1 | Artist | Publication Name | Publisher | Year | Pub. City |
---|---|---|---|---|---|
2 | Felix Gonzales-Torres | "Untitled" (Passport #II) | 1993 | ||
3 | Ştefan Sava | (Alphabet) | 2013 | Bükreş / Bucharest |
|
4 | Eva Weinmayr | (pause) 21 scenes concerning the silence of Art in Ruins | Occasional Papers | 2010 | Londra / London |
5 | Sarah Tripp, Zeynep Arman (Ed.) | (Sīm-pō'ze-em) | Spectator Newspapers | 2010 | |
6 | Dexter Sinister | (We Would Like to Share) Some Thoughts on a Possible School Badge | Dexter Sinister | 2006 | New York |
7 | Cecilie Hjelvik Andersen | #1 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
8 | Cecilie Hjelvik Andersen | #2 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
9 | Cecilie Hjelvik Andersen | #3 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
10 | Cecilie Hjelvik Andersen | #4 -Dear Mr. President | Cecilie Hjelvik Andersen | 2018 | İstanbul |
11 | David Senior | ∞ Hospitality | Dexter Sinister | 2008 | |
12 | Kutlu Çanlıoğlu, Ozan Erdoğan, Esen Karol, Ayça Köseoğulları, Bürkan Özkan, Bülent Tanju, Ersin Temurcan | 0 0 1 | 124/3 | 1998 | İstanbul |
13 | Tristan Perich | 0.01s The First 1/100th Second of 1 Bit Symhony | Physical Editions | 2014 | |
14 | Laurianne Bixhain | 01.01.2011 - TroisVierges | Editions Janine Berens | 2012 | Berlin |
15 | Laurianne Bixhain | 01.01.2012 - Rodenbourg | Editions Janine Berens | 2012 | Berlin |
16 | Sarkis | 048 | Norgunk | 2021 | İstanbul |
17 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06. 2023 -35- dergi | Arşiv Dergi | 2023 | İstanbul |
18 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2020 -14- dergi | Arşiv Dergi | 2020 | İstanbul |
19 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2021 -27- dergi | Arşiv Dergi | 2021 | İstanbul |
20 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 06.2022 -13- dergi | Arşiv Dergi | 2022 | İstanbul |
21 | Hans Eijkelboom | 10-Euro Outfits | Photonotes | 2010 | Amsterdam |
22 | Temporary Services | 100 Actions for Chicago Torture Justice | Temporary Services | 2012 | Şikago / Chicago |
23 | Marina Abramovic | 100 Pisama / 100 Letters | onestar press | 2008 | Berlin |
24 | Rob Giampietro | 100. General Stumm Invades the State Library and Learns About the World of Books, The Librarians Guarding It, And Intellectual Order (A Close Reading of Robert Musil) | Dexter Sinister | 2008 | New York |
25 | Temporary Services | 11 People / 16 Spaces | Temporary Services | 2006 | Şikago / Chicago |
26 | Temporary Services | 12 Contributions, 5 Publications, 5 Years | Temporary Services | 2016 | Şikago / Chicago |
27 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12. 2022 -26- dergi | Arşiv Dergi | 2022 | İstanbul |
28 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2020 -8- dergi | Arşiv Dergi | 2020 | İstanbul |
29 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2020 dergi - 8 | Arşiv Dergi | 2020 | İstanbul |
30 | Sergen Şehitoğlu (Proje Yürütücüsü/Project Manager) | 12.2021 -15- dergi | Arşiv Dergi | 2021 | İstanbul |
31 | Silvan Hillmann | 14 Solutions | Amsel Verlag | 2017 | Zürih / Zürich |
32 | Banu Cennetoğlu | 15 Korkutan Asyalı Adam | Banu Cennetoğlu | 2006 | İstanbul |
33 | Hassan Khan | 17 and in AUC-the transcriptions | Galerie Chantal Crousel and MER. Paper Kunsthalle | 2004 | Paris |
34 | Aslı Özdoyuran | 1974–1979 (I) | Aslı Özdoyuran | 2023 | İstanbul |
35 | Aslı Özdoyuran | 1974–1979 (II) | Aslı Özdoyuran | 2023 | İstanbul |
36 | 213 Magazin | Burg Giebichenstein University of Art and Design | 2010 | Halle | |
37 | Jacob Fabricius | 24 Advertisements | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
38 | Lény Bernay | 24 Figures | Lény Bernay | 2011 | İstanbul |
39 | David Shrigley | 25 Postcards for Writing on | Polite Cards | 2007 | Manchester |
40 | Michalis Pichler | 26 Gasoline Stations | "greatest hits”, Printed Matter, Inc. | 2009 | Berlin, New York |
41 | Gamze Özer | 26/6 | Bakkal Press | 2010 | İstanbul |
42 | Céline Duval | 3 temps en 4 mouvements | doc-cd éditions | 2009 | Houlgate |
43 | Erick Beltrán | 30 Mai 2003 Iasi Chiosc / May 30th, 2003 Iasi Kiosk | Erick Beltrán | 2003 | Amsterdam |
44 | Deniz Erbil | 5 dakkada beşiktaş fanzinleri I | Deniz Erbil | 2006 | İstanbul |
45 | Michael Aschauer | 7 C-Days | Fotohof Edition | 2010 | Salzburg |
46 | Slavs and Tatars | 79.89.09 | Book Works | 2011 | Londra / London |
47 | Claude Closky | A 1000 Things To Do | Galerie du Jour Agnès B. | 1996 | Paris |
48 | Akram Zaatari | A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi | 2012 | Paris, Berlin | |
49 | Vaast Colson, Dennis Tyfus | a ella le gusta la casalina (dame mas casalina!) como le encanta la casalina | Clean Press #1 ultra eczama #74 | 2009 | Anvers / Antwerp |
50 | Mariana Castillo Deball, Irene Kopelman (Ed.) | A for Alibi | Sternberg Press | 2007 | Berlin |
51 | Michael Rakowitz | A House with a Date Palm Will Never Starve | Art/Books | 2019 | Londra / London |
52 | Nicoline van Harskamp | A Little guide to Istanbul Guards | Nicoline van Harskamp | 2003 | İstanbul |
53 | Bureau for Open Culture | A Manual For The Immaterial Worker | Printed Matter | 2011 | New York |
54 | Morten Torgersrud | A Neutral, Flexible Structure | Ctrl+Z Publishing | 2012 | Norveç / Norway |
55 | Soner Ön | A Pigeon to the Phoenix | Soner Ön | 2011 | New York |
56 | Nancy Atakan, Nazlı Paker | A Sea of Possibilities | Nancy Atakan | 2007 | İstanbul |
57 | Banu Cennetoğlu, Yasemin Özcan | A Self-Sufficient yet Supportive Long- Distance Companion | Project Biennial, D-0 ARK Underground, Wiener Festwochen, SAHA | 2013 | İstanbul, Konjic, Viyana / Vienna |
58 | Dexter Sinister | A Short Account of the Library | Dexter Sinister | 2006 | New York |
59 | Andreas Angelidakis | A Short Visit | Rodeo | 2008 | Atina / Athens |
60 | Aslı Çavuşoğlu | A Slight Hesitation of Petra Nacht | Platform Garanti | 2007 | İstanbul |
61 | Simryn Gill | A Small Town at the Turn of the Century | CCA Kitakyushu | 2000 | Kitakyushu |
62 | Beata Jurkiewicz, Piotr Lisowski, Agnieszka Pindera, Katarzyna Radomska, Joanna Zielinski (Ed.) | A Subjective Guide to Collections / Subiektywny przewodnik po kolekcjach | Centre of Contemporary Art ZNAKI CZASU | 2008 | Polonya / Poland |
63 | Johanna Siglinde Calle Gregg | abecé | S/W Ediciones | 2011 | New York |
64 | Alpagut Gültekin (Ed.) | Aç Yazı 01 | Norgunk | 2014 | İstanbul |
65 | Ali Taptık, Okay Karadayılar | Açık Ev, Istanbul | Ali Taptık, Okay Karadayılar | 2009 | İstanbul |
66 | Baltazar Castor | Actually | Basso, Yusuf Etiam | 2008 | Berlin |
67 | Anonim / Anonymous | açüklamalar: ben ki devrik cümleyim kalkmışım şiir olmuşum | İstanbul | ||
68 | David Senior (Ed.) | Adventures | Printed Matter Inc. | 2011 | New York |
69 | Tito Hidalgo | Afiches Anómicos | Sociedad Anómica | 2019 | Guayaquil, Ekvador, Ecuador |
70 | Agnès Geoffray | Agnes | Agnes Geoffray | 2003 | Amsterdam |
71 | Tefra90 | Airlines on Paper | Kudla Press & Floodplain | 2019 | Prag / Prague |
72 | Hamishi Farah | Airport Love Theme | Book Works | 2020 | Londra / London |
73 | Cem Bak | Aksak Sekans | cem bak. yapım: 15 | 2002 | İstanbul |
74 | Luis Jacob | Album IV, 20014 | Art Metropole | 2005 | Toronto |
75 | Ali Bosworth | Ali Bosworth | Ali Bosworth | 2008 | |
76 | Sera Marshall | All that is left / Kalan bu kadar | Sera Marshall | 2009 | |
77 | Delphine Bedel | All that is solid melts into air | Episode Publishers | 2008 | Rotterdam |
78 | Brett Bloom, Brandon Labelle, Indrek Sirkel, Laura Toots, Anu Vahtra (Ed.) | Almost a Centimeter | KUNO | 2014 | Tallinn |
79 | Maia Gianakos (Ed.) | Alphabet Prime | CCP | 2009 | Stockholm |
80 | Rami Farouk Daher, Philipp Misselwitz, Can Altay (Ed.) | Amman: Neoliberal Urban Management | Diwan | 2009 | Amsterdam |
81 | Daniel Spoerri | An Anecdoted Topography of Chance | Something Else Press | 1966 | New York |
82 | Mike Nelson | An invocation: Five Hundred and Thirty Books From Southend Central Library | Focal Point Gallery | 2013 | Essex |
83 | Magda Radu (Ed.) | André Cadere | National Museum of Contemporary Art Bükreş, Bucharest | 2011 | Bükreş / Bucharest |
84 | Bureau d'études | Anministration of Terror | Bureau d'études | 2009 | İstanbul |
85 | Jennifer İpekel | ANNE, İSYAN | Dirimart | 2021 | İstanbul |
86 | Anne Szefer Karlsen (Ed.) | Annette Kierulf & Caroline Kierulf | Hordaland Art Center | 2013 | Bergen |
87 | Chimurenga | Another Section | Chronic Books | 2008 | Cape Town |
88 | Il Coccodrillo | Antonio | Amsel Verlag | 2016 | Zürih / Zürich |
89 | Ryan Gander, Stuart Bailey | Appendix Appendix / A proposal for a TV series by Ryan Gander and Stuart Bailey | JPR Ringier | 2007 | Geneva |
90 | Şener Özmen | Apriori Gezi Rehberleri – Apriori Tour Guides : Istanbul Guide | İstanbul Bienali, İstanbul Kültür Sanat Vakfı | 2005 | İstanbul |
91 | Ahmet Doğu İpek, Begüm Yamanlar, Coşkun Aşar, Tolga Güleç, Buşra Tunç, Furkan Temir, Ege Kanar | Aralık 2 | Aralık | 2016 | İstanbul |
92 | David Atwood | Arash und die Brüder | Amsel Verlag | 2021 | Zürih / Zürich |
93 | Ilaria Conti, Chrysanthi Koumianaki, Kosmos Nikolaou, Paky Vlassopoulou (Ed.) | Around Labor, Art, and the Auratic Condition (This is not a Love Song) | 3 137 | 2020 | Athena / Athens |
94 | Iris Ferrer, Emily Shin-Jie Lee, reinaart vanhoe, Julia Wilhelm (Ed.) | Art for (and within) a Citizen Scene | Onomatopee, Framer Framed and Willem de Kooning Academy | 2022 | Amsterdam |
95 | Sophie Nys | ART PROBLEMS? Seek Professional Advice | |||
96 | The New Museum, Art Asia Pacific | Art Spaces Directory | The New Museum - Art Asia Pacific | 2012 | Hong Kong |
97 | İz Öztat, Merve Ünsal (Ed.) | Arter Araştırma Programı 2019 | Arter | 2021 | İstanbul |
98 | Daniel Knorr | Artist Book | Kayne Griffin Corcoran | 2013 | Los Angeles |
99 | Mladen Stilinović | Artist's Books | Platform Garanti, Van Abbemuseum | 2007 | İstanbul |
100 | Cornelia Lauf, Clive Phillpot | Artist/Author: Contemporary Artists' Books | Distributed Art Publishers (D.A.P.) | 1998 | New York |
101 | M+P Matthé | As for Waltzing Notes | Z Forlag | 2014 | Anvers / Antwerp |
102 | Michela Palermo | As I was following you | Michela Palermo | 2012 | |
103 | Axel Wieder, Wim Waelput | Ashes and Broken Brickwork of a Logical Theory | Roma Publications | 2010 | Amsterdam |
104 | Geta Brătescu | Ateliere Artistului - The Artist's Studios | Salonul de Proiecte | 2012 | Bükreş / Bucharest |
105 | Olaf Nicolai | Athens Diary : 24 February – 2 March 2010 | O. Nicolai and Kunsthalle Athena | 2010 | Atina / Athens |
106 | Learning Site | Audible Dwelling | Half-Letter Press | 2011 | Şikago / Chicago |
107 | Clifton Meador | Avalanche | Center for editions, Purchase College | 2007 | New York |
108 | Pedro Reyes | Baby Marx | CCA Kitakyushu | 2009 | Kitakyushu |
109 | Emre Yıldız | Back to Memphis | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir |
110 | FRAME Finland | Bag Lady | FRAME Finland | 2007 | Helsinki |
111 | Dr. Faruk Bayülkem | Bakırköy Ruh ve Sinir Hastalıkları Hastanesi Resim ve El İşleri Sergisi | Ş.D.L. Matbaası | 1966 | İstanbul |
112 | Nejat Satı | Ballyhoo | |||
113 | Iona Nemeş | Balthazar | International Biennial for Contemporary Art | 2006 | Yaş / Iaşi |
114 | Isabel Carvalho | Bar introspectivo ocupado (cultura em potência) | Braço de Ferro – arte & design | 2009 | Porto |
115 | Sevgi Ortaç | Baş Aşağı Anıt | Dutch Art Institute | 2010 | Arnhem |
116 | Yusuf Etiman (Ed.) | basso - No. 2: Traveling without moving (2006) | basso magazin | 2006 | Berlin |
117 | Yusuf Etiman (Ed.) | basso - No. 3: After disaster (2006) | basso magazin | 2006 | Berlin |
118 | Yusuf Etiman (Ed.) | basso - No. 4: Perfectly you (2007) | basso magazin | 2007 | Berlin |
119 | Yusuf Etiman (Ed.) | basso - No. 5: Out of place (2007) | basso magazin | 2007 | Berlin |
120 | Yusuf Etiman (Ed.) | basso - No. 6: Believe it or not (2008) | basso magazin | 2008 | Berlin |
121 | Yusuf Etiman (Ed.) | basso - No. 7: All tomorrow's parties (2009) | basso magazin | 2009 | Berlin |
122 | Bazar - No. 37: Californiaweb (September 2006) | 2006 | |||
123 | Bazar - No.13: La Revue - El Journal (March 2002) | 2002 | |||
124 | Zoenie Deng | Be Water, My Friend: | Onomatopee, Eidhoven | 2022 | Amsterdam |
125 | Ali Taptık | Beaten Floor | Onagöre | 2010 | Viyana / Vienna |
126 | Dexter Sinister | Because Therefore | Dexter Sinister | 2007 | |
127 | Borga Kantürk | Becoming a Survivor | 2005 | Helsinki | |
128 | Farah Hallaba | Being Borrowed: On Egyptian Migration to the Gulf | Farah Hallaba | 2022 | Kahire / Cairo |
129 | Ahmad Gharbieh, Mona Fawaz, Philipp Misselwitz, Can Altay (Ed.) | Beirut: Mapping Security | Diwan | 2009 | Amsterdam |
130 | Erik Van der Weijde | Berlin | Erik Van der Weijde | 2007 | |
131 | Deniz Gül | Beş Kişilik Bufet | Deniz Gül | 2009-2011 | İstanbul |
132 | Silvia Kolbowski, Walid Raad | Between Artists | A.R.T. Press | 2006 | New York City |
133 | Liam Gillick, Lawrence Weiner | Between Artists | A.R.T. Press | 2006 | New York City |
134 | John Baldessari, Barbara Bloom | Between Artists | A.R.T. Press | 2011 | New York City |
135 | Göksu Baysal | Beyaz Toros | Göksu Baysal | 2020 | Berlin |
136 | Judith Raum | Beyond the Substantial | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York |
137 | Mochu | Bezoar Delinqxenz | Sternberg Press | 2023 | Londra / London |
138 | Isabel Carvalho | BF10 Crónicas escritas por autoras anónimas | Braço de Ferro – arte & design | 2009 | Porto |
139 | Vitoria Lebasi | BF12-I.C | Braço de Ferro | 2009 | Porto |
140 | André Guedes | BF14 , The Airotiv Papers | The Physics Room; Braco de Ferro | 2009 | Vitorya, İspanya / Vitoria, Spain |
141 | Isabel Carvalho | BF16 Emissores Reunidos 1 | 2009 | ||
142 | Bidoun Projects | Bidoun Library | Bidoun Projects | 2009-2010 | New York |
143 | Hans Peter Feldmann | Bilder – Pictures | 3 Möven Verlag, Verlag der Buchhandlung Walther König | 2002 | Düsseldorf, Köln |
144 | Severin Hofer | Bildung Punkten Durch | Amsel Verlag | 2018 | Zürih / Zürich |
145 | Temporary Services | Binder Archives Exhibition Guide | Temporary Services | 2002 | Şikago / Chicago |
146 | Temporary Services | Binder Archives: A Portable Exhibition | Temporary Services | 2002 | Şikago / Chicago |
147 | Ferah Doğan | Bir hissi parlatmak için | 2015 | ||
148 | Arzu Çılgın | Bir Kütle Dil Bir Kütle Kitap | Ekav Sanat Galerisi | 2006 | İstanbul |
149 | Joanna Rajkowska | Bir Mütercimin Vazifesi, Walter Benjamin | British Council, Anadolu Kültür, Platform Garanti | 2010 | İstanbul |
150 | Dilşad Aladağ, Eda Aslan | Bir Yerin İzinde Pek Çok Yer | Manifold | 2021 | İstanbul |
151 | Hans Peter Feldmann | Birgit | Contemporary Art Gallery | 2006 | Vancouver |
152 | Koray Kantarcıoğlu | Bitmap Landscapes | Wounded Wolf Press | 2015 | Ankara |
153 | Thomas Demand | Black Label | CCA Kitakyushu | 2009 | Kitakyushu |
154 | Bless Laura | ||||
155 | Bless Laura | ||||
156 | Gosia Machon | Blumen | Bakkal Press | ||
157 | Antonia Rodrian, Leonie Rodrian | Bobzine 1: SASKE | Leonie Rodrian & Antonia Rodrian | 2022 | Berlin / Düsseldorf |
158 | Cem Bak | Bok – Popüler Kültür Ansiklopedisi 10. Fasikül | cem bak. yapım: 14 | 2001 | İstanbul |
159 | Fatoş Üstek | Book Of Confusion | Rossi & Rossi | 2012 | Londra / London |
160 | Céline Duval, Gilgian Gelzer | Booklet #02 | doc-cd éditions | 2010 | Houlgate |
161 | Melek Gençer, Huo Rf (Ed.) | border_less Paper | border_less | 2020 | İstanbul |
162 | Ant Hampton | Borderline Visible | Time Based Editions | 2023 | |
163 | Laurianne Bixhain | Bosphorus tour – pliage 013 | Laurianne Bixhain | 2010 | İstanbul |
164 | Temporary Services | Boutique | Temporary Services | 2000 | Şikago / Chicago |
165 | Darin Klein (Ed.) | Box of Books Vol. II | Darin Klein and Friends | 2009 | Los Angeles |
166 | Taroof & Glabel | Brefs- Bouquet Final | 2002 | ||
167 | Taroop & Glabel | Brefs(2) Bouquet Final | 2003 | ||
168 | Carlos Motta | Brief History of Leftist Guerrillas in latin America | Copyleft | 2009 | |
169 | Bik Van der Pol | Bring on the Devil | Casco | 2005 | Utrecht |
170 | Aslı Çavuşoğlu | Bruce Chatwin'in Ardından Patagonya'da/ In Patagonia After Bruce Chatwin | Aslı Çavuşoğlu | 2009 | |
171 | BTFA | 2008 | |||
172 | Buba Čvorić, Marina Tomić | Buba | Dutch Art Institute | 2009 | Arnhem |
173 | Hans Peter Feldmann | Buch Book #9 | Verlag der Buchhandlung Walther König | 2007 | Köln |
174 | Marcelo Brodsky | Buena memoria | la marca editora | 2006 | Buenos Aires |
175 | David Reinfurt, Stuart Bailey, Angie Keefer (Ed.) | Bulletins of The Serving Library #1 - Time | Sternberg Press | 2011 | Berlin, New York |
176 | David Reinfurt, Stuart Bailey, Angie Keefer (Ed.) | Bulletins of The Serving Library #2 - Registrars Office | Sternberg Press, The Serving Library | 2011 | Berlin, New York |
177 | Ferhat Özgür | Bulmaca – Puzzle Paper | 10. İstanbul Bienali | 2007 | İstanbul |
178 | Mark Dion | Bureau of the Centre for the Study of Surrealism and its Legacy | Book Works | 2005 | Verona |
179 | Arnauld Desjardins | Business as Usual | Publication Studio | 2011 | Vancouver |
180 | Temporary Services | Business Replies | Temporary Services | 2000 | Şikago / Chicago |
181 | Valentina Montero | By Reason or By Force | Errant Bodies Press | 2013 | Berlin |
182 | Anonim / Anonymous | C7H16 G la rage et je la garde | Het Fort van Sjakoo | 2006 | Amsterdam |
183 | Koray Kantarcıoğlu | Café Maki Yato | Koray Kantarcıoğlu | 2008 | |
184 | Céline Duval, Hans Peter Feldmann | Cahier D’images no 1 hazard | Feldmann Verlag | 2001 | Düsseldorf |
185 | Céline Duval, Hans Peter Feldmann | Cahier D’images no 4 album de famille | Hans-Peter Feldmann, Céline Duval | 2001 | |
186 | Céline Duval, Hans Peter Feldmann | Cahier D’images no 5 flying | Hans-Peter Feldmann, Céline Duval | 2002 | |
187 | Céline Duval, Hans Peter Feldmann | Cahier D`images no 12- Rouge | Feldmann Verlag | 2001 | Düsseldorf |
188 | Céline Duval, Hans Peter Feldmann | Cahier D`images no 7 – Charlotte | Hans-Peter Feldmann, Céline Duval | 2002 | |
189 | Mery Cuesta | Caida Y Auçe de Antxón Amorlortu | Iguapop Gallery | 2008 | Barselona / Barcelona |
190 | Aslı Çavuşoğlu | Caiet de Geografie | Vector | 2006 | |
191 | Dina Shehayeb, Shahira Issa, Philipp Misselwitz, Can Altay (Ed.) | Cairo: Resilience - The City as Personal Practice | Diwan | 2009 | Amsterdam |
192 | Mayyo Alvear | campo constucción constucción campo | Recodo | 2018 | Kito / Quito |
193 | Yuliana Ortiz Ruano | Canciones desde el fin del mundo | kikuyo | 2020 | Kito / Quito |
194 | Can Alkor | Canto CXVIII | Norgunk | 2014 | İstanbul |
195 | Carl Andre | Carl Andre - Black Wholes | Schwabe AG, Kunsthalle Basel | 2005 | Basel |
196 | Raf Rennie | Catalogue Library | Catalogue Library | 2013 | Leeds |
197 | Alexandre Singh | Causeries | Kunstinstituut Melly | 2016 | Rotterdam |
198 | Dilek Winchester | Çay, çekirdek, çoluk, çocuk | Dilek Winchester | 2005 | İstanbul |
199 | Akiko Miyake (Ed.) | CCA Project 05.1997-03.2007 | CCA Kitakyushu | 2007 | Kitakyushu |
200 | Manu Boisteau | Chers Tous | Éditions Cornélius | 2009 | Paris |
201 | Sibylle Omlin | Chess a Play | Literarische Gesellschaft Zug | 1999 | Zürih / Zurich |
202 | Laurianne Bixhain | Chez bullent – pliage 010 | Laurianne Bixhain | 2009 | İstanbul |
203 | Chimurenga | Chimurenga Chronicle Review of Books (18-24 May 2008) | Chronic Books | 2008 | Cape Town |
204 | Ben Kinmont | Christopher D’Arcangelo: Project Series | Antinomian Press | 2005 | |
205 | Igor Chubarov, Kirsten Forkert, Max Klebb, Institute for Primary Energy Research, Redas Diržys, Marina Gržinic, Chto Delat & Vpered | Chto delat?/ What is to be done? 2003-2008 | NGBK | 2008 | Berlin |
206 | Christine Tohme | Cilalı Mekânlar | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul |
207 | Cem Bak | Cine Aksak No.1 (2. basım) | cem bak. yapım | 2000 | İstanbul |
208 | Cem Bak | Cine Aksak No.2 (2. basım) | cem bak. yapım | 2000 | İstanbul |
209 | Mai Abu ElDahab, Binna Choi, Emily Pethick (Ed.) | Circular Facts | Sternberg Press | 2011 | Berlin |
210 | Özgür Atlagan | cılk | Özgür Atlagan | 2016 | |
211 | Vaast Colson | Clean Press #07: To Retitle An Object Daily During The Course Of A Show | Clean Press | 2006 | Anvers / Antwerp |
212 | Vaast Colson | Clean Press #08: To Retitle An Object Daily During The Course Of A Show | Clean Press | 2007 | Anvers / Antwerp |
213 | Vaast Colson | Clean Press #24: Triomfkaarten | Clean Press | Anvers / Antwerp | |
214 | Christoph Keller | Cloudbuster Project | Schipper & Krome | 2003 | Berlin |
215 | Christoph Keller | Cloudbuster Project Maroc | Christoph Keller | 2010 | Berlin |
216 | Christoph Keller | Cloudbuster Project Maroc | Christoph Keller | 2010 | Berlin |
217 | Sylvie Boulanger (Ed.) | cneai = neuf ans | Cneai = Hyx | 2006 | Paris |
218 | Pol Matthé | Coal Age Man 1981 | Z Forlag | 2013 | Oslo |
219 | Devrim Bayar (Ed.) | code issue 07 free: fall 08 | CODE Magazine | 2008 | Brüksel / Brussels |
220 | Devrim Bayar (Ed.) | code issue 4 free: spring 07 | CODE Magazine | 2007 | Brüksel / Brussels |
221 | Devrim Bayar (Ed.) | code issue 6 free: spring 08 | CODE Magazine | 2008 | Brüksel / Brussels |
222 | Devrim Bayar (Ed.) | code issue 9 free: spring 09 | CODE Magazine | 2009 | Brüksel / Brussels |
223 | Devrim Bayar (Ed.) | code numéro 1 gratuit: hiver 05-06 | CODE Magazine | 2005-2006 | Brüksel / Brussels |
224 | Devrim Bayar (Ed.) | code numéro 2 gratuit: Printemps 06 | CODE Magazine | 2006 | Brüksel / Brussels |
225 | Devrim Bayar (Ed.) | code numéro 3 | CODE Magazine | 2006 | Brüksel / Brussels |
226 | Sezgin Boynik (Ed.) | Coiled Verbal Spring: Devices of Lenin's Language | Rab-Rab Press | 2018 | Helsinki |
227 | Frances Stark | Collected Works | Van Abbemuseum | 2007 | Eindhoven |
228 | Frances Stark | Collected Writing: 1993-2003 | Book Works | 2003 | Londra / London |
229 | Laurianne Bixhain | Collection de feuilles d’emballage pour Simit (*) | Laurianne Bixhain | 2009-10 | İstanbul |
230 | Enar de Dios Rodriguez, Nathalie Koger, Mona Schwitzer (Ed.) | Collective Infrastructures in Moving Images | Schlebrügge.Editor | 2022 | Viyana / Vienna |
231 | Claude Closky | Colorie comme tu veux, dessine et écris ce que tu veux | Éditions de Seuil | 2001 | Çin / China |
232 | Daniel G. Andújar | Coloring Book | Bergen Assembly | 2016 | Bergen |
233 | Şener Özmen, Ahmet Ögüt | Colouring Book | Şener Özmen, Ahmet Ögüt | 2013 | İstanbul |
234 | Luis Jacob (Ed.) | Commerce by Artists | Art Metropole | 2011 | Toronto |
235 | François Curlet | Commercial Break – Volume 1 / Marie Legros | Cneai Chatou | 2001 | Chatou |
236 | François Curlet | Commercial Break – Volume 2 / Dieter | Cneai Chatou | 2001 | Chatou |
237 | François Curlet | Commercial Break – Volume 3 / Pierre Huygue | Cneai Chatou | 2001 | Chatou |
238 | François Curlet | Commercial Break – Volume 4 / Marco Brambilla | Cneai Chatou | 2001 | Chatou |
239 | Céline Duval | Complet pour Fréhel | semiose éditions | 2009 | Paris |
240 | David Robbins | Concrete Comedy: An Alternative History of Twentieth-Century Comedy | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
241 | Chris Barton, Jessica Brent (Ed.) | Condiment: Adventures in Food and Form Issue 02:Questionable Taste | Food & Form | ||
242 | Vaast Colson | Containers and Acoustics | Nicolai | 2014 | Berlin |
243 | Minna Henrikson, Sezgin Boynik (Ed.) | Contemporary Art and Nationalism: Critical Reader | Prishtine Institute for Contemporary Art "EXIT" | 2007 | Kosova / Kosovo |
244 | Joseph Grigely | Conversations with the Hearing | Shimmer | 2019 | Rotterdam |
245 | Garp Sessions | Cook Book | Garp Sessions | 2022 | İstanbul |
246 | Alistair Frost | Cool Runnings | Art Quarters Press | 2010 | Londra / London |
247 | Daniel Fogarty | COPY (papers, fictions, scripts and circles) | COPY | 2012 | Yorkshire |
248 | Joanna Loveday, Charlotte A Morgan | COPY Charts | COPY | 2012 | Sheffield |
249 | Critical Writing Collective | COPY Unfold | Critical Writing Collective | 2011 | |
250 | COPY | COPY: Paradiso | COPY | 2013 | Yorkshire |
251 | Werner von Delmont | Corporate Rokoko and the End of the Civic Project | Pork Salad Press | 2002 | Kopenhag / Copenhagen |
252 | Anita Di Bianco | Corrections and Clarifications (Apologies, errors and omissions, justifications, corrections and clarifications, retractions and refusals, denials and distinctions), March 2011 – May 2011 | QUAD Publishing | 2011 | Londra / London |
253 | Anita Di Bianco | Corrections and Clarifications (Berichtigungen Und Gegendarstellungen), May 2011 – August 2011 | KW Institute for Contemporary Art | 2011 | Berlin |
254 | Anita Di Bianco | Corrections and Clarifications (Düzeltmeler ve Açıklamalar), Ocak 2012 – Ağustos 2014 | BAS | 2014 | İstanbul |
255 | Anita Di Bianco | Corrections and Clarifications (Ispravke I Razjašnjenja), January 2008 – September 2008 | Anita Di Bianco | 2008 | Banja Luka |
256 | Anita Di Bianco | Corrections and Clarifications, April 2009 – August 2010 | Kunsthalle Nürnberg | 2010 | Nürnberg |
257 | Anita Di Bianco | Corrections and Clarifications, April 2012 – September 2012 | Anita Di Bianco | 2012 | Berlin |
258 | Anita di Bianco | Corrections and Clarifications, August 2004 – January 2005 | 2005 | Berlin | |
259 | Anita Di Bianco | Corrections and Clarifications, June 2005 – August 2005 | ExtraCity | 2005 | Anvers / Antwerp |
260 | Anita Di Bianco | Corrections and Clarifications, May 2008 – July 2009 | Alkatraz Gallery and the International Centre of Graphic Arts | 2009 | Lübliyana / Ljubljana |
261 | Anita Di Bianco | Corrections and Clarifications, May 2009 – January 2010 | STUK Art Centre | 2010 | Leuven |
262 | Anita di Bianco | Corrections and Clarifications, September 2001 – July 2002 | Kunsthaus Zürih, Zürich | 2002 | Zürih / Zurich |
263 | Anita Di Bianco | Corrections and Clarifications, September 2006 – August 2007 | Anita Di Bianco | 2007 | Berlin |
264 | Jonathan Monk | Cover Version | Book Works | 1998 | Londra / London |
265 | Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 1 | Criticism | 2009 | |
266 | Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 2 | Criticism | 2009 | |
267 | Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 3 | Criticism | 2010 | |
268 | Tiphanie Blanc, Vincent Normand, Guillaume Pilet (Ed.) | Criticism: La Revue de Critique de la Critique No. 4 | Criticism | 2010 | |
269 | Daniel Knorr | Cudesch d'Artist (Artist Book) | Kunsthalle Basel | 2009 | Basel |
270 | Faruk Ulay | Cultivation of Enigma | Ravenna Press | 2011 | Vaşington / Washington |
271 | Tomoo Gokita | Cum to Me | Dynasty Zine | 2010 | Atina / Athens |
272 | D Magazine No. 1: Art Ain't About You, It's About Me | Revolver, Veenman Publishers/Gijs Stork | 2005-2006 | Frankfurt, Rotterdam |
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273 | Kaya Behkalam, Paula Bugni, Beatrice Catanzaro, Roberto Cavallini, Azin Feizabadi, Carla Esperenza Tommasini, Sarah Rifky, Ashkan Sepehvand | Damascus: Tourists, Artists, Secret Agents | The Greenbox | 2008 | Berlin |
274 | Pol Matthé | Dans le Verger Barré | Z Forlag | 2013 | |
275 | Jean- Baptiste Ganne | Das Illustrierte Kapital / Karl Marx | Fotohof Edition | 2003 | Salzburg |
276 | Carlo Spiller | Das Scheitern der Schmetterlinge | Amsel Verlag | 2015 | Zürih / Zürich |
277 | Serkan Özkaya | Davetiye | |||
278 | Nicoline van Harskamp | De Balie Conversations | Nicoline van Harskamp | 2008 | Amsterdam |
279 | Donghwan Kam | De Commelin; Brood & Banketbakkerij | Tenant Books | Amsterdam | |
280 | David Sherry | Dead Dog on a Fire | The Nordic Institute for Contemporary Art | 2002 | Helsinki |
281 | Gülşah Mursaloğlu, A. Laurie Palmer | Dear Gülşah, Dear Laurie | Umur Publishing | 2021 | İstanbul |
282 | Nobuyoshi Takagi | Deep #1 | Bakkal Press | İstanbul | |
283 | Refik Akyüz, Serdar Darendeliler | Değiş tokuş | GAPO | 2021 | İstanbul |
284 | Sophie Nys | Der Pestpatron | Galerie Greta Meert | 2012 | Brüksel / Brussels |
285 | Mario Moura | Design em Tempos de Crise | Braço de Ferro | 2009 | Porto |
286 | Ceren Oykut | devran-i felek | 2013 | İstanbul | |
287 | Yavuz Parlar | DIA | Yavuz Parlar | 2010 | İstanbul |
288 | Olaf Nicolai | Diario Rovereto, 16-21 Luglio 2008 | O. Nicolai and Manifesta 7 | 2008 | South Tyrol |
289 | Brandon LaBelle | Diary of an Imaginary Egyptian | Errant Bodies Press | 2012 | Berlin |
290 | M.L., J.A.S.L. | Dibujos libreta no. 1 | 2007-2009 | ||
291 | Oriol Vilanova | Diccionario-museo del exito | La Capella | 2009 | Barselona / Barcelona |
292 | Kristina Ask, Christian Hilleso, Mads Rasmussen, Mia Rosasco | Dictionary: A World of Words and Their Meanings at Your Fingertips | 2007 | İstanbul | |
293 | Dieter Roth | Die Radie Sonate | Boekie Woekie | 2006 | Amsterdam |
294 | Hans Peter Feldmann | Die Toten 1967-1993 | Feldmann Verlag | 1998 | Düsseldorf |
295 | Taroop & Glabel | Dieu n`aime pas les religions | Semiose | 2012 | Paris |
296 | Merve Ertufan | Dikkatli adımlarla yuvarlanmak | Onagöre | 2020 | İstanbul |
297 | Lonnie van Brummelen, Siebren De Haan | Disclosure | Van Brummelen & De Haan | 2010 | Amsterdam |
298 | Lonnie van Brummelen, Siebren De Haan | Disclosures I – Autonomy as Strategy | Van Brummelen & De Haan | 2004 | Amsterdam |
299 | Lonnie van Brummelen, Siebren De Haan | Disclosures II – Besitzarbeit XI / Florian Slotava | Van Brummelen & De Haan | 2004 | Amsterdam |
300 | Lonnie van Brummelen, Siebren De Haan | Disclosures II – Raus aus seinen Kleidern / Corinna Schnitt | Van Brummelen & De Haan | 2004 | Amsterdam |
301 | Lonnie van Brummelen, Siebren De Haan | Disclosures III– Op Til / Pia Wergius | Van Brummelen & De Haan | 2004 | Amsterdam |
302 | Lonnie van Brummelen, Siebren De Haan | Disclosures IV– Ueno Park / Wineke Gartz | Van Brummelen & De Haan | 2005 | Amsterdam |
303 | Lonnie van Brummelen, Siebren De Haan | Disclosures V– El Comedor / Matthijs de Bruijne | Van Brummelen & De Haan | 2005 | Amsterdam |
304 | Judith Raum | Disestablish | Verlag der Universitat der Künste Berlin | 2012 | Berlin |
305 | Seth Price | Dispersion | Seth Price | 2006 | |
306 | Saša Miljević | Distance | Dutch Art Institute | 2009 | Amsterdam |
307 | Judith Raum | Distanz des Subjekts zum Objekt | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York |
308 | Shumon Basar | Do you often confuse love with success and with fame? | Traffic | 2012 | Dubai |
309 | Temporary Services | Do-It-Yourself Interview | Temporary Services | 2007 | Şikago / Chicago |
310 | Céline Duval | Documentation Céline Duval / (U)L.S NUMERO 0, Les Trophées, 02 | doc-cd éditions | 2008 | Houlgate |
311 | Céline Duval, Matthieu Renard | Documentation Céline Duval & Mathieu Renard, Quatre Mains | doc-cd éditions, Mathieu Renard | 2006 | Houlgate |
312 | Céline Duval, Simone Dronet | Documentation Céline Duval Revue en 4 images Index 001>030 | doc-cd éditions | 2006 | Houlgate |
313 | Documentation Céline Duval Revue en 4 images Index 031>060 | doc-cd éditions | 2009 | Houlgate | |
314 | Céline Duval | Documentation Céline Duval, Tilt 22 – Rien no 43, | doc-cd éditions, Zédélé éditions | 2004 | Houlgate, Brest |
315 | Irene Kopelman | Documenting Three Interventions in a Space | Rijksacademie | 2002 | Amsterdam |
316 | Nada Prija | Documents Enclosed | Museum of Contemporary Art Skopje | 2008 | Üsküp / Skopje |
317 | Faruk Ulay | Dolls Found, Words Lost | Faruk Ulay | 2013 | |
318 | Stuart Bailey, Mai Abu ElDahab, David Reinfurt (Ed.) | dot dot dot - 13 | dot dot dot | 2006 | Lahey / The Hauge |
319 | Stuart Bailey, David Reinfurt (Ed.) | dot dot dot - 15 | dot dot dot | 2007 | Cenevre / Geneva |
320 | Stuart Bailey, David Reinfurt, Raimundas Malašauskas (Ed.) | dot dot dot - 16 | dot dot dot | 2008 | New York |
321 | Stuart Bailey, Peter Bil'ak (Ed.) | dot dot dot ∞ | dot dot dot | 2004 | Lahey / The Hauge |
322 | Cemre Yeşil Gönenli | Double Portrait | FİLBooks | 2021 | İstanbul |
323 | Marcus Gustavsson | Down here together | FAİL Books | 2021 | İstanbul |
324 | Dan S. Wang | Downtime at the Experimental Station: A conversation with Dan Peterman | Temporary Services | 2004 | Şikago / Chicago |
325 | Patrizia Bach | Drawings on Walter Benjamin - Zeichnungen zu Walter Benjamin | Patrizia Bach, Revolver | 2017 | Berlin |
326 | Temporary Services | Drawn Out | Temporary Services | 2000 | Şikago / Chicago |
327 | Lonnie van Brummelen, Siebren De Haan | Drifting Studio Practice | Hatje Cantz Verlag GmbH | 2021 | Berlin |
328 | Gülçin Aksoy | Duble Hikaye | Birtakımşeyler Stüdyosu | 2014 | İstanbul |
329 | Antonis Vathis | Dynasty Zine | Dynasty Zine | 2010 | Atina / Athens |
330 | Haris Epaminonda | Dynasty Zine: Images | Dynasty Zine | 2010 | Atina / Athens |
331 | Justin Samson | Dynasty Zine: Many Dimensions Of A Soul People | Dynasty Zine | 2010 | Atina / Athens |
332 | Bill Kouligas, Kathryn Politis | Dynasty Zine: Wanderlust | Dynasty Zine | 2010 | Atina / Athens |
333 | Stuart Bailey, David Reinfurt (Ed.) | E.1027 Maison en Bord de Mer Roquebbrunne-Cap-Martin | Kasper Akhøj and Wiels Contemporary Art Center | 2009 | Belçika / Belgium |
334 | Christiane Peschek | Eden | Sanatorium | 2020 | İstanbul |
335 | Banu Cennetoğlu, Yasemin Özcan | Ein selbstversorgender dennoch unterstützender Langstreckenbegleiter | Project Biennial, D-0 ARK Underground, Wiener Festwochen, SAHA | 2013 | İstanbul |
336 | Ani Setyan | Eksik Liste | DEPO | 2015 | İstanbul |
337 | Ulises Carrión (Ed.) | El robo del año | antítesis/ ALIAS | 2013 | Meksiko / Mexico City |
338 | Emre Hüner | Elektroizolasyon | Arter Yayınları | 2021 | İstanbul |
339 | Emre Hüner | Emre Hüner (Bent 003) | BAS | 2007 | İstanbul |
340 | Eleni Kamma | Enlever Et Entretenir | Jan Van Eyck Academie Editions | 2010 | Maastricht |
341 | Hannahlisa Kunyik | Erfahrungs-versus Produktionsästhetik. Ein Day Off in der Arena ästhetischer Grundsatzfragen. | SCHLAFZIMMERPRODCTION | 2017 | Viyana / Wien |
342 | Özlem Altın | Erstarrte Unruhe | Orient Press | 2009 | Berlin |
343 | Judith Raum | Eser | Archive Books | 2015 | Berlin |
344 | Vijay Sharma | Essay on Hinduism and Aesthetics | Amsel Verlag | 2012 | Zürih / Zürich |
345 | Serkan Karaca | Eti Benim Kemiği Senin | Bakkal Press | 2010 | İstanbul |
346 | Daniel Knorr | European Influenza | Plitt Printmanagement | 2005 | Venedik / Venice |
347 | Autonook Centrum, Jansen & Jansen, The Prisoner Support Group, Complaints Book Police Conduct (Ed.) | EUROTOP Amsterdam Complaints Book Police Conduct | Autonoom Centrum, Jansen & Janssen, The Prisoner Support Group | 2001 | Amsterdam |
348 | Andrzej Steinbach | Even and then Some | Institut für Buchkunst Leipzig | 2010 | Leipzig |
349 | Pilvi Takala | Event on Garnethill | Art-Print Oy | 2005 | Helsinki |
350 | Eloisa Cartonera | Evita Lives (Néstor Perlongher) | Eloisa Cartonera | 2007 | Buenos Aires |
351 | Sara MacKillop | Ex-Library Book | Pork Salad Press | 2012 | Kopenhag / Copenhagen |
352 | Daniel Small | Excavation II | Hammer Museum | 2016 | Los Angeles |
353 | Steven Parrino | Exit Dark Matter | Steven Parrino | 2002 | |
354 | Pilar Perez (Ed.) | Extra Art: A Survey of Artists' Ephemera, 1960-1999 | RAM Publications | 2001 | San Francisco |
355 | Umut Altıntaş (Ed.) | f: fotokopi yayın projesi | Hayy Açık Alan | 2020 | İzmir |
356 | Jill Magid | Failed States | 2012 | ||
357 | Minna Henriksson, Ahmed Al-Nawas | Fake Star | Rab-Rab Press | 2021 | Helsinki |
358 | Ruth Stacks | False Friends | Kunstverein Publishing | 2010 | Amsterdam |
359 | Cem Bak | Femme Fatale – Popüler Kültür Ansiklopedisi 11. Fasikül | cem bak. yapım: 16 | 2002 | İstanbul |
360 | Hanna Stiegeler | Fendere Fendo Fendei | Fendi Mag | 2014 | Leipzig |
361 | Chrysa Chouliara | Fenneco's Journey | Amsel Verlag | ||
362 | Temporary Services | FFA Exhibition Guide | Temporary Services | 2000 | Şikago / Chicago |
363 | Temporary Services | FFA Portable Exhibition Guide | Temporary Services | 2000 | Şikago / Chicago |
364 | Temporary Services | FFA Re-Exhibition Strategies | Temporary Services | 2000 | Şikago / Chicago |
365 | Eko Nugroho | Fight me! | Resist Books | Yogyakarta | |
366 | Sera Marshall | Fill your own damn faces in, punk. | Sera Marshall | 2009 | |
367 | Sera Marshall | Fingering Books | Sera Marshall | 2008 | |
368 | Didier Fiuza Faustino | Flesh / Bones | CCA Kitakyushu | 2011 | Kitakyushu |
369 | Ravikumar Kashi | Flexing Muscles | Reliable Copy | 2019 | Bangalore |
370 | Bik Van der Pol | Fly Me to the Moon | Sternberg Press | 1998 | Berlin |
371 | Christina Eriksson Christofer Frediriksson | Foghorn - Harangue - And So On | Feson Forlag | 1998 | Umea |
372 | Merve Kaptan, Charlie Coffey (Ed.) | Folio Issue #0 (Winter 2010) | 2010 | İstanbul | |
373 | Lonnie van Brummelen, Siebren De Haan | Follow the Hybrid | Courtesy Motive Gallery | 2013 | Brüksel / Brussels |
374 | Old Tree | Foot Paths | CCA Kitakyushu | 2008 | Kitakyushu |
375 | Will Holder | For the blind man in the dark room for the black cat that isn't there | Anthony Huberman | 2010 | New York |
376 | Michalis Pichler | Forever & Today Inc. | greatest hits | 2009 | Berlin |
377 | Erik Van der Weijde | Foto.zine nr.1 #1-#8 | 4478ZINE | 2005 | |
378 | Erik Van der Weijde | Foto.zine nr.2 – Third Reich, Patinoire, Caravans, Church Houses, Niemeyer | 4478ZINE | 2007 | |
379 | Tülay Atak, David Berge, Elke Krasny | Fragile City | MER Paper Kunsthalle | ||
380 | Temporary Services | Framing the Artists | Temporary Services | 2005 | Şikago / Chicago |
381 | Stefanie Pretnar | Frankfurt Classic | Stefanie Pretnar | 2009-2014 | |
382 | Toni Sant | Franklin Furnace and The Spirit of the Avant-Garde | intellect | 2010 | Bristol, Şikago / Chicago |
383 | Özlem Altın | Freunde und Futter | Orient Press | 2008 | Berlin |
384 | Pol Matthé, Jochem Vanden Ecker, Martin Maloney, Kris Krimpe | From Brown to Blue | Z Forlag | 2013 | Oslo |
385 | John Russell | Frozen Tears III | ARTIcle Press | 2007 | Birmingham |
386 | frèdèric dumond | fsyeofgnaar ng | frèdèric dumond, agnès geoffray | 2003 | Amsterdam |
387 | Fukt Magazine | Fukt #5: Animation Issue | Fukt Magazine | 2006 | Stockholm |
388 | Fukt Magazine | Fukt #6: Fukt & D – Drunk on dreams | Fukt Magazine | 2007 | Berlin, Amsterdam |
389 | Fukt Magazine | Fukt #7,5 : Magazine for Drawing | Revolver | 2009 | Berlin |
390 | Fukt Magazine | Fukt 2002 | Fukt Magazine | 2002 | Berlin |
391 | Fukt Magazine | Fukt 2003 | Fukt Magazine | 2003 | Stockholm |
392 | Giles Weaver | Further Notes From The Underground | Dexter Sinister | 2008 | |
393 | Cem Bak | Futbol – Popüler Kültür Ansiklopedisi (2. basım) | cem bak. yapım | 2000 | İstanbul |
394 | Mari Lagerquist | Galgar – en familjehistoria | A Shoal of Mackerel | 2011 | Glasgow |
395 | Gül Ilgaz Kent, Gülçin Aksoy, Raziye Kubat, Memed Erdener, Neriman Polat, Nancy Atakan, İrfan Önürmen, Maria Sezer, Antonio Cosentino | Garip Bir Pandik no:1 | Garip Bir Pandik | 2000 | İstanbul |
396 | Gül Ilgaz Kent, Gülçin Aksoy, Raziye Kubat, Memed Erdener, Neriman Polat, Nancy Atakan, İrfan Önürmen, Maria Sezer, Antonio Cosentino | Garip Bir Pandik no:2 | Garip Bir Pandik | 2012 | İstanbul |
397 | Deniz Kırkali, Ayşe İdil İdil | Garp Sessions: Belgeleme ve Yeni Üretim / Documentation and Commissioned Works | Nocturne-Platform für experimentelle Wissensproduktion e. V. | 2023 | Berlin, Siegen |
398 | Gazete Karaşın | Karaşın Aylık Fotokopi Gazete | 1998 | İstanbul | |
399 | general idea editions 1967-1995 | Blackwood Gallery | 2003 | Missisauga, Ontario |
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400 | Sophie Nys | Geografische Identiteiten – Identites Geographiques – Geographische Identitaten | Sophie Nys | 2004 | |
401 | Nick Mauss | Geschenkpapiere | Koenig Books | 2010 | Londra / London |
402 | Mariana Castillo Deball, Jay Chung, Q Takeki Maeda, Dani Gal | Geschichte History | Hatje Cantz | 2009 | Ostfildern |
403 | Fatma Belkıs | Gidenler | Onagöre | 2021 | İstanbul |
404 | Fatma Belkıs | Gidenler / those who left | Onagöre | 2011 | İstanbul |
405 | Isabel Carvalho | Girls are dreaming about enormous machines | Galeria Nova Ogiva | 2008 | Bombarral |
406 | Luis Jacob | Golden Streams | Blackwood Gallery | 2002 | Toronto |
407 | Sevil Tunaboylu | Görmenin Kenarında / On the Edge of Seeing | Sevil Tunaboylu | 2022 | İstanbul |
408 | Sevim Sancaktar | Göz Kapakları, İki dost iki düşman | FAİL Books | 2019 | İstanbul |
409 | Eşref Yıldırım | Gözden Geçirilmiş İkinci Baskı | Galeri Zilberman | 2012 | İstanbul |
410 | Sezgi Abalı, İpek Çankaya | Gözlem | Halka Art Project | 2012 | Istabul |
411 | Thomas Hirschhorn | Gramsci Monument (pamphlet) | Dia Art Foundation | 2013 | New York |
412 | Dan Geesin | Green | Dan Geesin | 2005 | Amsterdam |
413 | Olivia Plender | Green Lines | Pork Salad Press and Point | 2013 | Kopenhag / Copenhagen |
414 | Temporary Services | Group Work | Temporary Services | 2002 | Şikago / Chicago |
415 | Temporary Services | Groupings | Temporary Services | 2002 | Şikago / Chicago |
416 | Allora & Calzadilla | Guantanamo Bay Song Book | Center for Contemorary Art, CCA Kitakyushu | 2009 | Kitakyushu |
417 | Maria Auxiliadora Balladares | Guayaquil | Premio Pichincha | 2017 | Guayaquil |
418 | Lara Almarcegui | Guide to the Wastelands of the Lea Valley – 12 Empty Spaces Await the Londra, London Olympics | Barbican Art Gallery | 2009 | Londra / London |
419 | Sarah Tripp | Guitar! | Book Works | 2020 | Londra / London |
420 | Umut Yıldırım (Ed.) | Gulyabani Günlüğü | 2016 | ||
421 | Banu Cennetoğlu, Yasemin Özcan | Güncellenmiş Destekçi | Rodeo | 2014 | İstanbul |
422 | Banu Cennetoğlu | Güncelleştirilmiş ve Genişletilmiş Korkutan Asyalı Adamlar – Updated and Expanded Scary Asian Men | Center of Contemporary Art "Znaki Czasu, Toruń | 2010 | Toruń |
423 | Ege Berensel | Ha'lar | Ege Berensel | 2020 | İstanbul |
424 | Ariane Müller | Handbuch für die Reise durch Afrika | Starship | 2013 | Berlin |
425 | Louis Kaplan | Hanging up Moholy | Dexter Sinister | 2006 | |
426 | Hans Haacke | Hans Haacke: Unfinished Business | M.I.T. Press | 1986 | New York |
427 | Hans Peter Feldmann | Hans Peter Feldmann | VG Bild-Kunst, Bönn für H.-P. Feldmann und der Verlag der Buchhandlung Walther König | 2004 | Köln |
428 | Mekhitar Garabedian | Happy When It Rains | Imschoot, Uitgevers | 2006 | Gent |
429 | Eva Weinmayr | Havva Bağcı | Rodeo | 2009 | İstanbul |
430 | Cemre Yeşil Gönenli | Hayal&Hakikat | Gost | ||
431 | Laurie Cluitmans, Arnisa Zeqo (Ed.) | He Disappeared into Complete Silence - Rereading a Single Artwork by Louise Bourgeois | De Hallen Haarlem - Onomatopee | 2011 | Haarlem Eindhoven |
432 | Sera Marshall | He said | Sera Marshall | 2008 | |
433 | Clifton Meador | Heart | Center for Editions, Purchase College | 2008 | New York |
434 | Michalis Pichler | Hearts | Revolver, Agra Publications, Thessolonika Museum of Photography | 2008 | Frankfurt, Atina / Athens |
435 | Deniz Beşer, La Garçonne, Muzaffer Hasaltay Du von Jetzt | heyt be! Nase zine #5 | Nase Zine | 2017 | |
436 | Meliha Erem | Hipernotlar | Arter | 2021 | İstanbul |
437 | Stella Vine | Holy water cannot help you now | Mörel Books | 2008 | UK |
438 | Susan Hiller | Hommage a Yves Klein, Homage to Marcel Duchamp, Levitations | Institute of Contemporary Arts, Book Works | 2008 | Londra / London |
439 | Pol Matthé | Horsten? | Z Forlag | 2013 | Oslo |
440 | Mona Mahall, Aslı Serbest | How Architecture Learned to Speculate | Igmade | 2009 | Stuttgart |
441 | Mirene Arsanios | How to make (nice) things happen - No. 0 (Summer 2010) | ArteEast | 2010 | New York |
442 | Vaast Colson | Hüzün | Clean Press, Maes & Matthys Gallery | 2010 | Anvers / Antwerp |
443 | Meliha Erem | Hypernauts | Arter | 2021 | İstanbul |
444 | Ben Vautier | I am for a pluri-ethnical art world | Emily Harvey Publication | 1991 | New York |
445 | Sara Masüger | I Have A Rabbit For You | Rijksacademie | 2003 | Amsterdam |
446 | Karl Holmqvist | I on a Lion in Zion | Revolver | 2005 | Vilnius |
447 | Marko Tadic | I Speak True Things | 2008 | Zagreb | |
448 | Sherif Xenoph Ibn El | I Want to be a Suicide Bomber | Pistols Drawn | 2013 | İstanbul |
449 | Ian White | Ibiza Black Flags Democracy | Berliner Künstlerrprogramm/DAAD | 2010 | Berlin |
450 | Erik Van der Weijde | ice-skating lanes | Erik Van der Weijde | 2007 | |
451 | Burhan Şohoğlu, Emre Yıldız, İlker Genliol, Müge Durmaz, Oğuzcan Kağanoğuzbeyoğlu, Umut Altıntaş, Yaman Baladuroğlu, Ziyacan Bayar | İçerik Dergi No: 000002 | 2010 | ||
452 | Manuel Boden | Ich könnte forthgehen Roman | Manuel Boden | 2021 | Berlin |
453 | Aglaia Konrad | Iconocity | Verlag der Buchhandlung Walther König | 2005 | Köln |
454 | Dexter Sinister | Identity | Artists Space | 2011 | New York |
455 | Nancy Atakan, Nazlı Paker | İkili konuşma / İletişim olarak sanat – Art As Dialogue | 1998 | İstanbul | |
456 | Mari Lagerquist | Illume | BILAGA Limited Editions | 2013 | |
457 | William G. Buchina | Illustrated English Grammar in Use | 2009 | ||
458 | Erick Beltrán | Imagen Habitada – The Inhabited Image | Ediciones del Castor | 1999 | Meksiko / Mexico City |
459 | Céline Duval | Images de France, EVRY | doc-cd éditions, Cneai, école régionale des beaux-arts | Houlgate, Caen | |
460 | Erik Kessels | In Almost Every Picture | KesselsKramer | 2001 | Amsterdam |
461 | Aslı Çavuşoğlu | In Patagonien nach Bruce Chatwin | Aslı Çavuşoğlu | 2009 | |
462 | Bas Jan Ader | In Search of the Miraculous: Discovery File 143/76 | Veenman Publishers/Gijs Stork, Marion van Wijk & Dalstar | 2006 | Rotterdam |
463 | Eva Michalaki | InhaleExhale | 2007 | ||
464 | Sanja Medic | Interior Monologue / a soliloquy | Rijksacademie | 2006 | Amsterdam |
465 | Mariana Castillo Deball | Interlude: The Reader’s Traces | Revolver | 2005 | Berlin |
466 | Hans-Peter Feldmann, Hans Ulrich Obrist | Interview | Verlag der Buchhandlung Walther König | 2009 | Köln |
467 | Temporary Services | Into the Gravy | Temporary Services | 2002 | Şikago / Chicago |
468 | Mahinur Bulut | Işık Kayıtları | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir |
469 | mecrasız'a karışanlar Deniz, Ece, Esra, Fevzi, Örsan, Özlem, Sevim, Tayfun | Israrlı Klişeler | 2016 | İstanbul | |
470 | Flack Attack | Issue#1: Flack Attack on Autonomy | Flack Attack | 2006 | |
471 | İstanbul Kent Araştırmaları ve Düşünce Dergisi | İBB Kültür A.Ş. | 2021 | İstanbul | |
472 | İstanbul Kent Araştırmaları ve Düşünce Dergisi | İBB Kültür A.Ş. | 2021 | İstanbul | |
473 | Ali Taptık, Uğur Tanyeli | İstanbul'u Resmetmek: Türkiye'nin Görsel Tarihine Giriş: | Akın Nalça Kitapları | 2009 | İstanbul |
474 | Anne Salah | İstanbulmap | Tarih Vakfı | 2007 | İstanbul |
475 | Bik Van der Pol | It isn’t what it used to be and will never be again | Centre for Contemporary Arts, Glasgow | 2009 | Glasgow |
476 | Céline Duval | JBA/ Philippe Bissieres, Ce qui se trame | doc-cd éditions | 2001 | Houlgate |
477 | Jimmy Robert | Jimmy Robert | 2005 | Amsterdam | |
478 | Cem Bak | Judas – Popüler Kültür Ansiklopedisi 9. Fasikül | cem bak. yapım: 13 | 1999 | İstanbul |
479 | Aslı Serbest, Mona Mahall, Gerd de Bruyn (Ed.) | Junk Jet | Igmade | 2010 | Stuttgart |
480 | Daniel Gustav Cramer | Kahu, Mount Aspiring | Daniel Gustav Kramer | 2010 | Berlin |
481 | Fatma Belkıs | Kalanlar / those who stayed | Fatma Belkıs | 2011 | İstanbul |
482 | Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 1 | BAS | 2006 | İstanbul |
483 | Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 2 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 2 | BAS | 2006 | İstanbul |
484 | Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 3 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 3 | BAS | 2006 | İstanbul |
485 | Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 4 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 4 | BAS | 2006 | İstanbul |
486 | Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 5 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 5 | BAS | 2006 | İstanbul |
487 | Masist Gül | Kaldırım Destanı-Kaldırım Kurdunun Hayatı 6 (Bent 001) Pavement's Myth- The Life of the Pavement's Wolf 6 | BAS | 2006 | İstanbul |
488 | Nadin Reschke | Kalıntı | Nadin Reschke | 2006-2007 | İstanbul |
489 | Nadin Reschke | Kalıntı | Nadin Reschke | 2006-2007 | İstanbul |
490 | Şener Özmen, Ahmet Ögüt | Kan Baldan Tatlıdır – Blood Sweeter Than Honey | Galerist | 2004 | İstanbul |
491 | Rahmi G. Öğdül, Süreyya Evren, Füsun Kayra, Sabri Gürses, Rage Against the Machine, Robert Elliot Fox | Karaşın | Karaşın Aylık Fotokopi Gazete | 1996 | İstanbul |
492 | Karl Holmqvist | Karl Holmqvist Reads Old News | Pork Salad Press | 2010 | Kopenhag / Copenhagen |
493 | Karton | Karton | Karton-zine | 2020 | |
494 | Banu Cennetoğlu | Katalog 2009 – Catalog 2009 | Venice Biennale | 2009 | |
495 | Kerem Ozan Bayraktar | Kayalar ve Rüzgarlar, Mikroplar ve Kelimeler | Sanatorium | 2019 | İstanbul |
496 | Dilek Winchester | Kayısı Kent A4, No:1 | Dilek Winchester | 2010 | İstanbul |
497 | Evrim Kavcar | Kayısı Kent A4, No:2 gel şehir git şehir | Dilek Winchester | 2010 | İstanbul |
498 | Burak Bedenlier | Kayısı Kent A4, No:3 | Dilek Winchester | 2010 | İstanbul |
499 | Nalan Yırtmaç ve Bakırköy, Levent ve Sulukule'de yaşayan çocuklar | Kayısı Kent A4, No:4 | Dilek Winchester | 2010 | İstanbul |
500 | Stephan Kurr | Kayısı Kent A4, No:5 copyright now | Dilek Winchester | 2010 | İstanbul |
501 | Delphine Rigaud | Kayısı Kent A4, No:6 | Dilek Winchester | 2010 | İstanbul |
502 | Yasemin Özcan | Kayısı Kent A4, No:7 Yaprak | Dilek Winchester | 2010 | İstanbul |
503 | Serhat Arıkan | Kelimeler Arasındaki Saklı Hayatlar | |||
504 | Jef Geys | Kempens Informatieblad, Speciale Editie Biennale Venetië: Quadra Medicinale | Wiels | 2009 | Balen |
505 | Jef Geys | Kempens Informatieblad, Speciale Editie São Paulo: Pele | Jef Geys | 1991 | Balen |
506 | Slavs and Tatars | Kidnapping Mountains | Book Works | 2009 | Londra / London |
507 | Morgan Wong | Kigoja Standard Time | KIGOJA | 2016 | Seul / Seoul |
508 | Sergen Şehitoğlu | Kill Memories | Sanatorium | 2016 | İstanbul |
509 | İpek Duben | KimKimdir | Edition Taube, FAİL Books | 2009 | |
510 | Gözde İlkin | Kira Sözleşmesi | Proje1likte | 2009 | Istanbul |
511 | Ramazan Üren | Kitabın Adı: Zımbalı Kitap | 1996 | ||
512 | David Horvitz | Kitap nasıl çalınır | Edition Taube, FAİL Books | 2020 | İstanbul |
513 | Atıl Kunst | Kılavuz (Bent 005) | BAS | 2009 | İstanbul |
514 | Koray Kantarcıoğlu | Kıratwerk | 2007 | ||
515 | Leyla Gediz | Kırksekiz Haftada Çiftini Bulmaca | 2004 | Istanbul | |
516 | Kling Klong Di Analfabedten Kommen | Amsel Verlag | |||
517 | Akansha Rastogi, Roobina Karode | KNMA Exhibitions 2010-2020 / Ten Years of Kiran Nadar Museum of Art | Kiran Nadar Museum of Art | 2020 | Yeni Delhi / New Delhi |
518 | Lydia Schulgina | Kommt auf einen Tee vorbei! | Amsel Verlag | 2019 | Zürih / Zürich |
519 | Free University | Kopenhag, Copenhagen Free University | Kopenhag, Copenhagen Free University | 2002 | Kopenhag / Copenhagen |
520 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (10) - Kapak | KORİDOR | 1989 | İstanbul |
521 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (11) - KORİDOR Metin | KORİDOR | 1989 | İstanbul |
522 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (12) - KORİDOR, “Altan Gürman Tasarımlar 1965 – 66” | KORİDOR | 1989 | İstanbul |
523 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (13) - Oruç Aruoba, “Tümceler’den” | KORİDOR | 1989 | İstanbul |
524 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (14) - Yılmaz Aysan, “Armonika” | KORİDOR | 1989 | İstanbul |
525 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (15) - Alparslan Baloğlu, “Bir Zaman Kipine İki Gönderme” | KORİDOR | 1989 | İstanbul |
526 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (16) - Ergül Özkutan, “Inutile II” | KORİDOR | 1989 | İstanbul |
527 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (17) - Sanat Tanımı Topluluğu Yayımı 3: Marcel Duchamp | KORİDOR | 1989 | İstanbul |
528 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (18) - Jean Baudrillard: Please Follow Me, çev. Semay Taneri / Ecrit Sur L’image, 1983 | KORİDOR | 1989 | İstanbul |
529 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (19) - Joseph Kosuth: Nekrofili Sevgilim, çev. Deniz İrengün / Art Forum, 1982 | KORİDOR | 1989 | İstanbul |
530 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 1 (20) - Beatrice Parent: Land Art, çev. Ergül Özkutan / Opus No: 23 | KORİDOR | 1989 | İstanbul |
531 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (21) - Kapak | KORİDOR | 1990 | İstanbul |
532 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (22) - İçindekiler | KORİDOR | 1990 | İstanbul |
533 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (25) - Hanna Frenzel, “Be in the Soup” | KORİDOR | 1990 | İstanbul |
534 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (26) - Ahmet Öktem, “Çağdaş Sanat için Üç Öneri” | KORİDOR | 1990 | İstanbul |
535 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (27) - Jean Pierre Bordaz: Jenny Holzer ve iletişim gösterisi, çev. Yılmaz Aysan / Parkett No: 13, 1987 | KORİDOR | 1990 | İstanbul |
536 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 2 (28) - Joseph Kosuth: Paul Taylor ile söyleşi, çev. Nurettin Çakan / Flash Art No: 157 | KORİDOR | 1990 | İstanbul |
537 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (29) - Kapak | KORİDOR | 1991 | İstanbul |
538 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (30) - İçindekiler | KORİDOR | 1991 | İstanbul |
539 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (31) - Alparslan Baloğlu, “Duyulabilir İkiyüzotuzaltı Saniye / Duyulamaz İkiyüzotuzaltı Saniye” | KORİDOR | 1991 | İstanbul |
540 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (32) - Marcel Duchamp, “Erratum Musical” | KORİDOR | 1991 | İstanbul |
541 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (33) - Ergül Özkutan, “Vital Capacity” | KORİDOR | 1991 | İstanbul |
542 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (34) - “Müzik Yapılabilir Fluxus Nesnesi” | KORİDOR | 1991 | İstanbul |
543 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (35) - Christine Brodbeck: Düşünceler, çev. Bikem Kerametli, Eylül 1990 | KORİDOR | 1991 | İstanbul |
544 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (36) - Ken Friedman: Fluxus ve beraberindekiler, çev. Yılmaz Aysan / Ubi Fluxus İbi Motus 1990 – 1962, Achille Bonito Oliva Italy, 1990 | KORİDOR | 1991 | İstanbul |
545 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 3 (37) - Sheena Wagstaff: Bu benim zevkim - Bu benim amacım, çev. Ali Yıldızalp / Parkett No: 24, 1990 | KORİDOR | 1991 | İstanbul |
546 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (38) - Kapak | KORİDOR | 1992 | İstanbul |
547 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (39) - İçindekiler | KORİDOR | 1992 | İstanbul |
548 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (40) - Oruç Aruoba, “Dört Açık Kıyı Düşü” | KORİDOR | 1992 | İstanbul |
549 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (41) - Osman Dinç, “Adsız” | KORİDOR | 1992 | İstanbul |
550 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (42) - Ahmet Öktem, “Karbon” | KORİDOR | 1992 | İstanbul |
551 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (43) - Jenny Holzer, “Venedik Projesi 1” | KORİDOR | 1992 | İstanbul |
552 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (44) - Jenny Holzer, “Venedik Projesi 2” | KORİDOR | 1992 | İstanbul |
553 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (45) - Jenny Holzer “Venedik Enstalasyonu” | KORİDOR | 1992 | İstanbul |
554 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (46) - Claude Gintz: “Kavramsal sanat bir perspektif “- Bir sergi projesi üzerine notlar, çev. Nilgün Özayten – Nur Nakiboğlu | KORİDOR | 1992 | İstanbul |
555 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (47) - Fulvio Carmagnola & Marco Senaldi: Sanat kuruluşları ve karmaşıklık, çev. Murat Seçkin | KORİDOR | 1992 | İstanbul |
556 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (48) - Neil Pritz: Kendi sözleriye Warhol, çev. Sebla Kiraz | KORİDOR | 1992 | İstanbul |
557 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 4 (49) - Ludwig Wittgenstein: Dilin tuzakları, çev. Oruç Aruoba | KORİDOR | 1992 | İstanbul |
558 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (50) - Kapak | KORİDOR | 1993 | İstanbul |
559 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (51) - İçindekiler | KORİDOR | 1993 | İstanbul |
560 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (53) - Oruç Aruoba, “Yedi Martı Çeşitlemesi" | KORİDOR | 1993 | İstanbul |
561 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (54) - Canan Beykal, “Sözcüklerle Assemblage” | KORİDOR | 1993 | İstanbul |
562 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (55) - İnci Eviner, “Gövde” | KORİDOR | 1993 | İstanbul |
563 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (56) - Canan Beykal: Idea Assemblage | KORİDOR | 1993 | İstanbul |
564 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR 5 (57) - Joseph Ruzika (Ed): Assemblage Sanatı - Bir Sempozyum, çev. Murat Seçkin - 19.10.1961, Museum of Modern Art, New York | KORİDOR | 1993 | İstanbul |
565 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (4) - Oruç Aruoba, “Akşamüstü Tümceleri” | KORİDOR | 1988 | İstanbul |
566 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (5) - Yılmaz Aysan, “Dansözlerin Gizli Tarihi” | KORİDOR | 1988 | İstanbul |
567 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (6) - Alparslan Baloğlu, “22. Yüzyıl İnsan Merdivenleri Kutusu” | KORİDOR | 1988 | İstanbul |
568 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (7) - Serhat Kiraz | KORİDOR | 1988 | İstanbul |
569 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (8) - Ergül Özkutan, “Yaşantının Metrekare Cinsinden Tanımı” | KORİDOR | 1988 | İstanbul |
570 | Yılmaz Aysan, Alparslan Baloğlu, Serhat Kiraz, Ahmet Öktem, Ergül Özkutan, Zerrin İren Boynudelik (Ed.) | KORİDOR Örnek Sayı (9) - Claude Gints: Mel Bochner’le söyleşi, çev. Ergül Özkutan – A. Toksöz / ARTISTES No: 5, 1980 | KORİDOR | 1988 | İstanbul |
571 | Umut Altıntaş, N. Toros Mutlu | Kumpanya | KartonKitap | 2018 | İstanbul |
572 | Jesper Fabricius | Kunsthaefte 16 | Jesper Fabricius | 2008 | |
573 | Jesper Fabricius | Kunsthaefte 18 Space Poetry | Jesper Fabricius | 2008 | |
574 | Jesper Fabricius | Kunsthaefte nr.1 Space Poetry | Jesper Fabricius | 1998 | |
575 | Jesper Fabricius | Kunsthaefte nr.10 Space Poetry | Jesper Fabricius | 2004 | |
576 | Jesper Fabricius | Kunsthaefte nr.12 Space Poetry | Jesper Fabricius | 2007 | |
577 | Jesper Fabricius | Kunsthaefte nr.9 Space Poetry | Jesper Fabricius | 2004 | |
578 | Jasmin Glaab | Kunsthallekleinbasel | Amsel Verlag | 2015 | Zürih / Zürich |
579 | Meliha Erem | Küratomaton | Emre Hüner | 2022 | İstanbul |
580 | Meliha Erem | Küratomaton | Emre Hüner | 2022 | İstanbul |
581 | Koray Kantarcıoğlu | KÜRATÖR | 2007 | ||
582 | Didem Özbek | Kurun | SALT | 2012 | İstanbul |
583 | Carsten Höller | Kuşku Günleri | Uluslararası Istanbul Bienali, Institut Für Auslandsbeziehungen | 1999 | İstanbul, Stuttgart |
584 | Pilvi Takala | Kuvasto 04 | Kuva | Helsinki | |
585 | KYPSELI no 1 (March 2013) | Dora Economou | 2013 | Atina / Athens | |
586 | KYPSELI no 2 (May 2013) | Dora Economou | 2013 | Atina / Athens | |
587 | KYPSELI no 3 (July 2013) | Dora Economou | 2013 | Atina / Athens | |
588 | KYPSELI no 4 (September 2013) | Dora Economou | 2013 | Atina / Athens | |
589 | KYPSELI no 5 (November 2013) | Dora Economou | 2013 | Atina / Athens | |
590 | Laurianne Bixhain | L'abbonement | Editions Janine Berens | 2013 | Berlin |
591 | Voluspa Jarpa | La biblioteca de la No-Historia | Santiago de Chile | 2010-2011 | İstanbul |
592 | Voluspa Jarpa | La biblioteca de la No-Historia | Santiago de Chile | 2010-2011 | İstanbul |
593 | Mira Sanders, Cédric Noël | La Chambre de Tania | posture editions | 2013 | Anvers / Antwerp, Gent / Ghent |
594 | Serap Gecü | la dérive | Flâneur Collective | 2023 | İstanbul |
595 | AA Bronson | Lana | Media Guru Editions | 2009 | New York, NY |
596 | Bless Laura | Laura | M_HKA | 2011 | Anvers / Antwerp |
597 | Céline Duval | Le Cahier de Tom, 7 ans | doc-cd éditions, Serge Elleinstein | 2005 | Houlgate |
598 | Céline Duval | Le Cahier Dimanche | doc-cd éditions | 2006 | Houlgate |
599 | Céline Duval | le cercle, extrait d'une collection | doc-cd éditions | 2004 | Houlgate |
600 | Armin Linke | Le Isole Deserte del Mediterranéo/ Deserted Islands of the Mediterranean | a+mbookstore edizioni | 2009 | Milan |
601 | Paky Vlassopoulou | Le journal Pain | Locus Athens | 2019 | Atina / Athens |
602 | Céline Duval | Le Marabout Douchynois | 2008 | Houlgate, Douchy-Les-Mines |
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603 | Taroop & Glabel | Le Retour de Don Camillo | |||
604 | Devrim Bayar (Ed.) | Le Salon | Triangle Books | 2019 | Brüksel / Brussels |
605 | Céline Duval | Le Temps d’un ete | doc-cd éditions, Zédélé éditions | 2005 | Houlgate, Brest |
606 | Daniel Knorr | Leabhar Ealaíoncóir (Artist Book) | Daniel Knorr | 2009 | Limerick |
607 | Taroop & Glabel | Lecture de Plage (Écrit Sur Le Sable) | |||
608 | Eva Weinmayr | Lery, A Story Of Facts And Faxes | Eva Weinmayr | 1998 | Santa Monica |
609 | Céline Duval, Loic Beillet le Beherec | Les Images de Guy: Reculer pour mieux aimer | doc-cd éditions, Cneai, école régionale des beaux-arts | 2004 | Caen, Houlgate |
610 | Özgür Atlagan | Letter to N | Özgür Atlagan | 2021 | |
611 | Yona Friedman | Libelle 1: Hypothêses | ROSASCAPE | 2009 | Paris |
612 | Vittorio Santoro | Libelle 10: ACROSS THE RIVER AND INTO THE TREES/ AU-DELÁ DU FLEUVE ET SOUS LES ARBRES | ROSASCAPE | 2011 | Paris |
613 | Camille Henrot | Libelle 11: Connexions partielles/ Partial Connections | ROSASCAPE | 2011 | Paris |
614 | Katinka Bock, Christian Jendreiko | Libelle 12: Recto: Danke (rot) Verso: The Old Game | ROSASCAPE | 2011 | Paris |
615 | Rodney Graham | Libelle 2: Recto: Portrait de l'artiste Verso: Four Push Pins | ROSASCAPE | 2009 | Paris |
616 | Renaud Auguste-Dormeuil | Libelle 3: Recto: The Day Before...New York...September 10,2001_23:59 Verso: I Was There, Power Blackout, January 30, 2009, Paris, 48° 53' 02.94"N_02°14'55.25"E | ROSASCAPE | 2009 | Paris |
617 | Berger & Berger | Libelle 4: Ghost Towns | ROSASCAPE | 2009 | Paris |
618 | Tatiana Trouvé | Libelle 5: Recto: Myriam Verso: Clémence | ROSASCAPE | 2009 | Paris |
619 | Fabien Giraud, Raphaël Siboni | Libelle 6: Sans Titre (la vallêe Von Uexkull), 4K RAW HD | ROSASCAPE | 2010 | Paris |
620 | Dora Garcia | Libelle 7: Real Artists Don't Have Teeth | ROSASCAPE | 2010 | Paris |
621 | Benoit Maire | Libelle 8: Histoire de la géometrie n° 9 | ROSASCAPE | 2010 | Paris |
622 | Simon Starling | Libelle 9: recto: Project for Masquerade (Hiroshima) / The Innkeeper-Colonel Sanders verso: Project for Masquerade (Hiroshima) / The Innkeeper- Randy Bass | ROSASCAPE | 2010 | Paris |
623 | Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Libertine | ztscrpt | 2010 | Viyana / Vienna |
624 | Hans Peter Feldmann | Liebe – Love | Verlag der Buchhandlung Walther König | 2006 | Köln |
625 | Chimurenga | LIFE: Magazine Supplement to the Chimurenga Chronicle 12/13 (18-24 May 2008) | Chronic Books | 2008 | Cape Town |
626 | Aurélien Froment | Like the cow jumped over the moon | Gasworks | 2009 | Londra / London |
627 | Dilek Winchester | Likör ve Çikolata | Dilek Winchester | 2006 | İstanbul |
628 | Yasemin Özcan | Limonata gibi hava | İKSV | 2017 | İstanbul |
629 | Jill Magid | Lincoln Ocean Victor Eddy | Jill Magid | 2007 | New York |
630 | Liam Gillick | Literally No Place | Book Works | 2002 | Londra / London |
631 | Emre Senan | Lobotomi Hakkımız Söke Söke Alırız! | Ege Basım | 2010 | İstanbul |
632 | Sam Hecht, Kim Colin | Locale | Herman Miller, Inc | 2014 | Zeeland Michigan |
633 | Meriç Algün Ringborg | Location: Date: Time | Meriç Algün Ringborg | 2012 | Stockholm |
634 | Clifton Meador | Long Slow March | Center for Editions, Purchase College | 1996 | New York |
635 | Kate Dent | Looking For Headless | Goldin+Senneby | 2007 | Stockholm |
636 | Lucy Raven | Lucy Raven | Dia Art Foundation | 2021 | New York |
637 | Donghwan Kam | Lunchroom "Hero Stratos" | Donghwan Kam | 2020 | Rotterdam |
638 | Oda Projesi | Mahalle, oda, komşu, misafir? | Oda Projesi, İKSV | 2005 | İstanbul |
639 | Ülkü Çağlayan | Making Sense | Paper Street Co. | 2021 | İstanbul |
640 | Klasse Pernice (Universität der Künste Berlin) | Malbo | 2023 | Berlin | |
641 | Klasse Pernice (Universität der Künste Berlin) | Malbo | 2023 | Berlin | |
642 | Dan Starling | Malcolm X an Introduction by J.D. Salinger | Richmond Art Gallery, Galerie Werner Whitman | 2008 | Richmond, BC |
643 | Laurianne Bixhain | Mammoromany | Laurianne Bixhain | 2011 | |
644 | Ece Eldek | mânâ | NOD | 2023 | İstanbul |
645 | Şener Özmen | Manifesta Cinayetleri | Şener Özmen | 2001 | Diyarbakır |
646 | İpek Duben | Manuscript | İpek Duben | 1994 | İstanbul |
647 | Peter Downsbrough | Many | Frac Bourgogne | 2000 | Dijon |
648 | Rogerio Duarte | Marginalia 1 | BOM DIA BOA TARDE BOA NOITE | 2013 | Berlin |
649 | Marina Tomić, Buba Čvorić | Marina | Dutch Art Institute | 2009 | Enschede |
650 | Pavel Büchler | MarxAngels | Book Works | 1997 | Londra / London |
651 | Mary Shelley | Mary Shelley Facsimile Library | Werkplaats Typographie, ArtEZ | 2011 | Arnhem |
652 | Temporary Services, Rob Kelly, Zena Sakowski | Masks and Public Inflatable Projects in Puerto Rico and Chicago | Temporary Services | 2002 | Şikago / Chicago |
653 | Thomas Hirschhorn | Material: Public Works – The Bridge 2000 | Book Works, Whitechapel Gallery | 2000 | Londra / London |
654 | Gürsoy Doğtaş | Matt Magazine - No. 1: Content: Rudolf Belling | Matt Magazine | 2007 | Zürih / Zurich |
655 | Gürsoy Doğtaş | Matt Magazine - No. 2: Mobility and Surveillance | Matt Magazine | 2007 | Zürih / Zurich |
656 | Gürsoy Doğtaş | Matt Magazine - No. 3: Prominence given, Authority taken | Matt Magazine | 2008 | Zürih / Zurich |
657 | Gürsoy Doğtaş | Matt Magazine - No. 4: Protest and Sensation | Matt Magazine | 2008 | Zürih / Zurich |
658 | Gürsoy Doğtaş | Matt Magazine - No. 5: Inflammable | Matt Magazine | 2008 | Zürih / Zurich |
659 | Gürsoy Doğtaş | Matt Magazine - No. 6: Withdrawal | Matt Magazine | 2008 | Zürih / Zurich |
660 | Gürsoy Doğtaş | Matt Magazine - No. 7: Rudolf Belling | Matt Magazine | 2008 | Zürih / Zurich |
661 | Gürsoy Doğtaş | Matt Magazine - No. 9: Anthology of Art Manifestos | Matt Magazine | Zürih / Zurich | |
662 | Peur sur la vie | Matthieu Renard & Bip | Lendroit Éditions | 2010 | Rennes |
663 | Dan Murphy, Anthony Smyrsky (Ed.) | Megawords | Megawords | Kanada / Canada | |
664 | Yağız Özgen | Metadata | Sanatorium | 2019 | İstanbul |
665 | Eirini Sourgiadaki | Metaphorai | Amsel Verlag | 2017 | Zürih / Zurich |
666 | Heidi Specker | MG Road | Spector Books | 2012 | Leipzig |
667 | Kevin Immanuel | Michel Foucault Letters | Dutch Art Institute | 2009 | Arnhem |
668 | The Publication Project, Kevin Immanuel | Michel Foucault Letters (NYC Artbook Edition) | Dutch Art Institute | 2009 | Arnhem |
669 | Céline Duval | Migrateurs | ARC Musée d'Art Moderne de la Ville de Paris | 2002 | Paris |
670 | Owen Hatherly | Militan Modernizm | Habitus Kitap | 2013 | İstanbul |
671 | Van Leo | Mind the Gap édition – Kartpostal / Postcards – # 009, Sherihane. Le Caire-Égypte, 1976. | Arab Image Foundation | Beirut | |
672 | Anonymous | Mind the Gap édition – Kartpostal / Postcards – # 021 Mr. Skaff in four different positions. Bethlehem, Palestine 1922. | Arab Image Foundation | Beirut | |
673 | Muhamad Youssef | Mind the Gap édition – Kartpostal / Postcards – # 029 The “konafa” maker. Cairo, Egypt 1960. | Arab Image Foundation | Beirut | |
674 | Armand | Mind the Gap édition – Kartpostal / Postcards – # 030 Cairo, Egypt 1940s | Arab Image Foundation | Beirut | |
675 | Hashem el Madani | Mind the Gap édition – Kartpostal / Postcards – # 044 Portraits from Studio Shehrazade. Beach series. Playing with perspective. Saida, Lebanon 1954. | Arab Image Foundation | Beirut | |
676 | Anonymous | Mind the Gap édition – Kartpostal / Postcards – # 061 Mustafa Mahmoud Rashed. Alexandria, Egypt 1927. | Arab Image Foundation | Beirut | |
677 | Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 086 Anonymous. Studio Shehrazade, Saida, Lebanon 1972. | Arab Image Foundation | Beirut | |
678 | Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 088 Najm. Studio Shehrazade, Saida, Lebanon 1956. | Arab Image Foundation | Beirut | |
679 | Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 089 Anonymous. Madani’s parents’ home (the studio), Saida, Lebanon 1948-53. | Arab Image Foundation | Beirut | |
680 | Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 092 Anonymous. Studio Shehrazade, Saida, Lebanon 1950s. | Arab Image Foundation | Beirut | |
681 | Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 093 A woman and her son, Lebanese immigrants from Africa. Studio Shehrazade, Saida, Lebanon 1970s. | Arab Image Foundation | Beirut | |
682 | Hashem El Madani | Mind the Gap édition – Kartpostal / Postcards – # 095 Bashasha (left) and a friend. Studio Shehrazade, Saida, Lebanon, late 1950s. | Arab Image Foundation | Beirut | |
683 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 121 Place des Canons. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
684 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 123 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
685 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 124 Damascus Street. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
686 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 125 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
687 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 128 Untitled. Beirut, 1991. Beirut City Centre | Fouad Elkoury | 2003 | Beirut |
688 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 130 Place de l'Étoile. Beirut, 1991. Beirut CIty Centre | Fouad Elkoury | 2003 | Beirut |
689 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 136 No present. Beirut, 1997. Traces of war | Fouad Elkoury | 2003 | Beirut |
690 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 138 Football match. Beirut, 1980. Civil war | Fouad Elkoury | 2003 | Beirut |
691 | Fouad Elkoury | Mind the Gap édition – Kartpostal / Postcards – # 143 Place de canons. Beirut, 1982. Civil war | Fouad Elkoury | 2004 | Beirut |
692 | Laurianne Bixhain | Minibus – pliage 011 | Laurianne Bixhain | 2009 | Edirne |
693 | Sena Başöz | Missing Element | Sena Başöz | 2011 | İstanbul |
694 | Temporary Services | Mobile Sign Systems | Temporary Services | 1999 | Şikago / Chicago |
695 | Katja Eydel | Model ve Sembol: Die Erfindung Der Türkei / the Invention of Turkey | Sternberg Press | 2006 | New York, Berlin |
696 | Melani Bonajo, Kinga Kiełczyñska | Modern Life of the Soul | Fons Welters Gallery | 2007 | Amsterdam |
697 | Slavs and Tatars | Molla Nasreddin | JRP|Ringier | 2011 | Zürih / Zurich |
698 | David Adjaye | Mono. Kultur - No. 14: David Adjaye: The Failure of Formality (October/November 2007) | Mono. Kultur | 2007 | Berlin |
699 | Taryn Simon | Mono. Kultur - No. 15: Taryn Simon: Kaleidoscope of Entropy (December 2007/January 2008) | Mono. Kultur | 2008 | Berlin |
700 | Miranda July | Mono. Kultur - No. 16: Miranda July: Best at Belonging to Yourself (Spring 2008) | Mono. Kultur | 2008 | Berlin |
701 | Pawel Althamer | Mono. Kultur - No. 17: Pawel Althamer: Play-Grounded (Summer 2008) | Mono. Kultur | 2008 | Berlin |
702 | Bless | Mono. Kultur - No. 28: Bless: In Disguise | Mono. Kultur | 2011 | Berlin |
703 | Francois Ozon | Mono. Kultur - No. 6: Francois Ozon: Through the Looking Glass (April/May 2006) | Mono. Kultur | 2006 | Berlin |
704 | David Shrigley | Mono. Kultur - No. 9: David Shrigley: Crooked Penmanship (December 2006 /January 2007) | Mono. Kultur | 2006 | Berlin |
705 | Javier Tapia | Monte Carlo Club | Martin Asbæk Projects | 2008 | Kopenhag / Copenhagen |
706 | Kristina Kramer | mopeds | Bakkal Press | 2010 | İstanbul |
707 | Eleni Kamma | More than One and Less Than Many | Neuer Aachener Kunstverein | 2012 | Brüksel / Brussels |
708 | Sophia Tabadadze | Much More “Part One” | Sophia Tabadadze | 2006 | |
709 | Morten Torgersrud | Murmanskrovaniemikirkenes | Gunnarshaug As | 2004 | Norveç / Norway |
710 | Temporary Serivices | Music Mountain | Temporary Services | 2012 | Şikago / Chicago |
711 | Mustafa Kunt | Mustafa Kunt | 2004 | ||
712 | Ian Page | My Onion Lover | 2021 | ||
713 | Paul Herbst | My Shit is Gold Vol 1 | Mörel Books | 2009 | Londra / London |
714 | Mladen Stilinović | My Sweet Little Lamb! | Swedish Contemporary Art Foundation | 2009 | Stockholm |
715 | David Shillinglaw | Myth-No-Logical | David Shillinglaw | ||
716 | Rita McBride, David Gray (Ed.) | Myways – Gina Ashcraft | Arsenal Pulp Press, Whitney Museum of American Art, Printed Matter | 2006 | Vancouver, NYC |
717 | Rita McBride | Nackt kamder Fremde – Gina Ashcraft | Kunstmuseum Liechtenstein | 2002 | Liechtenstein |
718 | Anthony Huberman | Naive Set Theory | Dexter Sinister | 2007 | New York |
719 | Rita McBride | Naked Came The **** – Gina Ashcraft | Kunstmuseum Liechtenstein | 2002 | Liechtenstein |
720 | Tatia Skhirtladze | Nature Morte | Dutch Art Institute | 2009 | Amsterdam |
721 | Oda Projesi | Neigbourhood, room, neighbour, guest? | Oda Projesi, İKSV, Revolver | 2005 | Frankfurt |
722 | Mochu | Nervous Fossils: Syndromes of the Synhetic Nether | Kiran Nadar Museum of Art, Reliable Copy | 2022 | Yeni Delhi / New Delhi |
723 | Erich Weiss | Neutra: A Film by Erich Weiss | Alva Grafica | 2009 | Berlin |
724 | Mariana Castillo Deball | Never Odd or Even vol. I | Marres, Revolver | 2005 | Berlin |
725 | Mariana Castillo Deball | Never Odd or Even vol. II | BOM DIA BOA TARDE BOA NOITE | 2011 | Berlin |
726 | M. Trtt | News From Cécilia | 2013 | Bannans | |
727 | Timothée Huguet | Next Time | Bakkal Press | 2010 | İstanbul |
728 | Hassan Khan | Nine lessons learned from Sherif El-Azma | Contemporary Image Collective | 2009 | Kahire / Cairo |
729 | Eduardo Barrera, Erick Beltrán, Ana Bbertha Madrid, Alejandro Magallanes, Héctor Montes de Oca, Claudia Prado, Sebastián Rodríguez Romo, Leonel Sagahón, Mauricio Volpi | No Anunciar | Fuera de Registro | 2000 | Meksika / Mexico City |
730 | Sezgin Boynik, Minna Henriksson | Noise After Babel: Language Unrestrained | Spector Books | 2015 | Leipzig |
731 | Misaki Kawabe | Nostalgic Hentai | Revolver | 2010 | Berlin |
732 | Endre Tot | Nothing Left for Art to Say | Stamp Art Gallery | 1995 | San Francisco |
733 | Paulina Olowska, Lucy McKenzie | Nova Popularno | Decemberism | 2004 | Brüksel / Brussels |
734 | Babi Badalov | Nuage | Steirischer Herbst Festival | 2012 | Graz |
735 | Meriç Algün Ringborg | Ö (The Mutual Letter) | Meriç Algün Ringborg | 2011 | |
736 | Yuki Hori | object: the focus of cognition or feelings – The Eyes of the Wind Vol. 2 | FREYAAlt | 2023 | İstanbul |
737 | Mladen Stilinović | Oduzimanje Nula | Zavod P.A.R.A.S.I.T.E. | 2006 | Lübliyana / Ljublana |
738 | Sezgin Boynik (Ed.) | OEI #90-91 Sickle of Syntax & Hammer of Tautology | OEI | 2021 | Stockholm |
739 | J.M. Arsath Ro'is | Ohio # 10 – Ed: Uschi Huber & Jörg Paul Janka | Ohio | 2002 | Köln |
740 | Burkhard Brunn | Ohio # 11 – Burkhard Brunn | Ohio | 2002 | Köln |
741 | Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 12 – “e.V.” | Ohio | 2004 | Köln |
742 | Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 13 – b:a = 2 x p x r : 360° | Ohio | 2004 | Köln |
743 | Lewan | Ohio # 6 – ‘Songs for Ohio’ | Ohio | 1997 | Düsseldorf |
744 | Jörg Paul Janka, Uschi Huber (Ed.) | Ohio # 7 – Im Betrachten liegt der Unterschied | Ohio | 1999 | Köln |
745 | Heinrich Dubel | Ohio # 8 – Erratische Helikopterphotographie by Heinrich Dubels | Ohio | 2000 | Köln |
746 | Onur Kemal Kösedağ | Olay Yeri | Onagöre | 2010-2011 | İstanbul |
747 | Jacob Fabricius (Ed.) | Old News México | Pork Salad Press | 2008 | Kopenhag / Copenhagen |
748 | Jacob Fabricius (Ed.) | Old News No: 1 | Pork Salad Press | 2004 | Kopenhag / Copenhagen |
749 | Jacob Fabricius (Ed.) | Old News No: 11A | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
750 | Jacob Fabricius (Ed.) | Old News No: 11B | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
751 | Jacob Fabricius (Ed.) | Old News No: 13 | Pork Salad Press | 2011 | Kopenhag / Copenhagen |
752 | Jacob Fabricius (Ed.) | Old News No: 14 | Pork Salad Press | 2012 | Kopenhag / Copenhagen |
753 | Jacob Fabricius (Ed.) | Old News No: 2 | Pork Salad Press | 2005 | Kopenhag / Copenhagen |
754 | Jacob Fabricius (Ed.) | Old News No: 6 | Pork Salad Press | 2009 | Kopenhag / Copenhagen |
755 | Jacob Fabricius (Ed.) | Old News No: 7 | Pork Salad Press | 2010 | Kopenhag / Copenhagen |
756 | Jacob Fabricius (Ed.) | Old News No: 8 | Pork Salad Press | 2010 | Kopenhag / Copenhagen |
757 | Jacob Fabricius (Ed.) | Old News No:3 | Pork Salad Press | 2006 | Kopenhag / Copenhagen |
758 | Jacob Fabricius (Ed.) | Old News No:4 | Pork Salad Press | 2008 | Kopenhag / Copenhagen |
759 | Angelika Stepken (Ed.) | On One Side of the Same Water: Artistic Practice between Tirana and Tangier | Hatje Cantz | 2012 | Bonn |
760 | Antoni Muntadas | On Translation: City-Guide | Neues Museum Weserburg | 2005 | Bremen |
761 | Antoni Muntadas | On Translation: Stand By | La Fabrica Editorial | 2006 | Madrid |
762 | J. Christopher Jones | Once It's Typed It's Published The Story of My Writings From 1950 to 1979 And Attempts at Publishing In Microfiche and Xerox With A Catalog of Texts And Details of Where & How To Get Them | Dexter Sinister | 2008 | |
763 | Eleni Kamma | Once past the years of green emotion | Futura Publications | 2007 | Atina / Athens |
764 | Jill Magid | One Cycle of Memory in the City of L | FACT Liverpool | 2004 | Liverpool |
765 | Mari Lagerquist | One Hot Lasagne | A Shoal of Mackerel | 2004 | Glasgow |
766 | Batu Bozoğlu | Önemsiz bir adamın güncesi | Batu Bozoğlu | 2007 | |
767 | Susanne Bürner | Only you | Argobooks | 2008 | Berlin |
768 | Seda Yıldız (Ed.) | Onomatopee 224: Building Human Relations Through Art | Onomatopee | 2022 | |
769 | Seda Gecü, Serap Gecü | Önümde Duruyor | Flâneur Collective | 2022 | İstanbul |
770 | Lonnie van Brummelen, Siebren De Haan | Open Letter: Call of the Wild | Museum de Paviljoens | 2006 | Almere |
771 | Galia Basail Mulcahy, Layla Fassa (Ed.) | Open Recipe Vol.1 | Cooperativa Cráter Invertido | 2020 | Meksiko / Mexico City |
772 | İnci Eviner | Ortak Eylem Aygıtı: Bir Etüt | İKSV | 2013 | İstanbul |
773 | Okay Karadayılar | Örtbas (Boş Defter) | Okay Karadayılar | 2011 | İstanbul |
774 | Okay Karadayılar | Örtbas, Sayı 1 | Okay Karadayılar | 2011 | İstanbul |
775 | Okay Karadayılar | Örtbas, Sayı 2 - Pofuduk | Okay Karadayılar | 2011 | İstanbul |
776 | Okay Karadayılar | Örtbas, Sayı 4 | Okay Karadayılar | 2011 | İstanbul |
777 | Ashkan Sepahvand | Other than someone, there was no one | Ashkal Alwan | 2010 | Beirut |
778 | Our Time for a Future Caring - India Pavilion | Kiran Nadar Museum of Art | 2019 | Yeni Delhi / New Delhi |
|
779 | Süreyyya Evren | Özgürlüğün Şantajı: Güvencesiz Hayat ve Depresif Sanat | Domates Biber Patlıcan III, SPOT Projects | 2016 | İstanbul |
780 | École du Magasin | Pacemaker | École du Magasin | 2007 | |
781 | Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 1: Public & Private (February 2004) | Kunstinstituut Melly (eski / formerly known as Witte de With) | 2004 | Rotterdam |
782 | Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 2: Play & Locations (May 2004) | Episode Publishers | 2004 | Rotterdam |
783 | Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 3: Desire & Change (September 2004) | Episode Publishers | 2004 | Rotterdam |
784 | Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages - No. 4: Voice (July 2005) | Episode Publishers | 2005 | Rotterdam |
785 | Nasrin Tabatabai, Babak Afrassiabi (Ed.) | Pages Stage So Near So Far | Pages | 2023 | Rotterdam |
786 | Sven Augustijnen | Panoroma (Supplement to 'De Tijd' Newspaper) | Auguste Orts | 2005 | Anvers / Antwerp |
787 | Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Paper | ztscrpt | 2009 | Viyana / Vienna |
788 | Paper - No. 1 | Space Poetry | 2005 | Kopenhag / Copenhagen |
|
789 | Raimundas Malasauskas | Paper Exhibition - Selected Writings by Raimundas Malasauskas | Sternberg Press | 2012 | Berlin |
790 | Batia Suter | Parallel Encylopedia | Roma Publications | 2007 | Amsterdam |
791 | Aline Seigne (et al.) | Paranoiaque | Editions Dasein | 2005 | Paris |
792 | Deniz Gül | Pardon siz kimsiniz? | Deniz Gül | 2006 | |
793 | Hans Peter Feldmann | Paris | Salon Verlag | 2005 | Köln |
794 | Deborah Stratman | PARK | Temporary Services | 2000 | Şikago / Chicago |
795 | Leah Horowitz, Jasmine Sarp | Part-Time Virgins II | Leah Horowitz, Jasmine Sarp | 2012 | New York |
796 | Roman Ondak | Passage | CCA Kitakyushu | 2006 | Kitakyushu |
797 | Rirkrit Tiravanija | Passage Cosmo to Fishy Travels | CCA Kitakyushu | 2002 | Kitakyushu |
798 | Jooyeon Park | Passer-by / Yoldan geçen biri | Insa Arts Space, Arts Council Korea | 2008 | Seoul |
799 | Nancy Atakan | Passing On | Kehrer Verlag Heidelberg | 2016 | Berlin |
800 | Gözde ‘Mimiko’ Türkkan | Pay Here | Too Many Books | 2010 | İstanbul |
801 | Seval Şener | Pazar 6 Kasım 2016 | Torun | 2019 | İstanbul |
802 | Adrianna Lara, Fernando Mesta, Augistina Ferreyra, Diego Berruecos (Ed.) | Pazmaker - No. 2/3 | Perros Negros | 2006 | Meksika / México |
803 | Adrianna Lara, Diego Berruecos, Eva Svennung (Ed.) | Pazmaker - No. 5 | Perros Negros | 2008 | Meksika / México |
804 | Eva Svennung (Ed.) | Pazmaker - No. 6 | Perros Negros | 2008 | Meksika / México |
805 | Pazmaker 1 | Perros Negros | Meksika / México |
||
806 | Public Collectors | PC001 Records: Collection Inventory of Marc Fischer | Public Collectors | 2007 | Şikago / Chicago |
807 | Public Collectors | PC007 Paper Blog | Public Collectors | 2010 | Şikago / Chicago |
808 | Anne Szefer Karlsen (Ed.) | Pedro Gómez-Egana | Hordaland Art Centre | 2014 | Bergen |
809 | Mariana Castillo Deball | Penser/Classer | Mariana Castillo Deball | 2002 | Maastricht |
810 | Esther Ferrer | Performance Saga Interview 01 | Performance Saga | 2007 | Zürih / Zürich |
811 | Valie Export | Performance Saga Interview 02 | Performance Saga | 2007 | Zürih / Zürich |
812 | Monika Günther | Performance Saga Interview 03 | Performance Saga | 2007 | Zürih / Zürich |
813 | Temporary Services | Personal Plastic | Temporary Services | 2008 | Şikago / Chicago |
814 | Laurianne Bixhain, Sandra Bjwer, Susanne Kocks, Peter Strickmann | Picknick | Les Annexes | 2014 | Lüksemburg / Luxembourg |
815 | Erik Göngrich | Picnic City | Proje4L İstanbul Güncel Sanat Müzesi | 2001 | İstanbul |
816 | Charles Asprey, Simon Grant (Ed.) | Picpus - No. 12 | Picpus Press | 2013 | Londra / London |
817 | Charles Asprey, Simon Grant (Ed.) | Picpus - No. 4 | Picpus Press | 2010 | Londra / London |
818 | Charles Asprey, Simon Grant (Ed.) | Picpus - No. 9 | Picpus Press | 2012 | Londra / London |
819 | Martin Kippenberger, Ariane Müller | Picture a Moon, Shining in the Sky: Conversation with Martin Kippenberger | Starship | 2007 | Berlin |
820 | Céline Duval | Pierre, Anne, Céline, Aurelien, BADABOUM! | doc-cd éditions, Alice Travel Publications | 2002 | Houlgate |
821 | Jimmy Robert | Pierre, Paul, Jacques, Harry and Dick, Tom | Autograph, Platform | 2002 | Londra / London |
822 | Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Pigiarniq | ztscrpt | 2009 | Viyana / Vienna |
823 | Heather Phillipson & Anne Lydiat, Kit Poulson & David Barret, William Cobbing & Stella Santacatterina | Pilgrimage Confluens One | Confluens, Fine Art Research at Middlesex University | Brugge | |
824 | Jesper Fabricius, Åse Eg Jørgensen, Jesper Rasmussen (Ed.) | Pist Protta - No. 61: Space poetry | Space Poetry | 2007 | Kopenhag / Copenhagen |
825 | Jesper Fabricius, Åse Eg Jørgensen, Jesper Rasmussen, Aslı Çavuşoğlu (Ed.) | Pist Protta - No. 63.1: Pazmaker | Space Poetry | 2009 | Kopenhag / Copenhagen |
826 | Hussein Chalayan | Place to Passage | Tribe Art, artwise | 2004 | Londra / London |
827 | Aarti Sunder | Platforms: Around, In Between, and Through | Natasha, Singapore Biennale | 2022 | Singapur / Singapore |
828 | Berkay Tuncay | Poems from Instant Messaging | Sanatorium | 2020 | İstanbul |
829 | Katrien De Blauwer | Poetic Noise | Anvers / Antwerp | ||
830 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No: 40: Damien Hirst | Point d'ironie | 2006 | Paris |
831 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 12: Harmonie Korine | Point d'ironie | 1999 | Paris |
832 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 17: John Giorno and Ugo Rondinone | Point d'ironie | 2000 | Paris |
833 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 18: Rosemarie Trockel | Point d'ironie | 2000 | Paris |
834 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 20: Ken Lum - hommage a Chen Zen | Point d'ironie | 2001 | Paris |
835 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 23: Thomas Hirschorn | Point d'ironie | 2001 | Paris |
836 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 3: Douglas Gordon | Point d'ironie | 1997 | Paris |
837 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 44: Hugues Reip and Melanie Counsell | Point d'ironie | 2008 | Paris |
838 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 45: Robert Crumb | Point d'ironie | 2008 | Paris |
839 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 51: Dayanita Singh | Point d'ironie | 2010 | Paris |
840 | Christian Boltanski, Hans-Ulrich Obrist (Ed.) | Point d’ironie - No. 8: Itsuko Hasegawa & Dan Graham - Fluctuation | Point d'ironie | 1998 | Paris |
841 | Yasemin Özcan Kaya | Political World Map / scale: 1/2007 / Dünya Siyasi Haritası / ölçek: 1/2007 – Kartpostal / Postcard | BAS, CCS Bard | 2010 | İstanbul, New York |
842 | Hans D. Christ, Iris Dressler (Ed.) | Politik der Form / Politics of Form | Spector Books, Bergen Assembly | 2015 | Bergen |
843 | Teresa Diaz Nerio | Polyphony # 1 | Dutch Art Institute | 2009 | Amsterdam |
844 | Karin Iturralde | Portraits of Ruccola | Karrin Itturalde, Tilde | 2020 | Amsterdam |
845 | David Reinfurt | Post-Master | Dexter Sinister | 2006 | |
846 | Martin Jacobson | Postcards | Martin Jacobson | 2009 | |
847 | Céline Duval | Posters | doc-cd éditions | 2007 | Houlgate |
848 | Eda Yiğit | Prekaryanın Görünmeyen Özneleri: Pandemi Döneminde Sanatçılar | Eda Yiğit | 2021 | İstanbul |
849 | Céline Duval | Premiers Plans | doc-cd éditions, école régionale des beaux-arts | 2004 | Houlgate, Caen |
850 | Christiann Egger, Manuel Gorkiewicz, Christian Mayer, Yves Mettler, Magda Tothova, Ruth Weismannn, Alexander Wolff (Ed.) | Princess Lulu | ztscrpt | 2008 | Viyana / Vienna |
851 | Vaast Colson | Principum 1 | Clean Press #17 | 2012 | |
852 | Vaast Colson | Principum 2 | Clean Press #17 | 2012 | |
853 | Rosa Barba | Printed Cinema # 1: Broadcasting from Home | Argos Editions | 2004 | Brüksel / Brussels |
854 | Rosa Barba | Printed Cinema # 19: Send Me Sky, Henrietta | Remai Modern | 2018 | Saskatoon |
855 | Rosa Barba | Printed Cinema # 2: Parachutable Obstacles | Argos Editions | 2004 | Brüksel / Brussels |
856 | Rosa Barba | Printed Cinema # 3: Accidental Suspension | Argos Editions, artimo | 2005 | Brüksel / Brussels, Amsterdam |
857 | Rosa Barba | Printed Cinema # 4: Who can tell if I am inventing? | Argos Editions, artimo | 2005 | Brüksel / Brussels, Amsterdam |
858 | Rosa Barba | Printed Cinema # 6: Wrong Edit | Argos Editions | 2006 | Brüksel / Brussels |
859 | Rosa Barba | Printed Cinema # 8: The Waiting Grounds | Argos Editions | 2007 | Brüksel / Brussels |
860 | Rosa Barba | Printed Cinema #13 Desert Performed | Contemporary Art Museum St. Louis | 2012 | St. Louis |
861 | Temporary Services | Prisoners' Inventions: Three Dialogues | Temporary Services | 2004 | Şikago / Chicago |
862 | Nazım Hikmet Richard Dikbaş | Private Lessons / Özel Dersler | Galeri NON | 2012 | İstanbul |
863 | Alexandr Burlaka, Anastasia Ryabova, Vladislav Shapovalov, Maxim, Spivakov, Tzuchien Tho, Dmitry Vorobbyev | Problem Book (English) | Supostat, Text and Pictures | 2009 | Paris |
864 | Temporary Services | Product Placements: Ongoing Public Research | Temporary Services | 2005 | Şikago / Chicago |
865 | Sophie Nys | Profilo Continuo | Grotto Publications | 2008 | Grimbergen |
866 | Ted Purves (Ed.) | Project Documents #2: Contributions to Knowledge | Ted Purves | 1997 | Oakland |
867 | Rhonda Khalifeh | Project Z | Open Project Press | 2018 | New York |
868 | Antoni Muntadas | Projekte (1974 – 2004) on Translation: Erinnerungsraeume Die Bremer Stadtmusikanten | 2004 | Bremen | |
869 | Köken Ergun | Promised Land | Argobooks | 2009 | Berlin |
870 | Ben Kinmont | Prospectus Amsterdam: Forty-two works by Ben Kinmont | Antinomian Press | 2011 | |
871 | Temporary Services | Public Inventions and Interventions | Temporary Services | 2000 | Şikago / Chicago |
872 | Temporary Services | Public Phenomena | Temporary Services | 2013 | Şikago / Chicago |
873 | Temporary Services | Public Phenomena: Informal Modications of Shared Spaces | Temporary Services | 2005 | Şikago / Chicago |
874 | Temporary Services | Public Projects | Temporary Services | 2002 | Şikago / Chicago |
875 | Temporary Services | Publishing in the Realm of Plant Fibers and Electrons | Temporary Services | 2014 | Şikago / Chicago |
876 | James Langdon | Pugin's Contrasts Rotated | Bedford Press | 2011 | Londra / London |
877 | Sezgin Boynik (Ed.) | Punk Research Series Vol. 1: Punk Suprematism | Rab-Rab Press | 2021 | Helsinki |
878 | André Komatsu | Quarta Margem | S/W Ediciones | 2010 | Long Island City, New York |
879 | Andrea Geyer | Queen of The Artists’ Studios | Art in General | 2007 | New York |
880 | Antoni Muntadas | Quejas | Ephemera Ediciones, La Caja Negra Ediciones | 2007 | Meksiko / Mexico City |
881 | Arno Auer (Ed.) | Quick Magazine | Quick Magazine | 2011 | Berlin |
882 | Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #3 | Rab-Rab Press | 2016 | Helsinki |
883 | Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #4.1 | Rab-Rab Press | 2017 | Helsinki |
884 | Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #4.2 | Rab-Rab Press | 2017 | Helsinki |
885 | Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #5 | Rab-Rab Press | 2019 | Helsinki |
886 | Sezgin Boynik (Ed.) | Rab-Rab: Journal for Political and Formal Inquiries in Art Issue #6 | Rab-Rab Press | 2021 | Helsinki |
887 | Yunus Ak, Umut Altıntaş | re: re: letters between Yunus Ak & Umut Altıntaş | Yunus Ak, Umut Altıntaş | 2021 | İstanbul |
888 | Seda Manavoğlu, Tina Bastajian | Rear Curtain | Dutch Art Institute | 2009 | Arnhem |
889 | Irene Kopelman | Reconstructing Time | Roma Publications | 2005 | Amsterdam |
890 | Temporary Services | Records as Portable Exhibitions and Interactive, Participatory Objects | Temporary Services | 2013 | Şikago / Chicago |
891 | Richard Kostelanetz | Recyclings, 1959-1981 | Future Press | 1981 | New York |
892 | Robin Vanbesien | Regarder l'auteur | Robin Vanbesien | 2010 | Saint Gilles |
893 | Regina Moller | Regina in Norway | Revolver | 2005 | Frankfurt |
894 | Jimmy Robert | Reprise | CCA Kitakyushu | 2010 | Kitakyushu |
895 | Metehan Özcan | Resimli Bilgi - Ek | KartonKitap | 2019 | İstanbul |
896 | Issa Ma. Benítez Dueñas (Ed.) | Resistance | SITAC III | 2004 | Meksiko / Mexico City |
897 | Erick Beltrán | Resistencia | Fuera de Registro | 2004 | Meksiko / Mexico City |
898 | Milena Kalinovska (Curator/Küratör), Dennis Adams, Art & Language, Lothar Baumgarten, Braco Dimitrijevic, Rose Finn-Kelcey, Ian Hamilton Finlay, Félix González-Torres, Tomislav Gotovac, Thomas Huber, Ilya Kabakov, On Kawara, Jiří Kolář, Jaroslaw Kozłowski, Cildo Meireles, Tatsuo Miyajima, Antonio Muntadas, Barbara Steinman, Lawrence Weiner, Krzysztof Wodiczko (Sanatçılar/Artists) | Rhetorical Image Resouce Room | The New Museum | 1991 | New York |
899 | Soner Ön | Richie Rich | Soner Ön | 2011 | New York |
900 | Raymond Taudin Chabot | Roma Publication 104 CAST (PART 4) | Roma Publications | 2007 | Rotterdam |
901 | Rosa Barba | Rosa Barba In Conversation woth Kirsty Bell, Segio Edelsztein, Hilke Wagner, Gil Leung | Mousse Publishing | 2011 | Milan |
902 | Jim Drobnick | Rudolf Baranik's Dictionary from The 24th Century | Bee Sting Press | 1990 | New York |
903 | Erick Beltrán | Running Man | MERMA/RABK | 2003 | Amsterdam |
904 | Burak Kabadayı | Sabit Değişiklikler Dinamik Aralıklar | AVTO | 2022 | İstanbul |
905 | Agnès Geoffray | Sainte Agnes | fsyeofgaar ng | 2003 | Amsterdam |
906 | Lasse Krog Møller | Samlingen Afd.: fcgt | Forlaget Press | 2008 | Oslo |
907 | Lasse Krog Møller | Samlingen Afd.: hrlst | Forlaget Press | 2008 | Oslo |
908 | Daniel Knorr | Sanatçı Kitabı (Artist Book) | BAS | 2013 | İstanbul |
909 | Pelin Başaran, Ulaş Karan | Sanatsal İfade Özgürlüğü Kılavuzu | Siyah Bant | 2016 | İstanbul |
910 | Pelin Başaran, Ulaş Karan | Sanatsal İfade Özgürlüğü Kılavuzu | Siyah Bant | 2016 | İstanbul |
911 | Ozan Aktuna | Say Maşallah | COMMENTARIVM | 2021 | İzmir |
912 | Jan Estep | Searching for Ludwig Wittgenstein | Jan Estep | 2007 | Skjolden |
913 | Cameron Stallones | Second System Vision, Fieldwork: First-Term | Paralaxe Editions | 2015 | Barselona / Barcelona |
914 | Natascha Sadr Haghighian, Ashkan Sepahvand | Seeing Studies | Hatje Cantz | 2011 | Kassel |
915 | Seval Gürses | Şehir ve şehir | Kitap Sergileri: Sanatçı Kitapları Projesi | 2021 | İzmir |
916 | Eco Nugroho | Sekotak Surga | 2005 | Jogja | |
917 | Cedar Lewisohn | Selected Drawings 2003-2013 | Cedar Lewisohn | 2013 | Londra / London |
918 | Temporary Services | Self-Reliance Library | Temporary Services | 2013 | Şikago / Chicago |
919 | Çağla Özbek | Semada | Onagöre | 2021 | İstanbul |
920 | Abdellah Karroum, Ala Younis | Sentences on the banks and other activities | Darat al Funun | 2010 | Amman |
921 | Eco Nugroho (Ed.) | Serpihan Macan Komik I | The Adenughraho Publisher | 2006 | Jogja |
922 | Eco Nugroho (Ed.) | Serpihan Macan Komik II | The Adenughraho Publisher | 2006 | Jogja |
923 | Sophie Nys | Service Après Vente | Jan van Eyck Akademie | 2001 | Maastricht |
924 | Martha Rosler | Service: A Trilogy On Colonization | Printed Matter | 1978 | New York |
925 | Çağla Özbek | Ses, Zift, Vitrin; Arşivden Hatırata, Edebiyattan Görsel Sanatlara Güvenilmez Anlatıcılar | Dante ve Istakoz | 2023 | İstanbul |
926 | Gülşah Mursaloğlu, A. Laurie Palmer | Sevgili Gülşah, Sevgili Laurie | Umur Publishing | 2021 | İstanbul |
927 | Semra Özer | Sevgili Mücevherler | Bakkal Press | 2010 | İstanbul |
928 | Sexymachinery (Ed.) | Sexymachinery SM 04 Lord Lucan | Sexymachinery | 2001 | |
929 | Sera Marshall | She said | Sera Marshall | 2008 | |
930 | Yara El-Sherbini | Sheikh 'n' Vac | Book Works | 2005 | Londra / London |
931 | Antonia Breme | Shop Window Shopping | New Toni Press | 2022 | Berlin |
932 | S. A. Marshall | Short Truths | Sera Marshall | 2012 | |
933 | Sarah van Sonsbeeck | Silence Map of IJburg | 2008 | Amsterdam | |
934 | Esat C. Başak | Şimdi, Aşağısı, Yukarısı neresidir bilir misin? | Galeri NON | 2010 | Istanbul |
935 | Shota Tsukiyama | Similar Room (Matchbox on Notepad) – The Eyes of the Wind Vol. 2 | FREYAAlt | 2023 | İstanbul |
936 | Asena Günal (Ed.) | Siyah Bant | Mas Matbaacılık | 2012 | İstanbul |
937 | Mert Öztekin | Sıkıntı Motoru | FAİL Books | 2018 | İstanbul |
938 | Franco Bifo Berardi | Skizo-Mails | Errant Bodies Press | 2012 | Berlin |
939 | Michaela Kurzwelly | Slubfort City? | Kulturboro Frankfurt, Kulturstiftung des Bundes | 2000 | Slubfort |
940 | Andela Rončević | Smokve za Oliveru | Amsel Verlag | 2021 | |
941 | Edoaurd Boyer | Snowi Is Not Willem | les presses du réel | 2004 | Paris |
942 | Christiane Peschek | Softcore | Sanatorium | 2021 | İstanbul |
943 | Çiçek Taharoğlu | Sokaktayız Hesap Soruyoruz | Bakkal Press | 2010 | İstanbul |
944 | Edwyn Collins | Some British Birds | Mörel Books | 2009 | Londra / London |
945 | Michael C. Vazquez (Ed.) | Some Medium Stories | Global Art Forum 6 | 2012 | Dubai |
946 | Soner Ön | Soner Ön | The Holster | 2009 | Brooklyn |
947 | Kristen Palz | Song Book/ Book of Verse | Spor Klübü | 2016 | Berlin |
948 | Anna Bromley | Speak to Me | Edition Error | 2022 | Berlin |
949 | Moyra Davey | Speaker Receiver | Sternberg Press | 2010 | Hollanda / Netherlands |
950 | Eloisa Cartonera | Speaking in Tongues – Scavel-An-Gow | Eloisa Cartonera | 2007 | |
951 | Point d’ironie | Special Edition: Stephane Hesset and Pascal Lemaitre (April 2010) | Point d'ironie | 2010 | Paris |
952 | Nedko Solakov | Split Personality | CCA Kitakyushu | 2003 | Kitakyushu |
953 | Céline Duval | Sport de Vie | doc-cd éditions | Houlgate | |
954 | Cevdet Erek | SSS – Sahil Sahnesi Sesi / Shore Scene Soundtrack (Bent 004) | BAS | 2007 | |
955 | Sandra Schäfer | stagings. Kabul, Film & Production of Representation | metroZones, media 2, b_books | 2009 | Berlin |
956 | Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 10: Heft 10 | Starship | 2007 | Berlin |
957 | Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 6: Verdunklung Darkening | Starship | 2004 | Frankfurt |
958 | Hans-Christian Dany, Martin Ebner, Ariane Müller | Starship 8: Das Jahr in dem wir nirgendwo waren / The year we have been nowhere | Starship | 2005 | Berlin |
959 | Selda Asal, Zeyno Pekünlü (Ed.) | Stay With Me | Apartman Projesi | 2015 | Amsterdam, Berlin, Bremen, İstanbul |
960 | Alexander Estis, Oleg Estis | Stellungnahmen zum Kulturbetrieb | Amsel Verlag | 2019 | Zürih / Zürich |
961 | Mario Santanilla | Still Life | Reliable Copy | 2020 | Bangalore |
962 | Yota Ioannidou | Stratagem | Dutch Art Institute | 2009 | Amsterdam |
963 | Céline Condorelli, Henrik Schrat | Strati, Hoepfl, Monthaux, and the Seventeenth Plan | Eastside Projects | 2008 | Birmingham, Berlin |
964 | Judith Raum | Stresemanns Motive für Nationalismus und Imperialismus | Ludlow 38, Kunstlerhaus Stuttgart, Goethe-Institut New York | 2010 | New York |
965 | Lia Perjovschi | Subjective Art History | Center for Art Analysis | 1990 | Bükreş / Bucharest |
966 | Akiko Miyake (ed.) | Substantials #04 | CCA Kitakyushu | 2011 | Kitakyushu |
967 | Eva Weinmayr | Suitcase Body is Missing Woman | Book Works | 2005 | Londra / London |
968 | Özgür Atlagan | Sulfur Noon | Özgür Atlagan | ||
969 | Temporary Services, Tamms Year Ten, Sarah Ross | Supermax Subsciptions | Temporary Services | 2012 | Şikago / Chicago |
970 | Céline Condorelli, Henrik Schrat | Support Structures | Sternberg Press | 2009 | Berlin |
971 | Céline Duval | Sur un Pied | doc-cd éditions | 2010 | Houlgate |
972 | Özlem Altın | Survival of an idea | Orient Press | 2008 | Berlin |
973 | Damian Ortega | Survival of the Idea | Hatje Cantz | 2007 | Berlin |
974 | Yenyitzu | Suspended Moment | Dutch Art Institute | 2009 | Amsterdam |
975 | Mari & Marcus Lagerquist | Tactical Magic | A Shoal of Mackerel | 2006 | Glasgow |
976 | Olaf Nicolai | Tagebuch Hamburg-Harburg, 26.-29. August 2009 | Sautter+Lackmann | 2009 | Hamburg |
977 | Olaf Nicolai | Tagebuch München: 06-11 Juni 2005 | Olaf Nicolai | 2005 | Viyana / Vienna |
978 | Olaf Nicolai | Tagebuch Olten, 26.2.-2.3.2009 | Kunstmuseum Olten | 2009 | Olten |
979 | Sophie Nys | Take me to the Matador | Sophie Nys | 2003 | Meksiko / Mexico City |
980 | Aslı Çavuşoğlu | Takip | Poursuite | BAS | 2006 | İstanbul |
981 | Dilşad Aladağ | Taklak | Dilşad Aladağ | 2023 | İstanbul |
982 | ha za vu zu | tank tank think | ha za vu zu | 2007 | İstanbul |
983 | Ulla West | Tankegångar | Kunsthall Trondheim | 2014 | Trondheim |
984 | Ahmet Öğüt | Tarihte Bugün – Today in History | Book Works, Platform Garanti | 2007 | Londra / London, İstanbul |
985 | Dilek Winchester | Tea, sunflowerseeds, kids, et. al. | Dilek Winchester | 2005 | İstanbul |
986 | Altı Aylık | Temiz Eller – Islak Mendil / Clean Hands – Wet Towel | Altı Aylık | 2006 | İstanbul |
987 | Raymond Huizinga | Temporarily Re-arrangement #07 | Dutch Art Institute, Institute of the Arts | 2009 | Arnhem |
988 | Temporary Services | Temporary Conversations: Aaron Hughes, interview by Nicholas Lampert | Temporary Services | 2010 | Şikago / Chicago |
989 | Temporary Services | Temporary Conversations: Kawabata Makoto | Temporary Services | 2008 | Şikago / Chicago |
990 | Temporary Services | Temporary Conversations: The Dicks | Temporary Services | 2008 | Şikago / Chicago |
991 | Nadin Reschke | Temporary Library | Nadin Reschke | 2014 | Mooste |
992 | İsmet Doğan | Temsil | Mas Matbaacılık | 1996 | İstanbul |
993 | Bureau d'études | Terörün Yönetimi | Bureau d'études | 2009 | İstanbul |
994 | Céline Condorelli, Uriel Orlow | Terrain Vague, Persistent Images | Screen Technology | 2011 | Dokki |
995 | Anselm Franke (Ed.) | Territories: Islands, Camps and Other States of Utopia | Walther König | 2003 | Köln |
996 | Textfield | Textfield IV - Spring and Summer 2006 | Textfield | 2006 | |
997 | Hassan Khan | The Agreement: Five stories by Hassan Khan | Sternberg Press | 2011 | Berlin |
998 | Scott King | The Alcoholics Colouring Book | Scott King | 2008 | Londra / London |
999 | Sezgin Boynik (Ed.) | The Author as Producer of Nothing, Peter Gidal | Rab-Rab Press | 2021 | Helsinki |
1000 | Kateryna Mishchenko (Ed.) | The Book of Kyiv | huss | 2015 | Kyiv |
1001 | Philippe Parreno | The Boy From Mars | CCA Kitakyushu | 2004 | Kitakyushu |
1002 | Can Altay | The Church Street Partner's Gazette | The Showroom | 2010 | Londra / London |
1003 | Elmgreen & Dragset | The Collectors / Bag-alogue concept | La Bienale di Venezia | 2009 | Venedik / Venice |
1004 | Sezgin Boynik (Ed.) | The Conclusive Scene: Mao Zedong's Last Meeting with the Red Guards | Rab-Rab Press | 2020 | Helsinki |
1005 | Philippine Hoegen | The Crack in The Wall | Artimo | 2001 | Amsterdam |
1006 | Larissa Harris, Dexter Sinister (Ed.) | The Curse of Bigness | Dexter Sinister | 2010 | New York |
1007 | Lonnie van Brummelen, Siebren De Haan | The Embed and the Shadow of the Horse | Boijmans Van Beuningen | 2010 | Amsterdam |
1008 | Mathilde ter Heijne | The Empire of Women: Not a Fairy Tale | Mathilde ter Heijne | 2008 | Berlin |
1009 | Koen Brams (Ed.) | The Encyclopedia of Fictional Artists | JRP|Ringier | Zürih / Zurich | |
1010 | Anita Di Bianco | The Error is Regretted - Wir Entschuldigen Uns Für Diesen Fehler | The Green Box | 2021 | Berlin |
1011 | Tony Chakar | The eyeless map | Ashkal Alwan | 2003 | Beirut |
1012 | Özlem Altın | The Fall Occurs Inside | Orient Press | 2008 | Berlin |
1013 | Temporary Services | The First 71 Booklets | Temporary Services | 2006 | Şikago / Chicago |
1014 | Lonnie van Brummelen, Siebren De Haan | The Formal Trajectory | Vriza | 2005 | Amsterdam |
1015 | Williman-Arai | The gift exercise/invitation 2.2: Zurich | Amsel Verlag | 2019 | Zürih / Zurich |
1016 | Stefan Constantinescu | The Golden Age for Children | The Romanian Cultural Institute of Stockholm, Labyrint Press, pionier press | 2008 | |
1017 | Sophia Al Maria | The Gulf Colloquy Compendium | Art Dubai, Mathaf: Arab Museum of Modern Art | 2012 | Dubai |
1018 | Manami Yoshimoto | The Hazy | Dutch Art Institute | 2009 | Amsterdam |
1019 | Randi & Katrine | The House in your Head | Space Poetry, Randi & Katrine | 2009 | Kore /Korea |
1020 | Kristina Ask | the in-complete pic-ture | Kunstradet | 2008 | Kopenhag / Copenhagen |
1021 | Ulla West | The Inexorable | AXL Books | 2010 | Stockholm |
1022 | Susan Hiller | The J. Street Project | Compton Verney, Berlin DAAD | 2005 | Berlin |
1023 | Sam Gould (Ed.) | The Journal of Radical Shimming Issue 11 | Red76 | 2007-2014 | Minneapolis |
1024 | Karl Holmqvist | The K. | Akiyoshidai International Art Village | 2003 | Osaka |
1025 | Soner Ön | The Light In The Dark with The Neon Arms | Soner Ön | 2011 | New York |
1026 | Ben Cain | The Making of the Means | Wiels | 2009 | Brüksel / Brussels |
1027 | Borga Kantürk | The Man Who is Expected to Save the World | Borga Kantürk | 2006 | |
1028 | Timothée Huguet | The Match | Bakkal Press | 2011 | İstanbul |
1029 | Lonnie van Brummelen, Siebren De Haan | The Monument of Sugar | Van Brummelen & De Haan | 2007 | Amsterdam |
1030 | Sevgi Ortaç | The Monument Upside Down | Dutch Art Institute | 2010 | Arnhem |
1031 | Laurenz Brunner, Tan Wälchli (Ed.) | The Most Beautiful Swiss Books - The Issue Present | Federal Office Of Culture Bern | 2008 | Mainz |
1032 | Maxime Hourani | The Mountains of Maraash or A Book of Songs and Places?? | Ashkal Alwan | 2013 | Beirut |
1033 | Diango Hernández | The Museum of Capitalism | Revolver | 2005 | Frankfurt |
1034 | Mirjam Linschooten | The Museum of Found Objects Istanbul | Istanbul ECC Agency | 2010 | İstanbul |
1035 | Fadi Toufiq | The New Killer | Dar el Kotob | 2010 | Lübnan / Lebanon |
1036 | The New Paper - No. 3 | T\EXT\A\RT, greatest hits | 2007 | Londra / London, Berlin |
|
1037 | Eleanor Brown (Ed.) | The Newpaper - No. 1: Dirty Diet Disease | Art After Parties | 2007 | Londra / London, Berlin |
1038 | Steven Parrino | The No Texts | Abaton Book Company | 2003 | Jersey City |
1039 | Nurdan Gürbilek | The Orpheus Double Bind | Asia Art Archive | 2021 | Hong Kong |
1040 | Pablo Helguera | The Pablo Helguera Manual of Contemporary Art Style | Jorge Pinto Books | 2007 | New York |
1041 | Coralie Vogelaar (Ed.) | The Photoshop | Veenman Publishers/Gijs Stork | 2005 | Rotterdam |
1042 | Eva Weinmayr | The Piracy Collection | Central Saint Martins School of Art and Design | 2011 | Londra / London |
1043 | Pascale Eiberle | The power of gaze | Amsel Verlag | 2021 | Zürih / Zurich |
1044 | Marianne Mueller | The Proper Ornaments | Edition Patrick Frey | 2008 | Zürih / Zurich |
1045 | Edgar Allen Poe | The Purloined Letter | Dexter Sinister | 2006 | New York |
1046 | Edward P. Thompson (Ed.) | The Railway: An Adventure in Construction | Rab-Rab Press | 2020 | Helsinki |
1047 | Şener Özmen | The Story of Tracey Emin | Şener Özmen | 2000 | Diyarbakır |
1048 | Alejandro Cesarco | The Streets Were Dark With Something More Than Night or The Closer I Get to the End the More I Rewrite the Beginning | Art Statements | 2011 | New York |
1049 | Cecilia Costa, Maxine Kopsa, Scott Ponik (Ed.) | The Summer Reader, Again, or a Diamond in the Rough | Werkplaats Typografie ArtEZ | 2008 | Arnhem |
1050 | AA Bronson | The Temptation of AA Bronson | Kunstinstituut Melly (eski / formerly known as Witte de With) | 2013 | Rotterdam |
1051 | Emmanuel Goldstein | The Theory and Practice of Oligarchical Collectivism | |||
1052 | Eko Nugroho | The Tram | Amsterdam Grafisch Atelier | 2004 | Amsterdam |
1053 | Aslı Çavuşoğlu | The Unsubscribed Life of Peter Böse | Aslı Çavuşoğlu | 2007 | İstanbul |
1054 | Jeremy Deller | The Uses of Literacy | Book Works | 1999 | Londra / London |
1055 | Ben Cain, Tina Gverovic | The Visit | Galerija Miroslav Kraljević | 2007 | Zagreb |
1056 | Umut Altıntaş | The Volume | Umut Altıntaş | 2018 | İzmir |
1057 | Elena Volpato (Ed.) | The Witness | Archive Books | 2010 | Genova |
1058 | Ted Purves (Ed.) | There is no two without three | Social Practice Area of Concentration CCA | 2008 | San Francisco |
1059 | Daniel Gustav Cramer | Thirty-six | The Green Box | 2010 | Berlin |
1060 | Iman Issa | Thirty-Three Stories About Reasonable Characters In Familiar Places | GM Printing | 2011 | New York |
1061 | Lise Harlev | This Is Not Really Me | The Green Box | 2008 | Berlin |
1062 | Erich Weiss (Ed.) | This is the way we see it: A tribute to E.L.T. Mesens | Erich Weiss | 2009 | Brüksel / Brussels |
1063 | Andrea Geyer | This Site of Memory – Audrey Munson | Art in General | 2006 | New York |
1064 | David Reinfurt | This Stands as a Sketch for the Future | Dexter Sinister | 2007 | |
1065 | Fatma Belkıs | Those who left | Onagöre | 2021 | İstanbul |
1066 | Rosa Barba | Time as perspective Chapter 1--ın conversation with Mirjam Varadinis and Solveig Øvstebø | Kunsthaus Zürih | 2012 | Zürih / Zurich |
1067 | Ala Younis | Tin Soldiers | Gwangju Biennale | 2012 | Jordan |
1068 | Doris Frohnapfel | TL-P Norway and Wittgenstein | Kunsthochschule | 2000 | Bergen |
1069 | Oda Projesi, Nadin Reschke | Tongue E | Nadin Reschke, Oda Projesi, Revolver | 2012 | Berlin |
1070 | Anne Szefer Karlsen (Ed.) | Toril Johannessen | Hordaland Art Center | 2014 | Bergen |
1071 | Céline Duval | Tous ne deviendront pas artiste | doc-cd éditions | 2002 | Houlgate |
1072 | Céline Duval | Tous ne deviendront pas pilote automobile | Esac | Caen | |
1073 | Gast Bouschet, Nadine Hilbert | Transcendental Geology | Gast Bouschet, Nadine Hilbert | 2014 | |
1074 | Ludovic Bernhardt | Transcription | Studio National des Arts Contemporains les Fresnoy | 2000 | Fresnoy |
1075 | Sevim Sancaktar | Transformer | Reccollective | 1997 | İstanbul |
1076 | Ali Taptık | Transit | Quarantine, FKuk | 2008 | Liverpool |
1077 | Rob van Hoesel | Transitland Transitoland Pays-Transit | Veenman Publishers/Gijs Stork | 2006 | Rotterdam |
1078 | Bernhard Cella | Travel Journal Two | Hotel Ostblick | 2009 | Viyana / Vienna |
1079 | Goldin+Senneby | Travel Journal, Nassau Bahamas March 26th | Goldin+Senneby | 2008 | Stockholm |
1080 | Mikelle Standbridge | Travelling Hindu Temple Series | Temporary Services | 1999 | Şikago / Chicago |
1081 | Merve Ertufan | Tumbling down with careful steps | Onagöre | 2020 | İstanbul |
1082 | Gözde İlkin | Türkiye Cumhuriyeti Hususi Pasaport / Republic of Turkey Special Passport | Gözde İlkin | 2010 | İstanbul |
1083 | Sezgin Boynik & Tolga Güldallı | Türkiye’de Punk ve Yer altı Kaynaklarının Kesintili Tarihi 1978-1999 – An Interrupted History of Punk and Underground Resources in Turkey 1978-1999 , 2007 | BAS | 2007 | İstanbul |
1084 | Süreyyya Evren | Üç kişilik öyküler | 1993 | İstanbul | |
1085 | Dennis Tyfus | UE190 Verleden Tijdsbestedig | ultra eczama | 2014 | |
1086 | Özlem Altın | Umbra | Orient Press | 2008 | Berlin |
1087 | Jean- Baptiste Ganne | Un Art Moyen / Pierre Bourdieu | Rijksacademie, Maison Descartes | 2003 | Amsterdam |
1088 | Apartment Project | Underconstruction-Berlin: Müsvedde Defteri Draftbook | Apartment Project | 2012 | Berlin |
1089 | Lonnie van Brummelen, Siebren De Haan | Unfair Competition: Request for Support | Museum of Modern Art Arnhem | 2006 | Arnhem |
1090 | Klaus Weber | Unfold! You Cul De Sac | Revolver | 2004 | Frankfurt |
1091 | Alexandra Leykauf | Untitled | Rijksakademie van Beeldende Kunsten | 2004 | Amsterdam |
1092 | Alexandra Leykauf | Untitled | Rijksakademie van Beeldende Kunsten | 2004 | Amsterdam |
1093 | Daniel Gustav Cramer | Untitled (Farmer) | Daniel Gustav Cramer | 2010 | Berlin |
1094 | Derya Bengi (Ed.) | Uzayda Bir Elektrik Hasıl Oldu: 1960'larda Müzikli Türkiye | Anadolu Kültür/Depo | 2012 | İstanbul |
1095 | Cem Bak | Vampir | cembak.yapım | 2000 | İstanbul |
1096 | Susanne Bürner | Vanishing Point: How to disappear in America without a trace | Revolver, ToastinK Press | 2006 | Berlin |
1097 | Ivan Grubanov | Visitor | Ivan Grubanov | 2002 | Tiraz |
1098 | Çağla Özbek | Voice, Vitrine, Tar; Unreliable Narrators from Archive to Memoir, Fiction to the Visual Arts | Dante ve Istakoz | 2023 | İstanbul |
1099 | Umut Altıntaş | Void Book | Umut Altıntaş | 2021 | İstanbul |
1100 | Hans-Peter Feldmann | Voyeur 5 | Verlag der Buchhandlung Walther König | 2011 | Köln |
1101 | Rosa Barba | Vu de la porte du fond | éditions du Jeu de Paume | 2012 | Paris |
1102 | Michalis Pichler | War Diary | Revolver | 2005 | Frankfurt |
1103 | Anca Benera | Warsaw Wild Life : NOTES | Centrum Sztuki Współczesnej Zamek Ujazdowski | 2008 | Warsaw |
1104 | Christian Hilleso | We are the bastards not fit for our office | |||
1105 | Emily Roysdon | West Street | Emily Roysdon | 2010 | New York |
1106 | Rita McBride | West Ways–Matthew Licht | Christoph Keller Editions, Emily Carr University Press, Potter Press | 2010 | Zurich, Vancouver, Beverly Hills |
1107 | Anna Orlikowska, Gülşah Mursaloğlu, Marjet Zwaans, Naz Kocadere | What Are The Words You Do Not Have Yet? | AFK amderstams fonds voor de kunst | 2023 | Amsterdam |
1108 | Bik Van der Pol | What if the moon were just a jump away? | Bik Van der Pol and Labin Imprint, Van Eyck Academie | 2014 | Maastricht |
1109 | İpek Duben | What is a Turk? | İpek Duben | ||
1110 | Christian Ulrik Andersen, Geoff Cox | What is Datafied Research? | Digital Aesthetics Research Center | 2015 | Hong Kong |
1111 | Isabel Zürcher (Ed.) | When Attitudes Escape Form Kunsthalle Basel 1960-1970 | Kunsthalle Basel | 2004 | Basel |
1112 | Aron Morel | When Lost is Found | Spilt Ink | 2008 | Londra / London |
1113 | Sung Hwan Kim, dogr | When Things are Done Again | tranzit.cz | 2010 | Prag / Prague |
1114 | CA Conrad | While Standing in Line for Death | Wave Books | 2017 | Seattle |
1115 | Keren Cytter | White Diaries | CCA Kitakyushu | 2010 | Japonya / Japan |
1116 | Rosario López | White Fence | Galeria Casas Riegner | 2008 | Bogota |
1117 | Didem Özbek | White Sugar Cube Book | Pist | 2008 | İstanbul |
1118 | Temporary Services | Why the Exhibition Was Canceled | Temporary Services | 2001 | Şikago / Chicago |
1119 | Olaf Nicolai | Why women like to buy textiles that feel nice | Argobooks | 2010 | Berlin |
1120 | Fanny Hauser, Viktor Neumann (Ed.) | Wicked Little Town | Archive Books | 2022 | Berlin |
1121 | Peter Fischli, David Weiss | Will Happiness Find Me? | Koenig Books | 2003 | Londra / London |
1122 | Timothée Huguet | Without Head | Bakkal Press | İstanbul | |
1123 | Raphael Grisey | Wo Versteckt Sich Rosa L. – Où Se Cache Rosa L. | it: éditions | 2006 | Berlin |
1124 | Woo First Issue Winter 09 | Woo Publication | 2009 | Vancouver | |
1125 | Woo Issue 4 Summer 2010 | Woo Publication | 2010 | Vancouver | |
1126 | Woo Magazine Issue 2/3 Spring 2010 | Woo Publication | 2010 | Vancouver | |
1127 | Haktan Özer | woodstock | Bakkal Press | 2011 | İstanbul |
1128 | Tan Lin | work on napkin | Westphale Verlag | 1996 | Viyana / Vienna |
1129 | Peter Friedl | Working at Copan | Sternberg Press, Kunsthalle Basel, Extra City | 2007 | Londra / London |
1130 | Michalis Pichler | Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed | Cneai | 2008 | Chatou |
1131 | Juan Andrade | Xantismo | Editado por Sociedad Anómica | 2019 | Guayaquil |
1132 | General Idea | XXX VOTO | General Idea | 1995 | Toronto |
1133 | Banu Cennetoğlu | Yalancı Şahit – False Witness | Idea Books | 2003 | Amsterdam |
1134 | Laurianne Bixhain | Yan et gaelle – pliage 012 | Laurianne Bixhain | 2010 | İstanbul |
1135 | Süreyyya Evren | Yar arabeni öyküleri | 1992 | İstanbul | |
1136 | frobuk & ham | yenicem seni | Bakkal Press | 2010 | İstanbul |
1137 | Banu Cennetoğlu | Yeniden Güncelleştirilmiş ve Genişletilmiş Korkutan Asyalı Adamlar – Re-updated and Expanded Scary Asian Men | İstanbul Modern | 2011 | İstanbul |
1138 | Kerem Ozan Bayraktar | Yer Ruhları | Sanatorium | 2021 | İstanbul |
1139 | Ilgın Deniz Akseloğlu, Etem Şahin | Yokgün/ Noday: An Essay on an Instant and Understanding | Moment Eğitim Araştırma Sağlık Hiz.ve Tic. A.Ş. | 2019 | İstanbul |
1140 | İlhan Mimaroğlu | Yokistan Tasarısı | Pan Yayıncılık | 1997 | İstanbul |
1141 | Ian Page | YSL | 2021 | Amsterdam | |
1142 | Cem İleri | Yüzücü | Cem İleri | 2019 | |
1143 | Rudolf Baranik | Z Communiques | Bee Sting Press | 1994 | New York |
1144 | Ali Beşikçi (Ed.) | z-one | ZONE | 2020 | İstanbul |
1145 | Gizem Karakaş | Zamane Kartları | Onagöre | 2020 | İstanbul |
1146 | Patrizia Bach | Zu Walter Benjamins Passagen-Werk | Patrizia Bach & Revolver | 2017 | Berlin |
1147 | Milenko Lazić | ZurichSyndrom | Amsel Verlag | 2013 | Zürih / Zurich |
1148 | Danier Knorr | Արվեստագետի Գիրք (Sanatçı Kitabı) | Ermenistan / Armenia |
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1149 | Burak Bedenlier | Burak Bedenlier | 2006 |