The Fall Occurs Inside | Orient Press | 2008 | Berlin | |
| Özlem Altın | Erstarrte Unruhe | Orient Press | 2009 | Berlin | |
| Özlem Altın | Freunde und Futter | Orient Press | 2008 | Berlin | |
| Özlem Altın | Umbra | Orient Press | 2008 | Berlin | |
| Sera Marshall | Fill your own damn faces in, punk. | Sera Marshall | 2009 | ||
| Sera Marshall | Fingering Books | Sera Marshall | 2008 | ||
| S. A. Marshall | Short Truths | Sera Marshall | 2012 | ||
| Sera Marshall | She said | Sera Marshall | 2008 | ||
| Sera Marshall | He said | Sera Marshall | 2008 | ||
| Sera Marshall | All that is left / Kalan bu kadar | Sera Marshall | 2009 | ||
| Werner von Delmont | Corporate Rokoko and the End of the Civic Project | Pork Salad Press | 2002 | Kopenhag / Copenhagen | |
| Hana Miletić | Tenir Paroles | Art Paper Editions | 2014 | Maastricht | |
| Sevim Sancaktar | Transformer | Reccollective | 1997 | İstanbul | |
| Sevim Sancaktar | Göz Kapakları, İki Dost İki Düşman | FAİL Books | 2019 | İstanbul | |
| Mario Moura | Design em Tempos de Crise | Braço de Ferro | 2009 | Porto | |
| Erik Van der Weijde | Foto.zine nr.1 #1-#8 | 4478ZINE | 2005 | Amsterdam | |
| Erik Van der Weijde | Foto.zine nr.2 – Third Reich, Patinoire, Caravans, Church Houses, Niemeyer | 4478ZINE | 2007 | Amsterdam | |
| Erik Van der Weijde | ice-skating lanes | Erik Van der Weijde | 2007 | Amsterdam | |
| Erik Van der Weijde | Berlin | Erik Van der Weijde | 2007 | Amsterdam | |
| Michela Palermo | As I was following you | Michela Palermo | 2012 | İstanbul | |
| Faruk Ulay | Cultivation of Enigma | Ravenna Press | 2011 | Vaşington / Washington | |
| Faruk Ulay | Dolls Found, Words Lost | Faruk Ulay | 2013 | ||
Milena Kalinovska (Curator/Küratör), Dennis Adams, Art & Language, Lothar Baumgarten, Braco Dimitrijevic, Rose Finn-Kelcey, Ian Hamilton Finlay, Félix González-Torres, Tomislav Gotovac, Thomas Huber, Ilya Kabakov, On Kawara, Jiří Kolář, Jaroslaw Kozłowski, Cildo Meireles, Tatsuo Miyajima, Antonio Muntadas, Barbara Steinman, Lawrence Weiner, Krzysztof Wodiczko (Sanatçılar/Artists) | Rhetorical Image Resource Room | The New Museum | 1991 | New York | |
| Lasse Krog Møller | Samlingen Afd.: hrlst | Forlaget Press | 2008 | Oslo | |
| Lasse Krog Møller | Samlingen Afd.: fcgt | Forlaget Press | 2008 | Oslo | |
| Ali Bosworth | Ali Bosworth | Ali Bosworth | 2008 | ||
| Alejandro Cesarco | The Streets Were Dark With Something More Than Night or The Closer I Get to the End the More I Rewrite the Beginning | Art Statements | 2011 | New York | |
| Isabel Carvalho | Girls are dreaming about enormous machines | Galeria Nova Ogiva | 2008 | Bombarral | |
| Isabel Carvalho | BF16 Emissores Reunidos 1 | Braço de Ferro | 2009 | Porto | |
| Isabel Carvalho | BF10 Crónicas escritas por autoras anónimas | Braço de Ferro | 2009 | Porto | |
| Isabel Carvalho | Bar introspectivo ocupado (cultura em potência) | Braço de Ferro | 2009 | Porto | |
| Vitoria Lebasi | BF12-I.C | Braço de Ferro | 2009 | Porto | |
| Antoni Muntadas | Quejas | Ephemera Ediciones, La Caja Negra Ediciones | 2007 | Meksiko / Mexico City | |
| Antoni Muntadas | On Translation: Stand By | La Fabrica Editorial | 2006 | Madrid | |
| Antoni Muntadas | On Translation: City-Guide | Neues Museum Weserburg | 2005 | Bremen | |
| Antoni Muntadas | Projekte (1974 – 2004) on Translation: Erinnerungsraeume Die Bremer Stadtmusikanten | 2004 | Bremen | ||
| Seda Manavoğlu, Tina Bastajian | Rear Curtain | Dutch Art Institute | 2009 | Arnhem | |
| Tatia Skhirtladze | Nature Morte | Dutch Art Institute | 2009 | Amsterdam | |
| Yenyitzu | Suspended Moment | Dutch Art Institute | 2009 | Arnhem | |
| Buba Čvorić, Marina Tomić | Buba | Dutch Art Institute | 2009 | Arnhem | |
| Marina Tomić, Buba Čvorić | Marina | Dutch Art Institute | 2009 | Enschede | |
| Yota Ioannidou | Strategem | Dutch Art Institute | 2009 | Amsterdam | |
| Kevin Immanuel | Michel Foucault Letters | Dutch Art Institute | 2009 | Arnhem | |
| The Publication Project, Kevin Immanuel | Michel Foucault Letters (NYC Artbook Edition) | Dutch Art Institute | 2009 | Arnhem | |
| Saša Miljević | Distance | Dutch Art Institute | 2009 | Amsterdam | |
| Manami Yoshimoto | The Hazy | Dutch Art Institute | 2009 | Amsterdam | |
| Tzvi Gutter | Gutter Bunny | Dutch Art Institute | 2009 | Arnhem | |
| Raymond Huizinga | Temporarily Re-Arrangement #7 | Dutch Art Institute | 2009 | Arnhem | |
| Lény Bernay | 24 Figures | Lény Bernay | 2011 | İstanbul | |
| Timothée Huguet | The Match | Bakkal Press | 2011 | İstanbul | |
| Timothée Huguet | Without Head | Bakkal Press | 2010 | İstanbul | |
| Timothée Huguet | Next Time | Bakkal Press | 2010 | İstanbul | |
| Nicoline van Harskamp | De Balie Conversations | Nicoline van Harskamp | 2008 | Amsterdam | |
| Nicoline van Harskamp | A Little Guide to Istanbul Guards | Nicoline van Harskamp | 2003 | İstanbul | |
| Joe Scanlan | DIY or How To Kill Yourself Anywhere in the World for Under $399 | Imschoot,uitgevers | 2002 | Gent | |
| Lewan | Ohio # 6 – ‘Songs for Ohio’ | Ohio | 1997 | Düsseldorf | |
| Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 7 – Im Betrachten liegt der Unterschied | Ohio | 1999 | Köln | |
| Heinrich Dubel | Ohio # 8 – Erratische Helikopterphotographie by Heinrich Dubels | Ohio | 2000 | Köln | |
| J.M. Arsath Ro'is | Ohio # 10 – Ed: Uschi Huber & Jörg Paul Janka | Ohio | 2002 | Köln | |
| Burkhard Brunn | Ohio # 11 – Burkhard Brunn | Ohio | 2002 | Köln | |
| Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 12 – “e.V.” | Ohio | 2004 | Köln | |
| Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 13 – b:a = 2 x p x r : 360° | Ohio | 2004 | Köln | |
| Agnès Geoffray, Frédéric Dumond | Agnès | Agnès Geoffray | 2003 | Amsterdam | |
| Agnès Geoffray, Frédéric Dumond | fsyeofgnaar ng | Agnès Geoffray | 2003 | Amsterdam | |
| Agnès Geoffray, Frédéric Dumond | Sainte Agnès | Agnès Geoffray | 2003 | Amsterdam | |
| Liam Gillick | Literally No Place | Book Works | 2002 | Londra / London | |
| Liam Gillick | All Books | Book Works | 2009 | Londra / London | |
| Céline Condorelli, Henrik Schrat | Strati, Hoepfl, Monthaux, and the Seventeenth Plan | Eastside Projects | 2008 | Birmingham, Berlin | |
| Céline Condorelli, Henrik Schrat | Support Structures | Sternberg Press | 2009 | Berlin | |
| Céline Condorelli, Uriel Orlow | Terrain Vague, Persistent Images | Screen Technology | 2011 | Dokki | |
| Kristina Ask | the in-complete pic-ture | Kunstradet | 2008 | Kopenhag / Copenhagen | |
Kristina Ask, Christian Hilleso, Mads Rasmussen, Mia Rosasco | Dictionary: A World of Words and Their Meanings at Your Fingertips | 2007 | İstanbul | ||
| Evren Tekinoktay | Black Egg | Space Poetry | 2010 | Odder | |
| Evren Tekinoktay | New Embrace, MRS DEAD AND MRS FREE Vol.2 | Space Poetry | 2004 | Kopenhag / Copenhagen | |
| Randi & Katrine | The House in your Head | Space Poetry, Randi & Katrine | 2009 | Kore /Korea | |
| Ashkan Sepahvand | Other than someone, there was no one | Ashkal Alwan | 2010 | Beirut | |
| Gareth Long, Derek Sullivan | The Illustrated Dictionnary of Received Ideas | Bookmobile | 2010 | Montreal | |
Alex Bocchetto, Ata Kam, Eva Lechner, Görkem Ergün, İrem Sözen, Özgür Atlagan, Sinem Dişli, Yusuf Sevinçli | Aralık | Aralık | 2015 | Istanbul | |
Ahmet Doğu İpek, Beril Gür, Begüm Yamanlar, Burhan Üçkardeş, Buşra Tunç, Coşkun Aşar, Çağlar Kanzık, Ege Kanar, Furkan Temir, Kürşat Bayhan, Merve Kılıçer, Sevim Sancaktar, Tolga Güleç, Volkan Kızıltunç | Aralık 2 | Aralık | 2016 | İstanbul | |
| Manu Boisteau | Chers Tous | Éditions Cornélius | 2009 | Paris | |
| Haktan Özer | woodstock | Bakkal Press | 2011 | İstanbul | |
| Mari Lagerquist | Illume | BILAGA Limited Editions | 2013 | ||
| Mari Lagerquist | Galgar – en familjehistoria | A Shoal of Mackerel | 2011 | Glasgow | |
| Mari & Marcus Lagerquist | Tactical Magic | A Shoal of Mackerel | 2006 | Glasgow | |
| Mari Lagerquist | One Hot Lasagne | A Shoal of Mackerel | 2004 | Glasgow | |
| Deniz Gül | Beş Kişilik Bufet | Deniz Gül | 2009-2011 | İstanbul | |
| Deniz Gül | Pardon siz kimsiniz? | Deniz Gül | 2006 | Istanbul | |
| Deniz Gül | There is life between us (+transparency) | notonlypublications | 2020 | Istanbul | |
| Abdellah Karroum, Ala Younis | Sentences on the banks and other activities | Darat al Funun | 2010 | Amman | |
| Oda Projesi, Nadin Reschke | Tongue E | Nadin Reschke, Oda Projesi, Revolver | 2012 | Berlin | |
| Oda Projesi | Mahalle, oda, komşu, misafir? | Oda Projesi, İKSV | 2005 | İstanbul | |
| Oda Projesi | Neigbourhood, room, neighbour, guest? | Oda Projesi, İKSV, Revolver | 2005 | Frankfurt | |
| Oda Projesi, Seda Yıldız | Yürüyen Arşiv | Oda Projesi | 2025 | İstanbul | |
| Serkan Özkaya | Davetiye | Serkan Özkaya | İstanbul | ||
| Ben Kinmont | Prospectus Amsterdam: Forty-two works by Ben Kinmont | Antinomian Press | 2011 | ||
| Ben Kinmont | Prospectus Amsterdam: A survey of the work of Ben Kinmont, 12 March - 22 May 2011 | Stedelijk Museum Amsterdam and Kunstverein | 2011 | Amsterdam | |
| İpek Duben | Manuscript | İpek Duben | 1994 | İstanbul | |
| İpek Duben | KimKimdir | İpek Duben | 2009 | İstanbul | |
| İpek Duben | What is a Turk? | İpek Duben | 2003 | İstanbul | |
| Nel Aerts, Vaast Colson | Whilst The Master Sleeps, Clean Press #15 | Clean Press | 2011 | ||
| Güngör Erdem, T. Melih Görgün, Nil İlkbaşaran | Arı, Doğa, İnsan | Bilge Alkor Yayınları | 2019 | İstanbul | |
| Judith Raum | Distanz des Subjekts zum Objekt | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York | |
| Judith Raum | Beyond the Substantial | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York | |
| Judith Raum | Stresemanns Motive für Nationalismus und Imperialismus | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York | |
| Judith Raum | Disestablish | Verlag der Universitat der Künste Berlin | 2012 | Berlin | |
| Judith Raum | Eser | Archive Books | 2015 | Berlin | |
| Aron Morel | When Lost is Found | Spilt Ink | 2008 | Londra / London | |
| Bernhard Cella | Travel Journal Two | Hotel Ostblick | 2009 | Viyana / Vienna | |
| İsmet Doğan | Temsil | Mas Matbaacılık | 1996 | İstanbul | |
| Matei Bejenaru | Mobile Darkroom Unit | Kettle's Yard, University of Cambridge | 2013 | Suceava | |
| Endre Tot | Nothing Left for Art to Say | Stamp Art Gallery | 1995 | San Francisco | |
| Peter Fischli, David Weiss | Will Happiness Find Me? | Koenig Books | 2003 | Londra / London | |
| Nancy Atakan, Nazlı Paker | A Sea of Possibilities | Nancy Atakan | 2007 | İstanbul | |
| Nancy Atakan, Nazlı Paker | İkili konuşma / İletişim olarak sanat – Art As Dialogue | Nancy Atakan | 1998 | İstanbul | |
| Nancy Atakan | Passing On | Kehrer Verlag Heidelberg | 2016 | Berlin | |
| Nancy Atakan | Sanatta Alternatif Arayışlar | Karakalem Kitabevi | 2008 | İzmir | |
| Nancy Atakan | Nancy Atakan Portfolio | Nancy Atakan | 2006 | İstanbul | |
| Naz Erayda | Hüseyin Katırcıoğlu İçin Üç Saat | Kum,Pan,Ya | 2000 | İstanbul | |
| Naz Erayda | Three Hours For Hüseyin Katırcıoğlu | Kum,Pan,Ya | 2000 | İstanbul | |
| Irene Kopelman | Reconstructing Time | Roma Publications | 2005 | Amsterdam | |
| Irene Kopelman | Documenting Three Interventions in a Space | Rijksakademie | 2002 | Amsterdam | |
| Mladen Stilinović | Oduzimanje Nula | Zavod P.A.R.A.S.I.T.E. | 2006 | Lübliyana / Ljublana | |
| Mladen Stilinović | My Sweet Little Lamb! | Swedish Contemporary Art Foundation | 2009 | Stockholm | |
| Mladen Stilinović | Artist's Books | Platform Garanti, Van Abbemuseum | 2007 | İstanbul | |
| Iona Nemeş | Balthazar | International Biennial for Contemporary Art | 2006 | Yaş / Iaşi | |
| Ben Vautier | I am for a pluri-ethnical art world | Emily Harvey Publication | 1991 | New York | |
| Meriç Algün Ringborg | Ö (The Mutual Letter) | Meriç Algün Ringborg | 2011 | ||
| Meriç Algün Ringborg | Location: Date: Time | Meriç Algün Ringborg | 2012 | Stockholm | |
Alexandr Burlaka, Anastasia Ryabova, Vladislav Shapovalov, Maxim, Spivakov, Tzuchien Tho, Dmitry Vorobbyev | Problem Book (English) | Supostat, Text and Pictures | 2009 | Paris | |
| Dieter Roth | Die Radie Sonate | Boekie Woekie | 2006 | Amsterdam | |
| Pavel Büchler | Marx Angels | Book Works | 1997 | Londra / London | |
| Gözde İlkin | Kira Sözleşmesi | Proje1likte | 2009 | Istanbul | |
| Gözde İlkin | Türkiye Cumhuriyeti Hususi Pasaport / Republic of Turkey Special Passport | Gözde İlkin | 2010 | İstanbul | |
| Gözde İlkin | Sanat yapıtında tekinsizlik / "Uncanny" in the art work | Gözde İlkin | 2012 | Istanbul | |
| Sarah van Sonsbeeck | Silence Map of IJburg | SMART Project Space | 2008 | Amsterdam | |
| Andrea Geyer | Queen of The Artists’ Studios | Art in General | 2007 | New York | |
| Andrea Geyer | This Site of Memory – Audrey Munson | Art in General | 2006 | New York | |
| Shumon Basar | Do You Often Confuse Love With Success And With Fame? | Traffic | 2012 | Dubai | |
| Kate Dent | Looking For Headless | Goldin+Senneby | 2007 | Stockholm | |
| Goldin+Senneby | Travel Journal, Nassau Bahamas March 26th | Goldin+Senneby | 2008 | Stockholm | |
| Morten Andenaes, Ola Rindal | Grayscale | Fotogalleriet | 2007 | Oslo | |
| ha za vu zu | tank tank think | ha za vu zu | 2007 | İstanbul | |
| Bik Van der Pol | Bring on the Devil | Casco | 2005 | Utrecht | |
| Bik Van der Pol | Fly Me to the Moon | Sternberg Press | 1998 | Berlin | |
| Bik Van der Pol | It isn’t what it used to be and will never be again | Centre for Contemporary Arts, Glasgow | 2009 | Glasgow | |
| Bik Van der Pol | What if the moon were just a jump away? | Bik Van der Pol and Labin Imprint, Van Eyck Academie | 2014 | Maastricht | |
| Pilvi Takala | Kuvasto 04 | Kuva | 2004 | Helsinki | |
| Pilvi Takala | Bag Lady | FRAME Finland | 2007 | Helsinki | |
| Pilvi Takala | Event on Garnethill | Art-Print Oy | 2005 | Helsinki | |
| Olaf Nicolai | Tagebuch München: 06-11 Juni 2005 | Olaf Nicolai | 2005 | Viyana / Vienna | |
| Olaf Nicolai | Diario Rovereto, 16-21 Luglio 2008 | O. Nicolai, Manifesta 7 | 2008 | South Tyrol | |
| Olaf Nicolai | Tagebuch Hamburg-Harburg, 26.-29. August 2009 | Sautter+Lackmann | 2009 | Hamburg | |
| Olaf Nicolai | Tagebuch Olten, 26.2.-2.3.2009 | Kunstmuseum Olten | 2009 | Olten | |
| Olaf Nicolai | Athens Diary : 24 February – 2 March 2010 | O. Nicolai and Kunsthalle Athena | 2010 | Atina / Athens | |
| Olaf Nicolai | Why women like to buy textiles that feel nice | Argobooks | 2010 | Berlin | |
| Delphine Bedel | All that is solid melts into air | Episode Publishers | 2008 | Rotterdam | |
| Jeremy Deller | The Uses of Literacy | Book Works | 1999 | Londra / London | |
| André Guedes | BF14, The Airotiv Papers | The Physics Room, Braco de Ferro | 2009 | Vitorya, İspanya / Vitoria, Spain | |
| Daniel Knorr | European Influenza | Plitt Printmanagement | 2005 | Venedik / Venice | |
| Daniel Knorr | Leabhar Ealaíoncóir (Artist Book) | Daniel Knorr | 2009 | Limerick | |
| Daniel Knorr | Sanatçı Kitabı (Artist Book) | BAS | 2013 | İstanbul | |
| Danier Knorr | Արվեստագետի Գիրք (Sanatçı Kitabı) | Ermenistan / Armenia | |||
| Daniel Knorr | Artist Book | Kayne Griffin Corcoran | 2013 | Los Angeles | |
| Daniel Knorr | Cudesch d'Artist (Artist Book) | Kunsthalle Basel | 2009 | Basel | |
| Dayanışma Kartpostalları | Anonim | 2018 | İstanbul | ||
| Susanne Bürner | Only You | Argobooks | 2008 | Berlin | |
| Susanne Bürner | Vanishing Point: How to disappear in America without a trace | Revolver, ToastinK Press | 2006 | Berlin | |
| Raphaelle Macaron (Ed.) | Topia | Samandal | 2017 | Paris | |
| Jim Drobnick | Rudolf Baranik's Dictionary from The 24th Century | Bee Sting Press | 1990 | New York | |
| Rudolf Baranik | Z Communiques | Bee Sting Press | 1994 | New York | |
| Ben Cain, Tina Gverović | The Visit | Galerija Miroslav Kraljević | 2007 | Zagreb | |
| Ben Cain | The Making of the Means | Wiels | 2009 | Brüksel / Brussels | |
| Pierre Huyghe | One year celebration, vol. 1 | onestar press | 2006 | Paris | |
| Nick Mauss | Geschenkpapiere | Koenig Books | 2010 | Londra / London | |
| Michalis Pichler | Hearts | 2008 | Frankfurt, Atina / Athens | ||
| Michalis Pichler | Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed | Cneai | 2008 | Chatou | |
| Michalis Pichler | The Ego and Its Own / 唯一者及其所有物 | ”greatest hits”, Forever & Today, Inc. | 2010 | Berlin | |
| Michalis Pichler | War Diary | Revolver | 2005 | Frankfurt | |
| Michalis Pichler | 26 Gasoline Stations | "greatest hits”, Printed Matter, Inc. | 2009 | Berlin, New York | |
| Michalis Pichler | "greatest hits" POSTNAIVISM Poster | "greatest hits" | 2019 | Berlin | |
| Michalis Pichler | July, August, September 2012 | "greatest hits" | 2012 | Berlin | |
| Michalis Pichler | Some Fallen Umbrellas and Something Else | un-limited store | 2008 | Marseille | |
| Eleni Kamma | Once past the years of green emotion | Futura Publications | 2007 | Atina / Athens | |
| Eleni Kamma | More Than One and Less Than Many | Neuer Aachener Kunstverein | 2012 | Brüksel / Brussels | |
| Eleni Kamma | Enlever et Entretenir | Jan Van Eyck Academie Editions | 2010 | Maastricht | |
| Mary Shelley | Mary Shelley Facsimile Library | Werkplaats Typographie, ArtEZ | 2011 | Arnhem | |
| Jacob Fabricius (Ed.) | Old News No: 1 | Pork Salad Press | 2004 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 2 | Pork Salad Press | 2005 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 3 | Pork Salad Press | 2006 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 4 | Pork Salad Press | 2008 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 6 | Pork Salad Press | 2009 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 7 | Pork Salad Press | 2010 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 8 | Pork Salad Press | 2010 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 11A | Pork Salad Press | 2011 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 11B | Pork Salad Press | 2011 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 13 | Pork Salad Press | 2011 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News No: 14 | Pork Salad Press | 2012 | Kopenhag / Copenhagen | |
| Jacob Fabricius (Ed.) | Old News México | Pork Salad Press | 2008 | Kopenhag / Copenhagen | |
| Karl Holmqvist | Vinyl News No. 1 / Karl Holmqvist Reads Old News | Old News, Pork Salad Press | 2010 | Kopenhag / Copenhagen | |
| Sunfoot | Vinyl News No. 2 / Purple and Orange Memorial Album, Sunfoot | Old News, Pork Salad Press | 2012 | Kopenhag / Copenhagen | |
Timothy Dewit, Jakob Boeskov, Matthew Morandi | T7: I think I Scan | Pork Salad Press | 2012 | Kopenhag / Copenhagen | |
| Bettina Funcke, Wade Guyton, Seth Price | Continuous Project #1 (Avalanche magazine (Fall 1970)) | Continuous Project | 2003 | New York | |
| Bettina Funcke, Wade Guyton, Seth Price | Continuous Project #4 (Eau de Cologne (1985)) | Continuous Project | 2003 | New York | |
| Bettina Funcke, Wade Guyton, Seth Price | Continuous Project #7 (April 8, 2006) Reproduction of Ferdinand Kriwet’s Publit (Nova Broadcast Press, 1971), in Parabol AM, no. 1 (Vienna). Release party, Museum Moderner Kunst, Vienna, April 8, 2006. | Continuous Project | 2006 | Viyana / Vienna | |
| Raf Rennie | Catalogue Library | Catalogue Library | 2013 | Leeds | |
| Keren Cytter | White Diaries | CCA Kitakyushu | 2010 | Japonya / Japan | |
| Bas Jan Ader | In Search of the Miraculous: Discovery File 143/76 | Veenman Publishers / Gijs Stork, Marion van Wijk & Dalstar | 2006 | Rotterdam | |
| Ali Taptık, Okay Karadayılar | Açık Ev, Istanbul | Ali Taptık, Okay Karadayılar | 2009 | İstanbul | |
| Seval Şener | 6 Kasım 2016 | Torun | 2019 | İstanbul | |
| Raymond Taudin Chabot | Roma Publication 104 CAST (PART 4) | Roma Publications | 2007 | Rotterdam | |
| Robin Vanbesien | Regarder l'auteur | Robin Vanbesien | 2010 | Saint Gilles | |
| Eşref Yıldırım | Gözden Geçirilmiş İkinci Baskı "Hiç Kimsenin Ölümü" | Galeri Zilberman | 2012 | İstanbul | |
| Eşref Yıldırım | Kuyu | Eşref Yıldırım | 2014 | Istanbul | |
| Didem Özbek | Kurun | SALT | 2012 | İstanbul | |
| Didem Özbek | White Sugar Cube Book / Beyaz Küp Şeker Kitabı | PiST | 2008 | İstanbul | |
| Christian Ulrik Andersen, Geoff Cox | What is Datafied Research? | Digital Aesthetics Research Center | 2015 | Hong Kong | |
| Sexymachinery (Ed.) | Sexymachinery SM 04 Lord Lucan | Sexymachinery | 2001 | Londra / London | |
| Ferhat Özgür | Bulmaca – Crossword Puzzle | 10. İstanbul Bienali | 2007 | İstanbul | |
| Jacob Fabricius ( Ed.) | 24 Advertisements | Pork Salad Press | 2011 | Kopenhag / Copenhagen | |
| Carlos Motta | Brief History of Leftist Guerrillas in Latin America | Copyleft | 2009 | New York | |
| Eva Weinmayr | Lery, A Story Of Facts And Faxes | Eva Weinmayr | 1998 | Santa Monica | |
| Eva Weinmayr | Suitcase Body is Missing Woman | Book Works | 2005 | Londra / London | |
| Eva Weinmayr | (pause) 21 scenes concerning the silence of Art in Ruins | Occasional Papers | 2010 | Londra / London | |
| Eva Weinmayr | Havva Bağcı | Rodeo | 2009 | İstanbul | |
| Eva Weinmayr | The Piracy Collection | Central Saint Martins School of Art and Design | 2011 | Londra / London | |
| Aslı Çavuşoğlu | Takip | Poursuite | BAS | 2006 | İstanbul | |
| Aslı Çavuşoğlu | Caiet de Geografie | Backyard Residency Program , Aslı Çavuşoğlu | 2006 | Iași | |
| Aslı Çavuşoğlu | The Unsubscribed Life of Peter Böse | Aslı Çavuşoğlu | 2007 | İstanbul | |
| Aslı Çavuşoğlu | Bruce Chatwin'in Ardından Patagonya'da/ In Patagonia After Bruce Chatwin | Aslı Çavuşoğlu | 2009 | İstanbul | |
| Aslı Çavuşoğlu | In Patagonien nach Bruce Chatwin | Aslı Çavuşoğlu | 2009 | İstanbul | |
| Aslı Çavuşoğlu | A Slight Hesitation of Petra Nacht | Platform Garanti | 2007 | İstanbul | |
| Aslı Çavuşoğlu | 191/205 | Handle With Care Records | 2009 | Berlin | |
| Mike Nelson | An Invocation: Five Hundred and Thirty Books from Southend Central Library | Focal Point Gallery | 2013 | Essex | |
| Sanja Medic | Interior Monologue / a soliloquy | Rijksakademie | 2006 | Amsterdam | |
| Okay Karadayılar | Örtbas, Sayı 1 | Okay Karadayılar | 2011 | İstanbul | |
| Okay Karadayılar | Örtbas, Sayı 2 - Pofuduk | Okay Karadayılar | 2011 | İstanbul | |
| Okay Karadayılar | Örtbas, Sayı 4 | Okay Karadayılar | 2011 | İstanbul | |
| Okay Karadayılar | Örtbas (Boş Defter) | Okay Karadayılar | 2011 | İstanbul | |
| Gözde ‘Mimiko’ Türkkan | Pay Here | Too Many Books | 2010 | İstanbul | |
| Hans Eijkelboom | 10-Euro Outfits | Photonotes | 2010 | Amsterdam | |
| Carsten Höller | Kuşku Günleri | Uluslararası Istanbul Bienali, Institut Für Auslandsbeziehungen | 1999 | İstanbul, Stuttgart | |
| Susan Hiller | Auras and Levitations - Homage to Marcel Duchamp / Homage to Yves Klein | Institute of Contemporary Arts, Book Works | 2008 | Londra / London | |
| Susan Hiller | The J. Street Project | Compton Verney, Berlin DAAD | 2005 | Berlin | |
| Eko Nugroho | Fight me! | Resist Books | Yogyakarta | ||
| Eko Nugroho | The Tram | Amsterdam Grafisch Atelier | 2004 | Amsterdam | |
| Martin Jacobson | Postcards | Martin Jacobson | 2009 | ||
| Superflex | Free Shop | Pork Salad Press | 2008 | Kopenhag / Copenhagen | |
| Burak Bedenlier | Burak Bedenlier | 2006 | İstanbul | ||
| Burak Bedenlier | Burak Bedenlier | 2006 | İstanbul | ||
| Koray Kantarcıoğlu | Café Maki Yato | Koray Kantarcıoğlu | 2008 | İstanbul | |
| Koray Kantarcıoğlu | Bitmap Landscapes | Wounded Wolf Press | 2015 | Ankara | |
| Darin Klein (Ed.) | Box of Books Vol. II | Darin Klein and Friends | 2009 | Los Angeles | |
| Alexandra Leykauf | Untitled | Rijksakademie van Beeldende Kunsten | 2004 | Amsterdam | |
| Alexandra Leykauf | Untitled | Rijksakademie van Beeldende Kunsten | 2004 | Amsterdam | |
| Altı Aylık | Temiz Eller – Islak Mendil / Clean Hands – Wet Towel | Altı Aylık | 2006 | İstanbul | |
| Tan Lin | work on napkin | Westphale Verlag | 1996 | Viyana / Vienna | |
| Nejat Satı | Ballyhoo | Nejat Satı | 2005 | İzmir | |
| Ays Alayat, Şafak Şule Kemancı | Gerçekten Yalnız Mıyım? | Depo | 2022 | İstanbul | |
| Pol Matthé | Horsten? | Z Forlag | 2013 | Oslo | |
| Pol Matthé | Coal Age Man 1981 | Z Forlag | 2013 | Oslo | |
Pol Matthé, Jochem Vanden Ecker, Martin Maloney, Kris Krimpe | From Brown to Blue | Z Forlag | 2013 | Oslo | |
| M+P Matthé | As for Waltzing Notes | Z Forlag | 2014 | Anvers / Antwerp | |
| Pol Matthé | Dans le Verger Barré | Z Forlag | 2013 | Oslo | |
| Olivia Plender | Green Lines | Pork Salad Press and Point | 2013 | Kopenhag / Copenhagen | |
| Jean-Baptiste Ganne | Das Illustrierte Kapital / Karl Marx | Fotohof Edition | 2003 | Salzburg | |
| Jean-Baptiste Ganne | Un Art Moyen / Pierre Bourdieu | Rijksakademie, Maison Descartes | 2003 | Amsterdam | |
| Yasemin Özcan | Political World Map / scale: 1/2007 / Dünya Siyasi Haritası / ölçek: 1/2007 – Kartpostal / Postcard | BAS, CCS Bard | 2010 | İstanbul, New York | |
| Yasemin Özcan | Limonata gibi hava | İKSV | 2017 | İstanbul | |
| Cem İleri | Yüzücü | Cem İleri | 2019 | ||
| Sherif Xenoph Ibn El | I Want to be a Suicide Bomber | Pistols Drawn | 2013 | İstanbul | |
| Leyla Gediz | Kırksekiz Haftada Çiftini Bulmaca | Ofset Yapımevi | 2004 | Istanbul | |
| Gary McLeod | Andover Road North (Remix) | KartonKitap | 2014 | İzmir | |
| Lia Perjovschi | Subjective Art History | Center for Art Analysis | 1990 | Bükreş / Bucharest | |
| Erik Göngrich | Picnic City | Proje 4L İstanbul Güncel Sanat Müzesi | 2001 | İstanbul | |
| Charles Arsenè-Henry, Shumon Basar, Suna Kafadar | Tercüme Eden / Translated By | SALT | 2011 | İstanbul | |
| Sevgi Ortaç | Baş Aşağı Anıt | Dutch Art Institute | 2010 | Arnhem | |
| Sevgi Ortaç | The Monument Upside Down | Dutch Art Institute | 2010 | Arnhem | |
| Hussein Chalayan | Place to Passage | Tribe Art, artwise | 2004 | Londra / London | |
| Mariana Castillo Deball | Never Odd or Even vol. I | Marres, Revolver | 2005 | Berlin | |
| Mariana Castillo Deball | Never Odd or Even vol. II | BOM DIA BOA TARDE BOA NOITE | 2011 | Berlin | |
| Mariana Castillo Deball | Penser/Classer | Mariana Castillo Deball | 2002 | Maastricht | |
| Mariana Castillo Deball, Irene Kopelman (Ed.) | A for Alibi | Sternberg Press | 2007 | Berlin | |
Mariana Castillo Deball, Jay Chung, Q Takeki Maeda, Dani Gal | Geschichte History | Hatje Cantz | 2009 | Ostfildern | |
| Mariana Castillo Deball | Interlude: The Reader’s Traces | Revolver | 2005 | Berlin | |
| Mariana Castillo Deball | Uncomfortable Objects | BOM DIA BOA TARDE BOA NOITE | 2012 | Berlin | |
| Ştefan Sava | (Alphabet) | Salonul de proiecte | 2013 | Bükreş / Bucharest | |
| Erik Kessels | In Almost Every Picture | KesselsKramer | 2001 | Amsterdam | |
| Vaast Colson, Clean Press #13 | Hüzün | Clean Press, Maes & Matthys Gallery | 2010 | Anvers / Antwerp | |
| Sezgi Abalı, İpek Çankaya | Gözlem | Halka Art Project | 2012 | Istabul | |
| Ruth Stacks | False Friends | Kunstverein Publishing | 2010 | Amsterdam | |
| François Curlet | Commercial Break – Volume 1 / Marie Legros | Cneai Chatou | 2001 | Chatou | |
| François Curlet | Commercial Break – Volume 2 / Dieter | Cneai Chatou | 2001 | Chatou | |
| François Curlet | Commercial Break – Volume 3 / Pierre Huyghe | Cneai Chatou | 2001 | Chatou | |
| François Curlet | Commercial Break – Volume 4 / Marco Brambilla | Cneai Chatou | 2001 | Chatou | |
| André Komatsu | Quarta Margem | S/W Ediciones | 2010 | Long Island City, New York | |
| Anne Szefer Karlsen, Aaron Schuster (Ed.) | The Transmitter Show-Words At A Distance | Perfoma NY, Hordaland Art Center | 2013 | Bergen | |
| Banu Cennetoğlu | 15 Korkutan Asyalı Adam | Banu Cennetoğlu | 2006 | İstanbul | |
| Banu Cennetoğlu | Güncelleştirilmiş ve Genişletilmiş Korkutan Asyalı Adamlar – Updated and Expanded Scary Asian Men | Center of Contemporary Art Znaki Czasu | 2010 | Toruń | |
| Banu Cennetoğlu | Yeniden Güncelleştirilmiş ve Genişletilmiş Korkutan Asyalı Adamlar – Re-updated and Expanded Scary Asian Men | İstanbul Modern | 2011 | İstanbul | |
| Banu Cennetoğlu | Yalancı Şahit – False Witness | Idea Books | 2003 | Amsterdam | |
| Banu Cennetoğlu, Yasemin Özcan | A Self-Sufficient yet Supportive Long- Distance Companion | Project Biennial, D-0 ARK Underground, Wiener Festwochen, SAHA | 2013 | İstanbul, Konjic, Viyana / Vienna | |
| Banu Cennetoğlu, Yasemin Özcan | Güncellenmiş Destekçi | Rodeo | 2014 | İstanbul | |
| Banu Cennetoğlu, Yasemin Özcan | Ein selbstversorgender dennoch unterstützender Langstreckenbegleiter | Project Biennial, D-0 ARK Underground, Wiener Festwochen, SAHA | 2013 | İstanbul | |
| Banu Cennetoğlu | Katalog 2009 – Catalog 2009 | Venice Biennale | 2009 | İstanbul | |
| Nurdan Gürbilek, Banu Cennetoğlu | The Orpheus Double Bind | Asia Art Archive | 2021 | Hong Kong | |
| Claude Closky | Colorie comme tu veux, dessine et écris ce que tu veux | Éditions de Seuil | 2001 | Çin / China | |
| Martha Rosler | Service: A Trilogy on Colonization | Printed Matter | 1978 | New York | |
| Scott King | The Alcoholics Colouring Book | Scott King | 2008 | Londra / London | |
| Köken Ergun | Promised Land | Argobooks | 2009 | Berlin | |
| Köken Ergun | WHO AM I ANYWAY? | Kunsthalle Winterthur | 2011 | Wintherthur | |
| AA Bronson | Lana | Media Guru Editions | 2009 | New York, NY | |
| AA Bronson | The Temptation of AA Bronson | Kunstinstituut Melly (eski adıyla / formerly known as Witte de With) | 2013 | Rotterdam | |
| General Idea, AA Bronson | XXX VOTO | General Idea | 1995 | Toronto | |
| Nadin Reschke | Kalıntı | Nadin Reschke | 2006-2007 | İstanbul | |
| Nadin Reschke | Kalıntı | Nadin Reschke | 2006-2007 | İstanbul | |
| Nadin Reschke | Temporary Library | Nadin Reschke | 2014 | Mooste | |
| Mira Sanders, Cédric Noël | La Chambre de Tania | posture editions | 2013 | Anvers / Antwerp, Gent / Ghent | |
| Ludovic Bernhardt | Transcription | Studio National des Arts Contemporains les Fresnoy | 2000 | Fresnoy | |
| Marko Tadić | I Speak True Things | Galerija Miroslav Kraljevic, DeLVe, Institute for Duration, Location, and Variables | 2008 | Zagreb | |
| Mustafa Kunt | Mustafa Kunt | 2004 | |||
| Mustafa Kunt | Mustafa Kunt | 2005 | |||
| Gülçin Aksoy | Duble Hikaye | Birtakımşeyler Stüdyosu | 2014 | İstanbul | |
| Iman Issa | Thirty-Three Stories About Reasonable Characters In Familiar Places | GM Printing | 2011 | New York | |
| Şener Özmen | The Story of Tracey Emin | Şener Özmen | 2000 | Diyarbakır | |
| Şener Özmen | Manifesta Cinayetleri | Şener Özmen | 2001 | Diyarbakır | |
| Şener Özmen | Apriori Gezi Rehberleri – Apriori Tour Guides: Istanbul Guide | İstanbul Bienali, İstanbul Kültür Sanat Vakfı | 2005 | İstanbul | |
| Şener Özmen, Ahmet Öğüt | Kan Baldan Tatlıdır – Blood Sweeter Than Honey | Galerist | 2004 | İstanbul | |
| Şener Özmen, Ahmet Öğüt | Colouring Book | Şener Özmen, Ahmet Ögüt | 2013 | İstanbul | |
| Ahmet Öğüt | Tarihte Bugün – Today in History | Book Works, Platform Garanti | 2007 | Londra / London, İstanbul | |
| Ahmet Öğüt | Softly But Firmly | Galerija Miroslav Kraljević | 2007 | Zagreb | |
| Ahmet Öğüt | Clear Blue Sky versus Generous Earth, Tote Bag - "Loosen Necktie, Unbutton Coat and Any Other Restrictive Clothing.", "Keep Hands Free of Glasses, Bottles, Cigarettes, Etc.", "Stand Away from Bar Tables, Orchestra, Equipment and Furniture." | 28th Biennial of Graphic Arts | 2009 | Ljubljana | |
| Diango Hernández | The Museum of Capitalism | Revolver | 2005 | Frankfurt | |
| Joanna Rajkowska | Bir Mütercimin Vazifesi, Walter Benjamin | British Council, Anadolu Kültür, Platform Garanti | 2010 | İstanbul | |
| Batu Bozoğlu | Önemsiz bir adamın güncesi | Batu Bozoğlu | 2007 | ||
| Anne Salah | İstanbulmap | Tarih Vakfı | 2007 | İstanbul | |
mecrasız'a karışanlar Deniz, Ece, Esra, Fevzi, Örsan, Özlem, Sevim, Tayfun | Israrlı Klişeler | Karşılaşmalar | 2017 | İstanbul | |
| Anita di Bianco | Corrections and Clarifications, September 2001 – July 2002 | Kunsthaus Zürich | 2002 | Zürih / Zurich | |
| Anita di Bianco | Corrections and Clarifications, August 2004 – January 2005 | Klartext! The Status of the Political in Contemporary Art and Culture, Künstlerhaus Bethanien and the Volksbühne am Rosa-Luxemburg-Platz | 2005 | Berlin | |
| Anita Di Bianco | Corrections and Clarifications, June 2005 – August 2005 | ExtraCity | 2005 | Anvers / Antwerp | |
| Anita Di Bianco | Corrections and Clarifications, September 2006 – August 2007 | Anita Di Bianco | 2007 | Berlin | |
| Anita Di Bianco | Corrections and Clarifications (Ispravke I Razjašnjenja), January 2008 – September 2008 | Anita Di Bianco | 2008 | Banja Luka | |
| Anita Di Bianco | Corrections and Clarifications, May 2008 – July 2009 | Alkatraz Gallery and the International Centre of Graphic Arts | 2009 | Lübliyana / Ljubljana | |
| Anita Di Bianco | Corrections and Clarifications, April 2009 – August 2010 | Kunsthalle Nürnberg | 2010 | Nürnberg | |
| Anita Di Bianco | Corrections and Clarifications, May 2009 – January 2010 | STUK Art Centre | 2010 | Leuven | |
| Anita Di Bianco | Corrections and Clarifications (Apologies, errors and omissions, justifications, corrections and clarifications, retractions and refusals, denials and distinctions), March 2011 – May 2011 | QUAD Publishing | 2011 | Londra / London | |
| Anita Di Bianco | Corrections and Clarifications (Berichtigungen Und Gegendarstellungen), May 2011 – August 2011 | KW Institute for Contemporary Art | 2011 | Berlin | |
| Anita Di Bianco | Corrections and Clarifications, April 2012 – September 2012 | Anita Di Bianco | 2012 | Berlin | |
| Anita Di Bianco | Corrections and Clarifications (Düzeltmeler ve Açıklamalar), Ocak 2012 – Ağustos 2014 | BAS | 2014 | İstanbul | |
| Anita Di Bianco | The Error is Regretted - Wir Entschuldigen Uns Für Diesen Fehler | The Green Box | 2021 | Berlin | |
| Jonathan Monk | Cover Version | Book Works | 1998 | Londra / London | |
| Nobuyoshi Takagi | Deep #1 | Bakkal Press | İstanbul | ||
| Sophia Al Maria | The Gulf Colloquy Compendium | Art Dubai, Mathaf: Arab Museum of Modern Art | 2012 | Dubai | |
| William G. Buchina | Illustrated English Grammar in Use | 2009 | |||
| Yara El-Sherbini | Sheikh 'n' Vac | Book Works | 2005 | Londra / London | |
| Ian White | Ibiza Black Flags Democracy | Berliner Künstlerrprogramm/DAAD | 2010 | Berlin | |
| John Russell | Frozen Tears III | ARTIcle Press | 2007 | Birmingham | |
| Nada Prija | Documents Enclosed | Museum of Contemporary Art Skopje | 2008 | Üsküp / Skopje | |
| Sena Başöz | Missing Element | Sena Başöz | 2011 | İstanbul | |
| Sung Hwan Kim, dogr | When Things Are Done Again | tranzit.cz | 2010 | Prag / Prague | |
| Borga Kantürk | Becoming a Survivor | Borga Kantürk | 2005 | İzmir / Helsinki | |
| Borga Kantürk | The Man Who is Expected to Save the World | Borga Kantürk | 2006 | İzmir | |
| Borga Kantürk | Safları Sıklaştırmak, Closing The Ranks: 2009-2011 | Borga Kantürk | 2012 | İstanbul | |
| Borga Kantürk, KUTU portable art gallery | KUTU mini | KUTU portable art gallery | 2007 | İzmir | |
| Soner Ön | Richie Rich | Soner Ön | 2011 | New York | |
| Soner Ön | The Light In The Dark with The Neon Arms | Soner Ön | 2011 | New York | |
| Soner Ön | Soner Ön | The Holster | 2009 | New York | |
| Soner Ön | A Pigeon to the Phoenix | Soner Ön | 2011 | New York | |
| Özgür Atlagan | cılk | Özgür Atlagan | 2016 | İzmir | |
| Özgür Atlagan | Sulfur Noon | Özgür Atlagan | 2017 | İzmir | |
| Özgür Atlagan | Letter to N | Özgür Atlagan | 2021 | Amsterdam | |
| Vaast Colson | Principum 1 | Clean Press #17 | 2012 | Anvers / Antwerp | |
| Vaast Colson | Principum 2 | Clean Press #17 | 2012 | Anvers / Antwerp | |
| Vaast Colson, Dennis Tyfus | a ella le gusta la casalina (dame mas casalina!) como le encanta la casalina | Clean Press #1 ultra eczama #74 | 2009 | Anvers / Antwerp | |
| Dennis Tyfus | UE190 Verleden Tijdsbestedig | ultra eczema | 2014 | Anvers / Antwerp | |
| Vaast Colson | Containers and Acoustics | Nicolai | 2014 | Berlin | |
| Vaast Colson | Clean Press #24: Triomfkaarten | Clean Press | 2006 | Anvers / Antwerp | |
| Vaast Colson | Clean Press #07: To Retitle an Object Daily During the Course of a Show | Clean Press | 2006 | Anvers / Antwerp | |
| Vaast Colson | Clean Press #08: To Retitle an Object Daily During the Course of a Show | Clean Press | 2007 | Anvers / Antwerp | |
| Vaast Colson | Clean Press #16 | Yellow Art and Clean Press | 2010 | Anvers / Antwerp | |
| Cameron Stallones | Second System Vision, Fieldwork: First-Term | Paralaxe Editions | 2015 | Barselona / Barcelona | |
| Kristina Kramer | mopeds | Bakkal Press | 2010 | İstanbul | |
| Arzu Çılgın | Bir Kütle Dil Bir Kütle Kitap | Ekav Sanat Galerisi | 2006 | İstanbul | |
| Dan Starling | Malcolm X an Introduction by J.D. Salinger | Richmond Art Gallery, Galerie Werner Whitman | 2008 | Richmond, BC | |
Axel Wieder, Wim Waelput (Ed.), Susanne Kriemann | Ashes and Broken Brickwork of a Logical Theory | Roma Publications | 2010 | Amsterdam | |
| Fatma Belkıs | Gidenler / Those Who Left | Fatma Belkıs | 2011 | İstanbul | |
| Fatma Belkıs | Gidenler | Onagöre | 2021 | İstanbul | |
| Fatma Belkıs | Those Who Left | Onagöre | 2021 | İstanbul | |
| Fatma Belkıs | At Your Worst | Fatma Belkıs | 2024 | Clermont-Ferrand | |
| Fatma Belkıs | LOT | Fatma Belkıs | 2024 | Clermont-Ferrand | |
| Fatma Belkıs | Blow a Kiss, Fire A Gun 1 | Hür Adalar Press | 2024 | İstanbul, Antalya | |
| Fatma Belkıs | Sarılıp Yılana 1 | Hür Adalar Press | 2024 | İstanbul, Antalya | |
Bihter Sabanoğlu, Miriam Gatt, Paky Vlassopoulou | Shifting Shores | Hür Adalar Press | 2026 | Antalya | |
| Allora & Calzadilla | Guantanamo Bay Song Book | Center for Contemorary Art, CCA Kitakyushu | 2009 | Kitakyushu | |
| Ramazan Üren | Kitabın Adı: Zımbalı Kitap | Ramazan Üren | 1996 | İstanbul | |
| Süreyyya Evren | Yar arabeni öyküleri | Zenci Kitap | 1992 | İstanbul | |
| Süreyyya Evren | Üç kişilik öyküler | Zenci Kitap | 1993 | İstanbul | |
| Süreyyya Evren ( Ed.) | Gazete Karaşın | Karaşın Aylık Fotokopi Gazete | 1998 | İstanbul | |
Rahmi G. Öğdül, Süreyya Evren, Füsun Kayra, Sabri Gürses, Rage Against the Machine, Robert Elliot Fox | Karaşın | Karaşın Aylık Fotokopi Gazete | 1996 | İstanbul | |
| Süreyyya Evren | Özgürlüğün Şantajı: Güvencesiz Hayat ve Depresif Sanat | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul | |
| Jan Estep | Searching for Ludwig Wittgenstein | Jan Estep | 2007 | Skjolden | |
| Anca Benera | Warsaw Wild Life: NOTES | Centrum Sztuki Współczesnej Zamek Ujazdowski | 2008 | Warsaw | |
| Luis Jacob | Album IV, 20014 | Art Metropole | 2005 | Toronto | |
| Luis Jacob | Golden Streams | Blackwood Gallery | 2002 | Toronto | |
| Luis Jacob (Ed.) | Commerce by Artists | Art Metropole | 2011 | Toronto | |
| Mert Öztekin | Sıkıntı Motoru | FAİL Books | 2018 | İstanbul | |
| Mekhitar Garabedian | Happy When It Rains | Imschoot, Uitgevers | 2006 | Gent | |
| Emre Senan | Lobotomi Hakkımız Söke Söke Alırız! | Ege Basım | 2010 | İstanbul | |
| Aline Seigne (et al.) | Paranoïaque | Editions Dasein | 2005 | Paris | |
| Can Alkor | Canto CXVIII | Norgunk | 2014 | İstanbul | |
| Baltazar Castor | Actually | Basso, Yusuf Etiam | 2008 | Berlin | |
| M.L., J.A.S.L. | Dibujos libreta no. 1 | 2007-2009 | |||
| Gosia Machon | Blumen | Bakkal Press | 2010 | İstanbul | |
| Leah Horowitz, Jasmine Sarp | Part-Time Virgins II | Leah Horowitz, Jasmine Sarp | 2012 | New York | |
| Dan Geesin | Green | Dan Geesin | 2005 | Amsterdam | |
| Stella Vine | Holy water cannot help you now | Mörel Books | 2008 | Birleşik Krallık / UK | |
| Mery Cuesta | Caida Y Auçe de Antxón Amorlortu | Iguapop Gallery | 2008 | Barselona / Barcelona | |
| Nazım Hikmet Richard Dikbaş | Private Lessons / Özel Dersler | Galeri NON | 2012 | İstanbul | |
| Nazım Hikmet Richard Dikbaş | Kötülüğün Eski Hali I | Kıraathane İstanbul Edebiyat Evi | 2024 | İstanbul | |
| Nazım Hikmet Richard Dikbaş | Kötülüğün Eski Hali II | Kıraathane İstanbul Edebiyat Evi | 2024 | İstanbul | |
| Nazım Hikmet Richard Dikbaş | Kötülüğün Eski Hali III | Kıraathane İstanbul Edebiyat Evi | 2024 | İstanbul | |
| Nazım Hikmet Richard Dikbaş | Kötülüğün Eski Hali IV | Kıraathane İstanbul Edebiyat Evi | 2024 | İstanbul | |
| Gök-an her yan-an | Gök-an her yan-an | Gök-an her yan-an | 2007 | İstanbul | |
| Sara Masüger | I Have A Rabbit For You | Rijksakademie | 2003 | Amsterdam | |
| Selda Asal, Zeyno Pekünlü (Ed.) | Stay With Me | Apartman Projesi | 2015 | Amsterdam, Berlin, Bremen, İstanbul | |
| David Sherry | Dead Dog on a Fire | The Nordic Institute for Contemporary Art | 2002 | Helsinki | |
| David Shrigley | 25 Postcards for Writing on | Polite Cards | 2007 | Manchester | |
| Alistair Frost | Cool Runnings | Art Quarters Press | 2010 | Londra / London | |
| Edwyn Collins | Some British Birds | Mörel Books | 2009 | Londra / London | |
| Burhan Şohoğlu, Emre Yıldız, İlker Genliol, Müge Durmaz, Oğuzcan Kağanoğuzbeyoğlu, Umut Altıntaş ,Yaman Baladuroğlu, Zıyacan Bayar | İçerik ( sayı: 000002) | Burhan Şohoğlu, Emre Yıldız, İlker Genliol, Müge Durmaz, Oğuzcan Kağanoğuzbeyoğlu, Umut Altıntaş ,Yaman Baladuroğlu, Zıyacan Bayar | 2010 | İzmir | |
| Maxime Hourani | A Book of Songs and Places | Ashkal Alwan | 2013 | Beirut | |
| M. Trtt | News From Cécilia | 2013 | Bannans | ||
| Bilinmiyor | Bilinmiyor | Bilinmiyor | Bilinmiyor | Bilinmiyor | |
| Onur Kemal Kösedağ | Olay Yeri | Onagöre | 2010-2011 | İstanbul | |
| Fadi Toufiq | The New Killer | Ashkal Alwan | 2010 | Lübnan / Lebanon | |
| Christoph Keller | Cloudbuster Project Maroc | Christoph Keller | 2010 | Berlin | |
| Christoph Keller | Cloudbuster Project Maroc | Christoph Keller | 2010 | Berlin | |
| Christoph Keller | Cloudbuster Project | Schipper & Krome | 2003 | Berlin | |
| Jimmy Robert | Pierre, Paul, Jacques, Tom, Dick and Harry | Autograph, Platform | 2002 | Londra / London | |
| Jimmy Robert | Sweet Malady | Jimmy Robert | 2005 | Amsterdam | |
| Michael Aschauer | 7 C-Days | Fotohof Edition | 2010 | Salzburg | |
| Ferah Doğan | Bir hissi parlatmak için | Ferah Doğan | 2015 | İstanbul | |
| Eva Michalaki | InhaleExhale | Eva Michalaki | 2007 | ||
| Doris Frohnapfel | TL-P Norway and Wittgenstein | National Academy of the Arts Bergen, Salon Verlag Köln | 2000 | Bergen | |
Gül Ilgaz Kent, Gülçin Aksoy, Raziye Kubat, Memed Erdener, Neriman Polat, Nancy Atakan, İrfan Önürmen, Maria Sezer, Antonio Cosentino | Yerli Malı | Elhamra Sanat Galerisi ve sanatçılar | 2000 | İstanbul | |
Gül Ilgaz Kent, Gülçin Aksoy, Raziye Kubat, Memed Erdener, Neriman Polat, Nancy Atakan, İrfan Önürmen, Maria Sezer, Antonio Cosentino | Garip Bir Pandik II | Garip Bir Pandik | 2012 | İstanbul | |
| Gast Bouschet, Nadine Hilbert | Transcendental Geology | Gast Bouschet, Nadine Hilbert | 2014 | Lüksemburg / Luxemburg | |
| Steven Parrino | The No Texts | Abaton Book Company | 2003 | Jersey City | |
| Steven Parrino | Exit Dark Matter | jrp-editions | 2002 | Cenevre / Geneva | |
| Akram Zaatari | A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi | 2012 | Paris, Berlin | ||
| Christina Eriksson, Christofer Fredriksson | Foghorn - Harangue - And So On | Feson Forlag | 1998 | Umea | |
| Dexter Sinister | Identity | Artists Space | 2011 | New York | |
| Richard Kostelanetz | Recyclings, 1959-1981 | Future Press | 1981 | New York | |
Kutlu Çanlıoğlu, Ozan Erdoğan, Esen Karol, Ayça Köseoğulları, Bürkan Özkan, Bülent Tanju, Ersin Temurcan | 0 0 1 | 124/3 | 1998 | İstanbul | |
| Serkan Karaca | Eti Benim Kemiği Senin | Bakkal Press | 2010 | İstanbul | |
| Peter Downsbrough | Many | Frac Bourgogne | 2000 | Dijon | |
| frobuk & ham | yenicem seni | Bakkal Press | 2010 | İstanbul | |
| Gamze Özer | 26/6 | Bakkal Press | 2010 | İstanbul | |
| Çiçek Taharoğlu | Sokaktayız Hesap Soruyoruz | Bakkal Press | 2010 | İstanbul | |
| Semra Özer | Sevgili Mücevherler | Bakkal Press | 2010 | İstanbul | |
| M. Ringland | We Sail at Dawn, Errata | Michael Ringland | 2010 | Washington | |
| Oriol Vilanova | Diccionario-museo del exito | La Capella | 2009 | Barselona / Barcelona | |
Sarah Tripp, Richard Taylor, Eona McCallum (Ed.) | Gnommero Exactitude | Gnommero | 2011 | Glasgow | |
| Daniel Fogarty | COPY (papers, fictions, scripts and circles) | COPY | 2012 | Yorkshire | |
| Lara Almarcegui | Guide to the Wastelands of the Lea Valley – 12 Empty Spaces Await the Londra, London Olympics | Barbican Art Gallery | 2009 | Londra / London | |
| Umut Altıntaş, N. Toros Mutlu | Kumpanya | KartonKitap | 2018 | İstanbul | |
| Umut Altıntaş (Ed.) | f: fotokopi yayın projesi | Hayy Açık Alan | 2020 | İzmir | |
| Umut Altıntaş | Void Book | Umut Altıntaş | 2021 | İstanbul | |
| Yunus Ak, Umut Altıntaş | re: re: letters between Yunus Ak & Umut Altıntaş | Yunus Ak, Umut Altıntaş | 2021 | İstanbul | |
| Taroop & Glabel | Dieu n'aime pas les religions | Taroop & Glabel | 2002 | Paris | |
| Taroop & Glabel | Brefs - Bouquet Final | Taroop & Glabel | 2002 | Paris | |
| Taroop & Glabel | Brefs(2) Bouquet Final | Taroop & Glabel | 2003 | Paris | |
| Taroop & Glabel | Lecture de Plage (Écrit Sur Le Sable) | Taroop & Glabel | Paris | ||
| Tony Chakar | The eyeless map | Ashkal Alwan | 2003 | Beirut | |
| Clifton Meador | Avalanche | Center for editions, Purchase College | 2007 | New York | |
| Clifton Meador | Heart | Center for Editions, Purchase College | 2008 | New York | |
| Andrzej Steinbach | Even and then Some | Institut für Buchkunst Leipzig | 2010 | Leipzig | |
| Jooyeon Park | Passer-by / Yoldan geçen biri | Insa Arts Space, Arts Council Korea | 2008 | Seoul | |
| Batia Suter | Parallel Encylopedia | Roma Publications | 2007 | Amsterdam | |
| Katrien De Blauwer | Poetic Noise | Anvers / Antwerp | |||
| Armin Linke | Le Isole Deserte del Mediterranéo/ Deserted Islands of the Mediterranean | a+mbookstore edizioni | 2009 | Milan | |
| Katja Eydel | Model ve Sembol: Die Erfindung Der Türkei / The Invention of Turkey | Sternberg Press | 2006 | New York, Berlin | |
| Felix Gonzales-Torres | "Untitled" (Passport #II) | 1993 | |||
| Sara MacKillop | Ex-Library Book | Pork Salad Press | 2012 | Kopenhag / Copenhagen | |
| Dilek Winchester | Kayısı Kent A4, No:1 | Dilek Winchester | 2010 | İstanbul | |
| Evrim Kavcar | Kayısı Kent A4, No:2 gel şehir git şehir | Dilek Winchester | 2010 | İstanbul | |
| Burak Bedenlier | Kayısı Kent A4, No:3 | Dilek Winchester | 2010 | İstanbul | |
Nalan Yırtmaç ve Bakırköy, Levent ve Sulukule'de yaşayan çocuklar | Kayısı Kent A4, No:4 | Dilek Winchester | 2010 | İstanbul | |
| Stephan Kurr | Kayısı Kent A4, No:5 copyright now | Dilek Winchester | 2010 | İstanbul | |
| Delphine Rigaud | Kayısı Kent A4, No:6 | Dilek Winchester | 2010 | İstanbul | |
| Yasemin Özcan | Kayısı Kent A4, No:7 Yaprak | Dilek Winchester | 2010 | İstanbul | |
| Cem Bak | Judas – Popüler Kültür Ansiklopedisi 9. Fasikül | cem bak. yapım: 13 | 1999 | İstanbul | |
| Cem Bak | Futbol – Popüler Kültür Ansiklopedisi (2. basım) | cem bak. yapım | 2000 | İstanbul | |
| Cem Bak | Cine Aksak No.1 (2. basım) | cem bak. yapım | 2000 | İstanbul | |
| Cem Bak | Cine Aksak No.2 (2. basım) | cem bak. yapım | 2000 | İstanbul | |
| Cem Bak | Vampir | cembak.yapım | 2000 | İstanbul | |
| Cem Bak | Bok – Popüler Kültür Ansiklopedisi 10. Fasikül | cem bak. yapım: 14 | 2001 | İstanbul | |
| Cem Bak | Aksak Sekans | cem bak. yapım: 15 | 2002 | İstanbul | |
| Cem Bak | Femme Fatale – Popüler Kültür Ansiklopedisi 11. Fasikül | cem bak. yapım: 16 | 2002 | İstanbul | |
| Haris Epaminonda | Dynasty Zine: Images | Dynasty Zine | 2010 | Atina / Athens | |
| Bill Kouligas, Kathryn Politis | Dynasty Zine: Wanderlust | Dynasty Zine | 2010 | Atina / Athens | |
| Justin Samson | Dynasty Zine: Many Dimensions Of A Soul People | Dynasty Zine | 2010 | Atina / Athens | |
| Antonis Vathis | Dynasty Zine | Dynasty Zine | 2010 | Atina / Athens | |
| Tomoo Gokita | Cum to Me | Dynasty Zine | 2010 | Atina / Athens | |
| Jesper Fabricius | Kunsthaefte nr.1 Space Poetry | Jesper Fabricius | 1998 | ||
| Jesper Fabricius | Kunsthaefte nr.9 Space Poetry | Jesper Fabricius | 2004 | ||
| Jesper Fabricius | Kunsthaefte nr.10 Space Poetry | Jesper Fabricius | 2004 | ||
| Jesper Fabricius | Kunsthaefte nr.12 Space Poetry | Jesper Fabricius | 2007 | ||
| Jesper Fabricius | Kunsthaefte 18 Space Poetry | Jesper Fabricius | 2008 | ||
| Temporary Services | 100 Actions for Chicago Torture Justice | Temporary Services | 2012 | Şikago / Chicago | |
| Temporary Services | 11 People / 16 Spaces | Temporary Services | 2006 | Şikago / Chicago | |
| Temporary Services | 12 Contributions, 5 Publications, 5 Years | Temporary Services | 2016 | Şikago / Chicago | |
| Learning Site | Audible Dwelling | Half-Letter Press | 2011 | Şikago / Chicago | |
| Temporary Services | Binder Archives Exhibition Guide | Temporary Services | 2002 | Şikago / Chicago | |
| Temporary Services | Binder Archives: A Portable Exhibition | Temporary Services | 2002 | Şikago / Chicago | |
| Temporary Services | Boutique | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | Business Replies | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | Do-It-Yourself Interview | Temporary Services | 2007 | Şikago / Chicago | |
| Dan S. Wang | Downtime at the Experimental Station: A conversation with Dan Peterman | Temporary Services | 2004 | Şikago / Chicago | |
| Temporary Services | Drawn Out | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | FFA Exhibition Guide | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | FFA Portable Exhibition Guide | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | FFA Re-Exhibition Strategies | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | Framing the Artists | Temporary Services | 2005 | Şikago / Chicago | |
| Temporary Services | Group Work | Temporary Services | 2002 | Şikago / Chicago | |
| Temporary Services | Groupings | Temporary Services | 2002 | Şikago / Chicago | |
| Temporary Services | Into the Gravy | Temporary Services | 2002 | Şikago / Chicago | |
Temporary Services, Rob Kelly, Zena Sakowski | Masks and Public Inflatable Projects in Puerto Rico and Chicago | Temporary Services | 2002 | Şikago / Chicago | |
| Temporary Services | Mobile Sign Systems | Temporary Services | 1999 | Şikago / Chicago | |
| Temporary Serivices | Music Mountain | Temporary Services | 2012 | Şikago / Chicago | |
| Deborah Stratman | PARK | Temporary Services | 2000 | Şikago / Chicago | |
| Public Collectors | PC001 Records: Collection Inventory of Marc Fischer | Public Collectors | 2007 | Şikago / Chicago | |
| Public Collectors | PC007 Paper Blog | Public Collectors | 2010 | Şikago / Chicago | |
| Temporary Services | Personal Plastic | Temporary Services | 2008 | Şikago / Chicago | |
| Teresa Diaz Nerio | Polyphony # 1 | Dutch Art Institute | 2009 | Amsterdam | |
| Temporary Services | Prisoners' Inventions: Three Dialogues | Temporary Services | 2004 | Şikago / Chicago | |
| Temporary Services | Product Placements: Ongoing Public Research | Temporary Services | 2005 | Şikago / Chicago | |
| Temporary Services | Public Inventions and Interventions | Temporary Services | 2000 | Şikago / Chicago | |
| Temporary Services | Public Phenomena | Temporary Services | 2013 | Şikago / Chicago | |
| Temporary Services | Public Phenomena: Informal Modifications of Shared Spaces | Temporary Services | 2005 | Şikago / Chicago | |
| Temporary Services | Public Projects | Temporary Services | 2002 | Şikago / Chicago | |
| Temporary Services | Publishing in the Realm of Plant Fibers and Electrons | Temporary Services | 2014 | Şikago / Chicago | |
| Temporary Services | Records as Portable Exhibitions and Interactive, Participatory Objects | Temporary Services | 2013 | Şikago / Chicago | |
| Temporary Services | Self-Reliance Library | Temporary Services | 2013 | Şikago / Chicago | |
Temporary Services, Tamms Year Ten, Sarah Ross | Supermax Subscriptions | Temporary Services | 2012 | Şikago / Chicago | |
| Temporary Services | Temporary Conversations: Aaron Hughes, interview by Nicholas Lampert | Temporary Services | 2010 | Şikago / Chicago | |
| Temporary Services | Temporary Conversations: Kawabata Makoto | Temporary Services | 2008 | Şikago / Chicago | |
| Temporary Services | Temporary Conversations: The Dicks | Temporary Services | 2008 | Şikago / Chicago | |
| Temporary Services | The First 71 Booklets | Temporary Services | 2006 | Şikago / Chicago | |
| Mikelle Standbridge | Travelling Hindu Temple Series | Temporary Services | 1999 | Şikago / Chicago | |
| Temporary Services | Why the Exhibition Was Canceled | Temporary Services | 2001 | Şikago / Chicago | |
| Eloisa Cartonera | Speaking in Tongues – Scavel-An-Gow | Eloisa Cartonera | 2007 | ||
| Eloisa Cartonera | Evita Lives (Néstor Perlongher) | Eloisa Cartonera | 2007 | Buenos Aires | |
| Mike Bode | Türkiye Hakkında Bildiğim 2 ya da 3 Şey | Depo | 2018 | Istanbul | |
Deniz Beşer, La Garçonne, Muzaffer Hasaltay Du von Jetzt | heyt be! Nase zine #5 | Nase Zine | 2017 | ||
| Jef Geys | Kempens Informatieblad, Speciale Editie São Paulo: Pele | Jef Geys | 1991 | Balen | |
| Jef Geys | Kempens Informatieblad, Speciale Editie Biennale Venetië: Quadra Medicinale | Jef Geys | 2009 | Balen | |
| Umut Yıldırım (Ed.) | Gulyabani Günlüğü | 2016 | |||
| Fukt Magazine | Fukt 2002 | Fukt Magazine | 2002 | Berlin | |
| Fukt Magazine | Fukt 2003 | Fukt Magazine | 2003 | Stockholm | |
| Fukt Magazine | Fukt #5: Animation Issue | Fukt Magazine | 2006 | Stockholm | |
| Fukt Magazine | Fukt #6: Fukt & D – Drunk on dreams | Fukt Magazine | 2007 | Berlin, Amsterdam | |
| Fukt Magazine | Fukt #7,5 : Magazine for Drawing | Revolver | 2009 | Berlin | |
| Rosa Barba | Printed Cinema # 1: Broadcasting from Home | Argos Editions | 2004 | Brüksel / Brussels | |
| Rosa Barba | Printed Cinema # 2: Parachutable Obstacles | Argos Editions | 2004 | Brüksel / Brussels | |
| Rosa Barba | Printed Cinema # 3: Accidental Suspension | Argos Editions, artimo | 2005 | Brüksel / Brussels, Amsterdam | |
| Rosa Barba | Printed Cinema # 4: Who can tell if I am inventing? | Argos Editions, artimo | 2005 | Brüksel / Brussels, Amsterdam | |
| Rosa Barba | Printed Cinema # 6: Wrong Edit | Argos Editions | 2006 | Brüksel / Brussels | |
| Rosa Barba | Printed Cinema # 8: The Waiting Grounds | Argos Editions | 2007 | Brüksel / Brussels | |
| Rosa Barba | Printed Cinema # 19: Send Me Sky, Henrietta | Remai Modern | 2018 | Saskatoon | |
| Rosa Barba | Time as perspective Chapter 1--In conversation with Mirjam Varadinis and Solveig Øvstebø | Hatje Cantz | 2013 | Ostfildern | |
| Rosa Barba | Printed Cinema #13 Desert Performed | Contemporary Art Museum St. Louis | 2012 | St. Louis | |
| Rosa Barba | Vu de la porte du fond | éditions du Jeu de Paume | 2012 | Paris | |
| Rosa Barba | Rosa Barba In Conversation with Kirsty Bell, Segio Edelsztein, Hilke Wagner, Gil Leung | Mousse Publishing | 2011 | Milan | |
| Rosa Barba | Who Can Tell | Rosa Barba | 2005 | ||
| Lonnie van Brummelen, Siebren De Haan | Disclosures I – Autonomy as Strategy | Van Brummelen & De Haan | 2004 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Disclosures II – Besitzarbeit XI / Florian Slotava | Van Brummelen & De Haan | 2004 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Disclosures II – Raus aus seinen Kleidern / Corinna Schnitt | Van Brummelen & De Haan | 2004 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Disclosures III– Op Til / Pia Wergius | Van Brummelen & De Haan | 2004 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Disclosures IV– Ueno Park / Wineke Gartz | Van Brummelen & De Haan | 2005 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Disclosures V– El Comedor / Matthijs de Bruijne | Van Brummelen & De Haan | 2005 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Disclosure | Van Brummelen & De Haan | 2010 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Open Letter: Call of the Wild | Museum de Paviljoens | 2006 | Almere | |
| Lonnie van Brummelen, Siebren De Haan | Unfair Competition: Request for Support | Museum of Modern Art Arnhem | 2006 | Arnhem | |
| Lonnie van Brummelen, Siebren De Haan | The Embed and the Shadow of the Horse | Boijmans Van Beuningen | 2010 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | Drifting Studio Practice | Hatje Cantz Verlag GmbH | 2021 | Berlin | |
| Lonnie van Brummelen, Siebren De Haan | Follow the Hybrid | Courtesy Motive Gallery | 2013 | Brüksel / Brussels | |
| Lonnie van Brummelen, Siebren De Haan | The Monument of Sugar | Van Brummelen & De Haan | 2007 | Amsterdam | |
| Lonnie van Brummelen, Siebren De Haan | The Formal Trajectory | Vriza | 2005 | Amsterdam | |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 4 | Picpus Press | 2010 | Londra / London | |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 9 | Picpus Press | 2012 | Londra / London | |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 12 | Picpus Press | 2013 | Londra / London | |
| Charles Asprey, Simon Grant (Ed.) | Picpus - No. 27 | Picpus Press | 2022 | Londra / London | |
| KYPSELI no 1 (March 2013) | Dora Economou | 2013 | Atina / Athens | ||
| KYPSELI no 2 (May 2013) | Dora Economou | 2013 | Atina / Athens | ||
| KYPSELI no 3 (July 2013) | Dora Economou | 2013 | Atina / Athens | ||
| KYPSELI no 4 (September 2013) | Dora Economou | 2013 | Atina / Athens | ||
| KYPSELI no 5 (November 2013) | Dora Economou | 2013 | Atina / Athens | ||
| Yusuf Etiman (Ed.) | basso - No. 2: Traveling without moving (2006) | basso magazin | 2006 | Berlin | |
| Yusuf Etiman (Ed.) | basso - No. 3: After disaster (2006) | basso magazin | 2006 | Berlin | |
| Yusuf Etiman (Ed.) | basso - No. 4: Perfectly you (2007) | basso magazin | 2007 | Berlin | |
| Yusuf Etiman (Ed.) | basso - No. 5: Out of place (2007) | basso magazin | 2007 | Berlin | |
| Yusuf Etiman (Ed.) | basso - No. 6: Believe it or not (2008) | basso magazin | 2008 | Berlin | |
| Yusuf Etiman (Ed.) | basso - No. 7: All tomorrow's parties (2009) | basso magazin | 2009 | Berlin | |
| Yona Friedman | Libelle 1: Hypothêses | ROSASCAPE | 2009 | Paris | |
| Rodney Graham | Libelle 2: Recto: Portrait de l'artiste Verso: Four Push Pins | ROSASCAPE | 2009 | Paris | |
| Renaud Auguste-Dormeuil | Libelle 3: Recto: The Day Before...New York...September 10,2001_23:59 Verso: I Was There, Power Blackout, January 30, 2009, Paris, 48° 53' 02.94"N_02°14'55.25"E | ROSASCAPE | 2009 | Paris | |
| Berger & Berger | Libelle 4: Ghost Towns | ROSASCAPE | 2009 | Paris | |
| Tatiana Trouvé | Libelle 5: Recto: Myriam Verso: Clémence | ROSASCAPE | 2009 | Paris | |
| Fabien Giraud, Raphaël Siboni | Libelle 6: Sans Titre (la vallêe Von Uexkull), 4K RAW HD | ROSASCAPE | 2010 | Paris | |
| Dora Garcia | Libelle 7: Real Artists Don't Have Teeth | ROSASCAPE | 2010 | Paris | |
| Benoit Maire | Libelle 8: Histoire de la géometrie n° 9 | ROSASCAPE | 2010 | Paris | |
| Simon Starling | Libelle 9: recto: Project for Masquerade (Hiroshima) / The Innkeeper-Colonel Sanders verso: Project for Masquerade (Hiroshima) / The Innkeeper- Randy Bass | ROSASCAPE | 2010 | Paris | |
| Vittorio Santoro | Libelle 10: ACROSS THE RIVER AND INTO THE TREES/ AU-DELÁ DU FLEUVE ET SOUS LES ARBRES | ROSASCAPE | 2011 | Paris | |
| Camille Henrot | Libelle 11: Connexions partielles/ Partial Connections | ROSASCAPE | 2011 | Paris | |
| Katinka Bock, Christian Jendreiko | Libelle 12: Recto: Danke (rot) Verso: The Old Game | ROSASCAPE | 2011 | Paris | |
| Regina Moller | Regina in Norway | Revolver | 2005 | Frankfurt | |
| Devrim Bayar (Ed.) | code numéro 1 gratuit: hiver 05-06 | CODE Magazine | 2005-2006 | Brüksel / Brussels | |
| Devrim Bayar (Ed.) | code numéro 2 gratuit: printemps 06 | CODE Magazine | 2006 | Brüksel / Brussels | |
| Devrim Bayar (Ed.) | code numéro 3 | CODE Magazine | 2006 | Brüksel / Brussels | |
| Devrim Bayar (Ed.) | code issue 4 free: spring 07 | CODE Magazine | 2007 | Brüksel / Brussels | |
| Devrim Bayar (Ed.) | code issue 6 free: spring 08 | CODE Magazine | 2008 | Brüksel / Brussels | |
| Devrim Bayar (Ed.) | code issue 07 free: fall 08 | CODE Magazine | 2008 | Brüksel / Brussels | |
| Devrim Bayar (Ed.) | code issue 9 free: spring 09 | CODE Magazine | 2009 | Brüksel / Brussels | |
| François Ozon | Mono. Kultur - No. 6: François Ozon: Through the Looking Glass (April/May 2006) | Mono. Kultur | 2006 | Berlin | |
| David Adjaye | Mono. Kultur - No. 14: David Adjaye: The Failure of Formality (October/November 2007) | Mono. Kultur | 2007 | Berlin | |
| Taryn Simon | Mono. Kultur - No. 15: Taryn Simon: Kaleidoscope of Entropy (December 2007/January 2008) | Mono. Kultur | 2008 | Berlin | |
| Miranda July | Mono. Kultur - No. 16: Miranda July: Best at Belonging to Yourself (Spring 2008) | Mono. Kultur | 2008 | Berlin | |
| Pawel Althamer | Mono. Kultur - No. 17: Pawel Althamer: Play-Grounded (Summer 2008) | Mono. Kultur | 2008 | Berlin | |
| Bless | Mono. Kultur - No. 28: Bless: In Disguise | Mono. Kultur | 2011 | Berlin | |
| Yane Calovski (Ed.) | D Magazine No. 1: Art Ain't About You, It's About Me | Revolver, Veenman Publishers/Gijs Stork, Yane Calovski | 2005-2006 | Frankfurt, Rotterdam | |
| Simon Josebury (Ed.) | Sandwich | SecMo Projects | 2001 | Londra/LOndon | |
Jesper Fabricius, Åse Eg Jørgensen, Jesper Rasmussen (Ed.) | Pist Protta - No. 61: Space poetry | Space Poetry | 2007 | Kopenhag / Copenhagen | |
Jesper Fabricius, Åse Eg Jørgensen, Jesper Rasmussen, Aslı Çavuşoğlu (Ed.) | Pist Protta - No. 63.1: Pazmaker | Space Poetry | 2009 | Kopenhag / Copenhagen | |
| 213 Magazin | Burg Giebichenstein University of Art and Design | 2010 | Halle | ||
| Cedar Lewisohn | Selected Drawings 2003-2013 | Cedar Lewisohn | 2013 | Londra / London | |
| Bureau d'études | Administration of Terror | Bureau d'études | 2009 | İstanbul | |
| Bureau d'études | Terörün Yönetimi | Bureau d'études | 2009 | İstanbul | |
| Gürsoy Doğtaş | Matt Magazine - No. 1: Content: Rudolf Belling | Matt Magazine | 2007 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 2: Mobility and Surveillance | Matt Magazine | 2007 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 3: Prominence given, Authority taken | Matt Magazine | 2008 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 4: Protest and Sensation | Matt Magazine | 2008 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 5: Inflammable | Matt Magazine | 2008 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 6: Withdrawal | Matt Magazine | 2008 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 7: Rudolf Belling | Matt Magazine | 2008 | Zürih / Zurich | |
| Gürsoy Doğtaş | Matt Magazine - No. 9: Anthology of Art Manifestos | Matt Magazine | Zürih / Zurich | ||
Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 6: Verdunklung Darkening | Starship | 2004 | Frankfurt | |
Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 8: Das Jahr in dem wir nirgendwo waren / The year we have been nowhere | Starship | 2005 | Berlin | |
Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 10: Heft 10 | Starship | 2007 | Berlin | |
| Ariane Müller | Handbuch für die Reise durch Afrika | Starship | 2013 | Berlin | |
| Edouard Boyer | Snowi Is Not Willem | les presses du réel | 2004 | Paris | |
| Rob van Hoesel | Transit Land Transitoland Pays-Transit | Veenman Publishers/Gijs Stork | 2006 | Rotterdam | |
| Stefan Constantinescu | The Golden Age for Children | The Romanian Cultural Institute of Stockholm, Labyrint Press, pionier press | 2008 | ||
| Michaela Kurzwelly | Slubfort City? | Kulturboro Frankfurt, Kulturstiftung des Bundes | 2000 | Slubfort | |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 1: Public & Private (February 2004) | Kunstinstituut Melly (eski adıyla / formerly known as Witte de With) | 2004 | Rotterdam | |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 2: Play & Locations (May 2004) | Episode Publishers | 2004 | Rotterdam | |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 3: Desire & Change (September 2004) | Episode Publishers | 2004 | Rotterdam | |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 4: Voice (July 2005) | Episode Publishers | 2005 | Rotterdam | |
| Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages Stage So Near So Far | Pages | 2023 | Rotterdam | |
| Ryan Gander, Stuart Bailey | Appendix Appendix / A proposal for a TV series by Ryan Gander and Stuart Bailey | JPR Ringier | 2007 | Geneva | |
Ted Purves (Ed.), Toby Hardwick,Jurgen O. Olbrich, Edgardo Antonio Vigo | Project Documents #2: Contributions to Knowledge | Ted Purves | 1997 | Oakland | |
| Bazar - No.13: La Revue - El Journal (March 2002) | 2002 | ||||
| Bazar - No. 37: Californiaweb (September 2006) | 2006 | ||||
| Mathilde ter Heijne | The Empire of Women: Not a Fairy Tale | Mathilde ter Heijne | 2008 | Berlin | |
| Eleanor Brown (Ed.) | The Newpaper - No. 3 | T\EXT\A\RT, greatest hits | 2007 | Londra / London, Berlin | |
| Eleanor Brown (Ed.) | The Newpaper - No. 1: Dirty Diet Disease | Art After Parties | 2007 | Londra / London, Berlin | |
| Peur sur la vie | Mathieu Renard & Bip | Lendroit Éditions | 2010 | Rennes | |
| Melani Bonajo, Kinga Kiełczyñska | Modern Life of the Soul | Fons Welters Gallery | 2007 | Amsterdam | |
| Ala Younis | Tin Soldiers | Gwangju Biennale | 2012 | Ürdün / Jordan | |
| Sophia Tabadadze | Much More “Part One” | Sophia Tabadadze | 2006 | ||
| Paper - No. 1 | Space Poetry | 2005 | Kopenhag / Copenhagen | ||
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 8: Itsuko Hasegawa & Dan Graham - Fluctuation | Point d'ironie | 1998 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 18: Rosemarie Trockel | Point d'ironie | 2000 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No: 40: Damien Hirst | Point d'ironie | 2006 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 23: Thomas Hirschorn | Point d'ironie | 2001 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 20: Ken Lum - hommage à Chen Zen | Point d'ironie | 2001 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 17: John Giorno and Ugo Rondinone | Point d'ironie | 2000 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 3: Douglas Gordon | Point d'ironie | 1997 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 45: Robert Crumb | Point d'ironie | 2008 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 51: Dayanita Singh | Point d'ironie | 2010 | Paris | |
| Point d’ironie | Special Edition: Stephane Hesset and Pascal Lemaitre (April 2010) | Point d'ironie | 2010 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 12: Harmonie Korine | Point d'ironie | 1999 | Paris | |
| Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 44: Hugues Reip and Melanie Counsell | Point d'ironie | 2008 | Paris | |
| Bless Laura | Laura | M_HKA | 2011 | Anvers / Antwerp | |
| Sven Augustijnen | Panorama (Supplement to 'De Tijd' Newspaper) | Auguste Orts | 2005 | Anvers / Antwerp | |
Ahmad Gharbieh, Mona Fawaz, Philipp Misselwitz, Can Altay (Ed.) | Beirut: Mapping Security | Diwan | 2009 | Amsterdam | |
Rami Farouk Daher, Philipp Misselwitz, Can Altay (Ed.) | Amman: Neoliberal Urban Management | Diwan | 2009 | Amsterdam | |
Dina Shehayeb, Shahira Issa, Philipp Misselwitz, Can Altay (Ed.) | Cairo: Resilience - The City as Personal Practice | Diwan | 2009 | Amsterdam | |
| Merve Kaptan, Charlie Coffey (Ed.) | Folio Issue #0 (Winter 2010) | 2010 | İstanbul | ||
| Can Altay | The Church Street Partner's Gazette | The Showroom | 2010 | Londra / London | |
| Elmgreen & Dragset | The Collectors / Bag-alogue concept | La Bienale di Venezia | 2009 | Venedik / Venice | |
| Chimurenga | Another Section | Chronic Books | 2008 | Cape Town | |
| Chimurenga | Chimurenga Chronicle Review of Books (18-24 May 2008) | Chronic Books | 2008 | Cape Town | |
| Chimurenga | LIFE: Magazine Supplement to the Chimurenga Chronicle 12/13 (18-24 May 2008) | Chronic Books | 2008 | Cape Town | |
| Hanna Stiegeler | Fendere Fendo Fendei | Fendi Mag | 2014 | Leipzig | |
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 1 | Criticism | 2009 | ||
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 2 | Criticism | 2009 | ||
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 3 | Criticism | 2010 | ||
Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 4 | Criticism | 2010 | ||
| Johanna Siglinde Calle Gregg | abecé | S/W Ediciones | 2011 | New York | |
Laurianne Bixhain, Sandra Bjwer, Susanne Kocks, Peter Strickmann | Picknick | Les Annexes | 2014 | Lüksemburg / Luxembourg | |
| Fatoş Üstek | Book of Confusions | Rossi & Rossi | 2012 | Londra / London | |
| Frances Stark | Collected Writing: 1993-2003 | Book Works | 2003 | Londra / London | |
| Frances Stark | Collected Works | Van Abbemuseum | 2007 | Eindhoven | |
| Damian Ortega | Survival of the Idea | Hatje Cantz | 2007 | Berlin | |
| Erich Weiss | Neutra: A Film by Erich Weiss | Alva Grafica | 2009 | Berlin | |
| Erich Weiss (Ed.) | This is the way we see it: A tribute to E.L.T. Mesens | Erich Weiss | 2009 | Brüksel / Brussels | |
| Slavs and Tatars | Kidnapping Mountains | Book Works | 2009 | Londra / London | |
| Slavs and Tatars | Molla Nasreddin | JRP|Ringier | 2011 | Zürih / Zurich | |
| Slavs and Tatars | 79.89.09 | Book Works | 2011 | Londra / London | |
| Mirene Arsanios (Ed.) | How to make (nice) things happen - No. 0 (Summer 2010) | ArteEast | 2010 | New York | |
| Ulla West | Tankegångar | Kunsthall Trondheim | 2014 | Trondheim | |
| Ulla West | The Inexorable | AXL Books | 2010 | Stockholm | |
| Anonim / Anonymous | açüklamalar: ben ki devrik cümleyim kalkmışım şiir olmuşum | İstanbul | |||
| Serhat Arıkan | Kelimeler Arasındaki Saklı Hayatlar | ||||
| Kristen Palz | Song Book/ Book of Verse | Spor Klübü | 2016 | Berlin | |
| Ani Setyan | Eksik Liste | DEPO | 2015 | İstanbul | |
| Morgan Wong | Kigoja Standard Time | KIGOJA | 2016 | Seul / Seoul | |
| Daniel G. Andújar | Coloring Book | Bergen Assembly | 2016 | Bergen | |
| Daniel Spoerri | An Anecdoted Topography of Chance | Something Else Press | 1966 | New York | |
| Sandra Schäfer | stagings. Kabul, Film & Production of Representation | metroZones, media 2, b_books | 2009 | Berlin | |
| Peter Friedl | Working at Copan | Sternberg Press, Kunsthalle Basel, Extra City | 2007 | Londra / London | |
| Alexandre Singh | Causeries | Kunstinstituut Melly | 2016 | Rotterdam | |
| Daniel Small | Excavation II | Hammer Museum | 2016 | Los Angeles | |
| Stefanie Pretnar | Frankfurt Classic | Stefanie Pretnar | 2009-2014 | ||
| Mirjam Linschooten | The Museum of Found Objects Istanbul | Istanbul ECC Agency | 2010 | İstanbul | |
| Daniel Gustav Cramer | Thirty-Six | The Green Box | 2010 | Berlin | |
| Daniel Gustav Cramer | Kahu, Mount Aspiring | Daniel Gustav Kramer | 2010 | Berlin | |
| Tristan Perich | 0.01s - The First 1/100th Second of 1-Bit Symphony | Physical Editions | 2014 | ||
| Woo First Issue Winter 09 | Woo Publication | 2009 | Vancouver | ||
| Woo Magazine Issue 2/3 Spring 2010 | Woo Publication | 2010 | Vancouver | ||
| Woo Issue 4 Summer 2010 | Woo Publication | 2010 | Vancouver | ||
Adrianna Lara, Fernando Mesta, Augistina Ferreyra, Diego Berruecos (Ed.) | Pazmaker - No. 2/3 | Perros Negros | 2006 | Meksika / México | |
Adrianna Lara, Diego Berruecos, Eva Svennung (Ed.) | Pazmaker - No. 5 | Perros Negros | 2008 | Meksika / México | |
| Eva Svennung (Ed.) | Pazmaker - No. 6 | Perros Negros | 2008 | Meksika / México | |
| Esat C. Başak | Şimdi, Aşağısı, Yukarısı neresidir bilir misin? | Galeri NON | 2010 | İstanbul | |
| Bureau for Open Culture | A Manual For The Immaterial Worker | Printed Matter | 2011 | New York | |
Autonook Centrum, Jansen & Jansen, The Prisoner Support Group, Complaints Book Police Conduct (Ed.) | EUROTOP Amsterdam Complaints Book Police Conduct | 2001 | Amsterdam | ||
| Anonim / Anonymous | C7H16 G la rage et je la garde | Het Fort van Sjakoo | 2006 | Amsterdam | |
| Michael C. Vazquez (Ed.) | Some Medium Stories | Global Art Forum 6 | 2012 | Dubai | |
| Rosario López | White Fence | Galeria Casas Riegner | 2008 | Bogota | |
| Berkay Tuncay | Poems from Instant Messaging | Sanatorium | 2020 | İstanbul | |
| Christiane Peschek | Eden | Sanatorium | 2020 | İstanbul | |
| Christiane Peschek | Softcore | Sanatorium | 2021 | İstanbul | |
| Matias Faldbakken | Black Screen Book | Moderna Museet | 2005 | Stockholm | |
| Kerem Ozan Bayraktar | Kayalar ve Rüzgarlar, Mikroplar ve Kelimeler | Sanatorium | 2019 | İstanbul | |
| Kerem Ozan Bayraktar | Yer Ruhları | Sanatorium | 2021 | İstanbul | |
| Yağız Özgen | Metadata | Sanatorium | 2019 | İstanbul | |
| Sergen Şehitoğlu | Kill Memories | Espas Kuram Sanat Yayınları | 2016 | İstanbul | |
| Pascale Eiberle | The power of gaze | Amsel Verlag | 2021 | Zürih / Zurich | |
| Williman-Arai | The gift exercise/invitation 2.2: Zurich | Amsel Verlag | 2019 | Zürih / Zurich | |
| Marcus Gustavsson | Down here together | FAİL Books | 2021 | İstanbul | |
| Paky Vlassopoulou | Le journal Pain | Locus Athens | 2019 | Atina / Athens | |
| Mahinur Bulut | Işık Kayıtları | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir | |
| Emre Yıldız | Back to Memphis | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir | |
| Seval Gürses | Şehir ve şehir | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir | |
| Misaki Kawabe | Nostalgic Hentai | Revolver | 2010 | Berlin | |
| Yavuz Parlar | DIA | Yavuz Parlar | 2010 | İstanbul | |
| Emre Hüner | Elektroizolasyon | Arter Yayınları | 2021 | İstanbul | |
| Meliha Erem | Hipernotlar | Arter | 2021 | İstanbul | |
| Meliha Erem | Hypernauts | Arter | 2021 | İstanbul | |
| Meliha Erem | Küratomaton | Emre Hüner | 2022 | İstanbul | |
| Meliha Erem | Küratomaton | Emre Hüner | 2022 | İstanbul | |
| Minna Henriksson, Ahmed Al-Nawas | Fake Star | Rab-Rab Press | 2021 | Helsinki | |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #3 | Rab-Rab Press | 2016 | Helsinki | |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #4.1 | Rab-Rab Press | 2017 | Helsinki | |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #4.2 | Rab-Rab Press | 2017 | Helsinki | |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #5 | Rab-Rab Press | 2019 | Helsinki | |
| Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #6 | Rab-Rab Press | 2021 | Helsinki | |
| Sezgin Boynik (Ed.) | The Author as Producer of Nothing, Peter Gidal | Rab-Rab Press | 2021 | Helsinki | |
| Sezgin Boynik (Ed.) | Punk Research Series Vol. 1: Punk Suprematism | Rab-Rab Press | 2021 | Helsinki | |
| Edward P. Thompson (Ed.) | The Railway: An Adventure in Construction | Rab-Rab Press | 2020 | Helsinki | |
| Sezgin Boynik (Ed.) | The Conclusive Scene: Mao Zedong's Last Meeting with the Red Guards | Rab-Rab Press | 2020 | Helsinki | |
| Giorgio Maffei, Emanuele de Donno | Sol Lewitt Artist's Books | Edizioni Viaindustriæ | 2009 | Foligno | |
| Nasan Tur | Meister Yang | Revolver Publishing | 2002 | Frankfurt | |
| Voluspa Jarpa | La biblioteca de la No-Historia Volume 1 | Santiago de Chile | 2010-2011 | İstanbul | |
| Voluspa Jarpa | La biblioteca de la No-Historia Volume 2 | Santiago de Chile | 2010-2011 | İstanbul | |
| Voluspa Jarpa | La biblioteca de la No-Historia Volume 2 | Santiago de Chile | 2010-2011 | İstanbul | |
| Sam Hecht, Kim Colin | Locale | Herman Miller, Inc | 2014 | Zeeland Michigan | |
| Magda Radu (Ed.) | André Cadere | National Museum of Contemporary Art Bucharest | 2011 | Bükreş / Bucharest | |
| Ülkü Çağlayan | Making Sense | Paper Street Co. | 2021 | İstanbul | |
| Ted Purves (Ed.) | There is no two without three | Social Practice Area of Concentration CCA | 2008 | San Francisco | |
| İnci Eviner | Ortak Eylem Aygıtı: Bir Etüt | İKSV | 2013 | İstanbul | |
| Owen Hatherly | Militan Modernizm | Habitus Kitap | 2013 | İstanbul | |
| Arnauld Desjardins | Business as Usual | Publication Studio | 2011 | Vancouver | |
KUNSTrePUBLIK (Matthias Einhoff, Philip Horst, Harry Sachs) & Jan van Esch | Gym in Dar | ZK/U press | 2017 | Berlin | |
| Alev Ersan, İbrahim Alam, İlyas Odman | mâzîk | Depo | 2022 | İstanbul | |
| Cecilia Costa, Maxine Kopsa, Scott Ponik (Ed.) | The Summer Reader, Again, or a Diamond in the Rough | Werkplaats Typografie ArtEZ | 2008 | Arnhem | |
| Apartment Project | Underconstruction-Berlin: Müsvedde Defteri Draftbook | Apartment Project | 2012 | Berlin | |
| Will Holder (Ed.) | For the blind man in the dark room looking for the black cat that isn't there | Contemporary Art Museum St. Louis | 2010 | New York | |
| Ceren Oykut | devran-i felek | Ceren Oykut | 2013 | İstanbul | |
| Karin Iturralde | Portraits of Rucula | Karrin Itturalde, Tilde | 2020 | Amsterdam | |
| Maio Alvear | Campo Construcción / Construcción Campo | Recodo Press | 2018 | Kito / Quito | |
| Galia Basail Mulcahy, Layla Fassa (Ed.) | Open Recipe Vol.1 | Cooperativa Cráter Invertido | 2020 | Meksiko / Mexico City | |
| Helen Douglas | Clinkscale | Weproductions | 1977 | Yarrow | |
| Christine Tohmé | Cilalı Mekânlar | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul | |
| Juan Andrade | Xantismo | Editado por Sociedad Anómica | 2019 | Guayaquil | |
| Eco Nugroho | Sekotak Surga | 2005 | Jogja | ||
| Eco Nugroho (Ed.) | Serpihan Macan Komik II | The Adenughraho Publisher | 2006 | Jogja | |
| Eco Nugroho (Ed.) | Serpihan Macan Komik I | The Adenughraho Publisher | 2006 | Jogja | |
| Paul Herbst | My Shit is Gold Vol 1 | Mörel Books | 2009 | Londra / London | |
| Javier Tapia | Monte Carlo Club | Martin Asbæk Projects | 2008 | Kopenhag / Copenhagen | |
| Deniz Erbil | 5 dakkada beşiktaş fanzinleri I | Deniz Erbil | 2006 | İstanbul | |
| Yuliana Ortiz Ruano | Canciones desde el fin del mundo | kikuyo | 2020 | Kito / Quito | |
| Maria Auxiliadora Balladares | Guayaquil | Premio Pichincha | 2017 | Guayaquil | |
Beata Jurkiewicz, Piotr Lisowski, Agnieszka Pindera, Katarzyna Radomska, Joanna Zielinski (Ed.) | A Subjective Guide to Collections / Subiektywny przewodnik po kolekcjach | Centre of Contemporary Art ZNAKI CZASU | 2008 | Polonya / Poland | |
| Lucy Raven | Lucy Raven | Dia Art Foundation | 2021 | New York | |
| Robert Mckenzie (Ed.) | SLAVE in collaboration with BLESS No 25: uniseasoners | Slave | 2005 | Melbourne | |
| Sylvie Boulanger (Ed.) | cneai = neuf ans | Cneai = Hyx | 2006 | Paris | |
| Laurenz Brunner, Tan Wälchli (Ed.) | The Most Beautiful Swiss Books - The Issue Present | Federal Office Of Culture Bern | 2008 | Mainz | |
| Tito Hidalgo | Afiches Anómicos | Sociedad Anómica | 2019 | Guayaquil, Ekvador, Ecuador | |
| Sibylle Omlin | Chess a Play | Literarische Gesellschaft Zug | 1999 | Zürih / Zurich | |
| Heidi Specker | MG Road | Spector Books | 2012 | Leipzig | |
| Linda Herzog | Birmingham İstanbul Zürich | Passenger Books | 2005 | Köln, Zürih / Zürich | |
| Alpagut Gültekin (Ed.) | Aç Yazı 01 | Norgunk | 2014 | İstanbul | |
| Aleksandra Mir | The How Not To Cookbook - Lessons learned the hard way | Revolver Publishing | 2009 | Edinburg / Edinburgh | |
| Anna Bromley | Speak to Me | Edition Error | 2022 | Berlin | |
| Pauline Boudry, Renate Lorenz | Normal Work | b books | 2008 | Berlin | |
| Alexandru Mihai Budeș | Echoes, Spells, and Disenchantment | Alexandru Mihai Budeș | 2022 | ||
| David Robbins | Concrete Comedy: An Alternative History of Twentieth-Century Comedy | Pork Salad Press | 2011 | Kopenhag / Copenhagen | |
| Dr. Faruk Bayülkem | Bakırköy Ruh ve Sinir Hastalıkları Hastanesi Resim ve El İşleri Sergisi | Ş.D.L. Matbaası | 1966 | İstanbul | |
| Metehan Özcan | Resimli Bilgi - Ek | KartonKitap | 2019 | İstanbul | |
| Esther Ferrer | Performance Saga Interview 01 | Performance Saga | 2007 | Zürih / Zürich | |
| Valie Export | Performance Saga Interview 02 | Performance Saga | 2007 | Zürih / Zürich | |
| Monika Günther | Performance Saga Interview 03 | Performance Saga | 2007 | Zürih / Zürich | |
| Hannahlisa Kunyik | Erfahrungs-versus Produktionsästhetik. Ein Day Off in der Arena ästhetischer Grundsatzfragen. | SCHLAFZIMMERPRODCTION | 2017 | Viyana / Wien | |
| David Shillinglaw | Myth-No-Logical | David Shillinglaw | |||
| James Langdon | Pugin's Contrasts Rotated | Bedford Press | 2011 | Londra / London | |
Heather Phillipson & Anne Lydiat, Kit Poulson & David Barret, William Cobbing & Stella Santacatterina | Pilgrimage Confluens One | Confluens, Fine Art Research at Middlesex University | Brugge | ||
| Free University | Kopenhag, Copenhagen Free University | Kopenhag, Copenhagen Free University | 2002 | Kopenhag / Copenhagen | |
| Joanna Loveday, Charlotte A Morgan | COPY Charts | COPY | 2012 | Sheffield | |
| Karton | Karton | Karton-zine | 2020 | ||
| Critical Writing Collective | COPY Unfold | Critical Writing Collective | 2011 | ||
| Mochu | Nervous Fossils: Syndromes of the Synhetic Nether | Kiran Nadar Museum of Art, Reliable Copy | 2022 | Yeni Delhi / New Delhi | |
| Mochu | Bezoar Delinqxenz | Sternberg Press | 2023 | Londra / London | |
| Mochu | On the shape of objects larger than the universe and other fears | Sharjah Biennial 13 | 2017 | Sharjah | |
| Akansha Rastogi, Roobina Karode | KNMA Exhibitions 2010-2020 / Ten Years of Kiran Nadar Museum of Art | Kiran Nadar Museum of Art | 2020 | Yeni Delhi / New Delhi | |
| Our Time for a Future Caring - India Pavilion | Kiran Nadar Museum of Art | 2019 | Yeni Delhi / New Delhi | ||
| Paulina Ołowska | Romansujac Z Awangarda | Rijksakademie van Beeldende Kunsten | 2002 | Varşova / Warsaw | |
| Paulina Olowska, Lucy McKenzie | Nova Popularno | Decemberism | 2004 | Brüksel / Brussels | |
| Van Leo | Mind the Gap édition – Kartpostal / Postcards – # 009, Sherihane. Le Caire-Égypte, 1976. | Arab Image Foundation | Beyrut / Beirut | ||
| Muhamad Youssef | Mind the Gap édition – Kartpostal / Postcards – # 029 The “konafa” maker. Cairo, Egypt 1960. | Arab Image Foundation | Beyrut / Beirut | ||
| Armand | Mind the Gap édition – Kartpostal / Postcards – # 030 Cairo, Egypt 1940s | Arab Image Foundation | Beyrut / Beirut | ||
| Anonymous | Mind the Gap édition – Kartpostal / Postcards – # 021 Mr. Skaff in four different positions. Bethlehem, Palestine 1922. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem el Madani | Mind the Gap édition – Kartpostal / Postcards – # 044 Portraits from Studio Shehrazade. Beach series. Playing with perspective. Saida, Lebanon 1954. | Arab Image Foundation | Beyrut / Beirut | ||
| Anonymous | Mind the Gap édition – Kartpostal / Postcards – # 061 Mustafa Mahmoud Rashed. Alexandria, Egypt 1927. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 086 Anonymous. Studio Shehrazade, Saida, Lebanon 1972. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 088 Najm. Studio Shehrazade, Saida, Lebanon 1956. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 089 Anonymous. Madani’s parents’ home (the studio), Saida, Lebanon 1948-53. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 092 Anonymous. Studio Shehrazade, Saida, Lebanon 1950s. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 093 A woman and her son, Lebanese immigrants from Africa. Studio Shehrazade, Saida, Lebanon 1970s. | Arab Image Foundation | Beyrut / Beirut | ||
| Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 095 Bashasha (left) and a friend. Studio Shehrazade, Saida, Lebanon, late 1950s. | Arab Image Foundation | Beyrut / Beirut | ||
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 121 Place des Canons. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 123 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 124 Damascus Street. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 125 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 128 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 130 Place de l'Étoile. Beirut, 1991. Beirut CIty Centre | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 136 No present. Beirut, 1997. Traces of war | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 138 Football match. Beirut, 1980. Civil war | Fouad Elkoury | 2003 | Beyrut / Beirut | |
| Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 143 Place de canons. Beirut, 1982. Civil war | Fouad Elkoury | 2004 | Beyrut / Beirut | |
| Maria Luisa Sanin Pena | Maria Luisa Sanin Pena | 2016 | Bogota | ||
| Tefra90 | Airlines on Paper | Kudla Press & Floodplain | 2019 | Prag / Prague | |
| İz Öztat, Merve Ünsal (Ed.) | Arter Araştırma Programı 2019 | Arter | 2021 | İstanbul | |
| Fanny Hauser, Viktor Neumann (Ed.) | Wicked Little Town | Archive Books | 2022 | Berlin | |
| Angelika Stepken (Ed.) | On One Side of the Same Water: Artistic Practice between Tirana and Tangier | Hatje Cantz | 2012 | Bonn | |
| Arno Auer (Ed.), Haris Epaminonda | Quick Magazine | Quick Magazine | 2011 | Berlin | |
| Vodoo-Eros, Roodkapje | Hero's Handbook | Vodoo-Eros, Roodkapje | Brooklyn, Rotterdam | ||
| Emily Roysdon | West Street | Emily Roysdon | 2010 | New York | |
| Coralie Vogelaar (Ed.) | The Photoshop | Veenman Publishers/Gijs Stork | 2005 | Rotterdam | |
Brett Bloom, Brandon Labelle, Indrek Sirkel, Laura Toots, Anu Vahtra (Ed.) | Almost a Centimeter | KUNO | 2014 | Tallinn | |
| Flack Attack | Issue#1: Flack Attack on Autonomy | Flack Attack | 2006 | ||
| Carl Haase (Ed.) | Cement Block | Zero-desk | 2014 | Maastricht | |
| Textfield | Textfield IV - Spring and Summer 2006 | Textfield | 2006 | Los Angeles | |
| Milenko Lazić | ZürichSyndrom | Amsel Verlag | 2013 | Zürih / Zurich | |
| Güneş Terkol | Peels off the skin and the troubles/ Deri ve dertleri soyar | Güneş Terkol | İstanbul | ||
| Il Coccodrillo | Antonio | Amsel Verlag | 2016 | Zürih / Zürich | |
| David Atwood | Arash und die Brüder | Amsel Verlag | 2021 | Zürih / Zürich | |
| Carlo Spiller | Das Scheitern der Schmetterlinge | Amsel Verlag | 2015 | Zürih / Zürich | |
| Severin Hofer | Bildung Punkten Durch | Amsel Verlag | 2018 | Zürih / Zürich | |
| Silvan Hillmann | 14 Solutions | Amsel Verlag | 2017 | Zürih / Zürich | |
| Alexander Estis, Oleg Estis | Stellungnahmen zum Kulturbetrieb | Amsel Verlag | 2019 | Zürih / Zürich | |
| Eirini Sourgiadaki | Metaphorai | Amsel Verlag | 2017 | Zürih / Zurich | |
Ingrid Forland, Vebjørn Guttomsgaard Møllberg [ed.] | Kuk & Parfyme: Zine # 1 | Kuk & Parfyme | 2011 | Tromsø | |
| Lydia Schulgina | Kommt auf einen Tee vorbei! | Amsel Verlag | 2019 | Zürih / Zürich | |
| Michaël Reinhold | Kling Klong, Die Analphabeten kommen !!! | Amsel Verlag | 2017 | Zürih / Zürich | |
| Andela Rončević | Smokve za Oliveru | Amsel Verlag | 2021 | ||
| Chrysa Chouliara | Fenneco's Journey | Amsel Verlag | |||
| Hyun A Cho | I would like to hear someone's voice | Mediabus | 2016 | Seul / Seoul | |
| Burak Kabadayı | Sabit Değişiklikler, Dinamik Aralıklar | AVTO | 2022 | İstanbul | |
| Cecilie Hjelvik Andersen | #1 - Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul | |
| Cecilie Hjelvik Andersen | #2 - Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul | |
| Cecilie Hjelvik Andersen | #3 - Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul | |
| Cecilie Hjelvik Andersen | #4 - Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul | |
| Ege Berensel | Ha'lar | BAS | 2020 | İstanbul | |
| Ege Berensel | Demeler | BAS | 2023 | İstanbul | |
| Mona Mahall, Aslı Serbest | How Architecture Learned to Speculate | Igmade | 2009 | Stuttgart | |
| Dan Murphy, Anthony Smyrsky (Ed.) | Megawords | Megawords | Kanada / Canada | ||
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Princess Lulu | ztscrpt | 2008 | Viyana / Vienna | |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Pigiarniq | ztscrpt | 2009 | Viyana / Vienna | |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Paper | ztscrpt | 2009 | Viyana / Vienna | |
Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Libertine | ztscrpt | 2010 | Viyana / Vienna | |
| COPY | COPY: Paradiso | COPY | 2013 | Yorkshire | |
Charles Avery, Tom Morton, Melvin Moti, Sean Synder, Polly Staple, Seth Price | Pacemaker | École du Magasin | 2007 | ||
| Kasper Akhøj, Niels Henriksen (Ed.) | E.1027 Maison en Bord de Mer Roquebbrunne-Cap-Martin | Kasper Akhøj and Wiels Contemporary Art Center | 2009 | Belçika / Belgium | |
| Maia Gianakos (Ed.) | Alphabet Prime | CCP | 2009 | Stockholm | |
| Daniel Gustav Cramer | Untitled (Farmer) | Daniel Gustav Cramer | 2010 | Berlin | |
Aslı Serbest, Mona Mahall, Gerd de Bruyn (Ed.) | Junk Jet | Igmade | 2010 | Stuttgart | |
| Sam Gould (Ed.) | The Journal of Radical Shimming Issue 11 | Red76 | 2007-2014 | Minneapolis | |
| Sam Gould (Ed.) | The Journal of Radical Shimming Issue 5 Vol. 1 | Red76 | Portland, Oregon | ||
| Sam Gould (Ed.) | The Journal of Radical Shimming Issue 6 Part 1 | Red76 | Minneapolis | ||
| Sam Gould (Ed.) | The Journal of Radical Shimming Issue 14 & 15 | Red76 | Minneapolis | ||
| Chris Barton, Jessica Brent (Ed.) | Condiment: Adventures in Food and Form Issue 02: Questionable Taste | Food & Form | |||
| Patrizia Bach | Zu Walter Benjamins Passagen-Werk | Patrizia Bach & Revolver | 2017 | Berlin | |
| Patrizia Bach | Drawings on Walter Benjamin - Zeichnungen zu Walter Benjamin | Patrizia Bach, Revolver | 2017 | Berlin | |
| Anonim | BTFA no1, crusing notes | Anonim | 2008 | Toronto | |
| Sarah Tripp, Zeynep Arman (Ed.) | (Sīm-pō'ze-em) | Spectator Newspapers | 2010 | Glasgow | |
| Ian Page | My Onion Lover | Ian Page | 2021 | Amsterdam | |
| Ian Page | YSL | Derek Hartfield | 2021 | Amsterdam | |
| Donghwan Kam & Seo kyung Kim | De Commelin; Brood & Banketbakkerij | Tenant Books | 2019 | Amsterdam | |
| Adam Pendleton | grey-blue grain | Kunstverein Publishing | 2009 | Amsterdam | |
| Rebekah Smith | Such a Lover | Cutt Press | 2023 | Berlin | |
| Rebekah Smith | Hay Que Enguantar | Rebekah Smith | 2024 | ||
| Merve Ertufan | Dikkatli adımlarla yuvarlanmak | Onagöre | 2020 | İstanbul | |
| Merve Ertufan | Tumbling down with careful steps | Onagöre | 2020 | İstanbul | |
| Merve Ertufan | 8 | Merve Ertufan | 2023 | İstanbul | |
| Gizem Karakaş | Zamane Kartları | Onagöre | 2020 | İstanbul | |
| Sarah Tripp | Guitar! | Book Works | 2020 | Londra / London | |
| Michael Rakowitz | A House with a Date Palm Will Never Starve | Art/Books | 2019 | Londra / London | |
| Direnen Üretici Tüketici Kolektifi | DÜRTÜK | DÜRTÜK | 2016 | İstanbul | |
| Jennifer İpekel | ANNE, İSYAN | Dirimart | 2021 | İstanbul | |
| Eda Yiğit | Prekaryanın Görünmeyen Özneleri: Pandemi Döneminde Sanatçılar | Eda Yiğit | 2021 | İstanbul | |
| Rhonda Khalifeh | Project Z | Open Project Press | 2018 | New York | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2020 -14- dergi | Arşiv Dergi | 2020 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2020 -8- dergi | Arşiv Dergi | 2020 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2020 -8- dergi | Arşiv Dergi | 2020 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2021 -27- dergi | Arşiv Dergi | 2021 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2021 -15- dergi | Arşiv Dergi | 2021 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2022 -13- dergi | Arşiv Dergi | 2022 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12. 2022 -26- dergi | Arşiv Dergi | 2022 | İstanbul | |
Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06. 2023 -35- dergi | Arşiv Dergi | 2023 | İstanbul | |
| Bodil Sohn, Else Ploug Isaksen. | TOMMY/S KAHYT / TOMMY/S CABIN | ARK | 2014 | Aarhus | |
| Pedro Reyes | Baby Marx | CCA Kitakyushu | 2009 | Kitakyushu | |
| Akiko Miyake (Ed.) | Substantials #04 | CCA Kitakyushu | 2011 | Kitakyushu | |
| Melanie Bonajo | I Have A Room With Everything | Capricious Publishing | 2008 | New York | |
| Turgut Salgar | Prens Komet | Fabrikart | Istanbul | ||
| Jimmy Robert | Reprise | CCA Kitakyushu | 2010 | Kitakyushu | |
| Simryn Gill | A Small Town at the Turn of the Century | CCA Kitakyushu | 2000 | Kitakyushu | |
| Nedko Solakov | Split Personality | CCA Kitakyushu | 2003 | Kitakyushu | |
| Rirkrit Tiravanija | Passage Cosmo to Fishy Travels | CCA Kitakyushu | 2002 | Kitakyushu | |
| Didier Fiuza Faustino | Flesh / Bones | CCA Kitakyushu | 2011 | Kitakyushu | |
| Thomas Demand | Black Label | CCA Kitakyushu | 2009 | Kitakyushu | |
| Hamish Fulton | Old Tree | CCA Kitakyushu | 2008 | Kitakyushu | |
| Philippe Parreno | The Boy From Mars | CCA Kitakyushu | 2004 | Kitakyushu | |
| Roman Ondak | Passage | CCA Kitakyushu | 2006 | Kitakyushu | |
| Anna Heidenhain, Elmar Hermann und Maki Umehara (Ed.) | Nüans APOGEE - a compilation of solitude, ecology and recreation | Revolver | 2011 | 2011 | |
| Gülşah Mursaloğlu, A. Laurie Palmer | Dear Gülşah, Dear Laurie | Umur Publishing | 2021 | İstanbul | |
| Gülşah Mursaloğlu, A. Laurie Palmer | Sevgili Gülşah, Sevgili Laurie | Umur Publishing | 2021 | İstanbul | |
| Ravikumar Kashi | Flexing Muscles | Reliable Copy | 2019 | Bangalore | |
| Çağla Özbek | Semada | Onagöre | 2021 | İstanbul | |
| Çağla Özbek | Voice, Vitrine, Tar; Unreliable Narrators from Archive to Memoir, Fiction to the Visual Arts | Dante ve Istakoz | 2023 | İstanbul | |
| Çağla Özbek | Ses, Zift, Vitrin; Arşivden Hatırata, Edebiyattan Görsel Sanatlara Güvenilmez Anlatıcılar | Dante ve Istakoz | 2023 | İstanbul | |
| Dilşad Aladağ, Eda Aslan | Bir Yerin İzinde Pek Çok Yer | Manifold | 2021 | İstanbul | |
| Cemre Yeşil Gönenli | Double Portrait | FİLBooks | 2021 | İstanbul | |
| Cemre Yeşil Gönenli | Hayal&Hakikat | Gost | 2020 | ||
| Leyla Gediz | Under Construction | My City project, British Council Turkey | 2010 | Istanbul | |
David Reinfurt, Stuart Bailey, Angie Keefer (Ed.) | Bulletins of The Serving Library #1 - Time | Sternberg Press | 2011 | Berlin, New York | |
David Reinfurt, Stuart Bailey, Angie Keefer (Ed.) | Bulletins of The Serving Library #2 - Registrar's Office | Sternberg Press, The Serving Library | 2011 | Berlin, New York | |
| Stuart Bailey, Angie Keefer, David Reinfurt (Ed.) | Bulletins of The Serving Library #3 - Ecstatic Alphabets/Heaps of Language | Sternberg Press, Dexter Sinister | 2012 | Berlin, New York | |
Kaya Behkalam, Paula Bugni, Beatrice Catanzaro, Roberto Cavallini, Azin Feizabadi, Carla Esperenza Tommasini, Sarah Rifky, Ashkan Sepehvand | Damascus: Tourists, Artists, Secret Agents | The Greenbox | 2008 | Berlin | |
| İsimsiz | İsimsiz | İsimsiz | Belirsiz | Belirsiz | |
| Stuart Bailey, Peter Bil'ak (Ed.) | dot dot dot ∞ | dot dot dot | 2004 | Lahey / The Hauge | |
Stuart Bailey, Mai Abu ElDahab, David Reinfurt (Ed.) | dot dot dot - 13 | dot dot dot | 2006 | Lahey / The Hauge | |
| Stuart Bailey, David Reinfurt (Ed.) | dot dot dot - 15 | dot dot dot | 2007 | Cenevre / Geneva | |
Stuart Bailey, David Reinfurt, Raimundas Malašauskas (Ed.) | dot dot dot - 16 | dot dot dot | 2008 | New York | |
| Fraser Stewart | I lost my rhythm at an angle | Fraser Stewart, De Zwarte Ruyter | 2012 | Roterdam | |
| Pablo Helguera | The Pablo Helguera Manual of Contemporary Art Style | Jorge Pinto Books | 2007 | New York | |
| Etem Şahin, Ilgın Deniz Akseloğlu | Noday | Operation Room | 2019 | İstanbul | |
| Raimundas Malasauskas | Paper Exhibition - Selected Writings by Raimundas Malasauskas | Sternberg Press | 2012 | Berlin | |
| Brandon LaBelle | Diary of an Imaginary Egyptian | Errant Bodies Press | 2012 | Berlin | |
| Valentina Montero | By Reason or By Force | Errant Bodies Press | 2013 | Berlin | |
| Franco Bifo Berardi | Skizo-Mails | Errant Bodies Press | 2012 | Berlin | |
| Anne Szefer Karlsen (Ed.) | Pedro Gómez-Egana | Hordaland Art Centre | 2014 | Bergen | |
| Anne Szefer Karlsen (Ed.) | Annette Kierulf & Caroline Kierulf | Hordaland Art Centre | 2013 | Bergen | |
| Anne Szefer Karlsen (Ed.) | Toril Johannessen | Hordaland Art Centre | 2014 | Bergen | |
| Geta Brătescu | Ateliere Artistului - The Artist's Studios | Salonul de Proiecte | 2012 | Bükreş / Bucharest | |
| Sarkis | 048 | Norgunk | 2021 | İstanbul | |
| Sarkis | Sarı punctum | Norgunk | 2018 | İstanbul | |
| Sarkis | Respiro | IKSV | 2014 | İstanbul | |
| Sarkis | Masumların Vitrayları | Galerist | 2009 | Istanul | |
| Hamishi Farah | Airport Love Theme | Book Works | 2020 | Londra / London | |
Enar de Dios Rodriguez, Nathalie Koger, Mona Schwitzer (Ed.) | Collective Infrastructures in Moving Images | Schlebrügge.Editor | 2022 | Viyana / Vienna | |
| Garp Sessions | Cook Book | Garp Sessions | 2022 | İstanbul | |
| Deniz Kırkali, Ayşe İdil İdil | Garp Sessions: Belgeleme ve Yeni Üretim / Documentation and Commissioned Works | Nocturne-Platform für experimentelle Wissensproduktion e. V. | 2023 | Berlin, Siegen | |
| Emmanuel Goldstein | The Theory and Practice of Oligarchical Collectivism | ||||
| Marina Abramovic | 100 Pisama / 100 Letters | onestar press | 2008 | Berlin | |
| Siyah Bant | Siyah Bant 2: Sanatta İfade Özgürlüğü, Sansür ve Hukuk | Siyah Bant | 2013 | İstanbul | |
| Asena Günal (Ed.) | Siyah Bant 1 | Siyah Bant | 2012 | İstanbul | |
| Pelin Başaran, Ulaş Karan | Sanatsal İfade Özgürlüğü Kılavuzu | Siyah Bant | 2016 | İstanbul | |
| Lapin | Lapin a Istanbul | Lapin | 2012 | Barselona / Barcelona | |
| Ali Beşikçi (Ed.) | z-one | ZONE | 2020 | İstanbul | |
| Marianne Mueller | The Proper Ornaments | Edition Patrick Frey | 2008 | Zürih / Zurich | |
| Rogerio Duarte | Marginalia 1 | BOM DIA BOA TARDE BOA NOITE | 2013 | Berlin | |
| The New Museum, Art Asia Pacific | Art Spaces Directory | The New Museum - Art Asia Pacific | 2012 | Hong Kong | |
| Carl Andre | Black Wholes | Kunsthalle Basel | 2005 | Basel | |
| Aglaia Konrad | Iconocity | Verlag der Buchhandlung Walther König | 2005 | Köln | |
| Sezgin Boynik, Tolga Güldallı (Ed.) | Türkiye’de Punk ve Yeraltı Kaynaklarının Kesintili Tarihi 1978-1999 | BAS | 2007 | İstanbul | |
| Atıl Kunst | Kılavuz (Bent 005) | BAS | 2009 | İstanbul | |
| Masist Gül | Kaldırım Destanı - Kaldırım Kurdunun Hayatı (Bent 001) / Pavement's Myth - The Life of the Pavement's Wolf 1 | BAS | 2006 | İstanbul | |
| Masist Gül | Kaldırım Destanı - Kaldırım Kurdunun Hayatı 2 (Bent 001) / Pavement's Myth - The Life of the Pavement's Wolf 2 | BAS | 2006 | İstanbul | |
| Masist Gül | Kaldırım Destanı - Kaldırım Kurdunun Hayatı 3 (Bent 001) / Pavement's Myth - The Life of the Pavement's Wolf 3 | BAS | 2006 | İstanbul | |
| Masist Gül | Kaldırım Destanı - Kaldırım Kurdunun Hayatı 4 (Bent 001) / Pavement's Myth - The Life of the Pavement's Wolf 4 | BAS | 2006 | İstanbul | |
| Masist Gül | Kaldırım Destanı - Kaldırım Kurdunun Hayatı 5 (Bent 001) / Pavement's Myth - The Life of the Pavement's Wolf 5 | BAS | 2006 | İstanbul | |
| Masist Gül | Kaldırım Destanı - Kaldırım Kurdunun Hayatı 6 (Bent 001) / Pavement's Myth - The Life of the Pavement's Wolf 6 | BAS | 2006 | İstanbul | |
| Cevdet Erek | SSS – Sahil Sahnesi Sesi / Shore Scene Soundtrack (Bent 004) | BAS | 2007 | İstanbul | |
| Cevdet Erek | ص ص س | Kayfa ta, Sternberg Press | 2017 | ||
| Emre Hüner | Emre Hüner (Bent 003) | BAS | 2007 | İstanbul | |
| Anna Orlikowska, Gülşah Mursaloğlu, Marjet Zwaans, Naz Kocadere | What Are The Words You Do Not Have Yet? | AFK amderstams fonds voor de kunst | 2023 | Amsterdam | |
| Dilşad Aladağ | Taklak | Dilşad Aladağ | 2023 | İstanbul | |
| Wing CHAN, Michelle WONG | Ha Bik Chuen Archive | Asia Art Archive | 2019 | Hong Kong | |
| Farah Hallaba | Being Borrowed: On Egyptian Migration to the Gulf | Farah Hallaba | 2022 | Kahire / Cairo | |
| Seda Gecü, Serap Gecü | Önümde Duruyor | Flâneur Collective | 2022 | İstanbul | |
| Serap Gecü | la dérive | Flâneur Collective | 2023 | İstanbul | |
| Antonia Breme | Shop Window Shopping | New Toni Press | 2022 | Berlin | |
| Göksu Baysal | Beyaz Toros | Göksu Baysal | 2020 | Berlin | |
| Manuel Boden | Ich könnte fortgehen Roman | Manuel Boden | 2021 | Berlin | |
| Manuel Boden, Nikolai Szymanski | Die letzte Weizung: Eine Jahrhundertfibel | Manuel Boden, Nikolai Szymanski | 2024 | Düsseldorf | |
| Manuel Boden | Slider-Man | Hocus Bogus Publishing | 2023 | Rotterdam | |
| Klasse Pernice (Universität der Künste Berlin) | Malbo | 2023 | Berlin | ||
| Klasse Pernice (Universität der Künste Berlin) | Malbo | 2023 | Berlin | ||
| Ozan Aktuna | Say Maşallah | COMMENTARIVM | 2021 | İzmir | |
| David Senior (Ed.) | Adventures | Printed Matter Inc. | 2011 | New York | |
| Joseph Grigely | Conversations with the Hearing | Shimmer | 2019 | Rotterdam | |
| Antonia Rodrian, Leonie Rodrian | Bobzine 1: SASKE | Leonie Rodrian & Antonia Rodrian | 2022 | Berlin / Düsseldorf | |
| Hans Haacke | Hans Haacke: Unfinished Business | M.I.T. Press | 1986 | New York | |
| Seda Yıldız (Ed.) | Onomatopee 224: Building Human Relations Through Art | Onomatopee | 2022 | Eindhoven | |
| Koen Brams (Ed.) | The Encyclopedia of Fictional Artists | JRP|Ringier | 2010 | Zürih / Zurich | |
| Tülay Atak, David Bergé, Elke Krasny | Fragile City | MER Paper Kunsthalle | 2015 | Gent / Ghent | |
| David Bergé | Me, Le Corbusier, and a Friend | Time Based Editions | 2025 | ||
| Laurie Cluitmans, Arnisa Zeqo (Ed.) | He Disappeared into Complete Silence - Rereading a Single Artwork by Louise Bourgeois | De Hallen Haarlem - Onomatopee | 2011 | Haarlem, Eindhoven | |
| Moyra Davey | Speaker Receiver | Sternberg Press | 2010 | Hollanda / Netherlands | |
| Lise Harlev | This Is Not Really Me | The Green Box | 2014 | Berlin | |
| Nobuyoshi Takagi | deep#1 / snack shot project | Bakkal Press | 2010 | İstanbul | |
| Olma | Timones | Bambero Ediciones | 2020 | Kito / Quito | |
| Eva Weinmayr | Downing Street | New Documents | 2015 | Los Angeles | |
Natascha Sadr Haghighian, Ashkan Sepahvand | Seeing Studies | Hatje Cantz | 2011 | Kassel | |
| Yüksek Tatmin | Yüksek Tatmin No: 4 | ||||
Ilaria Conti, Chrysanthi Koumianaki, Kosmos Nikolaou, Paky Vlassopoulou (Ed.) | Around Labor, Art, and the Auratic Condition (This is not a Love Song) | 3 137 | 2020 | Atina / Athens | |
| Kateryna Mishchenko (Ed.) | The Book of Kyiv | Medusa | 2015 | Kiev / Kyiv | |
| Bilge Emir | Sabiha Sertel | Kunsthocule Berlin Weißensee | 2023 | Berlin | |
| Clifton Meador | Long Slow March | Center for Editions, Purchase College | 1996 | New York | |
| Raphael Grisey | Wo Versteckt Sich Rosa L. – Où Se Cache Rosa L. | it: éditions | 2006 | Berlin | |
| Eduardo Armando Cruces | Des-Terra | Eduardo Armando Cruces | 2024 | Concepción, Istanbul | |
| Andreas Angelidakis | A Short Visit | Rodeo | 2008 | Atina / Athens | |
Mai Abu ElDahab, Binna Choi, Emily Pethick (Ed.) | Circular Facts | Sternberg Press | 2011 | Berlin | |
| Mark Dion | The Bureau of the Centre for the Study of Surrealism and its Legacy | Book Works | 2005 | Verona | |
| Mario Santanilla | Still Life -mirrors and windows- | Reliable Copy | 2020 | Bangalore | |
| Aarti Sunder | Platforms: Around, In Between, and Through | Natasha, Singapore Biennale | 2022 | Singapur / Singapore | |
| Shota Tsukiyama | Similar Room (Matchbox on Notepad) – The Eyes of the Wind Vol. 2 | FREYAAlt | 2023 | İstanbul | |
| Yuki Hori | object: the focus of cognition or feelings – The Eyes of the Wind Vol. 2 | FREYAAlt | 2023 | İstanbul | |
| Jonnie Craig | Untitled | Mörel Publishing | 2009 | United Kingdom | |
| General Idea | General Idea Editions 1967-1995 | Blackwood Gallery | 2003 | Missisauga, Ontario | |
| Hans D. Christ, Iris Dressler (Ed.) | Politik der Form / Politics of Form | Spector Books, Bergen Assembly | 2015 | Leipzig | |
| Ali Taptık, Uğur Tanyeli | Focuskop Fotoform | Akın Nalça Kitapları | 2009 | İstanbul | |
| Mk Yurttaş | Unveil | Mk Yurttaş | 2024 | Istanbul | |
| Martin Kippenberger, Ariane Müller | Picture a Moon, Shining in the Sky: Conversation with Martin Kippenberger | Starship | 2007 | Berlin | |
| Minna Henrikson, Sezgin Boynik (Ed.) | Contemporary Art and Nationalism: Critical Reader | Prishtine Institute for Contemporary Art "EXIT" | 2007 | Kosova / Kosovo | |
| Pilar Perez (Ed.) | Extra Art: A Survey of Artists' Ephemera, 1960-1999 | RAM Publications | 2001 | San Francisco | |
| Cornelia Lauf, Clive Phillpot | Artist/Author: Contemporary Artists' Books | Distributed Art Publishers (D.A.P.) | 1998 | New York | |
Igor Chubarov, Kirsten Forkert, Max Klebb, Institute for Primary Energy Research, Redas Diržys, Marina Gržinic, Chto Delat & Vpered | Chto delat? / What is to be done? 2003-2008 | NGBK | 2008 | Berlin | |
| Thomas Hirschhorn | Material: Public Works – The Bridge 2000 | Book Works, Whitechapel Gallery | 2000 | Londra / London | |
| Thomas Hirschhorn | Gramsci Monument (pamphlet) 1 Temmuz/15 Eylül 2013 her gün | Dia Art Foundation | 2013 | New York | |
| Christian Hilleso | We are the bastards not fit for our office | ||||
| Klaus Weber | Unfold! You Cul De Sac | Revolver | 2004 | Frankfurt | |
| Ross Birrell | Breath of Saadet | Other voices, Other rooms | 2021 | Zürih / Zürich | |
| Sevil Tunaboylu | Görmenin Kenarında / On the Edge of Seeing | Sevil Tunaboylu | 2022 | İstanbul | |
| Ant Hampton | Borderline Visible | Time Based Editions | 2023 | ||
| Aslı Özdoyuran | 1974–1979 (I) | Aslı Özdoyuran | 2023 | İstanbul | |
| Aslı Özdoyuran | 1974–1979 (II) | Aslı Özdoyuran | 2023 | İstanbul | |
| Ece Eldek | mânâ | NOD | 2023 | İstanbul | |
| Hamish Fulton | The Way To The Mountains Starts Here | Hopefulmonster | 2001 | İtalya / Italy | |
| Roy Villevoye | 150 | Roy Villevoye | 2001 | Amsterdam | |
| Roy Villevoye | Detours | Museum Boijmans Van Beuningen | 2008 | Rotterdam | |
| Robin Waart | Evol/Love | Stichting Mei | 2020 | Amstelveen | |
| Robin Waart | Part One | Robin Waart | 2011 | Zürih / Zurich | |
| Phil Collins, Siniša Mitrović (Ed.) | AUTO-KINO! | Temporäre Kunsthalle Berlin | 2010 | Berlin | |
| Minna Henriksson | Aşık Olan Doğru Söyler | Minna Henriksson | 2010 | Istanbul | |
| Brian Holmes | Escape the Overcode: Activist Art in the Control Society | Van Abbemuseum Public Research, WHW | 2009 | Eindhoven, Zagreb, Istanbul | |
| Bassam El Baroni, Mahmoud Khaled (Ed.) | Fifteen Ways to Leave Badiou | Alexandria Contemporary Arts Forum | 2011 | Mısır / Egypt | |
| Eva Schmidt, Ines Rüttinger (Ed.) | Dear Aby Warburg, what can be done with images? | Museum für Gegenwartskunst Siegen | 2012 | Siegen | |
| locus athens | 7 Performances & A Conversation | locus athens, futura | 2005 | Atina / Athens | |
| sarat maharaj | printed project issue 11: farewell to post-colonialism: querying the guangzhou triennial 2008 | Visual Artists Ireland | 2009 | Dublin | |
| Dzemeiliana Abdulova | A Small Roma Memory Book | PrivatePrint Studio | 2023 | Üsküp / Skopje | |
| Simon Kocjančič | Hideout | PrivatePrint Studio | 2022 | Üsküp / Skopje | |
| Jonas (J) Magnusson, Cecilia Grönberg (Ed.) | OEI#66 Poema/Processo | OEI | 2014 | Stokholm / Stockholm | |
| Jens Hoffmann, Adriano Pedrosa (Ed.) | El Kitabı: İsimsiz (12. İstanbul Bienali), 2011 | IKSV | 2011 | Istanbul | |
| Melike Taşçıoğlu | Bir Görsel İletişim Platformu Olarak Kitap | YEM Yayın | 2013 | Istanbul | |
| Christiane Peschek | Oasis A Spa Reader | Sanatorium | 2022 | Istanbul | |
| Joana Hadjithomas, Khalil Joreige | a letter can always reach its destination/letters de Jerusalem | Normandie Roto Impression | 2012 | Fransa / France | |
| Jeremy Blake | Sucking in the Seventies | Pork Salad Press | 2007 | Kopenhag / Copenhagen | |
| Chantal Pontbriand | 124 Parachute: Violence Unlimited | Parachute | 2006 | Montréal | |
| Jane Rolo, Ian Hunt (Ed.) | Book Works: A Partial History and Sourcebook | Book Works | 1996 | Londra / London | |
| Joanna Sandell | Labyrint/Labyrinth | Labyrint Press | 2006 | Tumba | |
| Roger Willems, Mark Manders (Ed.) | Os livros fazem amigos/Books Make Friends | Culturgest, Roma Publications | 2006 | Lizbon, Amsterdam / Lisbon, Amsterdam | |
| Halil (Ed.) | A Cloud of Black Smoke | Focuskop Fotoform | 2007 | Stokholm / Stockholm | |
| Alper İnce, Rafet Arslan (Ed.) | Destruction 2011 Exhibition | Destruction 2011 Exhibition | 2011 | Istanbul | |
| Nikola Dietrich, Jacob Fabricius (Ed.) | Little Theatre of Gestures | Hatje Cantz | 2009 | Ostfildern | |
| Frits Gierstberg | reflect #04: Documentary now! Contemporary strategies in photography, film and the visual arts | NAi Publishers | 2005 | Rotterdam | |
| Ruth Ur, David Codling, Esra Sarıgedik Öktem | My City | British Council | 2011 | Istanbul | |
| Ruth Ur, David Codling, Esra Sarıgedik Öktem | Benim Kentim | British Council | 2011 | İstanbul | |
| Maria Hlavajova, Gerardo Mosquera (Ed.) | Who if not we...?*: Cordially Invited, episode 3 | bak basis voor actuele kunst | 2004 | Utrecht | |
| Marco Paulo Rolla, Marcos Hill (Ed.) | MIP | CEIA | 2005 | Nova Lima | |
| Gonca Sezer | Kuyruk Meselesi / A Matter of Tail | Gonca Sezer | 2018 | İstanbul | |
| Fabian Langer, Annette Maechtel (Ed.) | Berlin|Istanbul Fellows Sourcebook 1998-2009 | BM Suma Contemporary Art Center, Kunstraum Kreuzberg/Berthanien | 2009 | Berlin | |
| Maria Eichhorn, John Miller | Maria Eichhorn / John Miller (between artists) | A.R.T Press | 2008 | New York | |
| Krist Gruijthuijsen, November Paynter (Ed.) | We All Laughed at Christopher Columbus | Revolver Publishing | 2006 | Franktfurt | |
| Julieta González (Ed.) | de Riva | Instituto de Cultura Puertorriqueña | 2009 | Porto Riko / Puerto Rico | |
Anke Bangma, Steve Rushton, Florian Wüst (Ed.) | Experience Memory Re-enactment | Piet Zwart Institute, Revolver Publishing | 2005 | Rotterdam, Frankfurt | |
| Andrea Bargenda, Timothy Connell (Ed.) | doku/fiction | Kunsthalle Düsseldorf | 2004 | Düsseldorf | |
| Eliza Wilmerding (Ed.) | Berg-sjön Public: Art and Social Practice in Gothenburg's Outermost Suburb | 2010 | Göteburg / Gothenburg | ||
| Bülent Erkmen (konsept/tasarım) | 32 Büst | Ofset Yapımevi | 2000 | Istanbul | |
| Agnes Janich | Body Memory | Fotohof | 2012 | Salzburg | |
| Fatma Bucak | I must say a word about fear | Fatma Bucak | 2014 | İstanbul | |
| Nacho Simal (Ed.) | La Cruda 1 | Ediciones Estudios del Tema | 2008 | Barselona / Barcelona | |
| Vasıf Kortun, Erden Kosova (Ed.) | Jahresring 51, Szene Türkei: Abseits, aber Tor! | Buchhandlung Walter König | 2004 | Köln | |
| Jacob Borges, Loote Juul Petersen (Ed.) | Temporary Urban Structures | Förlaget | 2009 | Helsinki | |
| Iratxe Jaio, Klaas van Gorkum (Ed.) | Meanwhile, in the Living Room... | Fundación Bilbao Arte Fundazioa | 2006 | Bilbao | |
| Jorinde Seijdel (Ed.) | Open: Cahier on art and the public domain | NAi Publishers, SKOR | 2005 | Amsterdam | |
Pablo Lafuente, Tina Lipsky, Jeanette Pacher (Ed.) | A Singular Form | Revolver Publishing | 2014 | Berlin | |
| Niamh O'Maley | Torch | Temple Bar Gallery and Studios | 2008 | Dublin | |
| Bik Van der Pol, Ayça İnce, Pelin Tan (Ed.) | Istanbul, 59 Locations: A Format for Nightcomers | Bik Van der Pol | 2007 | Arnhem | |
| Nicole Horgan (Ed.) | Researching The Researcher: Noticing why it wanders | School of Commons | 2021 | Zürih / Zurich | |
| Southern Exposure | News of Common Possibility Issue 2: What Sticks to the Real | Southern Exposure | 2009 | San Francisco | |
| Enis Batur | Lâmba – bir mum daha | Norgunk | 2013 | İstanbul | |
| Tina Sabrina Joyce | iroll | bebe books | 2019 | Gent / Ghent | |
| David Buuck, BARGE (Ed.) | Buried Treasure Island: A Detour of The Future | BARGE | 2008 | Oakland | |
| Yusuf Sevinçli | Oculus | Galerist Sanat Galerisi | 2017 | İstanbul | |
| Silva Bingaz | Japan Coast | André Frère éditions | 2014 | Marsilya / Marseille | |
| Iratxe Jaio, Klaas van Gorkum (Ed.) | Quédense Dentro Y Cierren Las Ventanas / Stay Inside. Close Windows and Doors | Consonni | 2009 | Bilbao | |
Yannis Arvantis, Ilaria Gianni, Nazli Gurlek, Isobel Harbison, Rosa Lleó, Gaia Tedone | A Fine Red Line A Curatorial Miscellany | IM Press | 2008 | Londra / London | |
| Stine Hebert, Anne Szefer Karlsen (Ed.) | Self-Organised | Open Editions / Hordaland Art Centre | 2013 | Bergen | |
| René Block | Nasan Tur | Revolver Publishing | 2009 | Berlin | |
| Yasemin Nur Toksoy | Sanat Yapıtı Olarak "Yapıp Etme"nin Anlatısı | Mimar Sinan Güzel Sanatlar Üniversitesi | 2006 | İstanbul | |
| Hatice Güleryüz | Strange Intimacies, Tuhaf Yakınlıklar | İKSV | 2005 | İstanbul | |
| Eva-Maria Kollischan (Ed.) | Recovering Unsaved Changes | Schöers Druck | 2004 | Essen | |
| Sophie Ristelhueber | Details of The World | MFA Publications | 2001 | Boston | |
| Jhafis Quintero | Los dueños del mundo | Ediciones Perro Azul | 2009 | San Jose, Kosta Rika / San José, Costa Rica | |
| roomservices (Evren Uzer + Otto von Busch), Klas Ruin | VROOM - Vehicles of Registration and Omnicient Observational Mechanics | roomservices (Evren Uzer + Otto von Busch), Klas Ruin | 2007 | İstanbul | |
| What, How and for Whom/WHW | art always has its consequences | What, How and for Whom/WHW | 2010 | Zagreb | |
| Jytte Høy | A Historical Alphabet For You | Apartment One | 2005 | Danimarka / Denmark | |
| Jytte Høy | Touch, Various Small Objects | Apartment One | 1998 | Danimarka / Denmark | |
| Jytte Høy | Something Closer Than Small | Apartment One | 2000 | Danimarka / Denmark | |
Jytte Høy, Karin Westerlund, Raffael Rheinsberg, Thomas Bang, Finn Reinbothe, Jan Henderikse, Kerstin Bergendal, Eva Löfdahl | Apartment One | Apartment One | 1996 | Danimarka / Denmark | |
| Jytte Høy | Himmel-Legemer / Himmelskörper | Apartment One | 1999 | Danimarka / Denmark | |
| Jytte Høy | The Museum of_Thought | Apartment One & Nikolaj Kunsthal | 2003 | Danimarka / Denmark | |
| Sindre Andersen, Uta Meta Bauer, Christiane Erharter (Ed.) | Verksted #4: SONIC NORTH | Office for Contemporary Art Norway / OCA | 2005 | Oslo | |
| Jonas Ekeberg (Ed.) | Verksted #2/3 / How to Look at Art-Talk, Aesthetics, Capitalism | Ute Meta Bauer, Office for Contemporary Art Norway / OCA | 2004 | Oslo | |
| Hans Aarsman, Claudie De Cleen, Julian Germain, Erik Kessels, Hans Van Der Meer | Useful Photography #003 | KesselsKramer Publishing | 2003 | Amsterdam | |
| Evelina Mohei | Dokumentation av skyltarna på Hägerstensåsens medborgarhus | Norrbacka trycheri, Jemini Press | 2023 | Stockholm | |
| Anne Szefer Karlsen, Morten Kvamme, Arne Skaug Olsen (Ed.) | Lokalisert/Localised | CTRL+Z Publishing | 2009 | Bergen | |
| Meryem Bayram | ROUND a BOUT ROUNDABOUT | MRYMBYRM | 2020 | ||
| Robert Fenz | The Sole of the Foot | Berliner Künstlerprogramm des DAAD, Katharina Narbutovič | 2011 | Berlin | |
| Max Schulze | Cool Mild Pure Warm (Streetfile) (Archiv Untergrund Publ. 01) | Archiv Untergrund | 2017 | Düsseldorf | |
| Karl Burkhard | Karl Burkhard: Iserlohn, Volksempfänger, Hochwassergerät & Hornissenmenschen 1992-2001 (Archiv Untergrund Publ. 02) | Archiv Untergrund | 2018 | Düsseldorf | |
| Christine Moldrickx | Eendenbewustzijn (Archiv Untergrund Publ. 03) | Archiv Untergrund | 2023 | Düsseldorf | |
| An Paenhuysen | Things with Teeth. The Critic As Detective | AAAAA PPPPP Publishing | 2024 | Berlin | |
| Sarah Szczesny | Sarah Loses Out (You Ought to be in Pictures) | KunstSalon | 2023 | Cologne / Köln | |
| 5533 | Project 3: Holding On | 5533 | 2010 | İstanbul | |
| Nacho Alegre, Omar Sosa | apartamento: an everyday life interiors magazine issue #03 | Apartamento Publishing | 2009 | Barselona/Barcelona | |
| Wassim Alsindi, the Ox Salon (Ed.) | Ox Revue 01 | Ox Salon | 2022 | Berlin | |
| Jessica Gysel, Vela Arbutina | Girls Like Us / Volume 2 - Issue 1 | Girls Like Us | 2010 | Amsterdam | |
| 'SUP Magazine 22 | 'SUP Magazine | 2010 | New York, London / Londra | ||
| club bidanbaem | Monthly Vampire, A Magazine. No.6. ‘City Made of Lights’ Issue | club bidanbaem, BLESS | 2007 | South Korea / Güney Kore | |
| Ünal Bostancı | Zamansız Saray Müze | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul | |
| Maia Gianakos (Ed.) | Alphabet Prime Fall 2009 Nº/Scripting | Alphabet Prime | 2009 | Stockholm | |
| Pascal Gielen | The Murmuring of the Artistic Multitude: Global Art, Politics and Post-Fordism | Valiz | 2015 | Amsterdam | |
| Zeynep Yılmaz | veya tutkal | zaten | 2025 | İstanbul | |
| Oliver Kochta, Tellervo Kalleinen | Amorph!03 Summit of Micronations | Artists' Association | 2005 | Helsinki | |
| Meltem Ahıska, Zafer Yenal | Aradığınız Kişiye Şu An Ulaşılamıyor: Türkiye'de Hayat Tarzı Temsilleri 1980-2005 | Osmanlı Bankası Arşiv ve Araştırma Merkezi | 2006 | İstanbul | |
| Richard Prince | Women | Regan Projects | 2004 | Ostfildern | |
| Esen Karol | 50 Soru 50 Cevap, Rudy Vanderlans [Emigre] ile E-posta üzerinden söyleşi / 50 Questions 50 Answers, interview with Rudy Vanderlans [Emigre] via e-mail | 124/3 | 1999 | İstanbul | |
| Ursula Nistrup | EAVESDROPPING | cura books | 2014 | Rome / Roma | |
| Tanya Leighton (Ed.) | In The Poem About Love You Don’t Write The Word Love | Sternberg Press | 2006 | Berlin, New York | |
| Işıl Eğrikavuk | Aynı Çatı Altında/Under The Same Roof | British Council | 2011 | İstanbul | |
| Bik Van der Pol, Kim Heejin (Ed.) | +82 Past Imperfect, No.4 | Insa Art Space of the Arts Council Korea | 2007 | Seoul/Seul | |
| Marijn Van Kreij | O Let It Be | Rijksakademie van Beeldende Kunsten | 2008 | Amsterdam | |
Anita Sezgener, Arif Yıldız, Ayşe Güngör, Baran Bilir, Can Duru, Çağdaş Okumuş, Erol Eskici, Yusuf Kenan Çetinkaya, Yusuf Tekin | Zygiella Notata - Sayı: 1 | Zygiella Notata | 2010 | İstanbul | |
Anita Sezgener, Arif Yıldız, Baran Bilir, Ceyhun Tuna, Emre Madra, Gözde İlkin, Melis Aktaş, Tünkut Doğanca, Uygar Asan | Zygiella Notata - Sayı: 2 | Zygiella Notata | 2011 | İstanbul | |
| Zygiella Notata - Sayı: 3 | Zygiella Notata | 2012 | İstanbul | ||
| Amelie von Wulffen | November | Greene Naftali | 2011 | New York | |
| Florian Malzacher, Raimar Stange | DEMOKRATIE HEUTE – Probleme der Repräsentation | Florian Malzacher, Raimar Stange | 2021 | Berlin | |
| Ulla West | Vita Kuben | UKW Publishing | 2011 | Stockholm | |
| Sarah Pierce, Tirdad Zolghadr | The Griefers of Bandug | DAI Publications | 2017 | Arnhem | |
| locus athens | Sampling | locus athens | 2008 | Atina / Athens | |
| Foundation For Indian Contemporary Art (FICA) | Foundation For Indian Contemporary Art 2022-2023 | Foundation For Indian Contemporary Art (FICA) | 2023 | Yeni Delhi / New Delhi | |
| Foundation For Indian Contemporary Art (FICA) | Foundation For Indian Contemporary Art 2019-2022 | Foundation For Indian Contemporary Art (FICA) | 2023 | Yeni Delhi / New Delhi | |
| Doruntina Vinca (Ed.) | Radical Sense Vëllimi 2 | 28 November | 2023 | Tiran / Tiranë | |
| Melanie Bonajo | Völkerschau | Capricious Space & Publishing | 2015 | New York | |
| Ali Kazma | Hatırla | Umur Yayınları | 2020 | İstanbul | |
| Ali Kazma | Remember | Umur Publishing | 2020 | İstanbul | |
| Pablo León de la Barra (Ed.) | guia do copan | pablo internacional magazine, exo experimental | 2006 | Sao Paulo / São Paulo | |
| İpek Çankaya | halka sanat projesi: KÂR AMACI GÜTMEYEN SANAT İNİSİYATİFİ OLARAK İLK ÜÇ YIL | Halka Art Project | 2014 | İstanbul | |
| Lisette Lagnado (Ed.) | Caderno SESC_Videobrasil 05: Clio, pátria | Associação Cultural Videobrasil, Edições Sesc-SP | 2009 | Sao Paulo / São Paulo | |
| Maintenance of Social Solidarity Stage Three | Maintenance of Social Solidarity | 2006 | |||
| Contemporary Solidarity | Maintenance of Social Solidarity, Contemporary Art Services Tasmania | 2007 | |||
Maintenance of Social Solidarity no. 4: New Zealand Altruism Review | Maintenance of Social Solidarity, The Adam Art Gallery Te Pataka Toi | 2008 | |||
Maintenance of Social Solidarity no. 4: New Zealand Altruism Review | Maintenance of Social Solidarity, The Adam Art Gallery Te Pataka Toi | 2009 | |||
| Susanne Weck, Ulrike Mohr | Lost Panorama: A Project in Stages and Routes. | Susanne Weck, Ulrike Mohr | 2007 | Berlin | |
| Ingo Giezendanner | GRR72: Polis | GRRRR.net | İstanbul | ||
| Fatos Ustek (Ed.) | Delocalisation | press to exit project space | 2009 | Üsküp / Skopje | |
| Yomar Augusto, John Bock, Monica Bonvicini, Jordi Colomer, Oskar Dawicki, Merzbow, Hans Schabus, Gregor Schneider, Costa Vece Curated by: Daniel Muzyczuk, Agnieszka Pindera, Joanna Zielińska | MORE IS MORE | Centre of Contemporary Art Znaki Czasu | 2010 | Torun / Toruń | |
| roomservices (Evren Uzer + Otto von Busch) | Adventures in Local Knowledge Production | roomservices (Evren Uzer + Otto von Busch) | 2005 | Innsbruck | |
| Isidora Fićović | What is Contemporary? | Isidora Fićović | 2008 | Aarhus | |
| Gülsüm Kavuncu | Simple Propagation | 444 Editions | 2024 | New York | |
| Judit Angel, Dóra Hegyi, Zsuzsa László (Ed.) | Typopass | tranzit.hu | 2010 | Budapeşte / Budapest | |
| Laila Achmad | JAKARTA 32°C | ruangrupa | 2012 | Cakarta / Jakarta | |
| ruangrupa | Karbon - Tigabelasan No.7-01 | ruangrupa | 2006 | Cakarta / Jakarta | |
| ruangrupa | Karbon - pemirsa / audience No.6-04 | ruangrupa | 2004 | Cakarta / Jakarta | |
| ruangrupa | Karbon - Performance Art: Questioning the Act: Between the Body and the Verb No.4-09 | ruangrupa | 2002 | Cakarta / Jakarta | |
| ruangrupa | Ok.Video | ruangrupa | 2005 | Cakarta / Jakarta | |
| Matt Mullican | Editions 1985-2012 | Helga Maria Klosterfelde Edition, Bom Dia Boa Tarde Boa Noite | 2013 | Hamburg, Berlin | |
| Sezgin Boynik (Ed.) | bie bao series vol 3: Igor Terentiev, Tenderness Record The Life of Ilya Zdanevich | Rab-Rab Press | 2023 | Helsinki | |
| Sezgin Boynik (Ed.) | bie bao series vol 6: Ilya Zdanevich-Iliazd Berlin Khaltura 1922 | Rab-Rab Press | 2024 | Helsinki | |
| Sezgin Boynik & Tom Holert (Ed.) | About Narration (1975) Materials, Comments, Interventions | Rab-Rab Press, Harun Farocki Institut | 2024 | Helsinki / Berlin | |
| Cathy Porter (Ed.) | Larisa Reisner, THE DECEMBRIST | Rab-Rab Press | 2024 | Helsinki | |
| Dont Rhine (Ed.) | ULTRA RED A Journal of Militant Sound Inquiry Vol 1: Naming The Moment | Rab-Rab Press | 2024 | Helsinki | |
| Sezgin Boynik & Joseph Grim Feinberg (Ed.) | Karel Teige, The Marketplace of Art Vol1 | Rab-Rab Press | 2022 | Helsinki | |
| Sezgin Boynik & Joseph Grim Feinberg (Ed.) | Karel Teige, The Marketplace of Art Vol2 | Rab-Rab Press | 2022 | Helsinki | |
| Tevfik Rada & Shkëlzen Maliqi (Ed.) | Stuttering Universality: Film as Political School Volume 1 | Rab-Rab Press | 2023 | Prishtina | |
| Sezgin Boynik & Gayni Bobi (Ed.) | Limits of Representation: Film as Political School Volume 2 | Rab-Rab Press | 2023 | Prishtina | |
| Sezgin Boynik & Tevfik Rada (Ed.) | Hacı Ömer Lütfü Paçariz: Devrimci Şiirler | Pykë-Presje | 2023 | Prizren | |
| Sezgin Boynik (Ed.) | Coiled Verbal Spring: Devices of Lenin’s Language | Rab-Rab Press | 2018 | Helsinki | |
| Stephan Berg, Ulrike Gross (Ed.) | Diving Trips: Drawing as reportage | Richter Verlag | 2005 | ||
| Rosa Barba | off sites / sets | Walther König Buchhandlung | 2003 | Köln | |
| Tayfun Serttaş | Stüdyo Osep | Aras Yayıncılık | 2009 | İstanbul | |
| Tayfun Serttaş | Abstract Allegory | Beaux Arts de Paris | 2010 | Paris | |
| Matthew Barney | Drawing Restraint Vol.2 | Uplink Co. | 2005 | Tokyo | |
| Elein Fleiss | septembre | one star press | 2002 | Paris | |
| Anita Di Bianco | Ghostwriter | Kunstverein Braunschweig | 2009 | Braunschweig | |
| Erich Weiss | BLIND LOVE & other incurable diseases | Galerie Bernhard Bischoff, Partner AG | 2006 | Bern | |
| Dan Perjovschi | Walls, Floors, Museums and Mines, 1995-2003 | Henkel | 2003 | Viyana / Vienna | |
| Annika Erikson | Works by Annika Eriksson | DAAD, IASPIS, Propexus & Revolver | 2005 | Berlin | |
| Florian Zeyfang | Fokussy | Revolver | 2004 | Frankfurt | |
| Agnieszka Brzeżańska | L’artiste, le modèle et la peinture | Sternberg Press | 2010 | Berlin | |
| Fahrettin Örenli | A Tourist In Life | ABN AMBRO Bank | 2004 | Amsterdam | |
| Igor Grubić | 366 rituala oslobađanja / 366 liberation rituals | GALERIJA MIROSLAV KRALJEVIĆ, DeLVe | 2009 | Zagreb | |
| Mert Erkan | Aşıklar ve Bizim Gibi Çocuklar | Mert Erkan | 2011 | ||
| Görkem Ünal | Paris (01) | La Dernière Pluie | 2005 | İstanbul | |
| Andreja Kulunčić | On The State Of Nation | Galerija Miroslav Kraljevic | 2008 | Zagreb | |
| Asier Mendizabal | Smaller than a Mass | Ediciones CO-OP | 2006 | Donostia-San Sebastian | |
| Maarit Mustonen & James Prevett | Parts (For Muuri) scores | Zodiak – Center for New Dance | 2021 | Helsinki | |
| Cameron Jamie | The Fear of the Unknown Place, La peur du lieu inconnu | CNEAI | 2001 | Chatou | |
| Eko Nugroho | Mooi weer | Artoteek Den Haag, Cemeti Art House | 2005 | The Hauge | |
| Steven Pippin | Laundromat, Locomotion | Verlag Der Kunst | 1998 | ||
| Poka-Yio | Farthenon Rising | Futura Publications | 2005 | Atina / Athens | |
| Nasan Tur | BAR | Revolver, Felix Ruhöfer | 2003 | Frankfurt | |
| David Maljković | place with limited premeditation | Artimo | 2005 | Amsterdam | |
| mary kelly project | mary kelly project | Film London | 2003 | Londra / London | |
| Ursula Nistrup | partial list of works 1998-2010 | Ursula Nistrup | 2010 | Kopenhag / Copenhagen | |
| Sofie Thorsen | The Expert, Afternoon in the Uganda Forest | pork salad press | 2009 | Kopenhag / Copenhagen | |
| Armando Andrade Tudela | efectiviwonder | DAAD, Ikon Gallery | 2011 | Birmingham, Berlin | |
| Jocelyn Cottencin | BOP #5 | Lendroit Éditions | 2011 | Rennes | |
| Brecht Vandenbroucke | BOP #8 | Lendroit Éditions | 2013 | Rennes | |
| Christian Robert-Tissot | BOP #11 | Lendroit Éditions | 2014 | Rennes | |
| Yvan Salomone | BOP #13 | Lendroit Éditions | 2016 | Rennes | |
| Mari Spirito | What is Protocinema? | Protocinema | 2013 | İstanbul | |
| Sibylle Omlin | Amman Journal public/space/art | Amman Journal | 2013 | Aarau | |
| Sibylle Omlin | Contemporary Arts and Politics in Jordan | Amman Journal | 2010 | ||
| Hilde-Merete Methi (Ed.) | MIGRATION | Pikene på Broen | 2002 | Vadsø | |
| Agnieszka Pindera & Joanna Zielińska | Don't Stare at the Sun | Daros Latinamerica Collection | 2009 | Toruń | |
| Greg Streak | Violence / Silence | Pulse Project | 2002 | Güney Afrika / South Africa | |
| Lim Kyungyong, Helen Ku & Hyun Seewon (Ed.) | 00 DOCUMENT: SEOUL | Mediabus | Seoul | ||
| James Langdon (Ed.) | Eastside Projects User's Manual Draft Five | Eastside Projects | 2011 | Birmingham | |
| Connie Athens & Alexander Jackson Wyatt | ONE WAY MIRROR | Connie Athens & Alexander Jackson Wyatt | 2012 | Launceston, Liepzig | |
| Mürteza Fidan nd T. Melih Görgün (Ed.) | Uyku ve Gölge | Siemens Sanat | 2011 | İstanbul | |
| Mürteza Fidan nd T. Melih Görgün (Ed.) | Ham Hâller | Siemens Sanat | 2011 | İstanbul | |
| Mürteza Fidan nd T. Melih Görgün (Ed.) | Merhamet Melankolisi | Siemens Sanat | 2009 | İstanbul | |
| Mürteza Fidan nd T. Melih Görgün (Ed.) | Başka Dünyalar | Siemens Sanat | 2010 | İstanbul | |
| Ahmet Birol, Hakan Dağdelen, Meltem Işık, Can Kurucu, Ilgın Özer, Yuşa Yalçıntaş | Sınırlar-Yörüngeler 09 | Siemens Sanat | 2011 | İstanbul | |
| Suzanne Egeran (Ed.) | IN THE BETWEEN | Suzanne Egeran | 2009 | İstanbul | |
| Mehmet Dere | 2004 | ||||
| Turgut Yeşiltepe | Turistik Avrupa Rehberi | Arkın-Ofset Basımevi | 1968 | İstanbul | |
| Çağla Köseoğulları | Yersiz | Sanatorium | 2014 | İstanbul | |
| David Shrigley | ERR | Book Works | 2005 | London | |
| Ece Pazarbaşı (Ed.) | CUMA Ertesi ETKİNLİKLERİ | CUMA Ertesi | 2009 | İstanbul | |
| Melanie Bonajo | Furniture Bondage | Kodoji Press | 2009 | Liège | |
| Allora & Calzadilla | Compass | Temporären Kunsthalle Berlin | 2009 | Berlin | |
| Ricarda Denzer | Perplexities | Revolver | 2013 | Berlin | |
| Serkan Özkaya | Hah! Aklıma bir şey geldi. | Galerist | İstanbul | ||
| Serkan Özkaya | Wait! I have an Idea | Galerist | İstanbul | ||
| Hudinilson Jr. | Posição Amorosa - Amorous Position | Galeria Jaqueline Martins | 2014 | Sao Paulo / São Paulo | |
| anti-pop, Rafet Arslan, Mehmet Çeper, Orhan Cem Çetin, Eda Gecikmez, Insel Inal, Alper Ince, Ali Ibrahim Öcal, Elif Öner, Hülya Özdemir, Çağrı Saray, Özlem Şimşek | Müze içinde bir müze | Proje 4L | 2012 | İstanbul | |
| Shervin Pashaie | Deeper Depression | parkingallery | 2006 | Tahran / Tehran | |
| Clare Butcher, Mia Jankowicz (Ed.) | Propaganda by Monuments | Contemporary Image Collective | 2011 | Cairo / Kahire | |
| Bernhard Cella | cadeaugeschenkgift | edition selene | 2000 | Viyana / Vienna | |
| Anne Szefer Karlsen (Ed.) | RETROSPECTIV KATALOG 2011 | Hordaland Kuntsenter | 2012 | Hordaland | |
| Sylvie Lacerte (Ed.) | Vera Frenkel Cartographie d'une pratique / Mapping a Practice | SBC Gallery of Contemporary Arts | 2010 | Montréal | |
| Lily Hall & Laura Smith (Ed.) | RITUAL WITHOUT MYTH (Royal College of Art) | ArtQuarters Press | 2012 | Londra / London | |
| Süreyya Evren & Stephan Kurr (Ed.) | LOCK YOUR MIND | Erich Weiss Verlag | 2004 | Bamberg | |
| Jonathan Miles | Gesture between Worlds - The Art of Haris Epaminonda | DOMOBAAL Editions | 2006 | Londra / London | |
| Karen Andreassian | Voghchaberd / Exported experiences | Metis Press | 2004 | Cenevre / Geneva | |
| Eylem Aladogan | Realms 1999-2005 | ABN AMRO Bank | 2005 | Amsterdam | |
| Markéta Othová | "While You Were Sleeping" CzechFront Gallery Los Angeles, 2001 | Divus | 2001 | Prag / Prague | |
| Khatuna Khabuliani (Ed.) | Koka Ramishvili: CHANGE | Georgian Pavilion | 2009 | Venedik / Venice | |
| Koka Ramishvili | From Document to Image | The Ministry of culture, monument protection and sports of Georgia | 2008 | ||
| Nada Beroš (Ed.) | Dalibor Martinis: javne tajne (public secrets) | Muzej suvremene umjetnosti | 2006 | Zagreb | |
| Mounir Fatmi | hard head / tête dure | Rijksakademie | 2008 | Amsterdam | |
| François Dion & Louis Jacob (Ed.) | SUPPLEMENT 01 | ARTEXTE | 2009 | Montréal | |
| Khaled Ramadan | art error ism | NIFCA | 2002 | Helsinki | |
| Shahryar Nashat | We had the Idea of Repeating Ourselves | Rijksakademie | 2003 | Amsterdam | |
| Sezgin Boynik (Ed.) | Jakup Ferri: On chance of being an artist | Qendra per Studime Humanistike "Gani Bobi" | 2007 | Priştine / Prishtinë, Kosovo | |
| Lars Mathisen | On/Off The Beaten Track | Pork Salad Press | 2004 | Kopenhag / Copenhagen | |
| Raziye Kubat & Ömer Uysal | KİMLERDENSİNİZ? | LeMan Ofset | 2008 | İstanbul | |
| Kateřina Šedá | OVER AND OVER | JRP Editions | 2008 | Berlin | |
| Amanda Teixeira | 20 Miniature Views - Santa Clarita, CA | Amanda Teixeira | 2024 | Porto Alegre | |
| Amanda Teixeira | It's a beautiful country | Azulejo Arte Impressa | 2024 | Porto Alegre | |
| Mesut Lizor | Bir Balıkla Sahtekarca İlgilenmek | Cinius Yayınları | 2010 | İstanbul | |
| Mesut Lizor | Yer Değiştirmek | ARGE-7 | 2017 | ||
| Mesut Lizor | Yer Değiştirmek (bayrak) | AVTO | 2017 | ||
| Christophe Floré | Distortion Part 01-02 | sage comme une image | 2005 | Brüksel / Brussels | |
| Christophe Floré | Boiler! | sage comme une image | 2005 | Brüksel / Brussels | |
| Christophe Floré | Or how to take advantage out of a hand | sage comme une image | 2005 | Brüksel / Brussels | |
Ari Larissa Heinrich, M. Neelika Jayawardane, William E. Jones, Tan Lin, Shaka McGlotten | Cookie Jar 1/ Home is a Foreign Place | Andy Warhol Foundation Arts Writers Grant | 2022 | New York | |
| Pedro Cupertino | Sacra | Azulejo Arte Impressa | 2017 | Porto Alegre | |
| Brunella Martina | Brute Brief Future | Azulejo Arte Impressa | 2023 | Porto Alegre | |
| Mathew Hale | Pissing Ink: 80 Pages From the MIRIAM Books | German Academic Exchange Service (DAAD) | 2004 | Berlin | |
| Elida Tessler | AMOR : AMOR | Azulejo Arte Impressa | 2017 2018 | Porto Alegre | |
| Yorgos Sapountzis | In the Moment You Fall Asleep | Bom Dia Books | 2019 | Berlin | |
| Paulo Herkenhoff | Bananas & Watermelons | Azulejo Arte Impressa | 2017-2024 | Porto Alegre | |
| Abraham Cruzvillegas | Sticky Selfies | Bom Dia Books | 2023 | ||
| Michaela Cagáňová, Kamila Valešová | Beyond species | holo- collective | 2024 | ||
| Bruno Gularte Barreto | 5 Casas | Azulejo Arte Impressa | 2021 | Porto Alegre | |
| Fede Gloriani | 4.742.688 | Fede Gloriani | 2017 | Rosario | |
| Fede Gloriani | Artificios de Sistema | Fede Gloriani | 2019 | Rosario | |
Whitney Independent Study Program of 1989-90 | The Whitney Program | Whitney Independent Study Program of 1989-90 | 1990 | New York | |
| David Douard | U, kill'd me First (Melody) | Ness Books | 2022 | Paris | |
| Aras Seddigh | Dana Burnu ve Gece bekçisi Uyanıklar | Aras Seddigh | 2016 | İstanbul | |
| Manu Raupp | Ambidestros | Azulejo Arte Impressa | 2016 | Porto Alegre | |
| Eduardo Montelli | gifs-do-eduardo | Azulejo Arte Presse | 2015 | Porto Alegre | |
| Mario Santiago Papasquiaro | Respiracion del laberinto | Eloisa Cartonera | 2009 | Buenos Aires | |
| Berkay Tuncay | Feelings and Anxieties of Ordinary Netizens | Berkay Tuncay | 2013 | ||
| Cihan Küçük | Please do not touch the artwork | Cihan Küçük | 2015 | ||
| Aram Bartholl | Greetings from Berlin! | Owned by Others | 2020 | Berlin | |
16 Mart 1964 Istanbul Rum Toplumunun Sürgün operasyonu ile Sınır Dışı Edilmesi | HyeTert | 2014 | |||
Clare Charnley, Holly Corfield-Carr, Patrick Coyle, Kevin Logan, Laura Mahony, Matthew McQuillan | Copy: At the Table | Copy Pages | 2013 | Yorkshire | |
| Marc Chevalier, Cécile Mainardi | (d)écrire numéro un | (d)écrire | 2008 | Nice, Berlin | |
Agnes Geoffray, Jean-Baptiste Ganne, Marc Bauer | (d)écrire numéro deux | (d)écrire | 2008 | Nice, Berlin | |
| Selen Okumuş (ed.) | 4 Tales by Sabahattin Ali | İstasyon Editions | 2024 | Nimes | |
| Selen Okumuş (ed.) | 5 Prison Songs | İstasyon Editions | 2024 | ||
| Selen Okumuş (ed.) | Behice Boran | İstasyon Editions | |||
| Micah Danges, Faryal Maroof | IRENE | Micah Danges, Faryal Maroof | 2012 | Philadelphia | |
Narcisse Tordoir, Carla Arocha, Alioune Bâ, James Beckett, Koen De Decker, Vincent Geyskens, Bruna Hautman, Bréhima Koné, David Neirings, Praneet Soi, Walter Swennen, Jan Van Imschoot | Are We Changing the World - Narcisse Tordoir, Collaborate Works | Extra City | 2005 | Anvers / Antwerp | |
| Tova Mozard | Tova Mozard Catalogue | Gävle Konstcentrum | 2006 | Gävle | |
| Amanda Teixeira | Passport/ The settler's town is a well fed town. Its belly is always full of good things. | Azulejo Arte Impressa | 2024 | Porto Alegre | |
| Anna Schuleit Haber | The Alphabet | Fitchburg Art Museum | 2015 | Fitchburg | |
| Ahmet Öğüt, Goshka Macuga | Öğüt & Macuga: Episode 1, Episode 2: The Show is Over | Witte de With Publishers | 2017 | Rotterdam | |
| Hidenori Mitsue | Book | DAI / ArtEZ, Institute of the Arts | 2009 | Arnhem | |
| Mehmet Günsür | "Konuşanlar" (*) | Mehmet Günsür | |||
| Uçsuz Bucaksız - 110303 | 2003 | İstanbul | |||
| Uçsuz Bucaksız - 220503 | 2003 | İstanbul | |||
| Uçsuz Bucaksız - 130104 | 2003 | İstanbul | |||
| Uçsuz Bucaksız - 200303 | 2003 | İstanbul | |||
| Kaygan Zemin | 2005 | İstanbul | |||
Macarena Dusant, Johnny Chang, yasmine eid-sabbagh | collecting thoughts | Grafikens Hus | 2024 | Stokholm / Stockholm | |
Abir Boukhari, Afrang Nordlöf Malekian, aghili/karlsson, Al Fadhil, Amina Seid Tahir, Amanda Eicher, Anneli Bäckman, Ayhan Aydin, Bianca Hisse, Cecilia Germain, Cristian Quinteros Soto, Egle Oddo, Emine Kulbay, Fahad Raji, Faten Chouba, Gülbeden Kulbay, Harun Morrison, Isabel Löfgren, Johnny Chang, Lina Alarabi, Linnea Wästfelt, Małgorzata Markiewicz, Maria Johansson, Maryam Omrani, Merve Gül Özokcu, Michelle Appelros, Nada Ali, Nisrine Boukhari, Olena Kryvoruchko, OPENrestaurant, Patrick Dallard, Sara Rad, Sarasvati Shrestha, School in Common & Maria Guggenbichler, Signe Vad, Sofiane Zouggar, Sookyoung Huh, Shiva Niiko Anoushirvani, Tracy Peters | Fittjakökets Kokbok/ The Fittja Kitchen Cookbook | Labyrinth Press | 2024 | Stokholm / Stockholm | |
| Ayaz Örme Muratoğlu, Handan Demir | Not Shadow / Gölge Değil | Hür Adalar Press | 2026 | Antalya | |
| Nihan Somay | Çemberlitaş | Hür Adalar Press | 2026 | Antalya | |
| Dimitra Kondylatou, David Bergé (Ed.) | Public Health in Crisis | kyklàda press | 2021 | Atina / Athens | |
| Dimitra Kondylatou, David Bergé (Ed.) | The Architect is Absent | kyklàda press | 2020 | Atina / Athens | |
| Juan Duque, David Bergé (Ed.) | The Sleeping Hermaphrodite | kyklàda press | 2020 | Atina / Athens | |
| George Papam, David Bergé, Phevos Kallitsis | The Beach Machine | kyklàda press | 2022 | Atina / Athens | |
| WAKE UP! | Johnny Chang | 2017 | Stokholm / Stockholm | ||
| Full Narkose Band | P. spiller sine all time Rock favorites | Datanei Records | 2005 | Oslo | |
| Thomas Butler, Sharmyn Cruz Rivera, Juan Fernando López, Iris Ferrer, Danai Giannoglou Naz Kocadere ( küratörler/curators) Simon Browne, Danilo Correale, Jason Dodge, nibia pastrana santiago and Dilek Winchester ( sanatçılar/artists) | This may or may not be a true story or a lesson in resistance | de Appel | 2020 | Amsterdam | |
| Noura Alkhalili, Learning Palestine | Volume 2, Pamphlet 9/10: Palestine, Settler Colonialism and the Mushaa' | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| George Abraham, Sarah Aziza, Learning Palestine | Volume 2, Pamphlet 8/10: Letters From the Apocalypse | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Rana Issa, Learning Palestine | Volume 2, Pamphlet 7/10: We Have Been Here Forever. Palestinian Poets Write Back | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Layal Ftouni, Learning Palestine | Volume 2, Pamphlet 5/10: "They Make Death, and I'm the Labor of Life" | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Walid Daqqah, Learning Palestine | Volume 2, Pamphlet 3/10:Three Letters from the Prison | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Hamza Hamouchene, Learning Palestine | Volume 2, Pamphlet 6/10: Vietnam, Algeria, Palestine: Passing on the torch of anti-colonial struggle | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Nasser Abourahme,Learning Palestine | Volume2, Pamphlet 2/10: In Tune With Their Time | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Islam al Khatib, Learning Palestine | Volume 2, Pamphlet 4/10: Becoming Monsters | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Golrokh Nafisi, Yazan Khalili, Learning Palestine | Volume 2, Pamphlet 10/10: The Standing Isosceles Triangle | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Omar Jabary Salamanca, Punam Khosla and Natasha Aruri, Learning Palestine | Volume 2, Pamphlet 1/10: It's been 593 Days and a Long Century: Notes on Genocide, Solidarity, and Liberation | Learning Palestine - Lumbung Press | 2025 | Barselona/Barcelona | |
| Tom O’Dea | Istanbul Research Mission Field Guide | Dog Liberation Organisation | 2025 | Dublin | |
Nihan Somay, Handan Demir, Sasha Baydal, Aslı Seven, Şafak Çatalbaş, Danila Lipatov, Sevgi Ortaç | BAS "Yüzey Gerilimleri" Atölye Çıktıları | 2025 | İstanbul | ||
| Salih Ecer | Dükkanda İşler İyi Mi? | Salih Ecer | İstanbul | ||
| Eva Weinmayr, Lenka Clayton | Love Your Voice | Matt's Gallery | 2006 | Londra / London | |
| Dog Juice Sayı 1 | 2014 | İstanbul | |||
| Dog Juice Sayı 2 | 2019 | İstanbul | |||
Gözlerin Hakkında Konuşmak İstedim Gözlerin Hakkında Hiçbir Şey Bilmiyorum | 2008 | İstanbul | |||
| The Critics | 2024 | Hamburg | |||
| Regimen Peste | Espacix Mal Estar | 2020 | Guayaquil | ||
| Dahke | 2009 | İstanbul | |||
| İşçi Sınıfının Sanatları No.120 1 | Arts of the Working Class | 2021 | Berlin | ||
| İşçi Sınıfının Sanatları No.120 2 | Arts of the Working Class | 2021 | Berlin | ||
| İşçi Sınıfının Sanatları No. 23 | Arts of the Working Class | 2022 | Berlin | ||
| İşçi Sınıfının Sanatları No. 18 | Arts of the Working Class | 2021 | Berlin | ||
| İşçi Sınıfının Sanatları No. 16 | Arts of the Working Class | 2021 | Berlin | ||
| İşçi Sınıfının Sanatları No. 15 | Arts of the Working Class | 2021 | Berlin | ||
| İşçi Sınıfının Sanatları No. 14 | Arts of the Working Class | 2020 | Berlin | ||
| İşçi Sınıfının Sanatları No. 13 | Arts of the Working Class | 2020 | Berlin | ||
| İşçi Sınıfının Sanatları No. 11 | Arts of the Working Class | 2020 | Berlin | ||
| İşçi Sınıfının Sanatları No. 10 | Arts of the Working Class | 2020 | Berlin | ||
| İşçi Sınıfının Sanatları No. 9 | Arts of the Working Class | 2019 | Berlin | ||
| İşçi Sınıfının Sanatları No. 8 | Arts of the Working Class | 2019 | Berlin | ||
| İşçi Sınıfının Sanatları No. 7 | Arts of the Working Class | 2019 | Berlin | ||
| İşçi Sınıfının Sanatları No. 6 | Arts of the Working Class | 2019 | Berlin | ||
| İşçi Sınıfının Sanatları No. 5 | Arts of the Working Class | 2019 | Berlin | ||
| İşçi Sınıfının Sanatları No. 4 | Arts of the Working Class | 2018 | Berlin | ||
| İşçi Sınıfının Sanatları No. 3 | Arts of the Working Class | 2018 | Berlin | ||
| İşçi Sınıfının Sanatları No. 2 | Arts of the Working Class | 2018 | Berlin | ||
| İşçi Sınıfının Sanatları No. 1 | Arts of the Working Class | 2018 | Berlin | ||
| Ceyda Oskay | Ceyda Oskay | ||||
| Ceyda Oskay | Trust | Ceyda Oskay | |||
| Ceyda Oskay | Chance | Ceyda Oskay | 1998 | ||
| Ceyda Oskay | Collection of photos taken on the Victoria line | Ceyda Oskay | 2018 | Londra / London | |
| Madeleine Stahel | Gewelltes Fell | Niggli Verlag | 2008 | Zürih / Zürich | |
| Gary Richman | Some Families of Beau-Marais | Blue Book Issues/ issue 14 | 1993 | Rhode Island | |
| Future Daze | Open Space | 2012 | Baltimore | ||
| Jesper Kristiansen | *nr. 42 Living the life fantastic | * forlaget/tidsskriffet (asterisk) | 2008 | Aarhus | |
| Kim T. Grønborg, T.S. Høeg | *nr. 43 Displaced Spaces | * forlaget/tidsskriffet (asterisk) | 2008 | Aarhus | |
| Jeuno JE Kim | *nr. 45 How Form Grows Out of Spiritual Experience: Itemized Reading of D.H. Lawrence's Corasmin and The Parrots | * forlaget/tidsskriffet (asterisk) | 2008 | Aarhus | |
| Lars Kiel Bertelsen | *nr. 47 SAFOM -Samlingen af Anonymt Fotografisk Materiale | * forlaget/tidsskriffet (asterisk) | 2009 | Aarhus | |
| Andrew Blackley | Nuit und Niebla | yellowyeller | 2008 | ||
| Andrew Blackley | April | yellowyeller | 2008 | ||
| Franko Buskas | gak01 | Franko Buskas | 2007 | Istanbul | |
| Franko Buskas | gak03 | Franko Buskas | 2007 | Istanbul | |
| Antonio Caro | antes de Cuiaba | Casas Riegner Bogotá | 2010 | Bogota | |
Volkan Aslan, Antonio Cosentino, İnci Furni, Anna Heidenhain, Marisa Maza, Suat Öğüt, Gamze Özer, Tayfun Serttaş, İrem Tok, Yeni Anıt | heyday | altı aylık | 2010 | Istanbul | |
| Metahaven | Signal (Murcia) | Manifesta8 | 2010 | Murcia | |
| Esat Başak | BAS'a Hediye Kutu, Zarf 01: Disguast, Bilge F. | 1980 | |||
| Esat Başak | BAS'a Hediye Kutu, Zarf 02: Haz Politiktir, Nilüfer Osmanlı | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 03: Viana’da elden dağıtım bir dizi iş | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 04: Üç Farklı iş, Gamze Erfidan | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 05: KARAŞIN (İki Sayı) | 1999 | |||
| Esat Başak | BAS'a Hediye Kutu, Zarf 06: Bulgar punkların trende 'takas' ile dağıttığı kartpostallar | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 07: Mondo trasho 2/5, çöplük dünya | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 08: Blok Art, Kamil Tekbaş | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 09: Surreal Istanbul | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 10: Ceren Oykut (Hafriyat projesi) | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 11: Solucan#6, Robot#2, Dahke Zin ve çeşitli fotokopi dergiler, Bad Taste (Metin Demirhan) | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 12: Sokak Edebiyatı, İzmir elden dağıtım | 2014 | |||
| Esat Başak | BAS'a Hediye Kutu, Zarf 13: Nalan Yırtmaç Ev Bilgisi | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 14: Çeşitli Fanzinler, fotokopi dergiler, KARA SANAT | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 15: Gamze Erfidan'ın yaptığı bir seri fotokopi dergi'den bir sayı | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 16: Abstract Culture (8), Hot pants D.I.Y Gynecology, KORIDOR (2) | ||||
| Esat Başak | BAS'a Hediye Kutu, Zarf 17: Raffael Rheinsberg/Felder |